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Friedrich Nietzche on the Way of Recurrence to Oneself
Friedrich Nietzche on the Way of Recurrence to Oneself Natalya Shelkovaia 1 Instead of a Preface1 In a very difficult period of my life, short thoughts and aphorisms about the nature of a person and the world began to come to my mind. At first, I wrote them down on sheets of paper, then I got a big notebook, which eventually grew into a big book. While composing this “Diary of Thoughts” at some point the name “The Way of Recurrence to Oneself” occurred to me. Later, when I read works by the mystics, I noticed that “recurrence to oneself” was the goal of a mystical spiritual action. And more recently, carefully reading Friedrich Nietzsche’s works and working on them, I noticed again that for Nietzsche “re- currence to oneself” has been the aim of spiritual practice: “Lonely one, you go the way to yourself!”2 Only “recurring” to oneself can one be considered, accord- ing to Nietzsche, a super-human, a new person. Although, based on the idea of eternal recurrence, rooted in antiquity and reanimated by Nietzsche, the new person is only a regenerated, primordial one. And what is interesting: those works about Nietzsche, which seemed the most appealing and close to me in spirit, were, rather, not studies of his work, not “works about Nietzsche,” but “co-thinking, co-feeling with Nietzsche.” This implies similarity between their authors’ “vital world” (Lebenswelt) and that of Nietzsche. I saw this in Lev Shestov’s article, “The Good in the Teaching of Count Tolstoy and Friedrich Nietzsche,”3 in Andrei Bely’s article “Friedrich Nietzsche,”4 in the article by Vladimir N. -
Seven Atheisms
SEVEN ATHEISMS Andrew Walker SEVEN ATHEISMS Exploring the varieties of atheism in John Gray’s book Seven Types of Atheism Andrew Walker Emeritus Professor of Theology, Culture and Education, King’s College London Christian Evidence Society christianevidence.org Text copyright © Andrew Walker 2019 Published by the Christian Evidence Society, London, 2019 christianevidence.com All rights reserved Editing and design: Simon Jenkins Cover photograph by PhotoDu.de / CreativeDomainPhotography.com. Creative Commons Attribution 2.0 Generic (CC BY 2.0) license Contents Introduction 5 The seven atheisms 19th century atheism 6 Secular humanism 8 Science as religion 12 Modern politicial religion 15 God-haters 18 Atheism without progress 22 The atheism of silence 25 Conclusion 27 Index 30 Introduction John Gray’s Seven Types of Atheism (Allen Lane, 2018) is an important book for both religious and non-religious readers. John Gray, who describes himself as an atheist, is nevertheless critical of most versions of atheism. His attitude to atheism is the same as his attitude to certain types of religion. This attitude is predicated upon Gray’s conviction that human beings are intrinsically dissatisfied and unpredictable creatures who can never get along with each other for any length of time. His view is based on a reading of human nature that sails close to the wind of the Christian concept of original sin, and is out of step with most modern forms of atheism. In particular, Gray is allergic to any forms of cultural progress in human behaviour especially if they are couched in positivistic or evolutionary terms. 5 ATHEISM 1 19th century atheism Gray sets out his stall in his first chapter, ‘The New Atheism: A Nineteenth- century Orthodoxy’. -
Issue II — July 2009
Volume II VolumeIssueVolume II II II IssueJulyIssue 2009II II JulyJuly 2009 2009 Dr. Christa Davis Acampora Dr. Benjamin Moritz Cem Aydogan Hermann Nitsch Dr. Babette Babich Dr. Kelly Oliver Dr. Nicholas Birns Board of Advisors Lance Olsen Dr. Arno Böhler Dr. Graham Parkes Dr. Tony Brinkley Keith Ansell-Pearson Dr. Thomas Brobjer Dr. Philip Pothen Mark Daniel Cohen Dr. Timothy Quigley Dr. Véronique Fóti Prof. Alan Rosenberg Dr. Terri J. Gordon Dr. Ofelia Schutte Dr. Jennifer Anna Gosetti-Ferencei Dr. Gary Shapiro Dr. Susanne Granzer Dr. Walter Sokel Pierre Hadot Dr. Joan Stambaugh Dr. Lawrence Hatab Mark Strand Dr. Horst Hutter Dr. Yunus Tuncel Dr. David Kilpatrick Dr. Gianni Vattimo Joseph Kosuth Paul van Tongeren Donald