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Annual Report and Accounts 2004/2005
THE BFI PRESENTSANNUAL REPORT AND ACCOUNTS 2004/2005 WWW.BFI.ORG.UK The bfi annual report 2004-2005 2 The British Film Institute at a glance 4 Director’s foreword 9 The bfi’s cultural commitment 13 Governors’ report 13 – 20 Reaching out (13) What you saw (13) Big screen, little screen (14) bfi online (14) Working with our partners (15) Where you saw it (16) Big, bigger, biggest (16) Accessibility (18) Festivals (19) Looking forward: Aims for 2005–2006 Reaching out 22 – 25 Looking after the past to enrich the future (24) Consciousness raising (25) Looking forward: Aims for 2005–2006 Film and TV heritage 26 – 27 Archive Spectacular The Mitchell & Kenyon Collection 28 – 31 Lifelong learning (30) Best practice (30) bfi National Library (30) Sight & Sound (31) bfi Publishing (31) Looking forward: Aims for 2005–2006 Lifelong learning 32 – 35 About the bfi (33) Summary of legal objectives (33) Partnerships and collaborations 36 – 42 How the bfi is governed (37) Governors (37/38) Methods of appointment (39) Organisational structure (40) Statement of Governors’ responsibilities (41) bfi Executive (42) Risk management statement 43 – 54 Financial review (44) Statement of financial activities (45) Consolidated and charity balance sheets (46) Consolidated cash flow statement (47) Reference details (52) Independent auditors’ report 55 – 74 Appendices The bfi annual report 2004-2005 The bfi annual report 2004-2005 The British Film Institute at a glance What we do How we did: The British Film .4 million Up 46% People saw a film distributed Visits to -
The Inventory of the Richard Roud Collection #1117
The Inventory of the Richard Roud Collection #1117 Howard Gotlieb Archival Research Center ROOD, RICHARD #1117 September 1989 - June 1997 Biography: Richard Roud ( 1929-1989), as director of both the New York and London Film Festivals, was responsible for both discovering and introducing to a wider audience many of the important directors of the latter half th of the 20 - century (many of whom he knew personally) including Bernardo Bertolucci, Robert Bresson, Luis Buiiuel, R.W. Fassbinder, Jean-Luc Godard, Werner Herzog, Terry Malick, Ermanno Ohni, Jacques Rivette and Martin Scorsese. He was an author of books on Jean-Marie Straub, Jean-Luc Godard, Max Ophuls, and Henri Langlois, as well as the editor of CINEMA: A CRITICAL DICTIONARY. In addition, Mr. Roud wrote extensive criticism on film, the theater and other visual arts for The Manchester Guardian and Sight and Sound and was an occasional contributor to many other publications. At his death he was working on an authorized biography of Fran9ois Truffaut and a book on New Wave film. Richard Roud was a Fulbright recipient and a Chevalier in the Legion of Honor. Scope and contents: The Roud Collection (9 Paige boxes, 2 Manuscript boxes and 3 Packages) consists primarily of book research, articles by RR and printed matter related to the New York Film Festival and prominent directors. Material on Jean-Luc Godard, Francois Truffaut and Henri Langlois is particularly extensive. Though considerably smaller, the Correspondence file contains personal letters from many important directors (see List ofNotable Correspondents). The Photographs file contains an eclectic group of movie stills. -
Tape ID Title Language Type System
Tape ID Title Language Type System 1361 10 English 4 PAL 1089D 10 Things I Hate About You (DVD) English 10 DVD 7326D 100 Women (DVD) English 9 DVD KD019 101 Dalmatians (Walt Disney) English 3 PAL 0361sn 101 Dalmatians - Live Action (NTSC) English 6 NTSC 0362sn 101 Dalmatians II (NTSC) English 6 NTSC KD040 101 Dalmations (Live) English 3 PAL KD041 102 Dalmatians English 3 PAL 0665 12 Angry Men English 4 PAL 0044D 12 Angry Men (DVD) English 10 DVD 6826 12 Monkeys (NTSC) English 3 NTSC i031 120 Days Of Sodom - Salo (Not Subtitled) Italian 4 PAL 6016 13 Conversations About One Thing (NTSC) English 1 NTSC 0189DN 13 Going On 30 (DVD 1) English 9 DVD 7080D 13 Going On 