Sergei S. Horujy's “Synergetic Anthropology”—One More
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Issue II — July 2009
Volume II VolumeIssueVolume II II II IssueJulyIssue 2009II II JulyJuly 2009 2009 Dr. Christa Davis Acampora Dr. Benjamin Moritz Cem Aydogan Hermann Nitsch Dr. Babette Babich Dr. Kelly Oliver Dr. Nicholas Birns Board of Advisors Lance Olsen Dr. Arno Böhler Dr. Graham Parkes Dr. Tony Brinkley Keith Ansell-Pearson Dr. Thomas Brobjer Dr. Philip Pothen Mark Daniel Cohen Dr. Timothy Quigley Dr. Véronique Fóti Prof. Alan Rosenberg Dr. Terri J. Gordon Dr. Ofelia Schutte Dr. Jennifer Anna Gosetti-Ferencei Dr. Gary Shapiro Dr. Susanne Granzer Dr. Walter Sokel Pierre Hadot Dr. Joan Stambaugh Dr. Lawrence Hatab Mark Strand Dr. Horst Hutter Dr. Yunus Tuncel Dr. David Kilpatrick Dr. Gianni Vattimo Joseph Kosuth Paul van Tongeren Donald Kuspit Kim White Dr. Laurence Lampert Colin Wilson Vanessa Lemm Patrick Wotling Linda Lewett Dr. Irvin Yalom Paul S. Loeb John Bell Young Dr. James Luchte Gérard Zuchetto Tali Makell James Mangiafico Volume II Issue II J u l y Volume II Issue II J u l y VolumeVolume II II IssueIssue II II JJuly u l2009 y Publisher Nietzsche Circle, Ltd. Editor in Chief Review Editor Rainer J. Hanshe Yunus Tuncel Editorial Board Rainer J. Hanshe Yunus Tuncel David Kilpatrick Art Production Logo Design Tim Syth Liliana Orbach Advertising Donations Andre Okawara Katie Creasy (Donations can be made at http://nietzschecircle.com) Nietzsche Circle Event Poster Design Doerthe Fitschen-Rath Nietzsche Circle Website Design Hasan Yildiz (http://designkillsme.com) Letters to the editors are welcome and should be emailed to: [email protected]. The Agonist is published Oct, January, April, July by Nietzsche Circle, Ltd. -
BETWEEN PHILOSOPHIES: the EMERGENCE of a NEW INTELLECTUAL PARADIGM in RUSSIA by Alyssa J. Deblasio Bachelor of Arts, Villanova
BETWEEN PHILOSOPHIES: THE EMERGENCE OF A NEW INTELLECTUAL PARADIGM IN RUSSIA by Alyssa J. DeBlasio Bachelor of Arts, Villanova University, 2003 Master of Arts, University of Pittsburgh, 2006 Submitted to the Graduate Faculty of the School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2010 UNIVERSITY OF PITTSBURGH School of Arts and Sciences This dissertation was presented by Alyssa J. DeBlasio It was defended on May 14, 2010 and approved by Tatiana Artemyeva, Professor, Herzen State Pedagogical University (St. Petersburg, Russia), Department of Theory and History of Culture Vladimir Padunov, Associate Professor, University of Pittsburgh, Department of Slavic Languages and Literatures James P. Scanlan, Emeritus Professor, The Ohio State University, Department of Philosophy Dissertation Advisor: Nancy Condee, Associate Professor, Department of Slavic Languages and Literatures ii Copyright © by Alyssa J. DeBlasio 2010 iii BETWEEN PHILOSOPHIES: THE EMERGENCE OF A NEW INTELLECTUAL PARADIGM IN RUSSIA Alyssa J. DeBlasio, PhD University of Pittsburgh, 2010 This dissertation takes as its primary task the evaluation of a conflict of paradigms in Russian philosophical thought in the past decade. If until the early nineties Russian philosophers were often guilty of uncritically attributing to their domestic philosophy a set of characteristics that fell along the lines of a religious/secular binary (e.g. literary vs. analytic; continuous vs. ruptured), in recent years the same scholarship is moving away from the nineteenth-century model of philosophy as a “path” or “special mission,” as it has been called by Konstantin Aksakov, Aleksei Khomiakov, Ivan Kireevskii, and later, Nikolai Berdiaev, among others. -
The Case of Pavel Florensky