Kuspit Kim White Dr. Laurence Lampert Colin Wilson Vanessa Lemm Patrick Wotling Linda Lewett Dr. Irvin Yalom Paul S. Loeb John Bell Young Dr. James Luchte Gérard Zuchetto Tali Makell James Mangiafico Volume II Issue II J u l y Volume II Issue II J u l y VolumeVolume II II IssueIssue II II JJuly u l2009 y Publisher Nietzsche Circle, Ltd. Editor in Chief Review Editor Rainer J. Hanshe Yunus Tuncel Editorial Board Rainer J. Hanshe Yunus Tuncel David Kilpatrick Art Production Logo Design Tim Syth Liliana Orbach Advertising Donations Andre Okawara Katie Creasy (Donations can be made at http://nietzschecircle.com) Nietzsche Circle Event Poster Design Doerthe Fitschen-Rath Nietzsche Circle Website Design Hasan Yildiz (http://designkillsme.com) Letters to the editors are welcome and should be emailed to: [email protected]. The Agonist is published Oct, January, April, July by Nietzsche Circle, Ltd. -
BETWEEN PHILOSOPHIES: the EMERGENCE of a NEW INTELLECTUAL PARADIGM in RUSSIA by Alyssa J. Deblasio Bachelor of Arts, Villanova
BETWEEN PHILOSOPHIES: THE EMERGENCE OF A NEW INTELLECTUAL PARADIGM IN RUSSIA by Alyssa J. DeBlasio Bachelor of Arts, Villanova University, 2003 Master of Arts, University of Pittsburgh, 2006 Submitted to the Graduate Faculty of the School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2010 UNIVERSITY OF PITTSBURGH School of Arts and Sciences This dissertation was presented by Alyssa J. DeBlasio It was defended on May 14, 2010 and approved by Tatiana Artemyeva, Professor, Herzen State Pedagogical University (St. Petersburg, Russia), Department of Theory and History of Culture Vladimir Padunov, Associate Professor, University of Pittsburgh, Department of Slavic Languages and Literatures James P. Scanlan, Emeritus Professor, The Ohio State University, Department of Philosophy Dissertation Advisor: Nancy Condee, Associate Professor, Department of Slavic Languages and Literatures ii Copyright © by Alyssa J. DeBlasio 2010 iii BETWEEN PHILOSOPHIES: THE EMERGENCE OF A NEW INTELLECTUAL PARADIGM IN RUSSIA Alyssa J. DeBlasio, PhD University of Pittsburgh, 2010 This dissertation takes as its primary task the evaluation of a conflict of paradigms in Russian philosophical thought in the past decade. If until the early nineties Russian philosophers were often guilty of uncritically attributing to their domestic philosophy a set of characteristics that fell along the lines of a religious/secular binary (e.g. literary vs. analytic; continuous vs. ruptured), in recent years the same scholarship is moving away from the nineteenth-century model of philosophy as a “path” or “special mission,” as it has been called by Konstantin Aksakov, Aleksei Khomiakov, Ivan Kireevskii, and later, Nikolai Berdiaev, among others. -
The Case of Pavel Florensky
MATHEMATICS AS THE KEY TO A HOLISTIC WORLD VIEW: THE CASE OF PAVEL FLORENSKY Vladislav Shaposhnikov* It is well known that Pavel Florensky highly praised mathematics through- out his life. Let us take his letter of 12 November 1933 to his daughter Olga as an example: «Mathematics should not be a burden laid on you from without, but a habit of thought1: one should be taught to see geometric relations in all reality and to discover formulae in all phenomena»2. But God is in the details, the saying goes, so it is worth specifying Florensky’s ideas on the subject. In this paper, I will attempt to reconstruct the main strands of his rather ambitious project concerning mathematics. A body of literature on the topic is far from being rich and exhaustive. Around 1987, some of Aleksei Losev’s amazing reminiscences of Pavel Flo- rensky were recorded and eventually published in 1990. Losev talked about “identity of philosophy and mathematics” in Florensky and insisted on Flo- rensky’s “great discovery” that mathematical objects are perceptional and alive3. The discussion was initiated by 1985-1989 publications by Sergei M. Polovinkin on Florensky’s «philosophical-mathematical synthesis»4 and by Sergei S. Demidov (joined in the 1990s by Charles E. Ford) on Florensky’s place in the history of mathematics5. I have been taking part in the discussion * Associated professor, Faculty of Philosophy, Lomonosov Moscow State University, Russia. 1 The previous part of the sentence is given in Avril Pyman’s translation. See A. PYMAN, Pavel Floren- sky: A Quiet Genius, Continuum, New York 2010, 160. -
