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Twilight Saga
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES DIPLOMARBEIT Titel der Diplomarbeit Tracing Female Subjectivity and Self-affirmation in Stephenie Meyer’s Twilight Saga Verfasserin Astrid Ernst angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, 2011 Studienkennzahl lt. Studienblatt: A 343 Studienrichtung lt. Studienblatt: Anglistik und Amerikanistik (Diplom) Betreuerin Ao. Univ.- Prof. Mag. Dr. Eva Müller-Zettelmann 1 Table of Contents 1. Introduction.......................................................................................................3 2. Tracing Bella’s Subjectivity: Ideal Love as the Only Way Out..........................4 3. Edward and Jacob: Magnets with reversed polarities or two poles of Bella’s existence?.......................................................................................................12 4. The Cullen Vampires: the ideal family and its enemies..................................20 4.1. Carlisle Cullen......................................................................................20 4.2. Esme Cullen.........................................................................................23 4.3. Rosalie Cullen......................................................................................25 4.4. Alice Cullen..........................................................................................28 4.5. The Cullens’ Enemies..........................................................................30 5. Quileute Legends: -
Midnight Sun, Part II by PA Lassiter
Midnight Sun, Part II by PA Lassiter . N.B. These chapters are based on characters created by Stephenie Meyer in Twilight, the novel. The title used here, Midnight Sun, some of the chapter titles, and all the non-interior dialogue between Edward and Bella are copyright Stephenie Meyer. The first half of Ms. Meyer’s rough-draft novel, of which this is a continuation, can be found at her website here: http://www.stepheniemeyer.com/pdf/midnightsun_partial_draft4.pdf 12. COMPLICATIONSPart B It was well after midnight when I found myself slipping through Bella’s window. This was becoming a habit that, in the light of day, I knew I should attempt to curb. But after nighttime fell and I had huntedfor though these visits might be irresponsible, I was determined they not be recklessall of my resolve quickly faded. There she lay, the sheet and blanket coiled around her restless body, her feet bound up outside the covers. I inhaled deeply through my nose, welcoming the searing pain that coursed down my throat. As always, Bella’s bedroom was warm and humid and saturated with her scent. Venom flowed into my mouth and my muscles tensed in readiness. But for what? Could I ever train my body to give up this devilish reaction to my beloved’s smell? I feared not. Cautiously, I held my breath and moved to her bedside. I untangled the bedclothes and spread them carefully over her again. She twitched suddenly, her legs scissoring as she rolled to her other side. I froze. “Edward,” she breathed. -
CHAPTER I INTRODUCTION A. Background of the Study Twilight Is One of the Most Popular Movies of This Year That Ever Produced. Th
1 CHAPTER I INTRODUCTION A. Background of the Study Twilight is one of the most popular movies of this year that ever produced. The screenplay of this film is adapted from the novel with the same title written by Stephenie Meyer. Stephenie Meyer is an American author best known for her vampire romance series Twilight who was born on December 24, 1973 in Hartford. The Twilight novels have gained worldwide recognition, won multiple literary awards and sold over 85million copies worldwide, with translation into 37 different languages. Meyer is also the author of the adult science-fiction novel The Host (2008). Following the success of Twilight (2005), Meyer expended the story into a series three more books: New Moon (2006), Eclipse (2007), and Breaking Down (2008). She also writes short stories which one of them published in Prom Nights from Hell, a collection stories about bad prom nights with supernatural effects. It has been released in April 