MATHEMATICS AS THE KEY TO A HOLISTIC WORLD VIEW: THE CASE OF PAVEL FLORENSKY Vladislav Shaposhnikov* It is well known that Pavel Florensky highly praised mathematics through- out his life. Let us take his letter of 12 November 1933 to his daughter Olga as an example: «Mathematics should not be a burden laid on you from without, but a habit of thought1: one should be taught to see geometric relations in all reality and to discover formulae in all phenomena»2. But God is in the details, the saying goes, so it is worth specifying Florensky’s ideas on the subject. In this paper, I will attempt to reconstruct the main strands of his rather ambitious project concerning mathematics. A body of literature on the topic is far from being rich and exhaustive. Around 1987, some of Aleksei Losev’s amazing reminiscences of Pavel Flo- rensky were recorded and eventually published in 1990. Losev talked about “identity of philosophy and mathematics” in Florensky and insisted on Flo- rensky’s “great discovery” that mathematical objects are perceptional and alive3. The discussion was initiated by 1985-1989 publications by Sergei M. Polovinkin on Florensky’s «philosophical-mathematical synthesis»4 and by Sergei S. Demidov (joined in the 1990s by Charles E. Ford) on Florensky’s place in the history of mathematics5. I have been taking part in the discussion * Associated professor, Faculty of Philosophy, Lomonosov Moscow State University, Russia. 1 The previous part of the sentence is given in Avril Pyman’s translation. See A. PYMAN, Pavel Floren- sky: A Quiet Genius, Continuum, New York 2010, 160. -
Landmarks Revisited the Vekhi Symposium 100 Years on C U Lt U R a L R E V O Lu T I O N S : R U S S I a I N T H E 20 T H C E N T U Ry
Landmarks Revisited The Vekhi Symposium 100 Years On C u lt u r a l r e v o lu t i o n s : r u s s i a i n t h e 20 t h C e n t u ry s e r i e s e d i to r Boris Wolfson—Amherst College e d i to r i a l B oa r d : Anthony Anemone—The New School Robert BiRd—The University Of Chicago eliot BoRenstein—New York University Angela BRintlingeR—The Ohio State University Karen evAns-RomAine—Ohio University Jochen HellBeck—Rutgers University lilya KAgAnovsKy—University Of Illinois, Urbana-Champaign Christina KiAeR—Northwestern University Alaina lemon—University Of Michigan simon morrison—Princeton University eric NaimAn—University Of California, Berkeley Joan neuBeRgeR—University Of Texas, Austin ludmila Parts—Mcgill University ethan Pollock—Brown University Cathy Popkin—Columbia University stephanie SandleR—Harvard University Landmarks Revisited The Vekhi Symposium 100 Years On E di t E d b y R o b i n A i z l E w o o d A nd R u t h C oAt E s BOSTON / 2013 Library of Congress Cataloging-in-Publication Data: A bibliographic record for this title is available from the Library of Congress. Copyright © 2013 Academic Studies Press All rights reserved ISBN 978-1-618811-286-6 (hardback) ISBN 978-1-61811-287-3 (electronic) Book design by Ivan Grave Published by Academic Studies Press in 2013 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. -
Rūta Stanevičiūtė Nick Zangwill Rima Povilionienė Editors Between Music
Numanities - Arts and Humanities in Progress 7 Rūta Stanevičiūtė Nick Zangwill Rima Povilionienė Editors Of Essence and Context Between Music and Philosophy Numanities - Arts and Humanities in Progress Volume 7 Series Editor Dario Martinelli, Faculty of Creative Industries, Vilnius Gediminas Technical University, Vilnius, Lithuania [email protected] The series originates from the need to create a more proactive platform in the form of monographs and edited volumes in thematic collections, to discuss the current crisis of the humanities and its possible solutions, in a spirit that should be both critical and self-critical. “Numanities” (New Humanities) aim to unify the various approaches and potentials of the humanities in the context, dynamics and problems of current societies, and in the attempt to overcome the crisis. The series is intended to target an academic audience interested in the following areas: – Traditional fields of humanities whose research paths are focused on issues of current concern; – New fields of humanities emerged to meet the demands of societal changes; – Multi/Inter/Cross/Transdisciplinary dialogues between humanities and social and/or natural sciences; – Humanities “in disguise”, that is, those fields (currently belonging to other spheres), that remain rooted in a humanistic vision of the world; – Forms of investigations and reflections, in which the humanities monitor and critically assess their scientific status and social condition; – Forms of research animated by creative and innovative humanities-based -