Landmarks Revisited the Vekhi Symposium 100 Years on C U Lt U R a L R E V O Lu T I O N S : R U S S I a I N T H E 20 T H C E N T U Ry
Landmarks Revisited The Vekhi Symposium 100 Years On C u lt u r a l r e v o lu t i o n s : r u s s i a i n t h e 20 t h C e n t u ry s e r i e s e d i to r Boris Wolfson—Amherst College e d i to r i a l B oa r d : Anthony Anemone—The New School Robert BiRd—The University Of Chicago eliot BoRenstein—New York University Angela BRintlingeR—The Ohio State University Karen evAns-RomAine—Ohio University Jochen HellBeck—Rutgers University lilya KAgAnovsKy—University Of Illinois, Urbana-Champaign Christina KiAeR—Northwestern University Alaina lemon—University Of Michigan simon morrison—Princeton University eric NaimAn—University Of California, Berkeley Joan neuBeRgeR—University Of Texas, Austin ludmila Parts—Mcgill University ethan Pollock—Brown University Cathy Popkin—Columbia University stephanie SandleR—Harvard University Landmarks Revisited The Vekhi Symposium 100 Years On E di t E d b y R o b i n A i z l E w o o d A nd R u t h C oAt E s BOSTON / 2013 Library of Congress Cataloging-in-Publication Data: A bibliographic record for this title is available from the Library of Congress. Copyright © 2013 Academic Studies Press All rights reserved ISBN 978-1-618811-286-6 (hardback) ISBN 978-1-61811-287-3 (electronic) Book design by Ivan Grave Published by Academic Studies Press in 2013 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. -
Literature of Absence and the Experience of Evil (Container by Marek Bieńczyk, Is Not by Mariusz Szczygieł, and Things I Didn’T Throw out by Marcin Wicha)
56 (1/2020), pp. 101–117 The Polish Journal DOI: 10.19205/56.20.6 of Aesthetics Maciej Michalski* Literature of Absence and the Experience of Evil (Container by Marek Bieńczyk, Is Not by Mariusz Szczygieł, and Things I Didn’t Throw Out by Marcin Wicha) Abstract The article discusses the way in which literature can address evil, understood as the expe- rience of absence and loss. The problem concerns artistic writing in general, as was stressed by Maurice Blanchot; but it also appears particularly in a collection of texts about absence, such as Container by Marek Bieńczyk, Is Not by Mariusz Szczygieł, and Things I Didn’t Throw Out by Marcin Wicha. At the same time, they are an attempt to fill the void through literary restitution of that which is lost. Keywords Literature, Evil, Loss, Absence, Marek Bieńczyk, Mariusz Szczygieł, Marcin Wicha The relationship of literature and evil (and perhaps even their strong con- nection—as will be discussed later) raises a number of questions and doubts. It may seem that by juxtaposing these two areas and notions, we arrive at a somewhat inadequate, vividly asymmetrical juxtaposition in which evil—an ethically important category—is juxtaposed with an area of sssss * University of Gdańsk Department of Theory of Literature and Art Criticism Institute of Polish Studies Email: [email protected] 102 Maciej Michalski __________________________________________________________________________________________________ artistic, perhaps merely ludic and reckless, activity. For this very reason, we approach this issue asymmetrically—not in terms of literature and evil, but rather of literature towards evil. One can regard evil, after Gabriel Marcel, not as a problem, and therefore something to be solved, but as a mystery (Mukoid 1993, 113), or assume after Lev Shestov that one cannot ask the question about the source of evil, as “there are questions whose significance lies precisely in the fact that they do not admit of answers because answers kill them” (Shestov 1928- 1937/1966, 230). -
Rūta Stanevičiūtė Nick Zangwill Rima Povilionienė Editors Between Music
