Imy Wyatt Corner [email protected]

Total Page:16

File Type:pdf, Size:1020Kb

Imy Wyatt Corner Iwyattcorner@Outlook.Com Imy Wyatt Corner [email protected] Directing SHOW THEATRE/ VENUE WRITER LENGTH OF RUN YEAR Humane Pleasance Theatre * Polly Creed 3 weeks (postponed) 2021 Gaslight Playground Theatre * Patrick Hamilton 3 weeks 2019 Baby, What Blessings Theatre503 * Siofra Dromgoole 1 week 2019 Baby, What Blessings Edinburgh Fringe Siofra Dromgoole 2 weeks 2019 Baby, What Blessings Bunker Theatre Siofra Dromgoole 1 night 2019 Baby, What Blessings Brewery Arts Centre, Siofra Dromgoole 1 night 2019 Kendal Q&A Southwark Playhouse Jess Moore 1 night 2019 From There to Here Old Red Lion Theatre Amanda Lane 2 nights 2019 We, The People Etcetera Theatre * Eleanor Ross 1 night 2019 Walk Swiftly & With Purpose North Wall Arts Centre Siofra Dromgoole 2 nights 2019 Walk Swiftly & With Purpose Theatre503 * Siofra Dromgoole 1 week 2018 Walk Swiftly & With Purpose Edinburgh Fringe Siofra Dromgoole 2 weeks 2018 NSA The Mono Box Charles Entsie 1 night 2018 Our Lemon Sherbet Sky Arcola Theatre Eleanor Ross 1 night 2018 Flux Leyton Technical/ Plymouth Fringe Naomi Soneye-Thomas 4 nights 2018 Happy Yet? International Theatre, Katie Berglof 4 nights 2018 Frankfurt * Happy Yet? Courtyard Theatre Katie Berglof 1 week 2017 Happy Yet? Edinburgh Fringe Katie Berglof 2 weeks 2016 Assistant Directing SHOW THEATRE/ VENUE DIRECTOR LENGTH OF RUN YEAR NoF*cksgiven Vault Festival Michael Oakley 1 week 2019 R&D Felt Little Angel/ The North Wall * Pip Williams 10 days 2020/21 Humane Pleasance Theatre Polly Creed 1 week 2019 Baby, What Blessings Brewery Arts, Kendal Siofra Dromgoole 1 week 2019 *= professional Other Work & Training Bristol Old Vic Theatre School, MA Drama Directing (2020 – ongoing) Everywoman & Other Confessions,*Producer. ACE funded takeover festival at Bunker Theatre - anonymously written play about motherhood dir by Amelia Sears. Provided childcare and events for babies and carers alongside the main show. Commissioned writing from Anna Jordan, Hannah Khalil, Eve Leigh, Tinuke Craig and Leo Skilbeck about parenthood and identity. True Name CIC Co-founder & Artistic Director. Activist Theatre Company exploring the relationship between environmental and political issues. Due to direct ‘Humane’ – ACE funded three week run at Pleasance 2021 (postponed due to covid) and audio drama. www.truename.co.uk Imy Wyatt Corner [email protected] Swings & Roundabouts CIC, Co-Founder & Artistic Director. Company focused on creating a community for emerging artists. We have raised nearly £2000 for homelessness charities through our new writing showcases at Southwark Playhouse. www.swingsroundabouts.com Roundhouse, Future Producers for the Performing Arts course – by competitive application (Jan 2020 – June 2020) –training on budgeting, fundraising & writing ACE Apps from top arts organisations. Hampstead Theatre, Script reader (since 2018) Finborough Theatre, Marketing & Social Media Co-ordinator (December 2017 – June 2018) Eggs, by Florence Keith Roach, dir. Maud Dromgoole, Stage Manager & Operator, 1 month, Edinburgh Fringe 2015 Monobox Playstart 2018, received feedback from Ned Bennett, Polly Bennett and Joan Ilioya & attended workshops with Andrew Whyment REVIEWS Gaslight Interview with