2007. Twilight movie is directed by Catherine Hardwicke, an American production designer and film director and screenplay by Melissa Rosenberg. Twilight is better known as the maker romance and fantasy film, sometimes centering on vampire society’s life. Twilight is a 2008 romantic fantasy film. It is the first film in The Twilight saga film series. Twilight focuses on the development of a personal relationship between human teenager Bella Swan and vampire Edward Cullen and the subsequent efforts of Cullen and his family to keep Swan safe from a separate group of hostile vampires. Seventeen-year-old Isabella "Bella" Swan moves to Forks, a small town near Washington State’s rugged coast, to live with her father, Charlie, after her mother remarries to a minor league baseball player. -
George Orwell in His Centenary Year a Catalan Perspective
THE ANNUAL JOAN GILI MEMORIAL LECTURE MIQUEL BERGA George Orwell in his Centenary Year A Catalan Perspective THE ANGLO-CATALAN SOCIETY 2003 © Miquel Berga i Bagué This edition: The Anglo-Catalan Society Produced and typeset by Hallamshire Publications Ltd, Porthmadog. This is the fifth in the regular series of lectures convened by The Anglo-Catalan Society, to be delivered at its annual conference, in commemoration of the figure of Joan Lluís Gili i Serra (1907-1998), founder member of the Society and Honorary Life President from 1979. The object of publication is to ensure wider diffusion, in English, for an address to the Society given by a distinguished figure of Catalan letters whose specialism coincides with an aspect of the multiple interests and achievements of Joan Gili, as scholar, bibliophile and translator. This lecture was given by Miquel Berga at Aberdare Hall, University of Wales (Cardiff), on 16 November 2002. Translation of the text of the lecture and general editing of the publication were the responsibility of Alan Yates, with the cooperation of Louise Johnson. We are grateful to Miquel Berga himself and to Iolanda Pelegrí of the Institució de les Lletres Catalanes for prompt and sympathetic collaboration. Thanks are also due to Pauline Climpson and Jenny Sayles for effective guidance throughout the editing and production stages. Grateful acknowledgement is made of regular sponsorship of The Annual Joan Gili Memorial Lectures provided by the Institució de les Lletres Catalanes, and of the grant towards publication costs received from the Fundació Congrés de Cultura Catalana. The author Miquel Berga was born in Salt (Girona) in 1952. -
Family Portrait Sessions Frequently Asked Questions Before Your Session
kiawahislandphoto.com Family Portrait Sessions Frequently Asked Questions before Your Session When you make an investment in photography, you want it to last a lifetime. Photographics has the expertise to capture the moment and the artistic style and resources to transform your images into works of art you’ll be proud to share and display. We want you to relax and enjoy the experience so all the joy and fun comes through in your portraits. If you have any concerns about your session, just give us a call or pull your photographer aside to discuss any special needs for your group. Relax, enjoy and smile. We’ve got this. Q: What should we wear? A: For outdoor photography on the beach, choose lighter tones and pastel colors for the most pleasing results. Family members don’t have to match exactly, but should stay coordinated with simple, comfortable clothing that blends with the beach environment. Avoid dark tops, busy patterns, graphics/logos, and primary colors that have a tendency to stand out and clash with the environment. Ladies, we’ll be kneeling and sitting in the sand so be wary of low necklines and short skirts. Overall…be comfortable. For great ideas visit our blog online. Q: When is the best time to take beach portraits? A: On the East Coast, the best time is the “golden hour” just before sunset when the light is softer and the temperature is more moderate. We don’t take portraits in the morning and early afternoon hours, because the sun on the beach is too intense which causes harsh shadows and squinting. -
Exploring Solar Cycle Influences on Polar Plasma Convection
