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  • Twilight Saga
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES DIPLOMARBEIT Titel der Diplomarbeit Tracing Female Subjectivity and Self-affirmation in Stephenie Meyer’s Twilight Saga Verfasserin Astrid Ernst angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, 2011 Studienkennzahl lt. Studienblatt: A 343 Studienrichtung lt. Studienblatt: Anglistik und Amerikanistik (Diplom) Betreuerin Ao. Univ.- Prof. Mag. Dr. Eva Müller-Zettelmann 1 Table of Contents 1. Introduction.......................................................................................................3 2. Tracing Bella’s Subjectivity: Ideal Love as the Only Way Out..........................4 3. Edward and Jacob: Magnets with reversed polarities or two poles of Bella’s existence?.......................................................................................................12 4. The Cullen Vampires: the ideal family and its enemies..................................20 4.1. Carlisle Cullen......................................................................................20 4.2. Esme Cullen.........................................................................................23 4.3. Rosalie Cullen......................................................................................25 4.4. Alice Cullen..........................................................................................28 4.5. The Cullens’ Enemies..........................................................................30 5. Quileute Legends:
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  • Is the Twilight Saga a Modern-Time Fairy Tale? a Study of Stephenie Meyer’S Source Material from Folklore and Canonical Narratives
    Shiri Rosenberg Is the Twilight Saga a Modern-Time Fairy Tale? A Study of Stephenie Meyer’s Source Material from Folklore and Canonical Narratives Abstract: The article presents an analysis of Stephenie Meyer’s Twilight novels as modern literary fairy-tales. To this end, the discussion will refer to structuralist critics, and identify “narrative functions” from folktales (stock images and episodes, stock character functions, characteristic sequences of episodes), used by Meyer in her vampire novels. As it turns out, Meyer modified folklore material to sustain a long and variously themed narrative: by embedding numerous subplots, by rearranging functions between characters, and creating composite and collective characters that combine contradictory functions. The author transformed several folktales into a series of four novels about coming of age in the twenty-first-century United States. A detailed analysis of Meyer’s modifications of the folktale partially corroborates the feminist critique of Meyer’s representation of the protagonists as reinforced versions of cultural stereotypes and gender roles. However, some transformations, especially Meyer’s assignment of the hero-function to the female protagonist Bella, seem to suggest just the opposite, thus leading to the conclusion that the Twilight novels reflect the confusion caused by contradictory role-models and aspirations, the confusion that seems to be inherent in a coming-of-age novel. Keywords: Stephanie Meyer, Twilight, fairy tale, folklore, structuralism “I decided it didn’t matter. It doesn’t matter to me what you are.” —Bella Swan in Stephenie Meyer’s Twilight In his seminal 1977 monograph on the literary fairy tale (Kunstmarchen), Jens Tismar set down the principles for a definition of the genre: firstly, it can be differentiated from the oral folk tale (Volksmarchen) because it is written by an author, rather than developed as folk tradition.
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  • The Impact of Twilight Tourism on Economic Stability and Identity Development in Forks, Washington the Colorado College Hannah Tilden April 21, 2015
    The Impact of Twilight Tourism on Economic Stability and Identity Development in Forks, Washington The Colorado College Hannah Tilden April 21, 2015 2 Introduction This research addresses how the introduction and consequential decrease in the popularity of the film and book series, the Twilight saga has impacted the cultural identity and economic security of residents living in Forks, Washington. The Twilight saga is a series of popular young adult novels first published in 2005, which were then adapted to film, about vampires and werewolves (Meyer 2005). This research will be framed within larger conversations of tourism, pop culture, and representation, and will take an ethnographic approach to creating a multi-vocal representation of Forks. In doing so, it contests, at least in part, the existing single narrative of the town created by author Stephenie Meyer. The ethnographic approach will include participant observation and interviews, as well as collecting economic data on the town to inform an understanding of economic security over the last decade. The research will contribute to the anthropological discourse on tourism, cultural representation, and cultural identity, and will give the people of Forks the opportunity to create their own representation of their community. Before the Twilight saga made Forks an international tourist destination after the publication of the first novel, Forks attracted local visitors for its proximity to the Hoh, the only rainforest in the continental U.S., which is surrounded by the Olympic National Park, and the Pacific Ocean (Forks Chamber of Commerce 2014). The economy is historically based on the logging and fishing industries, and the year round population is under 4,000 (Forks Chamber of Commerce 2014).
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    Click here to see the article as it originally appeared in MarketWatch Outside the Box Opinion: Beware of ‘zombie’ companies running rampant in the stock market Published: Nov. 24, 2020 at 12:48 p.m. ET By William Barritt A total of 19%, or 571 companies, in the Russell 3000 Index are considered unviable Aggressive intervention by the U.S. central bank added to the ranks of the corporate walking dead. GETTY IMAGES Few would dispute that the Federal Reserve’s enormous doses of monetary medicine this year were necessary to alleviate the worst economic impacts of the coronavirus pandemic. But every treatment comes with risks and side effects, and the aggressive intervention by the U.S. central bank added significantly to the ranks of the corporate walking dead, as I call it. These so-called zombie companies continue to muddle along in a financial twilight zone because near-zero interest rates are driving investor appetite for risk while allowing faltering businesses to keep tapping capital Beware of ‘zombie’ companies running rampant in the stock market (Page 2) markets for the cheap cash they need to make up the shortfall between lackluster earnings and the money needed to pay interest on their debt. A widely accepted definition of a zombie is a business with an interest coverage ratio of less than 1 for three years. On that measure, 11% of Russell 3000 Index companies are unviable, a figure that jumps to 19%, or 571 companies, on a 12-month basis. Altogether, those 571 businesses employ more than 800,000 people.
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    This is an electronic reprint of the original article. This reprint may differ from the original in pagination and typographic detail. Author(s): Lehtonen, Sanna Title: Writing Oneself into Someone Else’s Story – Experiments With Identity And Speculative Life Writing in Twilight Fan Fiction Year: 2015 Version: Please cite the original version: Lehtonen, S. (2015). Writing Oneself into Someone Else’s Story – Experiments With Identity And Speculative Life Writing in Twilight Fan Fiction. Fafnir : Nordic Journal of Science Fiction and Fantasy Research, 2(2), 7-18. http://journal.finfar.org/articles/316.pdf All material supplied via JYX is protected by copyright and other intellectual property rights, and duplication or sale of all or part of any of the repository collections is not permitted, except that material may be duplicated by you for your research use or educational purposes in electronic or print form. You must obtain permission for any other use. Electronic or print copies may not be offered, whether for sale or otherwise to anyone who is not an authorised user. ISSN: 2342-2009 Fafnir vol 2, iss 2, pages 7–18 Fafnir – Nordic Journal of Science Fiction and Fantasy Research journal.finfar.org Writing Oneself into Someone Else’s Story – Experiments With Identity And Speculative Life Writing in Twilight Fan Fiction Sanna Lehtonen Abstract: Fan fiction offers rich data to explore readers’ understanding of gendered discourses informing the narrative construction of fictional and real-life identities. This paper focuses on gender identity construction in self-insertion fan fiction texts – stories that involve avatars of fan writers – based on Stephenie Meyer’s Twilight novels.
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