Natasha Tripney for The Guardian: https://www.theguardian.com/stage/2019/oct/08/victorian-melodrama-gaslight-love-island- psychological-abuse-patrick-hamilton-play-buzzword “A phenomenal piece of theatre” 4* The Upcoming “Fraught with suspension and quiet terror” 4 * The Spy in the Stalls “Engrossing, energetic and pertinent” 4* A Younger Theatre 4* Sadie Takes The Stage 4* Breaking the Fourth Wall 4* Felix Arts Baby, What Blessings “A refreshing reminder to look beyond the drama in our own heads” 4* The Scotsman “The play is incredibly effective in its simplicity” 5 * The Student “A challenging and introspective portrayal of first love” 4* Fringe Biscuit “Imy Wyatt Corner’s direction… boldly confronts the awkwardness of not getting politics ‘right’ first time. Her direction of the space and the story is pronounced” 4* Broadway Baby Walk Swiftly and With Purpose “Intelligent and emotionally aware pacing” 5 * Broadway Baby “Somehow the transitions are effortless… thanks to the excellent direction” 5* Felix Arts “Superb Direction” 4* Everything Theatre “Laugh out loud funny” 4* London Pub Theatres "A delightful and universally relatable production" 4* The Student Newspaper "A must see when the chance comes around again" 4* A Younger Theatre Happy Yet? “ The entire ensemble is fantastic in this simplistic and hard-hitting play” Frankfurter Rundschau “A striking, beautiful and heartbreaking production” – 4* The List .
Recommended publications
  • Lee Proud Represented by Michael Garrett
    23 Haymarket London SW1Y 4DG United Kingdom Phone: 020 7839 4888 Email: [email protected] Website: www.globalartists.co.uk Lee Proud Represented by Michael Garrett Choreography: Mr Punch National Theatre Studio 2018 Patrick Marber The Rocky Horror Show Iceland 2018 Reykjavik City Theatre Ghost Berlin 2017 Stage Entertainment Elf The Musical Tivoli Copenhagen 2017 Tivoli Sunset Boulevard UK Tour 2017 David Ian Productions Legally Blonde Leicester Curve/Monaco 2017 Nikolai Foster Ghost Landestheater Linz 2017 Linz, Austria RENT UK Tour 2016 Bruce Guthrie Spring Awakening Leicester Curve 2016 Nikolai Foster The Savage Live Theatre 2016 Lee Proud Grand Hotel Japan 2016 Thom Southerland The Smallest Show on UK Tour 2015 Thom Southerland Earth Mamma Mia Reykjavik 2016 Unn OSP Stefansdottir Grand Hotel Southwark Playhouse 2015 Thom Southerland The Wind in the Willows Grosvenor Park Open Air 2015 Alex Clifton Theatre The Producers UK Tour 2015 Adam Spiegel Michael Garrett Associates Ltd. t/a Global Artists | Registration No. 4404385 | VAT No. 796 1383 89 Reg Office: 23 Haymarket, London, SW1Y4 DG | Tel: 020 7839 4888 | Fax: 020 7839 4555 [email protected] | globalartists.co.uk | twitter.com/GlobalArtistsUK Any offer contained within this letter does not constitute a contract | Member of the PMA Billy Elliot Reykjavik City Theatre 2014 Ghost The Musical English Theatre Frankfurt 2014 Adam Penford Post Office of Iceland TV Commercial 2014 Lottys War UK Tour 2014 Bruce Guthrie Revolution in the Elbow of Minetta Lane Theatre New 2014
    [Show full text]
  • Albion Full Cast Announced
