61 Janusz Bogdanowski
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Common Heritage Совместное Наследие
COMMON HERITAGE СОВМЕСТНОЕ НАСЛЕДИЕ The multicultural heritage of Vyborg and its preservation Мультикультурное наследие Выборга и его сохранение COMMON HERITAGE СОВМЕСТНОЕ НАСЛЕДИЕ The multicultural heritage of Vyborg and its preservation Proceedings of the international seminar 13.–14.2.2014 at The Alvar Aalto library in Vyborg Мультикультурное наследие Выборга и его сохранение Труды мeждународного семинара 13.–14.2.2014 в Центральной городской библиотеке А. Аалто, Выборг Table of contents Оглавление Editor Netta Böök FOREWORD .................................................................6 Редактор Нетта Бёэк ПРЕДИСЛОВИЕ Graphic design Miina Blot Margaretha Ehrström, Maunu Häyrynen: Te dialogical landscape of Vyborg .....7 Графический дизайн Мийна Блот Маргарета Эрстрëм, Мауну Хяйрюнен: Диалогический ландшафт Выборга Translations Gareth Grifths and Kristina Kölhi / Gekko Design; Boris Sergeyev Переводы Гарет Гриффитс и Кристина Кëлхи / Гекко Дизайн; Борис Сергеев Publishers The Finnish National Committee of ICOMOS (International Council for Monuments and Sites) and OPENING WORDS The Finnish Architecture Society ..........................................................12 Издатели Финляндский национальный комитет ИКОМОС (Международного совета по сохранению ВСТУПИТЕЛЬНЫЕ СЛОВА памятников и достопримечательных мест) и Архитектурное общество Финляндии Maunu Häyrynen: Opening address of the seminar ............................15 Printed in Forssa Print Мауну Хяйрюнен: Вступительное обращение семинара Отпечатано в типографии Forssa Print -
Plate I. Liverpool Castle
PLATE I. LIVERPOOL CASTLE. RESTORED FROM AUTHENTIC PLANS AMD MEASUREMENTS BY EDWARD W. COX. AN ATTEMPT TO RECOVER THE PLANS OF THE CASTLE OF LIVERPOOL FROM AUTHENTIC RECORDS; CONSIDERED IN CONNEXION WITH MEDI/EVAL PRINCIPLES OF DEFENCE AND CON STRUCTION. By Edward W. Cox. (Read 6di November, 1890.) DESCRIPTION OF THE FEATURES AND BUILDINGS OF THE CASTLE. T TPON a rock}'knoll, washed by the Mersey on its V_J western side, and cut off from the mainland on the south and east by the tidal waters of the old Pool, forming the estuary of a small stream falling from the Moss Lake that lay in a fold of the Great Heath, at the foot of the hills which environ the town on the east, was built the Castle of Liverpool. The rocky platform on which it stood sloped westward towards the river, and was approached only from the north. About the centre of the promontory, and commanding its area and shores on every side, the castle was set on the highest point, and was defended by a ditch cut in the rock, varying from 30 to 40 feet in width, and from 24 to 30 feet in depth. Beyond this ditch to the northward, earth works were thrown across the peninsula, and from O 2 ig6 Liverpool Castle. notices in early records of the herbage on these defences, they seemed to have formed a line of outworks surrounding the castle. From the western side of the rock-cut ditch, which formed the castle's second line of defence, near the northern corner, an underground passage, ten feet high, was cut in the rock down to the shore of the Mersey, which still exists below the pave ment of James Street, and was seen by the writer when it was opened some thirty years since. -
Medieval Castle
The Language of Autbority: The Expression of Status in the Scottish Medieval Castle M. Justin McGrail Deparment of Art History McGilI University Montréal March 1995 "A rhesis submitted to the Faculty of Graduate Studies and Research in partial fu[filment of the requirements of the degree of Masters of Am" O M. Justin McGrail. 1995 National Library Bibliothèque nationale 1*u of Canada du Canada Aquisitions and Acquisitions et Bibliographie SeMces seMces bibliographiques 395 Wellingîon Street 395, nie Wellingtm ûîtawaON K1AON4 OitawaON K1AON4 Canada Canada The author has granted a non- L'auteur a accordé une Licence non exclusive Licence dowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distniuer ou copies of this thesis in microfonn, vendre des copies de cette thèse sous papet or electronic formats. la forme de microfiche/film, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fkom it Ni la thèse ni des extraits substantiels rnay be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. I would like to express my sincere gratitude to Dr. H. J. B6ker for his perserverance and guidance in the preparation and completion of this thesis. I would also like to recognise the tremendous support given by my family and friends over the course of this degree. -