1 Life Between Two Panels Soviet Nonconformism in the Cold War Era
Life Between Two Panels Soviet Nonconformism in the Cold War Era DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Clinton J. Buhler, M.A. Graduate Program in History of Art * * * * * The Ohio State University 2013 Dissertation Committee: Dr. Myroslava M. Mudrak, Advisor Dr. Kris Paulsen Dr. Jessie Labov Dr. Aron Vinegar 1 Copyright by Clinton J. Buhler 2013 2 Abstract Beneath the façade of total conformity in the Soviet Union, a dynamic underground community of artists and intellectuals worked in forced isolation. Rejecting the mandates of state-sanctioned Socialist Realist art, these dissident artists pursued diverse creative directions in their private practice. When they attempted to display their work publicly in 1974, the carefully crafted façade of Soviet society cracked, and the West became aware of a politically subversive undercurrent in Soviet cultural life. Responding to the international condemnation of the censorship, Soviet officials allowed and encouraged the emigration of the nonconformist artists to the West. This dissertation analyzes the foundation and growth of the nonconformist artistic movement in the Soviet Union, focusing on a key group of artists who reached artistic maturity in the Brezhnev era and began forging connections in the West. The first two chapters of the dissertation center on works that were, by and large, produced before emigration to the West. In particular, I explore the growing awareness of artists like Oleg Vassiliev of their native artistic heritage, especially the work of Russian avant-garde artists like Kazimir Malevich. I look at how Vassiliev, in a search for an alternative form of expression to the mandated form of art, took up the legacy of nineteenth-century Realism, avant-garde abstraction, and Socialist Realism. -
ATINER's Conference Paper Series PHI2014-1266
ATINER CONFERENCE PAPER SERIES No: PHI2014-1266 Athens Institute for Education and Research ATINER ATINER's Conference Paper Series PHI2014-1266 The Transformation of the Ancient Worldview in the Consciousness of a Medieval Man Elena Akhmaeva PhD Candidate Lobachevsky State University of Nizhniy Novgorod Russia 1 ATINER CONFERENCE PAPER SERIES No: PHI2014-1266 An Introduction to ATINER's Conference Paper Series ATINER started to publish this conference papers series in 2012. It includes only the papers submitted for publication after they were presented at one of the conferences organized by our Institute every year. The papers published in the series have not been refereed and are published as they were submitted by the author. The series serves two purposes. First, we want to disseminate the information as fast as possible. Second, by doing so, the authors can receive comments useful to revise their papers before they are considered for publication in one of ATINER's books, following our standard procedures of a blind review. Dr. Gregory T. Papanikos President Athens Institute for Education and Research This paper should be cited as follows: Akhmaeva, E., (2014) "The Transformation of the Ancient Worldview in the Consciousness of a Medieval Man”, Athens: ATINER'S Conference Paper Series, No: PHI2014-1266. Athens Institute for Education and Research 8 Valaoritou Street, Kolonaki, 10671 Athens, Greece Tel: + 30 210 3634210 Fax: + 30 210 3634209 Email: [email protected] URL: www.atiner.gr URL Conference Papers Series: www.atiner.gr/papers.htm Printed in Athens, Greece by the Athens Institute for Education and Research. All rights reserved. -
The Wood(S):1 on the Problem of Living Matter in Ancient and Contemporary Biology