    Press release: Thursday 2 January The Almeida Theatre announces the full cast for its revival of Mike Bartlett’s Albion, directed by Rupert Goold, following the play’s acclaimed run in 2017. ALBION by Mike Bartlett Direction: Rupert Goold; Design: Miriam Buether; Light: Neil Austin Sound: Gregory Clarke; Movement Director: Rebecca Frecknall Monday 3 February – Saturday 29 February 2020 Press night: Wednesday 5 February 7pm ★★★★★ “The play that Britain needs right now” The Telegraph This is our little piece of the world, and we’re allowed to do with it, exactly as we like. Yes? In the ruins of a garden in rural England. In a house which was once a home. A woman searches for seeds of hope. Following a sell-out run in 2017, Albion returns to the Almeida for four weeks only. Joining the previously announced Victoria Hamilton (awarded Best Actress at 2018 Critics’ Circle Awards for this role) and reprising their roles are Nigel Betts, Edyta Budnik, Wil Coban, Margot Leicester, Nicholas Rowe and Helen Schlesinger. They will be joined by Angel Coulby, Daisy Edgar-Jones, Dónal Finn and Geoffrey Freshwater. Mike Bartlett’s plays for the Almeida include his adaptation of Maxim Gorky’s Vassa, Game and the multi-award winning King Charles III (Olivier Award for Best New Play) which premiered at the Almeida before West End and Broadway transfers, a UK and international tour. His television adaptation of the play was broadcast on BBC Two in 2017. Other plays include Snowflake (Old Fire Station and Kiln Theatre); Wild; An Intervention; Bull (won the Olivier Award for Outstanding Achievement in an Affiliate Theatre); an adaptation of Medea; Chariots of Fire; 13; Decade (co-writer); Earthquakes in London; Love, Love, Love; Cock (Olivier Award for Outstanding Achievement in an Affiliate Theatre); Contractions and My Child Artefacts.
    [Show full text]
  • Who We Are Week Runs, One Offs & Matinees
    Valid until 31.12.2018 265 CAMDEN HIGH STREET - NW1 7BU - LONDON 0207 482 4857 - [email protected] 1996 Guinness Ingenuity Award for Pub Theatre WHO WE ARE As a home is not just a house, a Theatre is not just a space. HISTORY & LOCATION Since its foundation in 1986, the Etcetera Theatre has become one of the milestone venues of the London fringe circuit. The theatre is ideally located right on Camden High Street, one of the busiest tourist and shopping areas in London only seventy-five metres away from Camden Town tube station. The Etcetera works to establish a healthy and sustainable relationship with all incoming companies and we are happy to provide support and advice throughout the production process. We have been established here for twenty nine years and are happy to pass on useful contacts and advice to incoming companies. THE TEAM Since 2014, the Etcetera has not only become a family business but an artistic one at that! Run by Maud (actress) & her brother Pierre (musician), their experience of being self represented artists and their passion for the live arts is definitely one of the main assets of this new management as they can fully understand the ins and outs of putting on a show. WEEK RUNS, ONE OFFS & MATINEES These prices include the use of our PA system and lights as well as our furniture and microphones. WEEK RUNS Include 6 performances from TUE – SUN and are available on two different slots. EARLY SLOT: 7PM – 8PM (6.30PM – 8PM for 90min shows) LATER SLOT: 9PM – 10PM LATER SLOT EXTENDED: 9PM – 10.30PM NB: on Sundays all shows start and finish an hour earlier.