30 (DVD) English 9 DVD 0179DN 13 Moons (DVD 1) English 9 DVD 3050D 13th Warrior (DVD) English 10 DVD 6291 13th Warrior (NTSC) English 3 nTSC 5172D 1492 - Conquest Of Paradise (DVD) English 10 DVD 3165D 15 Minutes (DVD) English 10 DVD 6568 15 Minutes (NTSC) English 3 NTSC 7122D 16 Years Of Alcohol (DVD) English 9 DVD 1078 18 Again English 4 Pal 5163a 1900 - Part I English 4 pAL 5163b 1900 - Part II English 4 pAL 1244 1941 English 4 PAL 0072DN 1Love (DVD 1) English 9 DVD 0141DN 2 Days (DVD 1) English 9 DVD 0172sn 2 Days In The Valley (NTSC) English 6 NTSC 3256D 2 Fast 2 Furious (DVD) English 10 DVD 5276D 2 Gs And A Key (DVD) English 4 DVD f085 2 Ou 3 Choses Que Je Sais D Elle (Subtitled) French 4 PAL X059D 20 30 40 (DVD) English 9 DVD 1304 200 Cigarettes English 4 Pal 6474 200 Cigarettes (NTSC) English 3 NTSC 3172D 2001 - A Space Odyssey (DVD) English 10 DVD 3032D 2010 - The Year -
September 11 Backlash Employment Discrimination
September 11 Backlash Employment Discrimination by Bryan P. Cavanaugh1 Complaints of national origin-related employment discrimination have risen since September 11, 2001. The federal government is particularly concerned and has fostered an environment that employers should heed. It has sued employers around the country for September 11 backlash discrimination. Employers should forbid national origin discrimination, guard against it, and eradicate it as soon as they discover it. Otherwise, they could face expensive lawsuits. I. Introduction The events and images of the September 11, 2001 terrorist attacks affected everyone in the United States. The ghastly images of the attacks on our country by Muslim extremists are indelible in this country's collective memory. As President Bush addressed the nation on the night of September 11, 2001, he vowed, "None of us will ever forget this day."2 While September 11's precise effect upon the U.S. economy is unclear, it cannot be reasonably disputed that the attacks harmed it. Indeed, this country continues to feel the effects of the September 11 attacks. Naturally, the effects have reached the U.S. workplace. The attacks have affected the U.S. workforce as a whole and on a more personal level. Anecdotes abound of post-September 11 animosity and downright hatred of Arab-Americans and Muslims. This tension has increased allegations of unlawful employment discrimination throughout the U.S., including in Missouri. Since almost immediately after September 11, 2001, the federal government has expressed its heightened concern and special commitment to shed light on and to eradicate employment discrimination based on national origin. -
Richard Haag Reflections
The Cultural Landscape Foundation Pioneers of American Landscape Design ___________________________________ RICHARD HAAG ORAL HISTORY REFLECTIONS ___________________________________ Charles Anderson Lucia Pirzio-Biroli/ Michele Marquardi Luca Maria Francesco Fabris Falken Forshaw Gary R. Hilderbrand Jeffrey Hou Linda Jewell Grant Jones Douglas Kelbaugh Reuben Rainey Nancy D. Rottle Allan W. Shearer Peter Steinbrueck Michael Van Valkenburgh Thaisa Way © 2014 The Cultural Landscape Foundation, all rights reserved. May not be used or reproduced without permission. Reflections of Richard Haag by Charles Anderson May 2014 I first worked with Rich in the 1990's. I heard a ton of amazing stories during that time and we worked on several great projects but he didn't see the need for me to use a computer. That was the reason I left his office. Years later he invited me to work with him on the 2008 Beijing Olympic competition. In the design charrettes he and I did numerous drawings but I did much of my work on a tablet computer. In consequent years we met for lunch and I showed him my projects on an iPad. For the first time I saw a glint in his eye towards that profane technology. I arranged for an iPad to arrive in his office on Christmas Eve in 2012. Cheryl, his wife, made sure Rich was in the office that day to receive it. His name was engraved on it along with the quote, "The cosmos is an experiment", a phrase he authored while I worked for him. He called © 2014 The Cultural Landscape Foundation, all rights reserved. May not be used or reproduced without permission. -
