London Academy of Music & Dramatic

Total Page:16

File Type:pdf, Size:1020Kb

London Academy of Music & Dramatic LONDON ACADEMY OF MUSIC & DRAMATIC ART Welcome 3 Why Choose LAMDA? 5 Acting at LAMDA 7 BA (Hons) Professional Acting 9 Foundation Degree Professional Acting 12 MA Classical Acting for the Professional Theatre 13 Production & Technical Arts at LAMDA 15 Production & Technical Arts: Stage & Screen 17 Recent Technical Graduate Destinations 19 Other Full-Time Courses 21 MA Directing 23 LAMDA Foundation Diploma 26 LAMDA Semester Diploma Classical Acting 27 LAMDA Shakespeare Summer School 28 LAMDA Short Courses 29 Shakespeare Short Course 31 Audition Technique 32 Introduction to Drama School 32 Introduction to Screen Acting 32 English Communication Skills Through Drama (EFL) 32 How to Apply 35 Equality & Diversity 36 Fees & Funding 37 Living in London 39 Our New Home 41 Our Graduates 43 Faculty & Visiting Artists 45 The Conservatoire for Dance and Drama 47 Our Supporters 49 Our Examinations 51 Contact Us 53 This publication is also available to view at www.lamda.org.uk. If you require this prospectus in large print, please contact LAMDA on +44 (0)20 8834 0500 or [email protected]. Every effort has been made to locate the source of photographs, illustrations and text appearing in this publication. All information correct at time of going to press. Brian Cox CBE © LAMDA Limited 2016. All Rights Reserved. Class of 1965 BAFTA, Emmy and Olivier Award winner Designed by Hudson Fuggle www.hudsonfuggle.com Credits include: War and Peace (BBC), Penny Dreadful (Sky), Rise of the Planet of the Apes Front Cover: Macbeth by William Shakespeare. LAMDA at Large at the Pleasance, Islington. Photograph by John Haynes. WWW.LAMDA.ORG.UK PROSPECTUS 4 At LAMDA we offer exceptional vocational training to actors, technicians, stage managers and directors from around the world. As a world-leading conservatoire, we are committed to seeking out the most talented dramatic artists and technicians and to nurturing that talent, regardless of a student’s background. We do this so that our graduates can have the most extraordinary impact across the performing arts through the quality of their work. We are proud to have a faculty of experienced tutors; experts in their respective fields and all dedicated to the progress and well-being of our students. Our long-established relationships with industry colleagues mean we work closely with agencies, technical partners and professional writers, designers, directors and actors. This combined expertise ensures our teaching reflects the latest developments and opportunities in the industry and gives our students exposure to the most comprehensive and rigorous training possible. The ensemble is at the heart of our work and we place collaboration at the core of what we do. We are proud of the supportive and open learning environment we have cultivated at LAMDA, giving students a solid foundation on which to build a lasting and rewarding career. LAMDA graduates are highly sought after for their ability, passion, commitment and openness – qualities that are underpinned by superb skills and technique. We deal in excellence and imagination and students are encouraged to take risks knowing that there is a community of peers and mentors to support them on their journey. This is a particularly exciting time to be at LAMDA as the completion of our £28.2 million redevelopment provides our incoming students with state-of-the-art facilities in which to explore and learn their craft. I hope this prospectus gives you a taste of what we offer. Visit www.lamda.org.uk for more or join the LAMDA community on Twitter, Facebook, YouTube and Instagram. I look forward to meeting you at LAMDA. Joanna Read LAMDA Principal Photograph by Richard Hubert Smith 5 PROSPECTUS LONDON ACADEMY OF MUSIC & DRAMATIC ART WWW.LAMDA.ORG.UK PROSPECTUS 6 A WORLD-LEADING CONSERVATOIRE, WE HAVE BEEN FUELLING THE DRAMATIC ARTS WITH NEW TALENT SINCE 1861. OUR COURSES ARE ENTIRELY PRACTICAL AND LED BY A FIRST-CLASS FACULTY OF EXPERIENCED TUTORS AND VISITING ARTISTS. Pioneering Excellence LAMDA productions we strengthen our by the advertised deadline, providing Founded in 1861 as the London ties with the profession and enable our they meet the age requirements for Academy of Music, LAMDA was the first students to establish valuable industry the training. We do not ask applicants such institution to offer acting tuition contacts prior to graduation. for academic qualifications or grades; – defining the Academy’s role as a we ask only for talent, passion and a pioneer in its field. When we introduced Showcases in London’s West End for commitment to learn. our technical theatre training in 1965, our BA and FdA Professional Acting it quickly became a prototype for other students, and in New York and LA for Financial Support institutions branching into this area. students eligible to work in the US, Our FdA, BA (Hons) and MA courses This pioneering spirit remains at the provide an opportunity to perform