Music Genre Classification Using Similarity Functions

Total Page:16

File Type:pdf, Size:1020Kb

Music Genre Classification Using Similarity Functions 12th International Society for Music Information Retrieval Conference (ISMIR 2011) MUSIC GENRE CLASSIFICATION USING SIMILARITY FUNCTIONS Yoko Anan, Kohei Hatano, Hideo Bannai and Masayuki Takeda Department of Informatics, Kyushu University yoko.anan, hatano, bannai, takeda @inf.kyushu-u.ac.jp { } ABSTRACT periments. Further, to design a kernel, the function to be designed needs to be positive semidefinite, which is a limita- We consider music classification problems. A typical ma- tion when we try to exploit the structure of music to improve chine learning approach is to use support vector machines classification accuracy. with some kernels. This approach, however, does not seem In this paper, we follow an alternative approach. We em- to be successful enough for classifying music data in our ploy a (dis)similarity-based learning framework proposed experiments. In this paper, we follow an alternative ap- by Wang et al. [20]. This (dis)similarity-based approach has proach. We employ a (dis)similarity-based learning frame- a theoretical guarantee that one can obtain accurate classi- work proposed by Wang et al. This (dis)similarity-based ap- fiers using (dis)similarity measures under a natural assump- proach has a theoretical guarantee that one can obtain accu- tion. In addition, the advantage of this approach is able to rate classifiers using (dis)similarity measures under a natu- use any (dis)similarity measures which do not have to be ral assumption. We demonstrate the effectiveness of our ap- positive semidefinite and any data. proach in computational experiments using Japanese MIDI Further, we combine this (dis)similarity-based learning data. approach with 1-norm soft margin optimization formula- tion [5,22]. An advantage of the formulation is that it is use- 1. INTRODUCTION ful for feature selection because of the sparse nature of the underlying solution. In other words, the formulation help Music classification is an important problem in information us to find “relevant” instances (i.e., music data) to classify retrieval from music data. There are a lot of researches to music. Such relevant instances might contain representative tackle the problem (see, e.g., [1,3,4,10,11,14,18]), as highly features of the class. Therefore, it might be useful to extract accurate music classifiers are useful for music search and good features. feature extraction. For simplicity, throughout the paper, we deal with clas- One of typical approaches to classify music is to rep- sification problems of symbolic music data such as MIDI resent each music data as a feature vector, which is then files only. Thus we do not consider audio signal data and we classified by standard machine learning methods. On the assume (dis)similarity functions over texts. Note that our other hand, finding good features for music classification is framework using (dis)similarity functions does not depend a non-trivial task. For example, performance worm [15], on the data format. We can deal with audio signal data as performance alphabet [16], and other approaches includ- well if we employ (dis)similarity functions over signals. ing [1, 10, 11, 18]. We demonstrate the effectiveness of our approach in com- Another popular approach in Machine Learning is to use putational experiments using Japanese music data. Our ap- support vector machines (SVMs) with kernels [7–9, 12, 19]. proach, combined with non-positive semidefinite (dis)similarity One way to improve accuracy of music classification is to measures such as edit distance, shows better performance design a good kernel for music data. This approach, how- than SVMs with string kernels. ever, does not seem to be very successful so far. As we will show later, well known string kernels such as n-gram kernels [12] and mismatch kernels [8] for texts do not ob- 2. LEARNING FRAMEWORK USING tain satisfactory results for music classification in our ex- DISSIMILARITY FUNCTION In this section, we review a learning framework using dis- Permission to make digital or hard copies of all or part of this work for similarity function proposed by Wang et al. [20]. Let X be personal or classroom use is granted without fee provided that copies are the instance space. We assume that a dissimilarity function not made or distributed for profit or commercial advantage and that copies + d(x, x0) is a function from X X to R . A pair (x, y) of bear this notice and the full citation on the first page. instance x X and label y × 1, 1 