Redirected from Films Considered the Greatest Ever) Page Semi-Protected This List Needs Additional Citations for Verification
List of films considered the best From Wikipedia, the free encyclopedia (Redirected from Films considered the greatest ever) Page semi-protected This list needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be chall enged and removed. (November 2008) While there is no general agreement upon the greatest film, many publications an d organizations have tried to determine the films considered the best. Each film listed here has been mentioned in a notable survey, whether a popular poll, or a poll among film reviewers. Many of these sources focus on American films or we re polls of English-speaking film-goers, but those considered the greatest withi n their respective countries are also included here. Many films are widely consi dered among the best ever made, whether they appear at number one on each list o r not. For example, many believe that Orson Welles' Citizen Kane is the best mov ie ever made, and it appears as #1 on AFI's Best Movies list, whereas The Shawsh ank Redemption is #1 on the IMDB Top 250, whilst Star Wars Episode V: The Empire Strikes Back is #1 on the Empire magazine's Top 301 List. None of the surveys that produced these citations should be viewed as a scientif ic measure of the film-watching world. Each may suffer the effects of vote stack ing or skewed demographics. Internet-based surveys have a self-selected audience of unknown participants. The methodology of some surveys may be questionable. S ometimes (as in the case of the American Film Institute) voters were asked to se lect films from a limited list of entries. -
A Cultural Analysis of a Physicist ''Trio'' Supporting the Backlash Against
ARTICLE IN PRESS Global Environmental Change 18 (2008) 204–219 www.elsevier.com/locate/gloenvcha Experiences of modernity in the greenhouse: A cultural analysis of a physicist ‘‘trio’’ supporting the backlash against global warming Myanna Lahsenà Center for Science and Technology Policy Research, University of Colorado and Instituto Nacional de Pesquisas Epaciais (INPE), Av. dos Astronautas, 1758, Sa˜o Jose´ dos Campos, SP 12227-010 Brazil Received 18 March 2007; received in revised form 5 October 2007; accepted 29 October 2007 Abstract This paper identifies cultural and historical dimensions that structure US climate science politics. It explores why a key subset of scientists—the physicist founders and leaders of the influential George C. Marshall Institute—chose to lend their scientific authority to this movement which continues to powerfully shape US climate policy. The paper suggests that these physicists joined the environmental backlash to stem changing tides in science and society, and to defend their preferred understandings of science, modernity, and of themselves as a physicist elite—understandings challenged by on-going transformations encapsulated by the widespread concern about human-induced climate change. r 2007 Elsevier Ltd. All rights reserved. Keywords: Anti-environmental movement; Human dimensions research; Climate change; Controversy; United States; George C. Marshall Institute 1. Introduction change itself, what he termed a ‘‘strong theory of culture.’’ Arguing that the essential role of science in our present age Human Dimensions Research in the area of global only can be fully understood through examination of environmental change tends to integrate a limited con- individuals’ relationships with each other and with ‘‘mean- ceptualization of culture. -
“Smackdown”: a Textual Analysis of Class, Race and Gender in WWE Televised Professional Wrestling
