An Analysis of Code in the Novel the Twilight Saga “Eclipse” by Stephenie Meyer
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Twilight Saga
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES DIPLOMARBEIT Titel der Diplomarbeit Tracing Female Subjectivity and Self-affirmation in Stephenie Meyer’s Twilight Saga Verfasserin Astrid Ernst angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, 2011 Studienkennzahl lt. Studienblatt: A 343 Studienrichtung lt. Studienblatt: Anglistik und Amerikanistik (Diplom) Betreuerin Ao. Univ.- Prof. Mag. Dr. Eva Müller-Zettelmann 1 Table of Contents 1. Introduction.......................................................................................................3 2. Tracing Bella’s Subjectivity: Ideal Love as the Only Way Out..........................4 3. Edward and Jacob: Magnets with reversed polarities or two poles of Bella’s existence?.......................................................................................................12 4. The Cullen Vampires: the ideal family and its enemies..................................20 4.1. Carlisle Cullen......................................................................................20 4.2. Esme Cullen.........................................................................................23 4.3. Rosalie Cullen......................................................................................25 4.4. Alice Cullen..........................................................................................28 4.5. The Cullens’ Enemies..........................................................................30 5. Quileute Legends: -
CHAPTER I INTRODUCTION A. Background of the Study Twilight Is One of the Most Popular Movies of This Year That Ever Produced. Th
1 CHAPTER I INTRODUCTION A. Background of the Study Twilight is one of the most popular movies of this year that ever produced. The screenplay of this film is adapted from the novel with the same title written by Stephenie Meyer. Stephenie Meyer is an American author best known for her vampire romance series Twilight who was born on December 24, 1973 in Hartford. The Twilight novels have gained worldwide recognition, won multiple literary awards and sold over 85million copies worldwide, with translation into 37 different languages. Meyer is also the author of the adult science-fiction novel The Host (2008). Following the success of Twilight (2005), Meyer expended the story into a series three more books: New Moon (2006), Eclipse (2007), and Breaking Down (2008). She also writes short stories which one of them published in Prom Nights from Hell, a collection stories about bad prom nights with supernatural effects. It has been released in April 2007. Twilight movie is directed by Catherine Hardwicke, an American production designer and film director and screenplay by Melissa Rosenberg. Twilight is better known as the maker romance and fantasy film, sometimes centering on vampire society’s life. Twilight is a 2008 romantic fantasy film. It is the first film in The Twilight saga film series. Twilight focuses on the development of a personal relationship between human teenager Bella Swan and vampire Edward Cullen and the subsequent efforts of Cullen and his family to keep Swan safe from a separate group of hostile vampires. Seventeen-year-old Isabella "Bella" Swan moves to Forks, a small town near Washington State’s rugged coast, to live with her father, Charlie, after her mother remarries to a minor league baseball player. -
Breaking Dawn Stephenie Meyer