Comparison of Terrestrial and Martian TEC at Dawn and Dusk during Solstices Angeline G. Burrell1 Beatriz Sanchez-Cano2, Mark Lester2, Russell Stoneback1, Olivier Witasse3, Marco Cartacci4 1Center for Space Sciences, University of Texas at Dallas 2Radio and Space Plasma Physics, University of Leicester 3European Space Agency, ESTEC – Scientific Support Office 4Istituto Nazionale di Astrofisica, Istituto di Astrofisica e Planetologia Spaziali 52nd ESLAB Symposium Outline • Motivation • Data and analysis – TEC sources – Data selection – Linear fitting • Results – Martian variations – Terrestrial variations – Similarities and differences • Conclusions Motivation • The Earth and Mars are arguably the most similar of the solar planets - They are both inner, rocky planets - They have similar axial tilts - They both have ionospheres that are formed primarily through EUV and X- ray radiation • Planetary differences can provide physical insights Total Electron Content (TEC) • The Global Positioning System • The Mars Advanced Radar for (GPS) measures TEC globally Subsurface and Ionosphere using a network of satellites and Sounding (MARSIS) measures ground receivers the TEC between the Martian • MIT Haystack provides calibrated surface and Mars Express TEC measurements • Mars Express has an inclination - Available from 1999 onward of 86.9˚ and a period of 7h, - Includes all open ground and allowing observations of all space-based sources locations and times - Specified with a 1˚ latitude by 1˚ • TEC is available for solar zenith longitude resolution with error estimates angles (SZA) greater than 75˚ Picardi and Sorge (2000), In: Proc. SPIE. Eighth International Rideout and Coster (2006) doi:10.1007/s10291-006-0029-5, 2006. Conference on Ground Penetrating Radar, vol. 4084, pp. 624–629. -
A Portrait of Fandom Women in The
DAUGHTERS OF THE DIGITAL: A PORTRAIT OF FANDOM WOMEN IN THE CONTEMPORARY INTERNET AGE ____________________________________ A Thesis Presented to The Honors TutoriAl College Ohio University _______________________________________ In PArtiAl Fulfillment of the Requirements for Graduation from the Honors TutoriAl College with the degree of Bachelor of Science in Journalism ______________________________________ by DelAney P. Murray April 2020 Murray 1 This thesis has been approved by The Honors TutoriAl College and the Department of Journalism __________________________ Dr. Eve Ng, AssociAte Professor, MediA Arts & Studies and Women’s, Gender, and Sexuality Studies Thesis Adviser ___________________________ Dr. Bernhard Debatin Director of Studies, Journalism ___________________________ Dr. Donal Skinner DeAn, Honors TutoriAl College ___________________________ Murray 2 Abstract MediA fandom — defined here by the curation of fiction, art, “zines” (independently printed mAgazines) and other forms of mediA creAted by fans of various pop culture franchises — is a rich subculture mAinly led by women and other mArginalized groups that has attracted mAinstreAm mediA attention in the past decAde. However, journalistic coverage of mediA fandom cAn be misinformed and include condescending framing. In order to remedy negatively biAsed framing seen in journalistic reporting on fandom, I wrote my own long form feAture showing the modern stAte of FAndom based on the generation of lAte millenniAl women who engaged in fandom between the eArly age of the Internet and today. This piece is mAinly focused on the modern experiences of women in fandom spaces and how they balAnce a lifelong connection to fandom, professional and personal connections, and ongoing issues they experience within fandom. My study is also contextualized by my studies in the contemporary history of mediA fan culture in the Internet age, beginning in the 1990’s And to the present day. -
An Analysis of Code in the Novel the Twilight Saga “Eclipse” by Stephenie Meyer