    [Show full text]
  • Sundowning by Nessah Muthy
    Sundowning by Nessah Muthy Betty . .Hazel Maycock Intrepid plays by fearless women since 1991 Teresa . Nadia Nadif Alyssa . Aasiya Shah Kali Theatre develops and tours ground breaking, Director . .Helena Bell thought provoking, contemporary theatre by women Writer . Nessah Muthy writers of South Asian descent. Designer . .Rajha Shakiry Lighting Designer . Pablo Fernandez Baz We seek out and nurture talented writers, bringing their experience and stories to audiences from all backgrounds to transform the theatre Sound Designer . .Dinah Mullen landscape and better reflect modern Britain. Video Designer . .Daniel Denton Sundowning Choreographer . Yarit Dor We have been championing women writers from a South Asian background for over twenty five years. We actively encourage our Production Manager . .Kate Jones by Nessah Muthy writers to reinvent the theatrical agenda and have gained a reputation Company Stage Manager . Charlotte R L Cooper for staging inspiring and provocative new theatre. Wardrobe Support . Alex Horner Our new Discovery and Festival Writer Development Programmes Kali Theatre encourage and support the creation of new work through writing Artistic Director . Helena Bell workshops, dramaturgical support and public readings. Executive Director . .Christopher Corner Administrator. Samia Djilli Publicist . Nancy Poole Find our more and join our mailing list at kalitheatre.co.uk Marketing . Reshmi Mayer Email us [email protected] Thanks to the staff of Plymouth Theatre Royal for all their support in creating this Like us facebook.com/kalitheatureUK production of Sundowning. Follow us @KaliTheatreUK Thanks to Pursued by a Bear who first commissioned Sundowning when under previous AD Helena Bell and in particular Julia Tymukas, Thomas Kell, Katharine Ives and Cathy Westbrooke who helped support early sharings.
    [Show full text]
  • Love's Labour's Lost
    CAL PERFORMANCES PRESENTS CAST Wednesday, November 4, 2009, 8pm Love’s Labour’s Lost Thursday, November 5, 2009, 7pm Friday, November 6, 2009, 8pm Saturday, November 7, 2009, 2pm & 8pm Sunday, November 8, 2009, 3pm Zellerbach Hall Shakespeare’s Globe in Love’s Labour’s Lost John Haynes CAST by William Shakespeare Ferdinand, King of Navarre Philip Cumbus Berowne Trystan Gravelle Artistic Director for Shakespeare‘s Globe Dominic Dromgoole Longaville William Mannering Dumaine Jack Farthing Director Set and Costume Designer Composer The Princess of France Michelle Terry Dominic Dromgoole Jonathan Fensom Claire van Kampen Rosaline Thomasin Rand Choreographer Fight Director Lighting Designer Maria Jade Anouka Siân Williams Renny Krupinski Paul Russell Katherine Siân Robins-Grace Text Work Movement Work Voice Work Boyet, a French lord in attendance on the Princess Tom Stuart Giles Block Glynn MacDonald Jan Haydn Rowles Don Adriano de Armado, a braggart from Spain Paul Ready Moth, his page Seroca Davis Holofernes, a schoolmaster Christopher Godwin Globe Production Manager U.S. Production Manager Paul Russell Bartolo Cannizzaro Sir Nathaniel, a curate Patrick Godfrey Dull, a constable Andrew Vincent U.S. Press Relations General Management Richard Komberg and Associates Paul Rambacher, PMR Productions Costard, a rustic Fergal McElherron Jaquenetta, a dairy maid Rhiannon Oliver Executive Producer, North America Executive Producer for Shakespeare’s Globe Eleanor Oldham and John Luckacovic, Conrad Lynch Other parts Members of the Company 2Luck Concepts Musical Director, recorder, shawms, dulcian, ocarina, hurdy-gurdy Nicholas Perry There will be one 20-minute intermission. Recorders, sackbut, shawms, tenor Claire McIntyre Viol, percussion David Hatcher Cal Performances’ 2009–2010 season is sponsored by Wells Fargo.