Breaking Dawn Stephenie Meyer Copyright © 2008 by Stephenie Meyer All rights reserved. Except as permitted under the U.S. Copyright Act of 1976, no part of this publication may be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher. Little, Brown and Company Hachette Book Group USA 237 Park Avenue, New York, NY 10017 Visit our Web site at www.lb-teens.com First eBook Edition: August 2008 Little, Brown and Company is a division of Hachette Book Group USA, Inc. The Little, Brown name and logo are trademarks of Hachette Book Group USA, Inc. Epigraph for Book Three from Empire by Orson Scott Card. A Tor Book. Published by Tom Doherty Associates, LLC. Copyright © 2006 by Orson Scott Card. Reprinted with permission of the author. The characters and events portrayed in this book are fictitious. Any similarity to real persons, living or dead, is coincidental and not intended by the author. ISBN: 978-0-316-03283-4 Contents BOOK ONE: BELLA Preface 1. Engaged 2. Long Night 3. Big Day 4. Gesture 5. Isle Esme 6. Distractions 7. Unexpected BOOK TWO: JACOB Preface 8. Waiting For The Damn Fight To Start Already 9. Sure As Hell Didn’t See That One Coming 10. Why Didn’t I Just Walk Away? Oh Right, Because I’m An Idiot. 11. The Two Things At The Very Top Of My Things-I-Never-Want-To-Do List 12. Some People Just Don’t Grasp The Concept Of “Unwelcome” 13. -
The Role of Product Data, Identifiers and Nielsen Book in the Supply Chain
Nielsen BookScan Jeremy Neate ISTC Confidential & Proprietary • Copyright © 2010 The Nielsen Company Introduction • ISBN coding led to Barcodes on books led to EPoS led to BookScan sales tracking • UK ISBN Counts Count of ISBN 140,000 120,000 100,000 80,000 60,000 Count of ISBN 40,000 20,000 0 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 Confidential & Proprietary Copyright © 2010 The Nielsen Company 10000 15000 20000 25000 30000 35000 40000 - 5000 5000 0 1 As was it 3 5 7 9 11 13 15 17 19 21 – 23 25 Wilbur Smith Monsoon 27 29 Monsoon 9780333637715 Mar Monsoon 31 9780330376792 Jun Monsoon 9780333764824 Oct Monsoon 33 35 37 39 41 43 45 47 49 51 53 - 55 - - 00 99 57 99 59 61 63 65 67 69 71 73 75 77 79 81 Copyright 2010 © The Nielsen Company 83 85 87 89 Confidential & Proprietary 91 93 95 97 99 101 103 The beginning of change - 2003 Blue Horizon 9780333761359 Mar-03 30000 Blue Horizon 9781405021180 Mar-03 Blue Horizon 9780312278243 25000 May-03 Blue Horizon 9780333761397 Oct-03 20000 Blue Horizon 9780330376310 May-04 15000 10000 5000 0 1 4 7 10 13 16 19 22 25 28 31 34 37 40 43 46 49 52 55 58 61 64 67 70 73 76 79 82 85 88 91 94 97 100103106109112115118121 -5000 Confidential & Proprietary Copyright © 2010 The Nielsen Company Twilight 9780316160179 Oct-04 Fast Forward to Twilight Twilight 9788876250484 Jan-06 60000 Twilight 9781904233640 Jan-06 Twilight 9781904233800 Jan-06 Twilight 9780316015844 Sep-06 50000 Twilight 9781417755912 Sep-06 Twilight 9781904233657 Mar-07 Twilight 9781905654406 May-07 40000 Twilight -
Twilight States: Sleepwalking, Liminal Consciousness, and Sensational Selfhood in Victorian Literature and Culture
TWILIGHT STATES: SLEEPWALKING, LIMINAL CONSCIOUSNESS, AND SENSATIONAL SELFHOOD IN VICTORIAN LITERATURE AND CULTURE by Rebecca Wigginton B. A. in English, University of Kentucky, 2005 Submitted to the Graduate Faculty of the Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2014 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Rebecca Wigginton It was defended on September 29, 2014 and approved by Philip E. Smith, PhD, Associate Professor, English Jonathan Arac, PhD, Andrew W. Mellon Professor, English Marah Gubar, PhD, Associate Professor, English John Twyning, PhD, Associate Professor, English Christopher Drew Armstrong, PhD, History of Art & Architecture Dissertation Advisor: Philip E. Smith, PhD, Associate Professor, English ii Copyright © by Rebecca Wigginton 2014 iii TWILIGHT STATES: SLEEPWALKING, LIMINAL CONSCIOUSNESS, AND SENSATIONAL SELFHOOD IN VICTORIAN LITERATURE AND CULTURE Rebecca Wigginton, PhD University of Pittsburgh, 2014 Twilight States: Sleepwalking, Liminal Consciousness, and Sensational Selfhood in Victorian Literature and Culture argues that sleepwalking was everywhere in nineteenth-century culture, both as a topic for scientific, legal, and public debate, but also as a potent symbol in the Victorian imagination that informed literature and art. Furthermore, the nineteenth-century interest in the somnambulist was provoked by what the figure represented and revealed to the Victorians: namely, themselves. The sleepwalker represented the hidden potential within the self for either greatness or deviance, or, more mundanely, simply a fuller existence than consciousness has an awareness of. Sleepwalking writ large the multi-layered self at a time when the self—by psychiatry and society at large—was being accepted as increasingly multivalent. -