Numanities - Arts and Humanities in Progress 7 Rūta Stanevičiūtė Nick Zangwill Rima Povilionienė Editors Of Essence and Context Between Music and Philosophy Numanities - Arts and Humanities in Progress Volume 7 Series Editor Dario Martinelli, Faculty of Creative Industries, Vilnius Gediminas Technical University, Vilnius, Lithuania [email protected] The series originates from the need to create a more proactive platform in the form of monographs and edited volumes in thematic collections, to discuss the current crisis of the humanities and its possible solutions, in a spirit that should be both critical and self-critical. “Numanities” (New Humanities) aim to unify the various approaches and potentials of the humanities in the context, dynamics and problems of current societies, and in the attempt to overcome the crisis. The series is intended to target an academic audience interested in the following areas: – Traditional fields of humanities whose research paths are focused on issues of current concern; – New fields of humanities emerged to meet the demands of societal changes; – Multi/Inter/Cross/Transdisciplinary dialogues between humanities and social and/or natural sciences; – Humanities “in disguise”, that is, those fields (currently belonging to other spheres), that remain rooted in a humanistic vision of the world; – Forms of investigations and reflections, in which the humanities monitor and critically assess their scientific status and social condition; – Forms of research animated by creative and innovative humanities-based -
Appendix! Fyodor Dostoevsky and Vladimir Solovyov*
Appendix! Fyodor Dostoevsky and Vladimir Solovyov* (In memory of Dr Nicolas M. Zernov, 1898-1980) The volume and scope of critical and commentarial literature devoted to Dostoevsky's thought in the century since his death is clear evidence of the richness and complexity encountered in his works. In the figure of Vladimir Solovyov - both in his person and his writings - we also encounter a high degree of complexity. Tracing the patterns of his thought, we find certain tensions and a number of striking incongruities. Here was - a man who was, at heart, a monarchist, but aroused the anger and suspicions of the Tsar and Holy Synod through his advocacy of theocratic government; a man who embraced so much that was characteristic of the Slavophiles, and yet was a staunch supporter of their arch-enemy, Peter the Great; a man so seemingly keen to reaffirm the worth of contemplative spirituality, but who personally resisted the decision to join a monastery, a step that he at one time regarded as 'flight' from the world. Those who knew Solovyov at first hand stressed what they regarded either as his sanctity or his eccentricity (his chudachestvo ). Accounts of the excitement generated by his university lectures on philosophy certainly show that he commanded a surprising degree of authority and respect. On the other hand, Solovyov had to contend with numerous uncharitable gibes and with accusations to the effect that he had set himself up as a 'prophet'. Perhaps his best response to adverse criticism of this kind was to deflate his *A Paper delivered at the VI Symposium of the International Dostoevsky Society, 9-16 August 1986, University of Nottingham. -
1 Life Between Two Panels Soviet Nonconformism in the Cold War Era
Life Between Two Panels Soviet Nonconformism in the Cold War Era DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Clinton J. Buhler, M.A. Graduate Program in History of Art * * * * * The Ohio State University 2013 Dissertation Committee: Dr. Myroslava M. Mudrak, Advisor Dr. Kris Paulsen Dr. Jessie Labov Dr. Aron Vinegar 1 Copyright by Clinton J. Buhler 2013 2 Abstract Beneath the façade of total conformity in the Soviet Union, a dynamic underground community of artists and intellectuals worked in forced isolation. Rejecting the mandates of state-sanctioned Socialist Realist art, these dissident artists pursued diverse creative directions in their private practice. When they attempted to display their work publicly in 1974, the carefully crafted façade of Soviet society cracked, and the West became aware of a politically subversive undercurrent in Soviet cultural life. Responding to the international condemnation of the censorship, Soviet officials allowed and encouraged the emigration of the nonconformist artists to the West. This dissertation analyzes the foundation and growth of the nonconformist artistic movement in the Soviet Union, focusing