AN ANALYSIS OF CODE IN THE NOVEL THE TWILIGHT SAGA “ECLIPSE” BY STEPHENIE MEYER A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Sarjana Humaniora in English Literature Department Of the Faculty of Adab and Humanities Of UIN Alauddin Makassar By FATMAWATI RUMAYOMI Reg. No. 40300108016 ENGLISH AND LITERATURE DEPARTMENT ADAB AND HUMANITIES FACULTY ALAUDDIN STATE ISLAMIC UNIVERSITY MAKASSAR 2012 PERNYATAAN KEASLIAN SKRIPSI Dengan penuh kesadaran, penulis yang bertanda tangan di bawah ini menyatakan bahwa skripsi ini benar hasil karya penulis sendiri. Jika di kemudian hari terbukti merupakan duplikat, tiruan, plagiat atau disusun oleh orang lain secara keseluruhan atau sebahagian, maka skripsi dan gelar yang diperoleh karenanya, batal demi hukum dan siap dipertanggung jawabkan. Makassar, September 2012 Penulis, FATMAWATI RUMAYOMI NIM 40300108016 ACKNOWLEDGMENT Alhamdulillahi Rabbil „Alamin, the writer praises to the almighty ALLAH swt for His blessing and merciful so he can complete this thesis. Peace and salutation are addressed to the beloved and chosen messenger Muhammad SAW who has guided human beings from the darkness to the lightness, from stupid era to the clever era. The writer realizes that this thesis could not be completed without getting assistance, guidance, understanding and encouragement from many people. Therefore, she would like to express her deepest gratitude to the following people: 1. The writer‟s beloved parents, B. Tahaya and Matelda R. for their love, patience, and sincere prayers for her safety and success. 2. The Rector of UIN Alauddin Makkassar, Prof. DR. H. A. Qadir Gassing HT., M.S. who has given her a chance to study in the English and Literature Department so that she could finish her study. -
Breaking Dawn Stephenie Meyer
Breaking Dawn Stephenie Meyer Copyright © 2008 by Stephenie Meyer All rights reserved. Except as permitted under the U.S. Copyright Act of 1976, no part of this publication may be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher. Little, Brown and Company Hachette Book Group USA 237 Park Avenue, New York, NY 10017 Visit our Web site at www.lb-teens.com First eBook Edition: August 2008 Little, Brown and Company is a division of Hachette Book Group USA, Inc. The Little, Brown name and logo are trademarks of Hachette Book Group USA, Inc. Epigraph for Book Three from Empire by Orson Scott Card. A Tor Book. Published by Tom Doherty Associates, LLC. Copyright © 2006 by Orson Scott Card. Reprinted with permission of the author. The characters and events portrayed in this book are fictitious. Any similarity to real persons, living or dead, is coincidental and not intended by the author. ISBN: 978-0-316-03283-4 Contents BOOK ONE: BELLA Preface 1. Engaged 2. Long Night 3. Big Day 4. Gesture 5. Isle Esme 6. Distractions 7. Unexpected BOOK TWO: JACOB Preface 8. Waiting For The Damn Fight To Start Already 9. Sure As Hell Didn’t See That One Coming 10. Why Didn’t I Just Walk Away? Oh Right, Because I’m An Idiot. 11. The Two Things At The Very Top Of My Things-I-Never-Want-To-Do List 12. Some People Just Don’t Grasp The Concept Of “Unwelcome” 13. -
The Twilight Effect, Post-Film Tourism and Diversification: the Future of Forks, WA
The Twilight Effect, post-film tourism and diversification: the future of Forks, WA Daniel William Mackenzie Wright, David Jarratt and Emma Halford Abstract Daniel William Mackenzie Purpose – The visitor economy of Forks now clearly relies upon a niche form of tourism – as fans of The Twilight Wright is based at the Saga are drawn to the setting and filming location of the films. The purpose of this study is to consider the Division of Tourism, process of diversification and subsequently present recommendations that could inform a future diversification Hospitality and Events, strategy for Forks, in preparation for a post-film tourism scenario. University of Central – Design/methodology/approach The research methods employed in this study have two interlinked but Lancashire, Preston, UK. distinct elements. Firstly, the Twilight Effect in Forks (WA, USA) is considered as an illustrative case study to David Jarratt and shed light on the issues facing a destination that has seen a tourism boom as a direct result of popular culture – Emma Halford are both The Twilight Saga Franchise. Secondly, a scenario thinking and planning approach is applied when considering based at the University of the “long-view” future of tourism in Forks. Central Lancashire, Findings – This article presents a post-film tourism future scenario for Forks; it suggests tourism diversification and a shift towards cultural heritage and wellness. Forks is well placed to afford such tourism experiences, as it Preston, UK. offers unique cultural and natural characteristics; furthermore, these could be utilised to create and maintain a distinctive destination image. In doing so a more socially and environmentally sustainable industry can be established, one which supports the local community, including the Quileute tribe. -