Is the Twilight Saga a Modern-Time Fairy Tale? a Study of Stephenie Meyer’S Source Material from Folklore and Canonical Narratives
Shiri Rosenberg Is the Twilight Saga a Modern-Time Fairy Tale? A Study of Stephenie Meyer’s Source Material from Folklore and Canonical Narratives Abstract: The article presents an analysis of Stephenie Meyer’s Twilight novels as modern literary fairy-tales. To this end, the discussion will refer to structuralist critics, and identify “narrative functions” from folktales (stock images and episodes, stock character functions, characteristic sequences of episodes), used by Meyer in her vampire novels. As it turns out, Meyer modified folklore material to sustain a long and variously themed narrative: by embedding numerous subplots, by rearranging functions between characters, and creating composite and collective characters that combine contradictory functions. The author transformed several folktales into a series of four novels about coming of age in the twenty-first-century United States. A detailed analysis of Meyer’s modifications of the folktale partially corroborates the feminist critique of Meyer’s representation of the protagonists as reinforced versions of cultural stereotypes and gender roles. However, some transformations, especially Meyer’s assignment of the hero-function to the female protagonist Bella, seem to suggest just the opposite, thus leading to the conclusion that the Twilight novels reflect the confusion caused by contradictory role-models and aspirations, the confusion that seems to be inherent in a coming-of-age novel. Keywords: Stephanie Meyer, Twilight, fairy tale, folklore, structuralism “I decided it didn’t matter. It doesn’t matter to me what you are.” —Bella Swan in Stephenie Meyer’s Twilight In his seminal 1977 monograph on the literary fairy tale (Kunstmarchen), Jens Tismar set down the principles for a definition of the genre: firstly, it can be differentiated from the oral folk tale (Volksmarchen) because it is written by an author, rather than developed as folk tradition. -
A Poetics of Liminality in Emerson, Thoreau, and Whitman
The Art of the Threshold: A Poetics of Liminality in Emerson, Thoreau, and Whitman Joan Wry Department of English McGill University, Montreal August 2010 A thesis submitted to McGill University in partial fulfillment of the requirements for the degree of Doctor of Philosophy copyright © Joan Wry 2010 ii TABLE OF CONTENTS ABSTRACT iii ACKNOWLEDGEMENTS vii I. INTRODUCTION 1 II. EMERSON’S FOUNDATIONAL NOTIONS OF SPIRITUAL AND AESTHETIC PROCESS Liminal Poetics and an Emerging System of Thought 27 Patterns of Repetition and Expansion: Key Words and Concepts 35 Liminal Set-Piece Passages in the Essays and Addresses 48 The Legacy of Emerson’s Liminal Poetics 69 III. THOREAU: A WEEK AND WALDEN Emerson’s Key Concepts and the Forms of Thoreau’s Topos 73 Liminal Frameworks in A Week on the Concord and Merrimack Rivers 79 Walden’s Generative Poetics of Liminality 93 IV. THOREAU: THE MAINE WOODS AND CAPE COD Limited Liminal Contexts in “Chesuncook” and “The Allegash and the East Branch” 114 Allegories of The Maine Woods: Liminal Poetics in “Ktaadn” 120 Threshold Allegories of Opposition in Cape Cod 135 V. WHITMAN’S RESPONSE TO EMERSON’S LIMINAL POETICS Communitas as a Counterbalance to Emerson’s Polarity in the “Preface” to Leaves of Grass 153 Liminal Contexts and Processes in “Song of Myself” 158 Literal and Conceptual Borderlines in the Civil War Poems 165 “Crossing Brooklyn Ferry” as an Enacted Rite of Passage 186 VI. EPILOGUE 197 VII. BIBLIOGRAPHY 201 iii ABSTRACT Emerson, Thoreau, and Whitman were all drawn to visions of transition in the natural world as a way to define the passage between world and self, but their focus on the endlessly unfolding potential of the aesthetic ideal in the “space between” gave rise to a poetics of liminality that makes them distinct. -
Helen of Troy Limited to Launch Special Collection of 'Twilight' Limited Edition Hair Appliances Licensed from Summit Entertainment