in are validated by the University of Kent heart of our work – we offer an inventive front of an audience of agents, casting (www.kent.ac.uk) and quality assured environment for artistic development; directors and other key industry figures. by the UK Quality Assurance Agency our students are exposed to the latest for Higher Education (www.qaa.ac.uk). developments in their art form and are Students gain additional industry Our FdA and BA (Hons) students are encouraged to explore their craft to exposure by participating in a number funded in the same way as all other produce innovative and exciting work. of national events and competitions, undergraduates at university or college including the Sam Wanamaker Festival at in England, which means that fees are Experienced Tutors Shakespeare’s Globe and the Stephen regulated, and eligible UK/EU students LAMDA’s courses are led by a first- Sondheim Society Student Performer of have access to the same system of class faculty of experienced tutors and the Year Award, amongst others. loans to help with tuition fees and visiting specialists and professionals. maintenance costs. Our tutors are leaders in their respective Work Placements fields and many continue to work in LAMDA Production & Technical Arts As a part of the Conservatoire for Dance the industry alongside their teaching students undertake two six-week and Drama, we receive funding from the commitments at LAMDA. Throughout placements in their second year, and an Higher Education Funding Council for the year, masterclasses, workshops and additional 10 to 12 weeks of work-based England (www.hefce.ac.uk). LAMDA lectures with actors, directors, casting learning in the optional BA (Hons) top-up and the Conservatoire offer a range of directors, agents and technical partners year. LAMDA is currently the only UK scholarships and bursaries to ensure that complement our core training. drama school to offer two second year the most talented students can benefit placements as standard. Many students from our training, regardless of their UK & US Industry Connections secure employment as a direct result of financial circumstances. Through the Throughout their training LAMDA their placements and our technical theatre Conservatoire, we are also able to offer students are prepared for a sustainable graduates enjoy a 100% employment rate a number of free audition and interview career in their chosen profession. We within weeks of leaving LAMDA. places each year for applicants in financial collaborate with the industry on our need. Read more about the financial annual new writing commissions for stage Access For All support available on pages 36 & 37. and screen. Through these initiatives, we Our international reputation as a world- nurture professional artists and offer our leading drama school means that we Our New Home students the invaluable experience of attract the most talented students from Over the course of 2015-16 we have creating new work. around the globe to train with us. At transformed the LAMDA campus with LAMDA, we believe that everyone, the development of a new £28.2m Our final year students transfer regardless of background, should centre for drama training. Students by Sam Shepard at The LAMDA Linbury Studio. productions to professional venues have access to exceptional vocational joining LAMDA in 2017-18 will across the UK and overseas – reaching training. Committed to recruiting on experience the full benefits of these audiences from Brecon to Moscow, talent alone, we audition and/or interview exceptional new training facilities and Cumbria to New York. By touring everyone who submits their application performance spaces. A Lie of the Mind Photograph by Richard Hubert Smith 7 PROSPECTUS LONDON ACADEMY OF MUSIC & DRAMATIC ART WWW.LAMDA.ORG.UK PROSPECTUS 8 LAMDA defines the actor’s role as storyteller, artist, communicator and commentator. Our training demands our students’ emotional and intellectual engagement with the world around them. As drama is a collaborative art form, we place great emphasis on the individual’s responsibility to the group and the group’s responsibility to the individual. Nothing is more important than the cultivation of an environment in which creativity can flourish. Risk-taking, barrier-breaking and exploration can only occur because attitudes of mutual respect, support and celebration are firmly embedded within the Academy. LAMDA actors are characterised by their commitment, imagination and openness, supported by strong vocal and physical technique. There is, however, no such thing as a LAMDA product. We develop each student’s individual strengths, talent and potential. We are a liberal institution. In pursuit of excellence, we work with plays and texts that express the widest possible range of views and beliefs. Our students must therefore be willing to play any character these texts may involve, including roles of either gender and any race or faith. Acceptance of a place at LAMDA will be deemed acceptance of our training requirements.
