Exploring Solar Cycle Influences on Polar Plasma Convection
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@ SOUTHWEST FOREST SERVICE Forest and R U. S.DEPARTMENT OF AGRICULTURE P.0. BOX 245, BERKELEY, CALIFORNIA 94701 Experime Computation of times of sunrise, sunset, and twilight in or near mountainous terrain Bill 6. Ryan Times of sunrise and sunset at specific mountain- ous locations often are important influences on for- estry operations. The change of heating of slopes and terrain at sunrise and sunset affects temperature, air density, and wind. The times of the changes in heat- ing are related to the times of reversal of slope and valley flows, surfacing of strong winds aloft, and the USDA Forest Service penetration inland of the sea breeze. The times when Research NO& PSW- 322 these meteorological reactions occur must be known 1977 if we are to predict fire behavior, smolce dispersion and trajectory, fallout patterns of airborne seeding and spraying, and prescribed burn results. ICnowledge of times of different levels of illumination, such as the beginning and ending of twilight, is necessary for scheduling operations or recreational endeavors that require natural light. The times of sunrise, sunset, and twilight at any particular location depend on such factors as latitude, longitude, time of year, elevation, and heights of the surrounding terrain. Use of the tables (such as The 1 Air Almanac1) to determine times is inconvenient Ryan, Bill C. because each table is applicable to only one location. 1977. Computation of times of sunrise, sunset, and hvilight in or near mountainous tersain. USDA Different tables are needed for each location and Forest Serv. Res. Note PSW-322, 4 p. Pacific corrections must then be made to the tables to ac- Southwest Forest and Range Exp. -
Soaring Weather
Chapter 16 SOARING WEATHER While horse racing may be the "Sport of Kings," of the craft depends on the weather and the skill soaring may be considered the "King of Sports." of the pilot. Forward thrust comes from gliding Soaring bears the relationship to flying that sailing downward relative to the air the same as thrust bears to power boating. Soaring has made notable is developed in a power-off glide by a conven contributions to meteorology. For example, soar tional aircraft. Therefore, to gain or maintain ing pilots have probed thunderstorms and moun altitude, the soaring pilot must rely on upward tain waves with findings that have made flying motion of the air. safer for all pilots. However, soaring is primarily To a sailplane pilot, "lift" means the rate of recreational. climb he can achieve in an up-current, while "sink" A sailplane must have auxiliary power to be denotes his rate of descent in a downdraft or in come airborne such as a winch, a ground tow, or neutral air. "Zero sink" means that upward cur a tow by a powered aircraft. Once the sailcraft is rents are just strong enough to enable him to hold airborne and the tow cable released, performance altitude but not to climb. Sailplanes are highly 171 r efficient machines; a sink rate of a mere 2 feet per second. There is no point in trying to soar until second provides an airspeed of about 40 knots, and weather conditions favor vertical speeds greater a sink rate of 6 feet per second gives an airspeed than the minimum sink rate of the aircraft. -
DTA Scoring Form
Daytime Astronomy SHADOWS Score Form Date ____/____/____ Student _______________________________________ Rater _________________ Problem I. (Page 3) Accuracy of results Draw a dot on this map to show where you think Tower C is. Tower C is in Eastern US Tower C is in North Eastern US Tower C is somewhere in between Pennsylvania and Maine Modeling/reasoning/observation How did you figure out where Tower C is? Matched shadow lengths of towers A and B/ pointed flashlight to Equator Tried different locations for tower C/ inferred location of tower C Matched length of shadow C/considered Latitude (distance from Equator) Matched angle of shadow C/ considered Longitude (East-West direction) Problem II. (Page 4) Accuracy of results How does the shadow of Tower A look at 10 AM and 3 PM?... Which direction is the shadow moving? 10 AM shadow points to NNW 10 AM shadow is shorter than noon shadow 3 PM shadow points to NE 3 PM shadow is longer than noon shadow Clockwise motion of shadows Modeling/reasoning/observation How did you figure out what the shadow of Tower A looks like at 10 AM and 3 PM? Earth rotation/ "Sun motion" Sunlight coming from East projects a shadow oriented to West Sunlight coming from West projects a shadow oriented to East Sunlight coming from above us projects a shadow oriented to North Sun shadows are longer in the morning than at noon Morning Sun shadows become shorter and shorter until its noon The shortest Sun shadow is at noon Sun shadows are longer in the afternoon than at noon Afternoon Sun shadows become longer and longer until it gets dark (Over, please) - 1 - 6/95 Problem III. -