NEWS RELEASE Helen of Troy Limited to Launch Special Collection of 'Twilight' Limited Edition Hair Appliances Licensed from Summit Entertainment 10/4/2011 Helen of Troy Secures Global Rights to Market PRO Beauty Tools® Twilight Limited Edition Collection Coinciding With Big Screen and DVD Releases EL PASO, Texas, Oct. 4, 2011 /PRNewswire via COMTEX/ -- Helen of Troy Limited (NASDAQ, NM: HELE) designer, developer and worldwide marketer of brand-name household and personal care products, today announced that it has acquired a global license to 'The Twilight Saga' from Summit Entertainment in order to market a special collection of styling appliances under their PRO Beauty Tools® brand. The exclusive 'Twilight' Limited Edition Collection by PRO Beauty Tools is set for retail launch on October 1, 2011, just prior to 'The Twilight Saga: Breaking Dawn - Part 1' hitting theaters on November 18th. Gerald J. Rubin, Chairman, Chief Executive Officer and President, stated, "Helen of Troy is delighted to be working with Summit Entertainment because both companies are dedicated to the same target audience, young women who demand cutting edge trends with a great flair of style. There is a lot of synergy between our Pro Beauty Tools brand and The Twilight Saga phenomenon. Together we have the opportunity to bring value-added products to a fan base that is thirsting for more brand extensions." Summit Entertainment, the film studio behind 'The Twilight Saga' film franchise, which has already released 'Twilight,' 'The Twilight Saga: New Moon,' and 'The Twilight Saga: Eclipse,' has given PRO Beauty Tools a license to develop, produce, and distribute Twilight Saga branded hair appliances and beauty tools worldwide. -
Narrative Descriptions in Stephenie Meyer's Twilight Saga. a Corpus Stylistics Perspective DOI
Umanistica Digitale - ISSN:2532-8816 - n.6, 2019 D. Cesiri, F. C ccetta – Narrati"e descri$ti ns in Ste$%enie Me'er(s )wilig%t Saga. A c r$,s st'listics pers$ecti"e D-I: htt$:..# i.org.10.6092/issn.2532-8816.8745 Narrati"e #escri$ti ns in Ste$%enie Me'er1s )*ilig%t Saga. + c r$,s st'listics $ers$ecti"e Daniela Cesiri – Francesca C ccetta Uni"ersit2 Ca( F scari 3enezia [email protected] [email protected] +5stract. )%e $resent st,#' #ra*s n cor$,s st'listics 6c7. 8389: 819]: 8269: 820], t name a 7e*; t in"estigate t%e narrati"e st'le in Ste$%enie &e'er1s The Twilight Saga 62005- 2008). In $articular, it 7 cuses n <e'* r#s generate# ,sing Wordsmith Tools version 7 836], an# t%e =NC as a re7erence corp,s. >,alitati"e an# ?,antitati"e anal'ses s% * t%at t%e m st 7re?,ent lexical * r#s 6n ,ns, a#Aecti"es, an# "erbs; re7lect t%e *riter1s 7 cus n care7,ll' selecte# $%'sical elements 7 t%e characters. & re s$eci7icall', t%e n ,ns $re7erentiall' #en te s$eci7ic $%'sical attri5,tes 7 t%e characters, t%e a#Aecti"es $r vi#e a general #escri$ti n 7 t%e $r tag nists an# t%e setting, *%ile t%e "erbs ,se# $resent t%e acti ns 7 all t%e characters, t%eir interacti n *it% t%e t%er $r tag nists, an# t%eir $ siti n in t%e narrati"e sit,ati n. -
2021 FTF Schedule V4
FOREVER TWILIGHT IN FORKS FESTIVAL SEPTEMBER 9--12,12, 2021 #BD1Movie10 1 FTF2021 Schedule V4 FINAL published August 18, 2021 COVID---19-19 SAFETY PROCEDURES At our events, masks indoors are required, and masks outdoors are recommended by Clallam County Health Department per the press release shown above. All school events require a mask, including costume contest participants, and you must sign-in to enter the school. Please maintain a six-foot space between you and other attendees that are outside your bubble, including cosplayers and any special guests. Please don’t ask the cosplayers or any special guests to remove their masks for photos. Cosplayers will not be taking photos with attendees inside the photo booths. We will be disinfecting the tables and chairs in between dinner seatings, during parties, and after other uses. Hand sanitizer will be available throughout the weekend. We may take temperatures prior to entry into some events. If you are experiencing any of the following symptoms: fever or chills, cough, shortness of breath or difficulty breathing, fatigue, muscle or body aches, headache, new loss of taste or smell, sore throat, congestion or runny nose, nausea or vomiting, or diarrhea please contact your healthcare provider immediately, and refrain from attending events. 