Dieter Pietschmann
Städte und Dörfer mit „Allerley Zugehör Darum und Dazwischen“ sowie die „Welt von DAMALS“ (Augenzeugen berichten in Wort und Bild) Towns and Villages with „Things Around and Between“ and “The Ancient World” (eyewitness report by text and picture) Anno Domini 2016 – by Robert Pietschmann and Ines Coonaham – European Federation Seite 02 Geltungsbereich Ausgehend vom bisher bereisten Gebiet im Rahmen der According to the area we covered already in the case of Kirchenburgen, ist der Geltungsbereich somit gleich und Church-Castles, it is similar for this Workout. The map auf nachstehender Karte in guter Annährung below shows the covered area by an approximation (approximiert nach Simpson) wiedergegeben. according to Simpson. Bad Camberg Grünberg Backnang Kiedrich Dettingen Münnerstadt Blaubeuren Ostheim Neufra Wirtzenhausen Rottenburg Röllbach Anno Domini 2016 – by Robert Pietschmann and Ines Coonaham – European Federation Seite 03 Einleitung Städte und Dörfer, mit „Allerley Darum Herum und The ”Towns and Villages” with “Things Around and Dazwischen“ sowie der „Welt von Damals“ – geht direkt Between” and the ”Ancient World” - all this “developed” aus den Kirchenburgen hervor, denn um eine out from our first and only pashion about the Church- Kirchenburg, ob im Ort oder einer Stadt gelegen, hat es, Castles. By the time, we realized that these “things mit etwas Glück, noch interessantes aus früheren around”, called towns and villages, were made by the Jahrhunderten. same people who built the Church-Castles, respectively Mit den Jahren lernten wir somit auch dies schätzen – - so that all has to be respected and honored the same und ehren, stammt es doch aus den gleichen Zeiten und way: It is our history! von den Leuten, welche die Kirchenburgen erbauten. -
Mise En Page 1
The Anaarchyrchy RULES OF PLAY © Buxeria & HisToric’One édiTions - v.1.0 - 2015 The Anarchy Civil War in England – 1139-1153 ‘The Anarchy' is The name given by English scholars To The civil war which Tore England aparT in The middle of The 12Th CenTury. The conflicT was a succession of sieges, To The poinT ThaT Jim Bradbury named This period “The CasTle War”. AfTer GUISCARD and DIEX AÏE, iT is naTural ThaT The Third insTalmenT of The NORMAN SAGA series address This period, when The grand-children of William The Conqueror were aT war wiTh one anoTher. IT is also an opporTuniTy To revisiT The siege rules, which were only lighTly addressed in The firsT Two games. These rules inTroduce new concepTs like The use of hoardings, mines and The deploymenT of larger-size siege engines, which are more realisTic Than Those proposed 30 years ago in The SIEGE game of The CRY HAVOC series. THE ANARCHY is an exTension and noT a compleTe game. DeTailed rules for combaT and shooTing are noT addressed. Simply refer To The rules included wiTh GUISCARD or DIEX AÏE, available as a free download from www.cryhavocfan.org/eng/ if you don’T have Them. This ediTorial choice was driven by The sheer size of The siege rules. Including everyThing in a single bookleT would have been Too much To manage (as well as Too heavy To ship…) and we prefer To provide more new game componenTs. NoTe, however, ThaT we do include compleTe TacTical play sheeTs. THE ANARCHY also includes a campaign game whose rules are similar To Those included wiTh DIEX AÏE, adapTed To The new seTTing. -
Montjoie V2.0
MONTJOIE Extension for CRY HAVOC, SIEGE, CROISADES and VIKINGS This collection of additional rules for the games in the Cry Havoc series enables an enrichment of the tactical possibilities of the game. I hope that you will gain as much pleasure in using them as I have had in thinking them up. Thanks to Errol Flynn and Robert Taylor for invaluable contributions. Thanks even more to Bob Gingell for translating the original edition of 1994, suggesting many clever enhancements and proof-reading the various additions of the 2004 version. Montjoie Additional Rules – version 2.0 - 1992/2003 1 Table of Contents 1 Tactical Factors..................................................................................................................................................4 1.1 The Weather ..............................................................................................................................................4 1.2 The Trees....................................................................................................................................................4 1.2.1 Climbing into a tree and down ............................................................................................................4 1.2.2 Tactical factors.....................................................................................................................................5 1.2.3 Shooting from up a tree .......................................................................................................................6 1.2.4 -