is called an example. c 2011 International Society for Music Information Retrieval. ∈ ∈ {− } For instance, X might be some set of MIDI data and then 693 Poster Session 6 an example is a pair of a MIDI file and positive or negative where each wi 0, wi = 1, hi(x) = sgn[d(x00, x) ≥ i i − label. The learner is given a set S of examples, where each d(xi0 , x)] and xi00 and xi0 are positive and negative instances, example is drawn randomly and independently from an un- such that sgn[f(x)] is∑ accurate enough (see [20] for the de- known distribution P over X 1, +1 . Then, the learner tails). is supposed to output a hypothesis× {− h(x}):X 1, 1 . The goal of the learner is to minimize the error→ of {− the hy-} 3. OUR FORMULATION pothesis h w. r. t. the distribution P , i.e., the probability that h misclassifies the label of a randomly drawn example In this section, we consider how to find an accurate weighted (x, y) according to P , Pr (h(x) = y). In particular, we combination of base classifiers consisting of a pair of posi- (x,y) P 6 ∼ tive and negative instances. To do so, we employ the 1-norm assume that a hypothesis is constructed using a dissimilarity soft margin optimization, which is a standard formulation function d. Also, we will use the notation that sgn[a] = 1 if of classification problems in Machine Learning (see,e.g, [5, a > 0 and 1 otherwise. 21]). Simply put, the problem is to find a linear combi- Then we− show a definition of “good” dissimilarity func- nation of base classifiers (or a hyperplane over the space tion. defined by base classifiers) which has large margin with re- Definition 1 (Strong (, η)-goodness, Wang et al. [20]) spect to examples, where the margin of a linear combination A dissimilarity function d(x, x0) is said to be strongly (,η)- w with respect to an example z is a distance between w and good, if at least 1 probability mass of examples z satisfy: z. In fact, the large margin generalization theory (e.g., [17]) − guarantees that a weighted combination of base classifier Pr (d(x, x0) < d(x, x00) y0 = y, y00 = y) 1/2+η/2 z0,z00 P | − ≥ is likely to have higher accuracy when it has larger margin ∼ (1) w.r.t. examples. Further, an additional advantage of 1-norm where the probability is over random examples z0 = (x0, y0) soft margin optimization is that the resulting linear combi- and z00 = (x00, y00). nation of base classifiers is likely to be sparse since we reg- ularize 1-norm of the weight vector. This property is useful Roughly speaking, this definition says that for the most of for feature selection tasks. random examples z = (x, y) and random positive and nega- tive examples, the instance x is likely to be closer to the in- 3.1 The 1-norm soft margin formulation stance with the same label. Then, under the natural assump- tion that the given dissimilarity function d is (, η)-good, we Suppose that we are given a set S = (x1, y1),..., (xm, ym) , { } can construct an accurate classifier based on d, as is shown where each (xi, yi) is an example in X 1, +1 . Here, in the following theorem. following the dissimilarity-based approach× {− in the previous} section, we assume the set of hypotheses, H = h(x) = Theorem 1 (Wang et al. [20]) If d is a strongly (, η)-good sgn[d(x , x) d(x , x)] x and x are positive{ and neg- dissimilarity function, then with probability at least 1 δ i j i j ative instances− in S, respectively| . For simplicity of the over the choice of m = (4/η2) ln(1/δ) pairs of examples− notation, we denote H as H = }h , . , h , where n is (z , z ) with labels y = 1, y = 1, i = 1, 2, ..., m, the 1 n 0 00 0 00 the number of pairs of positive and{ negative examples} in S. following classifier F (x) = sgn[f(x−)] where Then, the 1-norm soft margin optimization problem is for- 1 n mulated as follows (e.g. [5, 21]): f(x) = sgn[d(x, x00) d(x, x0 )] m i − i i=1 m ∑ 1 max ρ ξi (2) has an error rate of no more than + δ. That is ρ,b ,w n,ξ m − ν ∈R ∈R ∈R i=1 ∑ Pr (F (x) = y) = Pr (yf(x) 0) + δ. sub.to z P 6 z P ≤ ≤ ∼ ∼ This theorem says that an unweighted voting classifier con- yi( wjhj(xi) + b) ρ ξi(i = 1, . , m), ≥ − j sisting of sufficiently many randomly drawn examples is ac- ∑ curate enough with high probability. We should note that n w 0, wj = 1 the existence of a (, η)-good dissimilarity function might ≥ j=1 be too restrictive in some cases. For such cases, Wang et al. ∑ also proposed more relaxed definitions of good dissimilarity ξ 0. ≥ functions. Under such relaxed definitions, it can be shown that there exists a weighted combination Here the term yi( j wjhj(xi)+b) represents the margin (w, b) (x , y ) m of the hyperplane w.r.t.