The University of Southern Mississippi The Aquila Digital Community Dissertations Spring 5-2012 Ideological “Smackdown”: A Textual Analysis of Class, Race and Gender in WWE Televised Professional Wrestling Casey Brandon Hart University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Broadcast and Video Studies Commons, Critical and Cultural Studies Commons, Gender, Race, Sexuality, and Ethnicity in Communication Commons, and the Mass Communication Commons Recommended Citation Hart, Casey Brandon, "Ideological “Smackdown”: A Textual Analysis of Class, Race and Gender in WWE Televised Professional Wrestling" (2012). Dissertations. 550. https://aquila.usm.edu/dissertations/550 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi IDEOLOGICAL “SMACKDOWN”: A TEXTUAL ANALYSIS OF CLASS, RACE AND GENDER IN WWE TELEVISED PROFESSIONAL WRESTLING by Casey Brandon Hart Abstract of a Dissertation Submitted to the Graduate School of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2012 ABSTRACT IDEOLOGICAL “SMACKDOWN”: A TEXTUAL ANALYSIS OF CLASS, RACE AND GENDER IN WWE TELEVISED PROFESSIONAL WRESTLING by Casey Brandon Hart May 2012 The focus of this study is an in-depth intertextual examination of how the WWE in 2010 and by extension contemporary professional wrestling in general represents a microcosm of modern cultural ideology. The study examines three major areas in which this occurs. -
The Effect of School Closure On
Public Gaming: eSport and Event Marketing in the Experience Economy by Michael Borowy B.A., University of British Columbia, 2008 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the School of Communication Faculty of Communication, Art, and Technology Michael Borowy 2012 SIMON FRASER UNIVERSITY Summer 2012 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for “Fair Dealing.” Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Approval Name: Michael Borowy Degree: Master of Arts (Communication) Title of Thesis: Public Gaming: eSport and Event Marketing in the Experience Economy Examining Committee: Chair: David Murphy, Senior Lecturer Dr. Stephen Kline Senior Supervisor Professor Dr. Dal Yong Jin Supervisor Associate Professor Dr. Richard Smith Internal Examiner Professor Date Defended/Approved: July 06, 2012 ii Partial Copyright Licence iii STATEMENT OF ETHICS APPROVAL The author, whose name appears on the title page of this work, has obtained, for the research described in this work, either: (a) Human research ethics approval from the Simon Fraser University Office of Research Ethics, or (b) Advance approval of the animal care protocol from the University Animal Care Committee of Simon Fraser University; or has conducted the research (c) as a co-investigator, collaborator or research assistant in a research project approved in advance, or (d) as a member of a course approved in advance for minimal risk human research, by the Office of Research Ethics. -
Alejandro Frutos-Comparetto Vídeo 7 Альбома
01/06/2019 Vídeos de Alejandro Frutos-Comparetto | VK Pesquisa Para cima Alejandro Frutos-Comparetto Vídeo 7 альбома 240 97 vídeo vídeo Arias subtituladas en español Documentales Miniseries renovado há 8 meses renovado há 10 meses Renovado há três anos Ver todos os 7 álbuns Adicionados 2,535 Carregados 2,751 por 1:49:38 1:50:00 En la cuerda floja (Tuggle, 1984) Lola (Fassbinder, 1981) Sillas de montar calientes (Brook Alejandro Frutos-Comparetto Alejandro Frutos-Comparetto Alejandro Frutos-Comparetto 14 visualizações · Há 19 dias 12 visualizações · Há 19 dias 2 visualizações · Há 19 dias 1:13:30 1:37:45 The great Flamarion (Mann, 1945) El caso Thomas Crown (Jewison, 1968) Fallen angel (Preminger, 1945) Alejandro Frutos-Comparetto Alejandro Frutos-Comparetto Alejandro Frutos-Comparetto 3 visualizações · Há 19 dias 14 visualizações · Há 19 dias 6 visualizações · Há 20 dias 1:22:43 1:32:37 No time to die (Young, 1958) Mickey One (Penn, 1965) El repartidor de hielo (Frankenhei Alejandro Frutos-Comparetto Alejandro Frutos-Comparetto Alejandro Frutos-Comparetto 1 visualização · Há 20 dias 3 visualizações · Há 20 dias 2 visualizações · Há 20 dias 1:57:35 1:44:48 Siete días de Mayo (Frankenheimer, 1964) Grand Prix - Parte 1 (Frankenheimer, 1966) Grand Prix - Parte 2 (Frankenheim Alejandro Frutos-Comparetto Alejandro Frutos-Comparetto Alejandro Frutos-Comparetto 3 visualizações · Há 20 dias 1 visualização · Há 20 dias 1 visualização · Há 20 dias https://vk.com/videos262003746 1/129 01/06/2019 Vídeos de Alejandro Frutos-Comparetto | VK Pesquisa Para cima 1:47:15 1:41:23 Llegaron los paracaidistas (Frankenheim… A rage to live (Grauman, 1965) La casa de los espíritus (August, Alejandro Frutos-Comparetto Alejandro Frutos-Comparetto Alejandro Frutos-Comparetto 1 visualização · Há 20 dias 4 visualizações · Há 20 dias 3 visualizações · Há 20 dias 1:56:14 1:46:00 S.O.B. -