Nr 2(34) 2013 Kwartalnik Spis Rzeczy
ARCHITECTUS Nr 2(34) 2013 kwartalnik Spis rzeczy Małgorzata Chorowska, Piotr Błoniewski, Zamek Niesytno w Płoninie według badań architektonicznych z lat 2011–2012 . 3 Rada Naukowa Zbigniew Bać (Polska) Michaił Balzanikov (Rosja) Henryk Brzozowski COr., Srebrna architektura, czyli o tabernakulach Joaquim Braizinha (Portugalia) barokowych zachowanych w granicach obecnej Rzeczpospolitej . 19 Kateřina Charvátová (Czechy) Jerzy Charytonowicz (Polska) Agata Bieleń-Ratajczyk, Eduard Petzold – twórca malowniczych Małgorzata Chorowska (Polska) założeń krajobrazowych . 45 Hugo Dworzak (Liechtenstein) Nathalie Guillaumin-Pradignac Anna Szendi, Malarstwo pejzażowe jako narzędzie inspiracji (Francja) dla sztuki ogrodowej XVIII i XIX w. 59 Tore I.B. Haugen (Norwegia) Ada Kwiatkowska (Polska) Michał Pelczarski, O kształtowaniu konstrukcji dachu katowickiej hali Spodka. Bo Larsson (Szwecja) Rozważania z wywiadów z Profesorem Wacławem Zalewskim . 69 Tomasz Ossowicz (Polska) VladimÍr Šlapeta (Czechy) Anna Bać, Laboratorium zrównoważenia – modelowy budynek uniwersytecki Elżbieta Trocka-Leszczyńska (Polska) w Vancouver . 83 Redaktor naczelny Ewa Łużyniecka Sekretarz Ewa Cisek Projekt okładki Artur Błaszczyk Adres redakcji Wydział Architektury Politechniki Wrocławskiej ul. Bolesława Prusa 53/55 50-317 Wrocław www.architectus.arch.pwr.wroc.pl e-mail: [email protected] ARCHITECTUS No. 2(34) 2013 quarterly Contents Małgorzata Chorowska, Piotr Błoniewski, Niesytno Castle in Płonina Editorial Counsel in the architectural survey conducted in 2011–2012 . 3 Zbigniew Bać (Poland) Michaił Balzanikov (Russia) Henryk Brzozowski COr., Silver architecture, Joaquim Braizinha (Portugal) namely Baroque tabernacles preserved within the current borders Kateřina Charvátová (Czech Republic) of the Republic of Poland . 19 Jerzy Charytonowicz (Poland) Małgorzata Chorowska (Poland) Agata Bieleń-Ratajczyk, Eduard Petzold – the creator of picturesque Hugo Dworzak (Liechtenstein) landscape parks . 45 Nathalie Guillaumin-Pradignac (France) Anna Szendi, Landscape painting as an inspirational tool Tore I.B. -
Devonport Characterisation Study
DEVONPORT CHARACTERISATION STUDY & MANAGEMENT PROPOSALS JULY 2006 CONTENTS Introduction 7 Methodology 9 Policy Context 9 The Regeneration Context 11 Urban Morphology 12 Chronological Overview of the Historical Development 12 of Devonport • Pre 1690 – Before Plymouth Dock (Devonport) 12 • 1691-c1750 – Founding of the Naval Dockyard and Morice 13 Yard • The mid 18th – mid 19th centuries: from Sail to Steam 17 • Devonport Dockyard - 1800 onwards 18 • Development of the civilian town 19 o Map Regression 19 o The Early Town 24 o The Dock Lines 25 o Mount Wise 26 o Towards the 20th century: Development of North 26 Yard and changes to military requirements o Post War Devonport 27 Characterisation 28 • Geology 29 • Topography 30 • Figure Ground 31 • Building Ages 32 • Building Heights 33 2 • Landuse / Activity 34 • General Townscape Analysis 35 • Statutory Protection 36 • Buildings of Townscape Merit 37 • Buildings at Risk 38 Archaeological Significance and Potential 39 • Introduction 39 • Sites and Areas of Significant Archaeological Potential 39 • Areas of Uncertain Archaeological Potential 42 • Areas of Limited Archaeological Potential 42 • Quarried Areas 43 Character Areas 44 • Waterfront (Richmond Walk to Mutton Cove) 45 o Location and Topography o Historic Origins and Development o Activity: Prevailing or Former Uses o General Townscape Character and Movement o Architectural and Historic Qualities of Buildings o Local Details: Building Materials o Public Realm / Spaces o Negative / Neutral Factors o Summary of Significance • Mount Wise -
Merv, a Story of Adventure and Captivity