Recommended publications
  • QUASIMODE: Ike QUEBEC
    This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ QUASIMODE: "Oneself-Likeness" Yusuke Hirado -p,el p; Kazuhiro Sunaga -b; Takashi Okutsu -d; Takahiro Matsuoka -perc; Mamoru Yonemura -ts; Mitshuharu Fukuyama -tp; Yoshio Iwamoto -ts; Tomoyoshi Nakamura -ss; Yoshiyuki Takuma -vib; recorded 2005 to 2006 in Japan 99555 DOWN IN THE VILLAGE 6.30 99556 GIANT BLACK SHADOW 5.39 99557 1000 DAY SPIRIT 7.02 99558 LUCKY LUCIANO 7.15 99559 IPE AMARELO 6.46 99560 SKELETON COAST 6.34 99561 FEELIN' GREEN 5.33 99562 ONESELF-LIKENESS 5.58 99563 GET THE FACT - OUTRO 1.48 ------------------------------------------ Ike QUEBEC: "The Complete Blue Note Forties Recordings (Mosaic 107)" Ike Quebec -ts; Roger Ramirez -p; Tiny Grimes -g; Milt Hinton -b; J.C. Heard -d; recorded July 18, 1944 in New York 34147 TINY'S EXERCISE 3.35 Blue Note 6507 37805 BLUE HARLEM 4.33 Blue Note 37 37806 INDIANA 3.55 Blue Note 38 39479 SHE'S FUNNY THAT WAY 4.22 --- 39480 INDIANA 3.53 Blue Note 6507 39481 BLUE HARLEM 4.42 Blue Note 544 40053 TINY'S EXERCISE 3.36 Blue Note 37 Jonah Jones -tp; Tyree Glenn -tb; Ike Quebec -ts; Roger Ramirez -p; Tiny Grimes -g; Oscar Pettiford -b; J.C. Heard -d; recorded September 25, 1944 in New York 37810 IF I HAD YOU 3.21 Blue Note 510 37812 MAD ABOUT YOU 4.11 Blue Note 42 39482 HARD TACK 3.00 Blue Note 510 39483 --- 3.00 prev. unissued 39484 FACIN' THE FACE 3.48 --- 39485 --- 4.08 Blue Note 42 Ike Quebec -ts; Napoleon Allen -g; Dave Rivera -p; Milt Hinton -b; J.C.
    [Show full text]
  • Hermann NAEHRING: Wlodzimierz NAHORNY: NAIMA: Mari
    This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Hermann NAEHRING: "Großstadtkinder" Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; Henry Osterloh -tymp; recorded 1985 in Berlin 24817 SCHLAGZEILEN 6.37 Amiga 856138 Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; recorded 1985 in Berlin 24818 SOUJA 7.02 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Volker Schlott -fl; recorded 1985 in Berlin A) Orangenflip B) Pink-Punk Frosch ist krank C) Crash 24819 GROSSSTADTKINDER ((Orangenflip / Pink-Punk, Frosch ist krank / Crash)) 11.34 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; recorded 1985 in Berlin 24820 PHRYGIA 7.35 --- 24821 RIMBANA 4.05 --- 24822 CLIFFORD 2.53 --- ------------------------------------------ Wlodzimierz NAHORNY: "Heart" Wlodzimierz Nahorny -as,p; Jacek Ostaszewski -b; Sergiusz Perkowski -d; recorded November 1967 in Warsaw 34847 BALLAD OF TWO HEARTS 2.45 Muza XL-0452 34848 A MONTH OF GOODWILL 7.03 --- 34849 MUNIAK'S HEART 5.48 --- 34850 LEAKS 4.30 --- 34851 AT THE CASHIER 4.55 --- 34852 IT DEPENDS FOR WHOM 4.57 --- 34853 A PEDANT'S LETTER 5.00 --- 34854 ON A HIGH PEAK
    [Show full text]
  • SCIENCECIENCE and Whole Grains, and Protein Harvard University Sources Should Include Beans, Peas, Nuts, Seeds and Soy