Chapter 19 the Almanacs
CHAPTER 19 THE ALMANACS PURPOSE OF ALMANACS 1900. Introduction The Air Almanac was originally intended for air navigators, but is used today mostly by a segment of the Celestial navigation requires accurate predictions of the maritime community. In general, the information is similar to geographic positions of the celestial bodies observed. These the Nautical Almanac, but is given to a precision of 1' of arc predictions are available from three almanacs published and 1 second of time, at intervals of 10 minutes (values for annually by the United States Naval Observatory and H. M. the Sun and Aries are given to a precision of 0.1'). This Nautical Almanac Office, Royal Greenwich Observatory. publication is suitable for ordinary navigation at sea, but The Astronomical Almanac precisely tabulates celestial lacks the precision of the Nautical Almanac, and provides data for the exacting requirements found in several scientific GHA and declination for only the 57 commonly used fields. Its precision is far greater than that required by navigation stars. celestial navigation. Even if the Astronomical Almanac is The Multi-Year Interactive Computer Almanac used for celestial navigation, it will not necessarily result in (MICA) is a computerized almanac produced by the U.S. more accurate fixes due to the limitations of other aspects of Naval Observatory. This and other web-based calculators are the celestial navigation process. available from: http://aa.usno.navy.mil. The Navy’s The Nautical Almanac contains the astronomical STELLA program, found aboard all seagoing naval vessels, information specifically needed by marine navigators. contains an interactive almanac as well. -
Good Morning, Good Afternoon, and Good Evening to All of Our Participants Around the World
>>>Good morning, good afternoon, and good evening to all of our participants around the world. Welcome to this Webinar sponsored by the international forum for investor education, IFIE and America's chapter of how an investor's complaint can be used to further investor educational goals. You will be hearing from two presenters today, Kattia Castro Cruz and Pierino Stucchi. Before we introduce Kattia Castro Cruz as your moderator I want to explain how the Q&A answer will work. During the question period, to ask a question type the name of your organization and your question into the question box on your Webinar dashboard. This is located towards the bottom of the screen. We often have more questions than we have time to answer. We will try to answer all of the questions that we receive through the Webinar or we will post them after the Webinar event. Thank you again, and I will ask our facilitator leader, Kattia Castro Cruz, to take over. >> Thank you, Katherine, good morning, good afternoon, and good night to all the participants around the world. Welcome to this Webinar that is sponsored by the international forum for investor education IFIE and the America's chapter. Today we have two conferences, and we will have time for questions and answers at the end of the presentation. During the session of questions and answers, to make a question, just put your name, type your name into, and your organization name and then you will have time at the end. It's on the bottom of the right hand screen. -
Sky Watch Heard Most Weekdays on WFWM, FSU's Public Supported
Night Highlights – Dec.2014 through Dec.2015 by Dr. Bob Doyle, Frostburg State Planetarium Dr. Doyle’s email is: [email protected]: His office phone number is (301) 687-7799 MOON – Earth’s companion both orbits Earth and rotates in 27.32 E. days so one side of moon always faces Earth (while other side is turned away from us). Moon’s cycle of lighted shapes (phases) lasts 29.53 E. days, as the phases also depend on direction of sun (appears to move 30 degrees eastward each month along zodiac). The moon is seen about 13 days growing in the evening from a slender crescent ( ) ) to Full, followed by an equal time shrinking (mainly seen in the a.m. sky) and then 3 days hidden in sun’s glare. Key Moon Phases (D) moon ½ full in evening (best for crater & mountain viewing ) & (O) full moon (see all lava plains) (Dec. ’14, 6 -O, 28 – D)) // (Jan. ’15, 4 - O, 26 - D), // (Feb. ’15, 3 – O, 25 - D) // (Mar. 5 – O, 27 – D) (Apr. 4 – O, 25 – D), // ( May 3 – O, 25 - D) // (Jun., 2- O, 27 – D)) // (Jul., 1 – O, 24 –D, 31 –O (Blue Moon)) (Aug., 22 – D, 29 – O) // (Sep., 20 – D, 27 – O (Harvest Moon)) // (Oct. 20 – D, 27 – O (Hunters’ Moon)) // (Nov., 19 – D, 25 – O) // (Dec., 18 – D, 25 – O (Long Night Moon)) (D = ½ full, O = full) THE 5 BRIGHT PLANETS (Mercury, Venus, Mars, Jupiter & Saturn): Uranus, Neptune are much dimmer. When high above horizon, planets appear as points of light that shine steadily. -
The Blue Hours Dusk, Early September, Just Beneath the Arctic