    [Show full text]
  • Isabel Dixon Writer
    Isabel Dixon Writer Isabel Dixon is a playwright from the South West, now based in London. She is the recipient of the 2019 Adopt a Playwright Award, and is currently developing her new play KALEIDOSCOPES with the support of OffWestEnd.com. Isabel trained on the Royal Court Young Writers Programme, Lyric Hammersmith Writers Group and Soho Theatre Writers Lab. Her work has been performed, read and/or developed at theatres including the Old Vic, the Arcola, RichMix and BAFTA. She was shortlisted for the Old Vic 12 in 2018 and 2019, and was the recipient of the 2015 Jack Wills Young Brit Award bursary for creativity. Her first play, THE PLOUGH, has been optioned for screen by Seahorse Films. HEROES, which was developed on the Soho Theatre Writers Lab, was longlisted for the Papatango New Writing Prize in 2017 and was developed further at VAULT Festival 2020. She also works as a dramaturg, facilitator and script reader, and co-founded female-led theatre company Burn Bright Theatre in 2015. Agents Mark Brennan [email protected] 020 3214 0800 Credits In Development Production Company Notes KALEIDOSCOPES - Winner of the Adopt a Playwright 2020 Award 2019 - Developing in the lead up to a 2020 showcase United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes THE PLOUGH (Film Adaptation) Seahorse Films - Currently adapting her own play into 2020 a feature Theatre Production Company Notes LIFE IN BOXES Space / Queen Mary - A short play
    [Show full text]
  • Amy De Bhrún
    AMY DE BHRÚN NolanMuldoonAgency HEIGHT 5’ 8” HAIR Blonde EYES Blue/Green NATIONALITY Irish TRAINING Laine Theatre Arts Company FILM & TELEVISION Production Part Director Company Penny Dreadful Prostitute J.A. Bayona Showtime Casualty Alana Steve Hughes BBC Treasure The Stag Rachel John Butler Entertainment Vikings Ingigerd Johan Renck History Channel All is By My Side Pheobe John Ridley Matador The Crown and the Dragon Ellen Barethon (L) Anne K Black Arrowstorm The South Bank Show Tess Durberville Matt Cain ITV Bigga Than Ben Girl in Bookshop Suzie Halewood Annex Films Lovelorn Doctor Becky Preston Tread Softly Dance Invasion Sarah Collins (L) Liam Beale Chaos Weekly Films Girl in Motion Girl (L) Phil Bowman Doublecrossed We Few Head Operator Lee Stringer Lucas Films THEATRE Play Part Director Venue/Company Till Death We Part One Woman Show Helena Browne Theatre Upstairs Theatre Row, New Female of the Species One Woman Show Helena Browne York Life A One Woman Show Grainne Helena Browne Solas Productions The Money Man Sophie Helena Browne Rumor Mill, LA NolanMuldoonAgency / +353 1 288 1537 / www.nolanmuldoonagency.com Facing the Space Emma Helena Browne Mayfield Café Life Grainne Helena Browne Roundhouse, London 2am Jono Helena Browne Etcetera Theatre 3 Women for the Moon La Helena Browne Bewley’s Café Theatre A Short Swim in the Air Jessie Helena Browne Pleasance Theatre The Maids Claire Helena Browne Etcetera Theatre The Donahue Sisters Annie Helena Browne Etcetera Theatre The House of Bernarda Alba Magdalena Mhairi Grealis Pentameters
    [Show full text]
  • MERRIE ENGLAND Music by Edward German
    Press Information The Finborough Theatre is now fully air conditioned Summer Season | April to July 2012 Part of the Finborough Theatre's Celebrating British Music Theatre series Citric Acid in association with Neil McPherson for the Finborough Theatre presents The first professional London production for 52 years MERRIE ENGLAND Music by Edward German. Libretto by Basil Hood. Directed by Alex Sutton. Musical Direction by Eamonn O’ Dwyer. Designed by Philip Lindley. Lighting by Miguel Vicente. Produced by Luke Holbrook. Costume Design by Sophia Anastasiou. Cast: Sammy Andrews. Alexander Beck. Jamie Birkett. Daniel Cane. Luke Courtier. Stephen Darcy. Virge Gilchrist. Tom Giles. Stuart Hickey. Rachel Holbrook. Nichola Jolley. Christopher Killik. Ruth Leavesley. Brendan Matthew. Michael Riseley. Jody Ellen Robinson. Gemma Sandzer. Rhys Saunders. Originally written for the Savoy Theatre in 1902 and a longtime British musical classic, this rediscovery celebrates both the Queen’s Diamond Jubilee as well as the 150th anniversary of the birth of composer Edward German. Merrie England plays at the Finborough Theatre for a limited run of nine Sunday and Monday evening performances and Tuesday matinees, opening on Sunday, 27 May 2012 (Press Night: Monday, 28 May 2012 at 7.30pm). Edward German's patriotic pageant deals with love and rivalries at the court of Queen Elizabeth I as the monarch visits the townsfolk of Windsor to celebrate May Day. With a plot that includes such historical personages as Sir Walter Raleigh and the Earl of Essex, murder plots and tales of witchcraft unravel to the background of the May Day revels... An English light opera in the style made famous by Gilbert and Sullivan, Merrie England features a prominent chorus and a range of principal numbers including ballads, patter songs, duets and quintets.