    PPRESORTEDRESORTED SSTANDARDTANDARD ..S.S. PPOSTAGEOSTAGE PPAIDAID Healthy Living Feature: Diabetes & National Nutrition Awareness WWILMINGTON,ILMINGTON, NN.C..C. PPERMITERMIT - NNO.O. 667575 5500 CCENTSENTS Established 1987 VOLUME 33, NO. 2 | 2020 Theme: Let There Be Light Week of February 27 - March 4, 2020 NATIONWIDE VOTER MOBILIZATION IS OUR PRIORITY INSIDE THIS EDITION 2 3 6 2....................Career & Education Meet the Black 21-Year Old Should Oprah 3..... Business News & Resources CEO Managing the 4................. Editorials and Politics HBCU Football Reconsider 5.................................Spirit & Life World’s Busiest Player Launches Her Support for 6...................... Health & Wellness Airport Dessert Vaccines? 7.......... Events & Announcements Company 8..................................Classifieds A GDN CoConfusednfused WWhathat ttoo ExclusivE: vol. iii PArt AAboutbout EaEat?t? iv UUNCNC SSystemystem P.K. Newby Adjunct Associate comprise vegetables, fruits AAssociationssociation ooff Professor of Nutrition, SSCIENCECIENCE and whole grains, and protein Harvard University sources should include beans, peas, nuts, seeds and soy. SStudenttudent GGovernmentovernment If you’re nodding in agreement, Canada’s 2019 Food Guide you’re not alone: More than 80% CACANN HHELPELP is similarly plant-focused, as SSeniorenior VVPP SuSupportspports AACTCCTC of Americans are befuddled. is Harvard’s Healthy Eating Yet it’s a lament that’s getting Plate, while Brazil emphasizes By Cash Michaels student government associations, and
    [Show full text]
  • Presidential Documents
    Weekly Compilation of Presidential Documents Monday, September 29, 1997 Volume 33ÐNumber 39 Pages 1371±1429 1 VerDate 22-AUG-97 07:53 Oct 01, 1997 Jkt 010199 PO 00000 Frm 00001 Fmt 1249 Sfmt 1249 W:\DISC\P39SE4.000 p39se4 Contents Addresses and Remarks Communications to CongressÐContinued See also Meetings With Foreign Leaders Future free trade area negotiations, letter Arkansas, Little Rock transmitting reportÐ1423 Congressional Medal of Honor Society India-U.S. extradition treaty and receptionÐ1419 documentation, message transmittingÐ1401 40th anniversary of the desegregation of Iraq, letter reportingÐ1397 Central High SchoolÐ1416 Ireland-U.S. taxation convention and protocol, California message transmittingÐ1414 San Carlos, roundtable discussion at the UNITA, message transmitting noticeÐ1414 San Carlos Charter Learning CenterÐ 1372 Communications to Federal Agencies San Francisco Contributions to the International Fund for Democratic National Committee Ireland, memorandumÐ1396 dinnerÐ1382 Funding for the African Crisis Response Democratic National Committee luncheonÐ1376 Initiative, memorandumÐ1397 Saxophone Club receptionÐ1378 Interviews With the News Media New York City, United Nations Exchange with reporters at the United LuncheonÐ1395 Nations in New York CityÐ1395 52d Session of the General AssemblyÐ1386 Interview on the Tom Joyner Morning Show Pennsylvania, Pittsburgh in Little RockÐ1423 AFL±CIO conventionÐ1401 Democratic National Committee luncheonÐ1408 Letters and Messages Radio addressÐ1371 50th anniversary of the National Security Council, messageÐ1396 Communications to Congress Meetings With Foreign Leaders Angola, message reportingÐ1414 Russia, Foreign Minister PrimakovÐ1395 Canada-U.S. taxation convention protocol, message transmittingÐ1400 Notices Comprehensive Nuclear Test-Ban Treaty and Continuation of Emergency With Respect to documentation, message transmittingÐ1390 UNITAÐ1413 (Continued on the inside of the back cover.) Editor's Note: The President was in Little Rock, AR, on September 26, the closing date of this issue.