2 FTF2021 Schedule V4 FINAL published August 18, 2021 Very Important Twilighters (VITs) will enjoy: FTF Festival Breakfast with The Olympic Coven An autograph from and photograph (or selfie) with each Twilight Saga Actor Special Guest “Fandom Family Reunion” Party FTF Festival Panel featuring Twilight Saga Actor Peter Facinelli Bella Italia Catered Dinner “Dream Wedding Sequence – White Party Gala” Carlisle and Esme’s 100 th Anniversary Luncheon Photo download codes for Fandom Family Photo and Family Farewell Photo VIT Goodie Bag, Commemorative Ticket, and VIT Lanyard with Name Badge for one very nice price of $325.00. -
Relue Masters Paper Final
Abigail S. Relue. The Harry Potter Effect: Understanding the Crossover Appeal of Best- selling Young Adult Literature. A Master’s Paper for the M.S. in L.S degree. November, 2009. 49 pages. Advisor: Sandra Hughes-Hassell. The books of the Harry Potter series by J.K. Rowling, the His Dark Materials series by Philip Pullman, and the Twilight saga by Stephenie Meyer are examined in order to better understand why these novels have been so popular among adult readers. Observed factors contributing to the popularity of these young novels include fantastical settings and plotlines, the familiarity of the teen protagonists’ experiences, the ability to share the reading experience with others, and the accessibility of the writing. Headings: Reader’s advisory - Adult Readers – Adult Literature – Young Adult Genre Fiction - Studies THE HARRY POTTER EFFECT: UNDERSTANDING THE CROSSOVER APPEAL OF BEST-SELLING YOUNG ADULT LITERATURE by Abigail S. Relue A Master’s paper submitted to the faculty of the School of Information and Library Science of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Science in Library Science. Chapel Hill, North Carolina November 2009 Approved by _______________________________________ Sandra Hughes-Hassell 1 TABLE OF CONTENTS Introduction 2 Literature Review 5 I. Reader-Response Theory and Models of Reading 5 II. The Motives and Benefits of Reading for Pleasure 9 III. The Crossover Appeal of Young Adult Literature 13 Methodology 17 Identifying the Bases of Popularity 18 I. Escape 18 II. Familiarity 24 III. Encouragement 32 IV. Connection with Others 34 V. -
30 on Eclipses
eclipse also magnificently defies On photographic representation. Capturing an eclipse’s image or recounting it through language is akin Eclipses to fleshing out an imperishable portrait of a fleeting ghost. While a total solar eclipse When Language and predictably occurs somewhere on the Photography Fail planet approximately once every 18 months, the August 21, 2017 eclipse was the first to align above the United On August 21, the earth, moon, and States in 38 years, with the last sun’s celestial postures aligned in occurring on February 26, 1979.6 performance of the perfect spectral Recognizing the uncanny qualities of mirage: the moon appeared to slip this celestial affair, both Sarah from its orbit, and like an unknown Charlesworth and Annie Dillard body blotting out the light at the end employed the 1979 eclipse as subject of a narrow tunnel, briefly obscured matter for two distinct works that the violent, ultraviolet orb of the sun. mined its respective photographic In Los Angeles, outside the and poetic properties. slender path of totality that threaded In Dillard’s classic essay, “Total across the contiguous United States, Eclipse,” the author intimately the sun remained as a sliver, a toenail, recounts her personal experience of or a fractured oval; the drop in air the eclipse, narrating the ways in temperature was only marginally which language becomes unmoored perceptible. A naked glance upwards from the actual somatic experience of would be rewarded with a crescent- being consumed by the moon’s shaped scar seared into the retina. shadow (“Language can give no sense Elsewhere, those situated within of this sort of speed”7).