The Blue Hours Dusk, early September, just beneath the Arctic Circle, by a tideline glacier in East Greenland. The cusp of the seasons, the cusp of the globe, the cusp of the land, and the day’s cusp too: twilight, the blue hours. At this latitude, at this time of year, dusk lasts for two or three hours. We have returned from a long mountain day: pitched climbing up steep slabs and over snow slopes to a towered summit, from which height we could see the great inland ice-cap itself. Then down, late in the day, the darkness thickening around us, and the sun dropping fast behind the western peaks. So we sit together back at camp as the last light gathers on the water of the fjord, on icebergs, on the quartz seams in the white boulder-field above our tents. Twilight specifies the landscape in this way – but it also disperses it. Relations between objects are loosened, such that shape-shifts occur. Just before full night falls, and the aurora borealis begins, a powerful hallucination occurs. My tired eyes start to see every pale stone around our tent not as boulder but as bear, polar bear, pure bear, crouched for the spring. Across the Northern hemisphere, twilight is known as the trickster-time: breeder of delusion, feeder of fantasies, zone of becomings. In Greek, dusk is called lykophos, ‘wolf-light’. In Austria, too, it is Wolflicht. In French it is the phase entre chien et loup, ‘between dog and wolf’: the time when, as Chrystel Lebas has written, ‘it is nearly impossible to tell the difference between the howling sound coming from the two animals, when the domestic and familiar transform into the wild.’ I do not know the Greenlandic word for dusk, but perhaps it would translate as ‘bear-light’. -
Midnight Sun, Part II by PA Lassiter
Midnight Sun, Part II by PA Lassiter . N.B. These chapters are based on characters created by Stephenie Meyer in Twilight, the novel. The title used here, Midnight Sun, some of the chapter titles, and all the non-interior dialogue between Edward and Bella are copyright Stephenie Meyer. The first half of Ms. Meyer’s rough-draft novel, of which this is a continuation, can be found at her website here: http://www.stepheniemeyer.com/pdf/midnightsun_partial_draft4.pdf 12. COMPLICATIONSPart B It was well after midnight when I found myself slipping through Bella’s window. This was becoming a habit that, in the light of day, I knew I should attempt to curb. But after nighttime fell and I had huntedfor though these visits might be irresponsible, I was determined they not be recklessall of my resolve quickly faded. There she lay, the sheet and blanket coiled around her restless body, her feet bound up outside the covers. I inhaled deeply through my nose, welcoming the searing pain that coursed down my throat. As always, Bella’s bedroom was warm and humid and saturated with her scent. Venom flowed into my mouth and my muscles tensed in readiness. But for what? Could I ever train my body to give up this devilish reaction to my beloved’s smell? I feared not. Cautiously, I held my breath and moved to her bedside. I untangled the bedclothes and spread them carefully over her again. She twitched suddenly, her legs scissoring as she rolled to her other side. I froze. “Edward,” she breathed. -
The Golden Hour Refers to the Hour Before Sunset and After Sunrise
TheThe GoldenGolden HourHour The Golden Hour refers to the hour before sunset and after sunrise. Photographers agree that some of the very best times of day to take photos are during these hours. During the Golden Hours, the atmosphere is often permeated with breathtaking light that adds ambiance and interest to any scene. There can be spectacular variations of colors and hues ranging from subtle to dramatic. Even simple subjects take on an added glow. During the Golden Hours, take photos when the opportunity presents itself because light changes quickly and then fades away. 07:14:09 a.m. 07:15:48 a.m. Photographed about 60 seconds after previous photo. The look of a scene can vary greatly when taken at different times of the day. Scene photographed midday Scene photographed early morning SampleSample GoldenGolden HourHour photosphotos Top Tips for taking photos during the Golden Hours Arrive on the scene early to take test shots and adjust camera settings. Set camera to matrix or center-weighted metering. Use small apertures for maximizing depth-of-field. Select the lowest possible ISO. Set white balance to daylight or sunny day. When lighting is low, use a tripod with either a timed shutter release (self-timer) or a shutter release cable or remote. Taking photos during the Golden Hours When photographing the sun Don't stare into the sun, or hold the camera lens towards it for a very long time. Meter for the sky but don't include the sun itself. Composition tips: The horizon line should be above or below the center of the scene. -
Excerpts from Dusk of Dawn: an Essay Toward an Autobiography Of