Recommended publications
  • A New Perspective on the Presley Legend
    JULY, 1986 Vol 10 No 6 ISSN 0314 - 0598 A publication of the Australian Elizabethan Theatre Trust A New Perspective on the Presley Legend ARE YOU LONESOME TONIGHT? by Alan Bleasdale Directed by Robin Lefevre Designed by Voytek Lighting designed by John Swaine Musical direction by Frank Esler-Smith Cast: Martin Shaw, David Franklin, Peta Toppano, Marcia Hines, John Derum, Lynda Stoner, Mervyn Drake, Ron Hackett and Jennifer West Her Majesty's Theatre heap of foil-wrapped Cadillac bon­ A nets (or is it crushed Cadillacs) form a stage upon a stage to set the mood for ARE YOU LONESOME TONIGHT?, Alan Bleasdale's play with songs about the life and death of Elvis Presley. On the lower stage, Gracelands, the garish pink Presley mansion with its outrageous chandeliers, is portrayed. Here, on the last day of his life, is "The King", now ageing, bloated, pill-popping and wear­ ing a purple jumpsuit and sunglasses. He watches his old movies and fumes because one of his trusted "aides" is ex­ posing his secrets to a newspaperman. In a series of flashbacks, Elvis relives his earlier experiences, the death of the twin brother whom he believes was his alter ego and stronger half, the death of his mother while he was a GI in Ger­ many, and the adulation poured on him as the lean, sexy king of rock. HiS manager, Colonel Tom Parker, is por­ trayed as his manipulator, holding a Presley dummy and gloating over the Martin Shaw as the ageing Presley in ARE profits. LONESOME TONIGHT? and (inset) as himself Author Bleasdale wrote the play to achieve a personal vindication of Presley, London critics were not always kind of $9.00 per ticket).
    [Show full text]
  • Annual Report
    COUNCIL ON FOREIGN RELATIONS ANNUAL REPORT July 1,1996-June 30,1997 Main Office Washington Office The Harold Pratt House 1779 Massachusetts Avenue, N.W. 58 East 68th Street, New York, NY 10021 Washington, DC 20036 Tel. (212) 434-9400; Fax (212) 861-1789 Tel. (202) 518-3400; Fax (202) 986-2984 Website www. foreignrela tions. org e-mail publicaffairs@email. cfr. org OFFICERS AND DIRECTORS, 1997-98 Officers Directors Charlayne Hunter-Gault Peter G. Peterson Term Expiring 1998 Frank Savage* Chairman of the Board Peggy Dulany Laura D'Andrea Tyson Maurice R. Greenberg Robert F Erburu Leslie H. Gelb Vice Chairman Karen Elliott House ex officio Leslie H. Gelb Joshua Lederberg President Vincent A. Mai Honorary Officers Michael P Peters Garrick Utley and Directors Emeriti Senior Vice President Term Expiring 1999 Douglas Dillon and Chief Operating Officer Carla A. Hills Caryl R Haskins Alton Frye Robert D. Hormats Grayson Kirk Senior Vice President William J. McDonough Charles McC. Mathias, Jr. Paula J. Dobriansky Theodore C. Sorensen James A. Perkins Vice President, Washington Program George Soros David Rockefeller Gary C. Hufbauer Paul A. Volcker Honorary Chairman Vice President, Director of Studies Robert A. Scalapino Term Expiring 2000 David Kellogg Cyrus R. Vance Jessica R Einhorn Vice President, Communications Glenn E. Watts and Corporate Affairs Louis V Gerstner, Jr. Abraham F. Lowenthal Hanna Holborn Gray Vice President and Maurice R. Greenberg Deputy National Director George J. Mitchell Janice L. Murray Warren B. Rudman Vice President and Treasurer Term Expiring 2001 Karen M. Sughrue Lee Cullum Vice President, Programs Mario L. Baeza and Media Projects Thomas R.
    [Show full text]
  • Teen Stabbing Questions Still Unanswered What Motivated 14-Year-Old Boy to Attack Family?