101 Films for Filmmakers
101 (OR SO) FILMS FOR FILMMAKERS The purpose of this list is not to create an exhaustive list of every important film ever made or filmmaker who ever lived. That task would be impossible. The purpose is to create a succinct list of films and filmmakers that have had a major impact on filmmaking. A second purpose is to help contextualize films and filmmakers within the various film movements with which they are associated. The list is organized chronologically, with important film movements (e.g. Italian Neorealism, The French New Wave) inserted at the appropriate time. AFI (American Film Institute) Top 100 films are in blue (green if they were on the original 1998 list but were removed for the 10th anniversary list). Guidelines: 1. The majority of filmmakers will be represented by a single film (or two), often their first or first significant one. This does not mean that they made no other worthy films; rather the films listed tend to be monumental films that helped define a genre or period. For example, Arthur Penn made numerous notable films, but his 1967 Bonnie and Clyde ushered in the New Hollywood and changed filmmaking for the next two decades (or more). 2. Some filmmakers do have multiple films listed, but this tends to be reserved for filmmakers who are truly masters of the craft (e.g. Alfred Hitchcock, Stanley Kubrick) or filmmakers whose careers have had a long span (e.g. Luis Buñuel, 1928-1977). A few filmmakers who re-invented themselves later in their careers (e.g. David Cronenberg–his early body horror and later psychological dramas) will have multiple films listed, representing each period of their careers. -
Lithuanian Cinema Special Edition for Lithuanian Film Days in Poland 2015 Lithuanian Cinema Special Edition for Lithuanian Film Days in Poland 2015 Content
Lithuanian Cinema Special Edition for Lithuanian Film Days in Poland 2015 Lithuanian Cinema Special Edition for Lithuanian Film Days in Poland 2015 Content Introduction 5 Lithuania and Poland. Neighbourship in Filmic Form in the Cinema of the 1960s 6 A Short Review of Lithuanian Cinema 12 Feature Film after 1990: Generation Change, New Aspects and Challenges 18 Raimundas Banionis: Film Plots Dictated by Reality 22 Algimantas Puipa: My Work Starts Where the Novel Ends 26 Gytis Lukšas: I Measure My Life in Films 30 Valdas Navasaitis: Everything Is a Private Matter 34 Audrius Juzėnas: Evil Is Not an Abstraction; It Influences Our Destinies 38 Kristijonas Vildžiūnas: Finding Historical Truths 42 Kristina Buožytė: Film Is the Door to a Specific World 46 Ignas Jonynas: I Belong to a Generation Very Rich with Experience 48 Šarūnas Bartas’ Films 52 Šarūnas Bartas: The Philosopher of Lithuanian Cinema 54 Jonas Mekas’ Diary Films 60 Documentary Film after 1990 64 Audrius Stonys: Showing the Invisible 70 Arūnas Matelis: Films Emerge from Sensations 74 Janina Lapinskaitė: Heroes Carry Their Sadness Along with Them 78 Julija and Rimantas Gruodis: We Are Trying to Walk on the Bright Side of Life 82 Giedrė Žickytė: Film Is an Emotion 86 Index 89 Introduction ver the past decade, Lithuanian cinema of Lithuanian filmmakers is also pursuing new has experienced a period of intense opportunities and original forms of expression. change. The production of films in Films by such female film directors as Alantė OLithuania has been on the increase, as has the Kavaitė, Kristina Buožytė and Giedrė Žickytė audience’s interest in films produced domestically.