DUSK OF DAWN An Essay Toward an Autobiography of a Race Concept W. E. B. Du Bois Series Editor, Henry Louis Gates, Jr. Introduction by K. Anthony Appiah OXFORD UNIVERSITY PRESS Contents SERIES INTRODUCTION: THE BLACK LETTERS ON THE SIGN xi INTRODUCTION xxv APOLOGY xxxiii I. THEPLOT 1 II. A NEW ENGLAND BOY AND RECONSTRUCTION 4 III. EDUCATION IN THE LAST DECADES OF THE NINETEENTH CENTURY 13 IV. SCIENCE AND EMPIRE 26 V. THE CONCEPT OF RACE 49 VI. THE WHITE WORLD 68 VII. THE COLORED WORLD WITHIN 88 VIII. PROPAGANDA AND WORLD WAR 111 IX. REVOLUTION 134 INDEX 163 WILLIAM EDWARD BURGHARDT DUBOIS: A CHRONOLOGY 171 SELECTED BIBLIOGRAPHY 179 ix CHAPTER VII The Colored World Within Not only do white men but also colored men forget the facts of the Negro's dou ble environment. The Negro American has for his environment not only the white surrounding world, but also, and touching him usually much more nearly and compellingly, is the environment furnished by his own colored group. There are exceptions, of course, but this is the rule. The American Negro, therefore, is surrounded and conditioned by the concept which he has of white people and he is treated in accordance with the concept they have of him. On the other hand, so far as his own people are concerned, he is in direct contact with individuals and facts. He fits into this environment more or less willingly. It gives him a social world and mental peace. On the other hand and especially if in education and ambition and income he is above the average culture of his group, he is often resentful of its environilcg power; partly because he does not recognize its power and partly because he is determined to consider himself part of the white group from which, in fact, he is excluded. -
George Orwell in His Centenary Year a Catalan Perspective
THE ANNUAL JOAN GILI MEMORIAL LECTURE MIQUEL BERGA George Orwell in his Centenary Year A Catalan Perspective THE ANGLO-CATALAN SOCIETY 2003 © Miquel Berga i Bagué This edition: The Anglo-Catalan Society Produced and typeset by Hallamshire Publications Ltd, Porthmadog. This is the fifth in the regular series of lectures convened by The Anglo-Catalan Society, to be delivered at its annual conference, in commemoration of the figure of Joan Lluís Gili i Serra (1907-1998), founder member of the Society and Honorary Life President from 1979. The object of publication is to ensure wider diffusion, in English, for an address to the Society given by a distinguished figure of Catalan letters whose specialism coincides with an aspect of the multiple interests and achievements of Joan Gili, as scholar, bibliophile and translator. This lecture was given by Miquel Berga at Aberdare Hall, University of Wales (Cardiff), on 16 November 2002. Translation of the text of the lecture and general editing of the publication were the responsibility of Alan Yates, with the cooperation of Louise Johnson. We are grateful to Miquel Berga himself and to Iolanda Pelegrí of the Institució de les Lletres Catalanes for prompt and sympathetic collaboration. Thanks are also due to Pauline Climpson and Jenny Sayles for effective guidance throughout the editing and production stages. Grateful acknowledgement is made of regular sponsorship of The Annual Joan Gili Memorial Lectures provided by the Institució de les Lletres Catalanes, and of the grant towards publication costs received from the Fundació Congrés de Cultura Catalana. The author Miquel Berga was born in Salt (Girona) in 1952. -
Family Portrait Sessions Frequently Asked Questions Before Your Session
kiawahislandphoto.com Family Portrait Sessions Frequently Asked Questions before Your Session When you make an investment in photography, you want it to last a lifetime. Photographics has the expertise to capture the moment and the artistic style and resources to transform your images into works of art you’ll be proud to share and display. We want you to relax and enjoy the experience so all the joy and fun comes through in your portraits. If you have any concerns about your session, just give us a call or pull your photographer aside to discuss any special needs for your group. Relax, enjoy and smile. We’ve got this. Q: What should we wear? A: For outdoor photography on the beach, choose lighter tones and pastel colors for the most pleasing results. Family members don’t have to match exactly, but should stay coordinated with simple, comfortable clothing that blends with the beach environment. Avoid dark tops, busy patterns, graphics/logos, and primary colors that have a tendency to stand out and clash with the environment. Ladies, we’ll be kneeling and sitting in the sand so be wary of low necklines and short skirts. Overall…be comfortable. For great ideas visit our blog online. Q: When is the best time to take beach portraits? A: On the East Coast, the best time is the “golden hour” just before sunset when the light is softer and the temperature is more moderate. We don’t take portraits in the morning and early afternoon hours, because the sun on the beach is too intense which causes harsh shadows and squinting.