    Save $86.25 with coupons in today’s paper Penn State holds The Kirby at 30 off late Honoring the Center’s charge rich history and its to beat Temple impact on the region SPORTS • 1C SPECIAL SECTION Sunday, September 18, 2016 BREAKING NEWS AT TIMESLEADER.COM '365/=[+<</M /88=C6@+83+sǍL Teen stabbing questions still unanswered What motivated 14-year-old boy to attack family? By Bill O’Boyle Sinoracki in the chest, causing Sinoracki’s wife, Bobbi Jo, 36, ,9,9C6/Ľ>37/=6/+./<L-97 his death. and the couple’s 17-year-old Investigators say Hocken- daughter. KINGSTON TWP. — Specu- berry, 14, of 145 S. Lehigh A preliminary hearing lation has been rampant since St. — located adjacent to the for Hockenberry, originally last Sunday when a 14-year-old Sinoracki home — entered 7 scheduled for Sept. 22, has boy entered his neighbors’ Orchard St. and stabbed three been continued at the request house in the middle of the day members of the Sinoracki fam- of his attorney, Frank Nocito. and stabbed three people, kill- According to the office of ing one. ily. Hockenberry is charged Magisterial District Justice Everyone connected to the James Tupper and Kingston case and the general public with homicide, aggravated assault, simple assault, reck- Township Police Chief Michael have been wondering what Moravec, the hearing will be lessly endangering another Photo courtesy of GoFundMe could have motivated the held at 9:30 a.m. Nov. 7 at person and burglary in connec- In this photo taken from the GoFundMe account page set up for the Sinoracki accused, Zachary Hocken- Tupper’s office, 11 Carverton family, David Sinoracki is shown with his wife, Bobbi Jo, and their three children, berry, to walk into a home on tion with the death of David Megan 17; Madison, 14; and David Jr., 11.
    [Show full text]
  • Magic Goes Wrong to Miraculously Extend Until August 2020
    Press Release: Monday 20th January 2020 MAGIC GOES WRONG TO MIRACULOUSLY EXTEND UNTIL AUGUST 2020 Mischief Theatre, the Olivier award-winning company behind The Play That Goes Wrong, is flabbergasted to announce a new booking period for Magic Goes Wrong, with tickets now on sale until 30th August 2020. Created with magic legends Penn & Teller, this is the second production as part of Mischief Theatre’s residency at the Vaudeville Theatre. In the latest ‘Goes Wrong’ comedy to hit the West End, the original Mischief company play a hapless gang of magicians presenting a charity event. As the accidents spiral out of control, so does their fundraising target! The Magic Goes Wrong cast includes: Bryony Corrigan Spitzmaus Roxy Faridany Eugenia Dave Hearn The Blade Henry Lewis Mind Mangler Jonathan Sayer Mickey Henry Shields Sophisticato Nancy Zamit Bär The cast is completed by Natasha Culley, Lauren Ingram, Laurence Pears, Sydney K Smith and Liv Spencer. Magic Goes Wrong is directed by Adam Meggido, designed by Will Bowen with costume designs by Roberto Surace. Lighting design is by David Howe, with Sound Design by Paul Groothuis and Video & Projection Design by Duncan McLean. Ben Hart is the Magic Consultant. The Composer is Steve Brown, alongside Movement Director Ali James and Associate Director Hannah Sharkey. Mischief Theatre Ltd. was founded in 2008 by a group of acting graduates of LAMDA and began as an improvised comedy group. Mischief performs across the UK and internationally with original scripted and improvised work and also has a programme of workshops. Mischief Theatre’s other current 1 London productions are The Play That Goes Wrong and The Comedy About A Bank Robbery, performing at the Duchess Theatre and Criterion Theatre respectively.
    [Show full text]
  • March 19, 2013 (XXVI:9) Mike Leigh, NAKED (1994, 131 Min.)
