Catharine Maria Sedgwick's "Hope Leslie": Clues to a Woman's Journey. Sally Mcmillan Tyler Louisiana State University and Agricultural & Mechanical College

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Catharine Maria Sedgwick's Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 2001 Catharine Maria Sedgwick's "Hope Leslie": Clues to a Woman's Journey. Sally Mcmillan Tyler Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Tyler, Sally Mcmillan, "Catharine Maria Sedgwick's "Hope Leslie": Clues to a Woman's Journey." (2001). LSU Historical Dissertations and Theses. 253. https://digitalcommons.lsu.edu/gradschool_disstheses/253 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the-deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. ProQuest Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. CATHARINE MARIA SEDGWICK'S HOPE LESLIE. CLUES TO A WOMAN'S JOURNEY A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment o f the requirements for the degree of Doctor of Philosophy in The Department of Curriculum and Instruction by Sally McMillan Tyler B.S., Louisiana State University, 1987 M.A., Louisiana State University, 1997 Ph.D., Louisiana State University, 2001 May 2001 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number 3010386 Copyright 2001 by Tyler, Sally McMillan All rights reserved. ___ ® UMI UMI Microform 3010386 Copyright 2001 by Bell & Howell Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. Bell & Howell Information and Learning Company 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Ml 48106-1346 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. ©Copyright 2001 Sally McMillan Tyler All rights reserved Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. In memory of my beloved sister Laura Catherine McMillan whose gifts o f faith and the imagination touched my life and the lives of many iii Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. ACKNOWLEDGMENTS To Petra Munro, the director of this dissertation, I owe immeasurable thanks. Throughout my time as a graduate student, her influence has disrupted, challenged, and encouraged my thinking in the most meaningful and delightful ways. It is largely because of her faith in me as a teacher, scholar, and writer that I was able to complete this project. Her apt words o f encouragement, unselfish mentor ship, brilliant scholarship, and creative teaching are gifts for which I will always be grateful. More than anyone I know, she possesses the ability to envision a “third” and better way. I would also like to express special thanks to Carol Mattingly. Due to her enthusiasm, dedication, and unique scholarship the world of nineteenth -century women’s literature was opened for me in a life-changing way. I am infinitely grateful to her for all of the guidance, opportunities, and expertise that she freely shared with me throughout this dissertation process. To my other committee members, I also owe a great debt. William Pinar’s insights regarding both American cultural history and curriculum theory were extremely valuable to me. Claudia Eppert’s work with testimony was also invaluable, in that it provided a vitally important lens from which to see Catharine Sedgwick’s writing. I am also thankful for Ruth Bowman’s thorough and well-informed analysis o f my work. For both their friendship and scholarly insights, I thank the students and co- teachers of the “Engendering Curriculum” seminar. Donna Porche-Frilot, Soledad Smith, Tayari kwa Salaam, and Debbie Davis-Pierce were o f particular help. I am also grateful to Ann Trousdale for sharing her expertise in narrative theory. iv Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Of course, special thanks goes to my husband Dennis ffi>r enduring late nights and a tight budget. I would never have been able to reach my nsumerous deadlines without both his technical and emotional support. I also owe a .great debt to the many family members and friends who undergirded me with their praters. In particular, I am grateful for the encouragement of my wonderful parents Laurai and John McMillan, my sisters Catherine and Leah, my brother-in-law Darin Boyd, my rniece Emily, my nephew Joel, Libby and Dave Martens, and my grandmother Velora Camnon Smith. I was also blessed to receive much needed support from Artela and Bud TTyler, Laurel Tyler, and the whole Tyler family. Through love and prayer my strength vwas consistently renewed. Thanks be to God! v Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. TABLE OF CONTENTS ACKNOWLEDGMENTS......................................................................................................iv ABSTRACT............................................................................................................................ vii CHAPTER 1 CLUES TO A JOURNEY...............................................................................1 2 (AUTO)BIOGRAPHICAL CONVERSATIONS WITH CATHARINE SEDGWICK...........................................................27 3 CULTURAL CONVERSATIONS: FRAMEWORKS FOR ANEW EVE AND ANEW ADAM ................................................ 45 4 NOVEL IDENTITIES: SEDGWICK’S HOPE LESLIE AS EXPERIMENTAL GROUND FOR PERSONAL AND CULTURAL IDENTITY CONSTRUCTION............................... 79 5 TESTIMONY AND IMAGINATION: HISTORICAL DISRUPTIONS WITHIN SEDGWICK’S JOURNEY..........................109 6 REDEEMING CULTURAL STEREOTYPES........................................131 7 UNWINDING THE JOURNEY: A FEW CONCLUSIVE THREADS................................................................................................ 156 REFERENCES.....................................................................................................................180 VITA ......................................................................................................................................185 vi Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. ABSTRACT Prevalent in both archetypal and religious literature, the journey motif weaves its way through tales of human growth—stories which grapple with the processes of how people come to be and to know. Such images of identity formation and knowledge construction hold significant implications for the field of education. Indeed, Huebner (1993) notes that “we do not need learning theory or developmental theory to explain human change...The question educators need to ask is not how people learn and develop, but what gets in the way of the great journey—the journey of the self or soul” (p. 405). While Huebner’s suggested paradigm shift is promising, it is limited by current conceptions of the journey metaphor. For example, narratives which promote separation and “rugged individualism” dominate American Literature classrooms, and although the canon contains numerous quest stories, these tales tend to be limited to individualistic journeys which center only on men’s experiences. Therefore, rather than promote a unitary quest which exclusively emphasizes separation, individuation, and male heroes, it is important to investigate and to construct new possibilities that consider the life experiences of women and marginalized peoples. The focus of this study is the life journey o f the once well-known nineteenth century American novelist Catharine Maria Sedgwick (1789 - 1867).1 Using her most 1 Nina Baym (1992) notes that in spite of the fact that by the middle of the nineteenth century women writers
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