    [Show full text]
  • Nimal Dunuhinga - Poems
    Poetry Series nimal dunuhinga - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive nimal dunuhinga(19, April,1951) I was a Seafarer for 15 years, presently wife & myself are residing in the USA and seek a political asylum. I have two daughters, the eldest lives in Austalia and the youngest reside in Massachusettes with her husband and grand son Siluna.I am a free lance of all I must indebted to for opening the gates to this global stage of poets. Finally, I must thank them all, my beloved wife Manel, daughters Tharindu & Thilini, son-in-laws Kelum & Chinthaka, my loving brother Lalith who taught me to read & write and lot of things about the fading the loved ones supply me ingredients to enrich this life's bitter-cake.I am not a scholar, just a sailor, but I learned few things from the last I found Man is not belongs to anybody, any race or to any religion, an independant-nondescript heaviest burden who carries is the Brain. Conclusion, I guess most of my poems, the concepts based on the essence of Buddhist personal belief is the Buddha who was the greatest poet on this planet earth.I always grateful and admire him. My humble regards to all the readers. www.PoemHunter.com - The World's Poetry Archive 1 * I Was Born By The River My scholar friend keeps his late Grandma's diary And a certain page was highlighted in the color of yellow. My old ferryman you never realized that how I deeply loved you? Since in the cradle the word 'depth' I heard several occasions from my parents.
    [Show full text]
  • Young Girl's Dairy, and Letter of Sigmund Freud,A
    A YOUNG GIRL'S DIARY Prefaced with a Letter by Sigmund Freud Translated by Eden and Cedar Paul CONTENTS FIRST YEAR Age 11 to 12 SECOND YEAR Age 12 to 13 THIRD YEAR Age 13 to 14 LAST HALF-YEAR Age 14 to 14 1/2 CONCLUSION PREFACE THE best preface to this journal written by a young girl belonging to the upper middle class is a letter by Sigmund Freud dated April 27, 1915, a letter wherein the distinguished Viennese psychologist testifies to the permanent value of the document: "This diary is a gem. Never before, I believe, has anything been written enabling us to see so clearly into the soul of a young girl, belonging to our social and cultural stratum, during the years of puberal development. We are shown how the sentiments pass from the simple egoism of childhood to attain maturity; how the relationships to parents and other members of the family first shape themselves, and how they gradually become more serious and more intimate; how friendships are formed and broken. We are shown the dawn of love, feeling out towards its first objects. Above all, we are shown how the mystery of the sexual life first presses itself vaguely on the attention, and then takes entire possession of the growing intelligence, so that the child suffers under the load of secret knowledge but gradually becomes enabled to shoulder the burden. Of all these things we have a description at once so charming, so serious, and so artless, that it cannot fail to be of supreme interest to educationists and psychologists.
    [Show full text]
  • Prestige Label Discography
    Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron.
    [Show full text]
  • DAN KELLY's Ipod 80S PLAYLIST It's the End of The
    DAN KELLY’S iPOD 80s PLAYLIST It’s The End of the 70s Cherry Bomb…The Runaways (9/76) Anarchy in the UK…Sex Pistols (12/76) X Offender…Blondie (1/77) See No Evil…Television (2/77) Police & Thieves…The Clash (3/77) Dancing the Night Away…Motors (4/77) Sound and Vision…David Bowie (4/77) Solsbury Hill…Peter Gabriel (4/77) Sheena is a Punk Rocker…Ramones (7/77) First Time…The Boys (7/77) Lust for Life…Iggy Pop (9/7D7) In the Flesh…Blondie (9/77) The Punk…Cherry Vanilla (10/77) Red Hot…Robert Gordon & Link Wray (10/77) 2-4-6-8 Motorway…Tom Robinson (11/77) Rockaway Beach…Ramones (12/77) Statue of Liberty…XTC (1/78) Psycho Killer…Talking Heads (2/78) Fan Mail…Blondie (2/78) This is Pop…XTC (3/78) Who’s Been Sleeping Here…Tuff Darts (4/78) Because the Night…Patty Smith Group (4/78) Ce Plane Pour Moi…Plastic Bertrand (4/78) Do You Wanna Dance?...Ramones (4/78) The Day the