    March 19, 2013 (XXVI:9) Mike Leigh, NAKED (1994, 131 min.) Best Director (Leigh), Best Actor (Thewliss), Cannes 1993 Directed and written by Mike Leigh Written by Mike Leigh Produced by Simon Channing Williams Original Music by Andrew Dickson Cinematography by Dick Pope Edited by Jon Gregory Production Design by Alison Chitty Art Direction by Eve Stewart Costume Design by Lindy Hemming Steadicam operator: Andy Shuttleworth Music coordinator: Step Parikian David Thewlis…Johnny Lesley Sharp…Louise Clancy Jump, 2010 Another Year, 2008 Happy-Go-Lucky, 2004 Vera Katrin Cartlidge…Sophie Drake, 2002 All or Nothing, 1999 Topsy-Turvy, 1997 Career Girls, Greg Cruttwell…Jeremy G. Smart 1996 Secrets & Lies, 1993 Naked, 1992 “A Sense of History”, Claire Skinner…Sandra 1990 Life Is Sweet, 1988 “The Short & Curlies”, 1988 High Hopes, Peter Wight…Brian 1985 “Four Days in July”, 1984 “Meantime”, 1982 “Five-Minute Ewen Bremner…Archie Films”, 1973-1982 “Play for Today” (6 episodes), 1980 BBC2 Susan Vidler…Maggie “Playhouse”, 1975-1976 “Second City Firsts”, 1973 “Scene”, and Deborah MacLaren…Woman in Window 1971 Bleak Moments/ Gina McKee…Cafe Girl Carolina Giammetta…Masseuse ANDREW DICKSON 1945, Isleworth, London, England) has 8 film Elizabeth Berrington…Giselle composition credits: 2004 Vera Drake, 2002 All or Nothing, 1996 Darren Tunstall…Poster Man Secrets & Lies, 1995 Someone Else's America, 1994 Oublie-moi, Robert Putt...Chauffeur 1993 Naked, 1988 High Hopes, and 1984 “Meantime.” Lynda Rooke…Victim Angela Curran...Car Owner DICK POPE (1947, Bromley,
    [Show full text]
  • The Curious Incident of the Dog in the Night-Time Embarks on a Third Uk and Ireland Tour This Autumn
    3 March 2020 THE NATIONAL THEATRE’S INTERNATIONALLY-ACCLAIMED PRODUCTION OF THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME EMBARKS ON A THIRD UK AND IRELAND TOUR THIS AUTUMN • TOUR INCLUDES A LIMITED SEVEN WEEK RUN AT THE TROUBADOUR WEMBLEY PARK THEATRE FROM WEDNESDAY 18 NOVEMBER 2020 Back by popular demand, the Olivier and Tony Award®-winning production of The Curious Incident of the Dog in the Night-Time will tour the UK and Ireland this Autumn. Launching at The Lowry, Salford, Curious Incident will then go on to visit to Sunderland, Bristol, Birmingham, Plymouth, Southampton, Liverpool, Edinburgh, Dublin, Belfast, Nottingham and Oxford, with further venues to be announced. Curious Incident will also play for a limited run in London at Troubadour Wembley Park Theatre in Brent - London Borough of Culture 2020 - following the acclaimed run of War Horse in 2019. Curious Incident has been seen by more than five million people worldwide, including two UK tours, two West End runs, a Broadway transfer, tours to the Netherlands, Canada, Hong Kong, Singapore, China, Australia and 30 cities across the USA. Curious Incident is the winner of seven Olivier Awards including Best New Play, Best Director, Best Design, Best Lighting Design and Best Sound Design. Following its New York premiere in September 2014, it became the longest-running play on Broadway in over a decade, winning five Tony Awards® including Best Play, six Drama Desk Awards including Outstanding Play, five Outer Critics Circle Awards including Outstanding New Broadway Play and the Drama League Award for Outstanding Production of a Broadway or Off Broadway Play.
    [Show full text]
  • The One-Act Play That Goes Wrong
    THE ONE-ACT PLAY THAT GOES WRONG by Henry Lewis, Jonathan Sayer & THE ONE-ACT Henry Shields SHIELDS — LEWIS, SAYER, WRONG GOES THAT PLAY THE ONE-ACT PLAY THAT 6 men, 2 women GOES WRONG You all know the classic murder mystery story: There has been an untimely death at a country manor, everyone is a suspect, and an inspector is set on the case to find who the culprit is. However, when this play is performed by the accident-prone thespians of BY HENRY LEWIS, The Cornley Polytechnic Drama Society, everything that can go wrong…does! The actors and crew battle against all odds to make JONATHAN SAYER it through to their final curtain call, with hilarious consequences! From Mischief, the creators of the West End smash Peter Pan Goes & HENRY SHIELDS Wrong, critically acclaimed TV series The Goes Wrong Show, and the Tony-winning Broadway hit The Play That Goes Wrong, this is the original one-act play which started everything going wrong. Over the course of an hour, expect a plethora of disasters from missed lines to falling props. Do you ever find out who murdered Charles Haversham? You’ll have to see for yourself! Also by Henry Lewis, Jonathan Sayer & Henry Shields THE PLAY THAT GOES WRONG DRAMATISTS PLAY SERVICE INC. DRAMATISTS PLAY SERVICE, INC. THE ONE-ACT PLAY THAT GOES WRONG Copyright © 2012, Mischief Worldwide Ltd. THE PLAY THAT GOES WRONG®, MISCHIEF® and MISCHIEF THEATRE® are trademarks and registered trademarks of Mischief Worldwide Ltd. www.mischiefworldwide.com All Rights Reserved THE ONE-ACT PLAY THAT GOES WRONG is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations.