    [Show full text]
  • Women in Theatre 2006 Survey
    WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company 2006 copyright. No part of this survey may be reproduced without permission WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission The comparative employment of men and women as actors, directors and writers in the UK theatre industry, and how new writing features in venues’ programming Period 1: 16 – 29 January 2006 (inclusive) Section A: Actors, Writers, Directors and New Writing. For the two weeks covered in Period 1, there were 140 productions staged at 112 venues. Writers Of the 140 productions there were: 98 written by men 70% 13 written by women 9% 22 mixed collaboration 16% (7 unknown) 5% New Writing 48 of the 140 plays were new writing (34%). Of the 48 new plays: 30 written by men 62% 8 written by women 17% 10 mixed collaboration 21% The greatest volume of new writing was shown at Fringe venues, with 31% of its programme for the specified time period featuring new writing. New Adaptations/ New Translations 9 of the 140 plays were new adaptations/ new translations (6%). Of the 9 new adaptations/ new translations: 5 written by men 0 written by women 4 mixed collaboration 2 WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission Directors 97 male directors 69% 32 female directors 23% 6 mixed collaborations 4% (5 unknown) 4% Fringe theatres employed the most female directors (9 or 32% of Fringe directors were female), while subsidised west end venues employed the highest proportion of female directors (8 or 36% were female).
    [Show full text]
  • Foxfinder by Dawn King Directed by Blanche Mcintyre
    Press Information New Writing at the Finborough Theatre Season November 2011 to January 2012 Papatango Theatre Company in partnership with the Finborough Theatre present four world premieres The Papatango Playwriting Festival 2011 Foxfinder by Dawn King Directed by Blanche McIntyre. Designed by James Perkins. Lighting by Gary Bowman. Sound by George Dennis. Cast: Kirsty Besterman. Tom Byam Shaw. Becci Gemmell. Gyuri Sarossy. Papatango have teamed up with one of London's leading new writing venues, the Finborough Theatre to present the winning entries in the 2011 Papatango Playwriting Competition 2011, featuring this year's winning play Foxfinder by Dawn King which will play for a four week limited season from 29 November (Press Night: Thursday, 1 December 2011 at 8.30pm). “You, Foxfinder, must be clean in body and mind. Always remember that the smallest fault in your character could become a crack into which the beast may insinuate himself, like water awaiting the freeze that will smash the stone apart.” William Bloor, a Foxfinder, arrives at Sam and Judith Covey’s farm to investigate a suspected contamination. What follows will change the course of all their lives, forever. Foxfinder is a gripping, unsettling and darkly comic exploration of belief, desire and responsibility. Playwright Dawn King was one of ten writers from across the UK chosen for the BBC Writersroom 10 scheme, a prestigious mentoring and support programme. Through this she is developing a new play with West Yorkshire Playhouse. She is also currently writing My One and Only, an afternoon play for BBC radio 4. Her episode of horror series The Man in Black will broadcast on BBC radio 4 Extra later this year.