World Turned Day-Glo…X-Ray Specs (4/78) The Model…Kraftwerk (5/78) Keep Your Dreams…Suicide (5/78) Miss You…Rolling Stones (5/78) Hot Child in the City…Nick Gilder (6/78) Just What I Needed…The Cars (6/78) Pump It Up…Elvis Costello (6/78) Airport…Motors (7/78) Top of the Pops…The Rezillos (8/78) Another Girl, Another Planet…The Only Ones (8/78) All for the Love of Rock N Roll…Tuff Darts (9/78) Public Image…PIL (10/78) My Best Friend’s Girl…the Cars (10/78) Here Comes the Night…Nick Gilder (11/78) Europe Endless…Kraftwerk (11/78) Slow Motion…Ultravox (12/78) Roxanne…The Police (2/79) Lucky Number (slavic dance version)…Lene Lovich (3/79) Good Times Roll…The Cars (3/79) Dance
    [Show full text]
  • Commonwealth United's 2-Part Blueprint
    ' Commonwealth United’s 2-Part Blueprint: Buy Labels & Publishers ••• Massler Sets Unit For June 22 1968 Kiddie Film ™ ' Features * * * Artists Hit • * * Sound-A-Like Jingl Mercury Ex- iff CashBox pands In Publishing • • Atlantic Sees Confab Sales Peak** 1st Buddah Meet Equals ‘ Begins Pg. 51 RICHARD HARRIS: HE FOUND THE RECIPE Int’l. Section Take a great lyric with a strong beat. Add a voice and style with magic in it. Play it to the saturation level on good music stations Then if it’s really got it, the Top-40 play starts and it starts climbingthe singles charts and selling like a hit. And that’s exactly what Andy’s got with his new single.. «, HONEY Sweet Memories4-44527 ANDY WILLIAMS INCLUDING: THEME FROM "VALLEY OF ^ THE DOLLS" ^ BYTHETIME [A I GETTO PHOENIX ! SCARBOROUGH FAIR LOVE IS BLUE UP UPAND AWAY t THE IMPOSSIBLE * DREAM if His new album has all that Williams magic too. Andy Williams on COLUMBIA RECORDS® *Also available fn A-LikKafia 8-track stereo tape cartridges : VOL. XXIX—Number 47/June 22, 1968 Publication Office / 1780 Broadway, New York, New York 10019 / Telephone: JUdson 6-2640 / Cable Address: Cash Box. N. Y. GEORGE ALBERT President and Publisher MARTY OSTROW Vice President LEON SCHUSTER Treasurer IRV LICHTMAN Editor in Chief EDITORIAL TOM McENTEE Assoc. Editor DANIEL BOTTSTEIN JOHN KLEIN MARV GOODMAN EDITORIAL ASSISTANTS MIKE MARTUCCI When Tragedy Cries (hit ANTHONY LANZETTA ADVERTISING BERNIE BLAKE Director of Advertising ACCOUNT EXECUTIVES STAN SOIFER New York For 'Affirmative'Musif BILL STUPER New York HARVEY GELLER Hollywood WOODY HARDING Art Director COIN MACHINES & VENDING ED ADLUM General Manager BEN JONES Asst.
    [Show full text]
  • The Lived Experience of Women Engaged in Creative Journaling
    ABSTRACT Title of Dissertation: PAUSING TO CULTIVATE OUR GARDENS: THE LIVED EXPERIENCE OF WOMEN ENGAGED IN CREATIVE JOURNALING Sonya Marie Riley Doctor of Philosophy, 2019 Dissertation Directed by: Professor Francine Hultgren Department of Teaching and Learning Policy and Leadership This phenomenological dissertation explores the lived experience of women participating in a creative journaling pause (CJP), a phrase describing the moment in which the participant chooses herself and engages in an activity of expression. Grounded in the tradition of hermeneutic phenomenology, biblical Christian principles, and the philosophical work of Martin Heidegger and Hans-Georg Gadamer, this research focuses on the practice of a creative journaling pause to assist a woman in cultivating her personal garden, in particular herself as an authentic individual. The metaphors of a sand garden and an oasis are used as descriptors to illuminate the phenomenon. The stories of the women hidden in the sand, or the depths of their journal pages, surfaced through our conversations in the moments of our four creative journaling pauses. Each pause, likened to an oasis, gave space to dwell in rest, freedom, and renewal. Thoele (2008) identifies women as “multi-focused, multifaceted, multi-tasking wonders” (p. 21). Yet, the various aspects or roles of a woman’s life may not always align with her ability to focus on self. Thus, the phenomenon of a creative journaling pause intrigues me with what it means to be a woman discovering and rediscovering her authentic self through the actions of pausing and the process of creative journaling. In brief, chapter one turns to the phenomenon and reveals my abiding concern.