    [Show full text]
  • “I Will Never Play the Dane”: Shakespeare and the Performer's Failure
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by MURAL - Maynooth University Research Archive Library DOI: 10.1111/lic3.12470 ARTICLE “I will never play the Dane”: Shakespeare and the performer's failure Richard O'Brien University of Birmingham Abstract Correspondence Richard O'Brien, Department of Film and The cultural prestige accorded to Shakespeare's great roles Creative Writing, University of Birmingham, has made them high watermarks for ‘great acting’ in general. Birmingham, UK. Email: [email protected] They are therefore also uniquely capable of channelling a performer's sense of his own failure. The 1987 film Withnail &Ifamously ends with its title character, an out‐of‐work actor and self‐destructive alcoholic, delivering Hamlet's “What a piece of work is a man” to an audience of unre- sponsive wolves. And in 2014's The Trip to Italy, Steve Coogan plays a fictionalised version of himself: a comedian who fears he will never be remembered as a serious artist. On a visit to Pompeii, Coogan's delivery of Hamlet's speech to Yorick's skull similarly becomes a way of channelling the series's wider reflections on fame, mortality, and the value of the actor's art. Drawing on Marvin Carlson's argument that the role of Hamlet is unusually densely ghosted by its previous occupants, this article will explore how these two contemporary depictions of struggling performers evoke the received idea of the great Shakespearean role as the pinnacle of the actor's art to respond to the dilemma of how to cope with creative failure.
    [Show full text]
  • Lamda.Ac.Uk Review of the Year 1 WELCOME
    REVIEW OF THE YEAR 17-18 lamda.ac.uk Review of the Year 1 WELCOME Introduction from our Chairman and Principal. This year we have been focussing on: 2017-18 has been a year of rapid development and growth for LAMDA Our students and alumni continue to be prolific across film, theatre and television • Utilising our new fully-accessible building to its maximum potential and capacity. production, both nationally and internationally; our new building enables us to deliver • Progressing our journey to become an independent Higher Education Provider with degree gold standard facilities in a fully accessible environment; and our progress towards awarding powers. registration as a world-leading Higher Education Provider continues apace. • Creating additional learning opportunities for students through new collaborations with other arts LAMDA Examinations continues to flourish with 2017/18 yielding its highest number of entrants to organisations and corporate partners. date, enabling young people across the globe to become confident and creative communicators. • Widening access to ensure that any potential student has the opportunity to enrol with LAMDA. We hope you enjoy reading about our year. • Extending our global reach through the expansion of LAMDA Examinations. Rt. Hon. Shaun Woodward Joanna Read Chairman Principal lamda.ac.uk Review of the Year 2 OUR PURPOSE Our mission is to seek out, train and empower exceptional dramatic artists and technicians of every generation, so they can make the most extraordinary impact across the world through their work. Our examinations in drama and communications inspire people to become confident, authentic communicators and discover their own voice. Our vision is to be a diverse and engaged institution in every sense, shaping the future of the dramatic arts and creative industries, and fulfilling a vital role in the continuing artistic, cultural and economic success of the UK.