© EUSP, 2015 ISSN 23103817 Vol. 3 No. 1 8–52 Vladimir Bibikhin The Wood(s):1 On the Problem of Living Matter in Ancient and Contemporary Biology Introduction The experience of the wood(s) as a substance that is devoured, burnt for the purpose of obtaining various kinds of energy, and formed has pre determined the use of the corresponding term, hylē, as the designation of matter. The intermediate step in this coinage was the application of the term to ancient medicine, as well as biology. Through fantasies about the primeval, forestdwelling, shaggy human; through the mythopoetics of the world tree; through the return, in our times, of the human masses separated from nature to the Ersatz of the woods in tobacco, wine, and narcotics—through all of this, the woods with their nonmetric space (comparable to representations of the cell as a tropical forest) belong to the realities of contemporary humanity to a much greater extent than we tend to think. In the philosophical conceptions of hylē, or matter, in reli gion and theology (the cross as the world tree), and in poetry (the figures of a tree, a bush, a garden), the wood(s) reveal the incompletely under stood intensity of their presence. We are surrounded by the wood(s) on all sides, very tightly, and what appears to be intimately our own, our thought, is not in a better position to free itself from them than our actual bodies. The wood(s) have always already managed to close in on us. The periodically renewed attention, on the part of contemporary sci ence, to the biological writings of Aristotle and his school is certainly jus tified. -
JRAT 005 01 008 Van Der Zweerde.Indd
Interdisciplinary Journal for Religion and Transformation in Contemporary Society 5 (2019) 136–164 brill.com/jrat Between Mysticism and Politics: The Continuity in and Basic Pattern of Vladimir Solov’ëv’s Thought Evert van der Zweerde Faculty of Philosophy, Theology and Religious Studies, Radboud University Erasmusplein 1, 6525 HT Nijmegen, Netherlands [email protected] Abstract Vladimir Solov’ëv, informal “founder” of the current of Russian religious philosophy which gained some prominence in the early 20th C with thinkers like N. Berdyaev, S. Frank and S. Bulgakov, based his social and political philosophy as well as his pro- gram of “Christian politics” (an attempt to bring the world as close to the Kingdom of God as possible, while steering clear from any idea of “building” God’s Kingdom on Earth) on a series of personal mystical encounters with Sophia, understood by him as, simultaneously, Eternal Femininity, Divine Wisdom and World Soul. The paper argues that this vision remained the foundation of his entire world- view, despite the fact that he initially articulated a more “utopian” vision of a world- encompassing “free theoc- racy,” while later in his career he elaborated, in Opravdanie dobra [The Justification of the (Moral) Good], a more realistic, but still “ideal-theoretical” vision of a just Christian state. Highlighting the tension between Solov’ëv’s advocacy of a free and plural sphere of public debate and his own “prophetic” position based on privileged access to divine wisdom, the paper ends with a discussion of the intrinsic and unsolvable tension be- tween religion and politics, and with the claim that there is a fundamental opposition between holistic mystical visions and a recognition of the political, understood as the ubiquitous possibility of both conflict and concord among humans. -
From Priests to Pathfinders1907
1 Oleg Kharkhordin, European U at St. Petersburg FROM PRIESTS TO PATHFINDERS: THE FATE OF THE HUMANITIES AND SOCIAL SCIENCES IN RUSSIA AFTER WWII∗ Writing about the fate of the humanities in Russia is no easy task from the very start, because the term does not exist in Russian language or in academic reality. Russia has gumanitarnye nauki, «human sciences», but this is a calc of the second term in a German distinction between Naturwissenschaften vs. Geistesweissenschaften, famously articulated by Wilhelm Dilthey. If the first ones are sciences of nature, then the second ones are sciences of spirit, and their methods radically differ. In Russia of the period that I will be dealing with, this distinction seems to have been incorporated into various official classifications and intuitive judgments, even though Russians never shared Dilthey's