    [Show full text]
  • QUASIMODE: Ike QUEBEC
    This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ QUASIMODE: "Oneself-Likeness" Yusuke Hirado -p,el p; Kazuhiro Sunaga -b; Takashi Okutsu -d; Takahiro Matsuoka -perc; Mamoru Yonemura -ts; Mitshuharu Fukuyama -tp; Yoshio Iwamoto -ts; Tomoyoshi Nakamura -ss; Yoshiyuki Takuma -vib; recorded 2005 to 2006 in Japan 99555 DOWN IN THE VILLAGE 6.30 99556 GIANT BLACK SHADOW 5.39 99557 1000 DAY SPIRIT 7.02 99558 LUCKY LUCIANO 7.15 99559 IPE AMARELO 6.46 99560 SKELETON COAST 6.34 99561 FEELIN' GREEN 5.33 99562 ONESELF-LIKENESS 5.58 99563 GET THE FACT - OUTRO 1.48 ------------------------------------------ Ike QUEBEC: "The Complete Blue Note Forties Recordings (Mosaic 107)" Ike Quebec -ts; Roger Ramirez -p; Tiny Grimes -g; Milt Hinton -b; J.C. Heard -d; recorded July 18, 1944 in New York 34147 TINY'S EXERCISE 3.35 Blue Note 6507 37805 BLUE HARLEM 4.33 Blue Note 37 37806 INDIANA 3.55 Blue Note 38 39479 SHE'S FUNNY THAT WAY 4.22 --- 39480 INDIANA 3.53 Blue Note 6507 39481 BLUE HARLEM 4.42 Blue Note 544 40053 TINY'S EXERCISE 3.36 Blue Note 37 Jonah Jones -tp; Tyree Glenn -tb; Ike Quebec -ts; Roger Ramirez -p; Tiny Grimes -g; Oscar Pettiford -b; J.C. Heard -d; recorded September 25, 1944 in New York 37810 IF I HAD YOU 3.21 Blue Note 510 37812 MAD ABOUT YOU 4.11 Blue Note 42 39482 HARD TACK 3.00 Blue Note 510 39483 --- 3.00 prev. unissued 39484 FACIN' THE FACE 3.48 --- 39485 --- 4.08 Blue Note 42 Ike Quebec -ts; Napoleon Allen -g; Dave Rivera -p; Milt Hinton -b; J.C.
    [Show full text]
  • Summerholiday2020 1013 Titel, 2,5 Tage, 5,27 GB
    Seite 1 von 27 -SummerHoliday2020 1013 Titel, 2,5 Tage, 5,27 GB Name Dauer Album Künstler 1 Take a chance on me 4:00 The Album - ABBA -1977 (LP-192) ABBA 2 One man, one woman 4:34 The Album - ABBA -1977 (LP-192) ABBA 3 Move on 4:39 The Album - ABBA -1977 (LP-192) ABBA 4 Thank you for the music 3:47 The Album - ABBA -1977 (LP-192) ABBA 5 When i kissed the teacher 3:01 Arrival - ABBA - 1976 (LP) ABBA 6 Dancing queen 3:51 Arrival - ABBA - 1976 (LP) ABBA 7 Knowing me, knowing you 4:01 Arrival - ABBA - 1976 (LP) ABBA 8 That's me 3:16 Arrival - ABBA - 1976 (LP) ABBA 9 S.O.S. 3:22 Greatest Hits (30th Anniversary Edition) … ABBA 10 Ring ring 3:07 Greatest Hits (30th Anniversary Edition) … ABBA 11 Nina, pretty ballerina 2:53 Greatest Hits (30th Anniversary Edition) … ABBA 12 Honey honey 2:57 Greatest Hits (30th Anniversary Edition) … ABBA 13 Waterloo 2:45 Greatest Hits (30th Anniversary Edition) … ABBA 14 On and on and on 3:40 Super Trouper - ABBA - 1980 (LP) ABBA 15 Chiquitita 5:23 Voulez-Vous - ABBA - 1979 ABBA 16 The sign 3:11 Hot & Cool - The Real Summerfeeling - … Ace Of Base 17 All that she wants 3:33 Ö3 Greatest Hits 02 - Comp 1997 (CD-… Ace Of Base 18 Give peace a chance (ft Sierra Leone's… 4:35 Instant Karma: The Campaign To Save … Aerosmith 19 Come on over baby (all i want is you) 3:09 Christina Aguilera - Christina Aguilera - … Aguilera Christina 20 Away from home 3:20 Bravo Hits 08 - Comp 1994 (CD1-VBR) Alban, Dr.
    [Show full text]