    [Show full text]
  • Annual Report 10/11
    Circle by numbers 12 partners 81.5% overall general needs customer satisfaction 94% customer satisfaction with repairs 1,461 completed new homes; 211 for other housing associations 2,200 dedicated staff 5,400 people cared for and supported If you would like to receive this 63,500 homes owned and managed information in any other format customers provided with services or in a different language please 300,000 contact 020 7447 3035 90+ local authority areas in which we provide homes and services Circle Circle House 1-3 Highbury Station Road London N1 1SE Our mission is to enhance the Life Chances of residents and service users through providing Tel: 020 7288 4000 great homes, first class services and working in Minicom: 020 7288 4007 Annual Review www.circle.org.uk partnership to build sustainable communities. Follow us on twitter.com/circlehousing 2010-11 01 Stock profile C A D A. Mercian Housing Association Owns and manages 3,400 properties in the greater Birmingham area B. Rockingham Forest B Working together with Rockingham Forest Housing Association to provide new homes in Northamptonshire C. Roddons Housing Association Managing nearly 3,800 properties including 14 sheltered schemes in E Cambridgeshire D. Wherry Housing Association Owns and manages over 7,000 homes in Norfolk, Suffolk, Lincolnshire and Cambridgeshire F E. South Anglia Housing Owns and manages over 7,000 homes across 26 local authorities in Hertfordshire, Bedfordshire and Essex G H F. Circle 33, Merton Priory Homes 954 new and Old Ford Circle 33 owns over 15,000 homes homes built across London and in 48 local authority in 2010/11 areas Contents 1.
    [Show full text]
  • Introduction to Ecovenue Ecovenue Is a Signifi Cant Theatre-Specifi C Environmental Project Being Run by the Theatres Trust
    Introduction to Ecovenue Ecovenue is a signifi cant theatre-specifi c environmental project being run by The Theatres Trust. It aims to improve the environmental performance of forty-eight London theatres and raise awareness of how to make theatres greener. Ecovenue is promoting the sustainability of theatres and the reduction of carbon emissions through the provision of free theatre-specifi c, environmental advice. The project started in 2009 and runs until 2012. Forty-eight venues each undergo an Environmental Audit, and receive a Display Energy Certifi cate (DEC) and Advisory Report. They track their energy use through SMEasure. Each venue receives a second DEC a year after their fi rst to measure progress. Ecovenue includes a ‘DEC Pool’ of performing arts venues across the UK that have obtained DECs. The DEC Pool helps us to evaluate the project and share best practice and information, establish meaningful benchmarks, and provide a better understanding of energy use of theatres. Any theatre can join the DEC Pool. The Trust’s Theatres Magazine provides quarterly reports on the participants and the work of the Ecovenue project. The Theatres Trust Ecovenue project receives fi nancial support from the European Regional Development Fund. Participating Theatres Albany Theatre Etcetera Theatre Old Vic Arcola Finborough Theatre Orange Tree Theatre Arts Theatre Gate Theatre Pleasance Islington artsdepot Greenwich & Lewisham Young Polka Theatre Brockley Jack People’s Theatre Putney Arts Theatre Bush Theatre Greenwich Playhouse Questors Camden People’s
    [Show full text]
  • When Did You Last See Your Father?
    WHEN DID YOU LAST SEE YOUR FATHER? Directed by Anand Tucker Starring Colin Firth Jim Broadbent Juliet Stevenson Official Selection 2007 Toronto International Film Festival East Coast Publicity West Coast Publicity Distributor IHOP Block Korenbrot Sony Pictures Classics Jeff Hill Melody Korenbrot Carmelo Pirrone Jessica Uzzan Ziggy Kozlowski Leila Guenancia 853 7th Ave, 3C 110 S. Fairfax Ave, #310 550 Madison Ave New York, NY 10019 Los Angeles, CA 90036 New York, NY 10022 212-265-4373 tel 323-634-7001 tel 212-833-8833 tel 212-247-2948 fax 323-634-7030 fax 212-833-8844 fax Visit the website at: www.whendidyoulastseeyourfathermovie.com Short Synopsis When Did You Last See Your Father? is an unflinching exploration of a father/son relationship, as Blake Morrison deals with his father Arthur’s terminal illness and imminent death. Blake’s memories of everything funny, embarrassing and upsetting about his childhood and teens are interspersed with tender and heart- rending scenes in the present, as he struggles to come to terms with his father, and their history of conflict, and learns to accept that one’s parents are not always accountable to their children. Directed by Anand Tucker (Hilary and Jackie), from a screenplay by David Nicholls, adapted from Blake Morrison’s novel of the same name, the film stars Colin Firth, Jim Broadbent, Juliet Stevenson, Gina McKee, Claire Skinner, and Matthew Beard. Long Synopsis Arthur Morrison (Jim Broadbent), and his wife Kim (Juliet Stevenson), are doctors in the same medical practice in the heart of the Yorkshire Dales, England. They have two children, Gillian (Claire Skinner), and her older brother Blake (Colin Firth)Blake is a forty - year-old established author, married with two children and confronted with the fact that his father is terminally ill.
    [Show full text]