on a key group of artists who reached artistic maturity in the Brezhnev era and began forging connections in the West. The first two chapters of the dissertation center on works that were, by and large, produced before emigration to the West. In particular, I explore the growing awareness of artists like Oleg Vassiliev of their native artistic heritage, especially the work of Russian avant-garde artists like Kazimir Malevich. I look at how Vassiliev, in a search for an alternative form of expression to the mandated form of art, took up the legacy of nineteenth-century Realism, avant-garde abstraction, and Socialist Realism. -
ATINER's Conference Paper Series PHI2014-1266
ATINER CONFERENCE PAPER SERIES No: PHI2014-1266 Athens Institute for Education and Research ATINER ATINER's Conference Paper Series PHI2014-1266 The Transformation of the Ancient Worldview in the Consciousness of a Medieval Man Elena Akhmaeva PhD Candidate Lobachevsky State University of Nizhniy Novgorod Russia 1 ATINER CONFERENCE PAPER SERIES No: PHI2014-1266 An Introduction to ATINER's Conference Paper Series ATINER started to publish this conference papers series in 2012. It includes only the papers submitted for publication after they were presented at one of the conferences organized by our Institute every year. The papers published in the series have not been refereed and are published as they were submitted by the author. The series serves two purposes. First, we want to disseminate the information as fast as possible. Second, by doing so, the authors can receive comments useful to revise their papers before they are considered for publication in one of ATINER's books, following our standard procedures of a blind review. Dr. Gregory T. Papanikos President Athens Institute for Education and Research This paper should be cited as follows: Akhmaeva, E., (2014) "The Transformation of the Ancient Worldview in the Consciousness of a Medieval Man”, Athens: ATINER'S Conference Paper Series, No: PHI2014-1266. Athens Institute for Education and Research 8 Valaoritou Street, Kolonaki, 10671 Athens, Greece Tel: + 30 210 3634210 Fax: + 30 210 3634209 Email: [email protected] URL: www.atiner.gr URL Conference Papers Series: www.atiner.gr/papers.htm Printed in Athens, Greece by the Athens Institute for Education and Research. All rights reserved. -
JRAT 005 01 008 Van Der Zweerde.Indd
Interdisciplinary Journal for Religion and Transformation in Contemporary Society 5 (2019) 136–164 brill.com/jrat Between Mysticism and Politics: The Continuity in and Basic Pattern of Vladimir Solov’ëv’s Thought Evert van der Zweerde Faculty of Philosophy, Theology and Religious Studies, Radboud University Erasmusplein 1, 6525 HT Nijmegen, Netherlands [email protected] Abstract Vladimir Solov’ëv, informal “founder” of the current of Russian religious philosophy which gained some prominence in the early 20th C with thinkers like N. Berdyaev, S. Frank and S. Bulgakov, based his social and political philosophy as well as his pro- gram of “Christian politics” (an attempt to bring the world as close to the Kingdom of God as possible, while steering clear from any idea of “building” God’s Kingdom on Earth) on a series of personal mystical encounters with Sophia, understood by him as, simultaneously, Eternal Femininity, Divine Wisdom and World Soul. The paper argues that this vision remained the foundation of his entire world- view, despite the fact that he initially articulated a more “utopian” vision of a world- encompassing “free theoc- racy,” while later in his career he elaborated, in Opravdanie dobra [The Justification of the (Moral) Good], a more realistic, but still “ideal-theoretical” vision of a just Christian state. Highlighting the tension between Solov’ëv’s advocacy of a free and plural sphere of public debate and his own “prophetic” position based on privileged access to divine wisdom, the paper ends with a discussion of the intrinsic and unsolvable tension be- tween religion and politics, and with the claim that there is a fundamental opposition between holistic mystical visions and a recognition of the political, understood as the ubiquitous possibility of both conflict and concord among humans.