Negotiating Legal Knowledge, Community Values, and Entrepreneurship in Fan Cultural Production 2017
Repositorium für die Medienwissenschaft Sophie G. Einwächter Negotiating Legal Knowledge, Community Values, and Entrepreneurship in Fan Cultural Production 2017 https://doi.org/10.25969/mediarep/16230 Veröffentlichungsversion / published version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Einwächter, Sophie G.: Negotiating Legal Knowledge, Community Values, and Entrepreneurship in Fan Cultural Production. In: Media in Action. Interdisciplinary Journal on Cooperative Media. Copyright Law (2017), Nr. 2, S. 93– 112. DOI: https://doi.org/10.25969/mediarep/16230. Erstmalig hier erschienen / Initial publication here: https://doi.org/10.25819/ubsi/8194 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Weitergabe unter gleichen Bedingungen 4.0/ Attribution - Share Alike 4.0/ License. For more information see: Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz https://creativecommons.org/licenses/by-sa/4.0/ finden Sie hier: https://creativecommons.org/licenses/by-sa/4.0/ This work is licensed under an Attribution-ShareAlike 4.0 International License (CC BY-SA 4.0). Copyright remains with the authors. https://doi.org/10.25819/ubsi/8194 Negotiating Legal Knowledge, Community Values, and Entrepreneurship in Fan Cultural Production Sophie G. Einwächter 1. Introduction Media fandom incorporates a large number of practices that are either explicitly quoting or implicitly referencing cultural objects. Observers outside fandom ofen label these practices derivative, appropriative, or transformative, each of these labels conveying a legal or ethical judg- ment respectively; many question their legitimacy. Among fans, a high level of uncertainty surrounds the legal status of these practices, which are generally assumed to border on copy right infringement. -
Solar Cycle, Seasonal, and Diurnal Variations of the Mars Upper
JournalofGeophysicalResearch: Planets RESEARCH ARTICLE Mars Global Ionosphere-Thermosphere Model: 10.1002/2014JE004715 Solar cycle, seasonal, and diurnal variations Key Points: of the Mars upper atmosphere • The Mars Global 1 2 3 4 5 6 Ionosphere-Thermosphere Model S. W. Bougher ,D.Pawlowski ,J.M.Bell , S. Nelli , T. McDunn , J. R. Murphy , (MGITM) is presented and validated M. Chizek6, and A. Ridley1 • MGITM captures solar cycle, seasonal, and diurnal trends observed above 1Atmospheric, Oceanic, and Space Sciences Department, University of Michigan, Ann Arbor, Michigan, USA, 2Physics 100 km 3 • MGITM variations will be compared Department, Eastern Michigan University, Ypsilanti, Michigan, USA, National Institute of Aerospace, Hampton, Virginia, 4 5 6 to key episodic variations in USA, Harris, ITS, Las Cruces, New Mexico, USA, Jet Propulsion Laboratory, Pasadena, California, USA, Astronomy future studies Department, New Mexico State University, Las Cruces, New Mexico, USA Correspondence to: S. W. Bougher, Abstract A new Mars Global Ionosphere-Thermosphere Model (M-GITM) is presented that combines [email protected] the terrestrial GITM framework with Mars fundamental physical parameters, ion-neutral chemistry, and key radiative processes in order to capture the basic observed features of the thermal, compositional, and Citation: dynamical structure of the Mars atmosphere from the ground to the exosphere (0–250 km). Lower, middle, Bougher, S. W., D. Pawlowski, and upper atmosphere processes are included, based in part upon formulations used in previous lower and J. M. Bell, S. Nelli, T. McDunn, upper atmosphere Mars GCMs. This enables the M-GITM code to be run for various seasonal, solar cycle, and J. R.