preoccupation with the Verstehende approaches. Thus, the Academy of Sciences of the USSR established in 1927 two sections – one of the physical-mathematical sciences, and one of «human sciences», which included history, philology (modern and classical languages), sociology, economics, etc.1 With the Soviet insistence that even philosophy was a science, telling us of objective laws of nature and society, this distinction solidified. Hence debates on whether history belongs to the humanities or social sciences is hard to repeat in Russian. For a majority of historians in Russia after WWII it was clear that history was a science, though history-writing, of course, had some elements of art. Therefore, I will be dealing in my exposition not with the humanities per se, mapping the US standard on Russian reality, but rather with gumanitarnye nauki - a phenomenon and part of a classification, which were well entrenched in Soviet and then Russian life. -
The Fundamental Concepts of Vladimir Bibikhin's
© EUSP, 2015 ISSN 2310-3817 Vol. 3 No. 1 178–211 Aleksandr Pogrebnyak Saint Petersburg State University The Fundamental Concepts of Vladimir Bibikhin’s Metaphysics (sophia—strangeness—interest) Abstract This article attempts to articulate and develop key concepts of Vladimir Bibikhin’s metaphysics, as presented in a series of important lecture courses. These concepts form the triad “sophia—strangeness—interest,” in some ways serving as a “translation” of M. Heidegger’s “world—finitude—solitude” (from the subtitle of his Fundamental Concepts of Metaphysics) into the hermeneutic language of the Russian 1990s. As is well known, Bibikhin translated the first chapters of this book, as well as a range of other important works by Heidegger. Despite their significant influence upon him, Bibikhin’s own metaphysical thought is truly original, since his goal is not the construction of a distinctive system but the reproduction here and now, in concrete historical circumstances, of an original philosophical gesture of seeing – indicating, in particular, his interest in the themes of energy, property, the woods, as well as his constant attention to the idiosyncrasy of Russian reality (beyond “westernizing” criticism and “slavophile” praise). In the concluding section of the article, I show how important the works 178 The Fundamental Concepts of Vladimir Bibikhin’s Metaphysics of N. V. Gogol are for understanding Bibikhin’s thought, as he periodically refers to this author’s texts, either explicitly or implicitly. Key words Bibikhin, Gogol, Heidegger, interest, law, metaphysics, property, sophia, strangeness Bibikhin’s Thought and the Situation of the 1990s The history of the 1990s—both political and intellectual—has yet to be written. -
Oliver Smith Studies in Russian and Slavic Literatures, Cultures and History
Oliver Smith Studies in Russian and Slavic Literatures, Cultures and History Series Editor: Lazar Fleishman (Stanford Universtity) Oliver Smith Boston 2011 Library of Congress Cataloging-in-Publication Data Smith, Oliver, Ph. D. Vladimir Soloviev and the spiritualization of matter / Oliver Smith. p. cm. -- (Studies in Russian and Slavic literatures, cultures, and history) Includes bibliographical references (p. ) and index. ISBN 978-1-936235-17-9 (hardback) 1. Solovyov, Vladimir Sergeyevich, 1853-1900. 2. Matter. 3. Spirit. I. Title. B4268.M35S65 2010 197--dc22 2010047543 Copyright © 2011 Academic Studies Press All rights reserved ISBN 978-1-936235-17-9 Book design by Ivan Grave On the cover: Th e Portrait of Vladimir Soliviev, by Ivan Kramskoy (a fragment). 1885 Published by Academic Studies Press in 2011 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. The open access publication of this volume is made possible by: This open access publication is part of a project supported by The Andrew W. Mellon Foundation Humanities Open Book initiative, which includes the open access release of several Academic Studies Press volumes. To view more titles available as free ebooks and to learn more about this project, please visit borderlinesfoundation.org/open.