    [Show full text]
  • Scenes on the Sand – Cast Biographies 1
    SCENES ON THE SAND – CAST BIOGRAPHIES MON 4TH AUG SIREN by David Elms SIREN: Emma Sidi Emma Sidi is an actor and comic based in South London. She is a former member of the Cambridge Footlights, performing in the International Tour Show 2013. Recent theatre credits include Sweet Meat (Tristan Bates Theatre), EXP (Etcetera Theatre) and Three Sisters (ADC Theatre). Film includes Gregor, written and directed by Mickey Down and Konrad Kay. She also recently directed the short play The Walls Are Thin (Tristan Bates Theatre). SAILOR: Barney McElholm Barney is a LAMDA graduate and co-Artistic Director of Soggy Arts Productions. Theatre credits include: Tomorrow and Middle Child (West Yorkshire Playhouse), Romeo & Juliet, (Young Shakespeare Company; National Tour), The Long Trick and Bucket Club (Nightingale Theatre), Wind in the Willows (Cambridge Touring Theatre; Gilded Balloon), Uprooted, Full House (National Tour). Television and Film: Oliver Ball, The Lurker (Soggy Arts), Pete, The Rambling Men (Soggy Arts). TREASURE by Alexander Owen JAMES: Ian Targett Theatre credits include: The Breadwinner (Orange Tree), Bows and Arrows (Royal Court), Why Me? (Novello), The Kiss of Life and A View of Kabul (Bush), Romeo and Juliet (Lyric Hammersmith), Eurydice (BAC), Burning Point (Tricycle), The Woman in Black (PW Productions), A Small Family Business (West Yorkshire Playhouse). Tours include An Inspector Calls, The Winslow Boy, Arsenic and Old Lace, Dracula. TV work includes: Marks, A Taste of Honey, Over the Rainbow, Mind Games, Babylon, The Last Detective, Ghostboat, Midsomer Murders, Monroe, Eastenders, Emmerdale, Trust Me, Casualty, Forever Green, Doctors, Films include: The Fool, A Dangerous Man, and The Lover MOIRA: Sasha Waddell Sasha has just returned from touring the Far East with Yes Prime Minister.
    [Show full text]
  • Introduction to Ecovenue Ecovenue Is a Signifi Cant Theatre-Specifi C Environmental Project Being Run by the Theatres Trust
    Introduction to Ecovenue Ecovenue is a signifi cant theatre-specifi c environmental project being run by The Theatres Trust. It aims to improve the environmental performance of forty-eight London theatres and raise awareness of how to make theatres greener. Ecovenue is promoting the sustainability of theatres and the reduction of carbon emissions through the provision of free theatre-specifi c, environmental advice. The project started in 2009 and runs until 2012. Forty-eight venues each undergo an Environmental Audit, and receive a Display Energy Certifi cate (DEC) and Advisory Report. They track their energy use through SMEasure. Each venue receives a second DEC a year after their fi rst to measure progress. Ecovenue includes a ‘DEC Pool’ of performing arts venues across the UK that have obtained DECs. The DEC Pool helps us to evaluate the project and share best practice and information, establish meaningful benchmarks, and provide a better understanding of energy use of theatres. Any theatre can join the DEC Pool. The Trust’s Theatres Magazine provides quarterly reports on the participants and the work of the Ecovenue project. The Theatres Trust Ecovenue project receives fi nancial support from the European Regional Development Fund. Participating Theatres Albany Theatre Etcetera Theatre Old Vic Arcola Finborough Theatre Orange Tree Theatre Arts Theatre Gate Theatre Pleasance Islington artsdepot Greenwich & Lewisham Young Polka Theatre Brockley Jack People’s Theatre Putney Arts Theatre Bush Theatre Greenwich Playhouse Questors Camden People’s
    [Show full text]