UNIVERSITY OH CALIFORNIA SAN OIEGO MEEV M E B V A STORY OF ADVENTURES AND CAPTIVITY EPITOMISED FROM 'THE MEEV OASIS' BY EDMOND O'DONOVAN SPECIAL COKRESPON'DEXT OP 'THE DAILY SEWS' WITH A PORTRAIT LONDON SMITH, ELDER, & CO., 15 WATERLOO PLACE 1883 [All riylitt referred] ADVEETISEMENT. THE account of Mr. O'Donovan's Travels East of the Caspian, with his five months' residence among the Tekkes of Merv, having been published in two large volumes, which of necessity places it beyond the reach of many readers, it has been thought desirable to give an epitome of the work, which, leaving out political matters, presents the marvel- lous story of his adventures and captivity in a concise and popular form. CONTENTS. CHAPTER I. PAOE Across the Steppe Delays in landing The Troika The Steppes Eussian stations A sporting country Thievish Tartars The Grand Hotel General Lazareff A dreary ride Beaching Baku . 1 CHAPTER H. A petroleum city Petroleum Fire worship A strange rite The Turcomans Chatte Flies and mosquitoes A reconnaissance In gorgeous array Caucasian horsemen The kandjar . .12 CHAPTER III. Searching for sulphur mines A desert post Bitter waters The Black Gulf Sulphur Mountain Turcoman steeds A night alarm The attack A race for life Worn out 22 CHAPTER IV. Waiting to advance Water snakes Quaint humanity Caucasian cavalry Uniforms Ideas and fashion Punishment of the knout An angler's paradise 32 CHAPTER V. Sickness The death of an old friend Funeral at sea General Ter- gukasoff Notice to quit A start for Persia A slimy waste A home for reptiles Eobber Turcomans The faithful dog A Jack-of-all-trades Night alarms An unpleasant welcome Asterabad . -
A Cultural Analysis of Gustav Mahler's Early Des Knaben
A CULTURAL ANALYSIS OF GUSTAV MAHLER’S EARLY DES KNABEN WUNDERHORN SETTINGS by HARRY LUTHER BAECHTEL A LECTURE-DOCUMENT Presented to the School of Music and Dance of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Musical Arts JUNE 2014 “A Cultural Analysis of Gustav Mahler’s Early Des Knaben Wunderhorn Settings,” a lecture-document prepared by Harry Luther Baechtel in partial fulfillment of the requirements for the Doctor of Musical Arts degree in the School of Music and Dance. This lecture-document has been approved and accepted by: Milagro Vargas, Chair of the Examining Committee Committee in Charge: Milagro Vargas, Chair Eric Mentzel Stephen Rodgers Accepted by: Ann B. Tedards, Associate Dean and Director of Graduate Studies, School of Music and Dance ii © 2014 Harry Luther Baechtel iii CURRICULUM VITAE NAME OF AUTHOR: Harry Luther Baechtel PLACE OF BIRTH: Santa Rosa, California DATE OF BIRTH: June 9, 1978 GRADUATE AND UNDERGRADUATE SCHOOLS ATTENDED: University of Oregon Boston University Northwestern University Chapman University DEGREES AWARDED: Doctor of Musical Arts, Voice Performance, 2014, University of Oregon Certificate in Opera Performance, 2005, Boston University Master of Music, Voice Performance, 2002, Northwestern University Bachelor of Music, Vocal Performance, 2000, Chapman University AREAS OF SPECIAL INTEREST: Opera Performance German Lieder PROFESSIONAL EXPERIENCE: Adjunct Voice Instructor, Lane Community College, 2012-2104 Graduate Teaching Fellow, University of Oregon, -
Glossary of Terms
www.nysmm.org Glossary of Terms Some definitions have links to images. ABATIS: Barricade of felled trees with their branches towards the attack and sharpened (primitive version of "barbed wire"). ARROW SLITS: Narrow openings in a wall through which defenders can fire arrows. (also called loopholes) ARTILLERY: An excellent GLOSSARY for Civil War era (and other) Artillery terminologies can be found at civilwarartillery.com/main.htm (Link will open new window.) BAILEY: The walled enclosure or the outer courtyard of a castle. (Ward, Parade) BANQUETTE: The step of earth within the parapet, sufficiently high to enable standing defenders to fire over the crest of the parapet with ease. BARBICAN: Outworks, especially in front of a gate. A heavily fortified gate or tower. BARTIZAN (BARTISAN): Scottish term, projecting corner turret. A small overhanging turret on a tower s battlement. BASTION: A projection from a fortification arranged to give a wider range of fire or to allow firing along the main walls. Usually at the intersection of two walls. BATTER: Inclined face of a wall (Talus). BATTERED: May be used to describe crenellations. BATTERY: A section of guns, a named part of the main fortifications or a separate outer works position (e.g.. North Battery, Water Battery). BATTLEMENTS: The notched top (crenellated parapet) of a defensive wall, with open spaces (crenels) for firing weapons. BEAKED PROJECTION: see EN BEC. BELVEDERE: A pavilion or raised turret. BLOCKHOUSE: Usually a two story wood building with an overhanging second floor and rifle loops and could also have cannon ports (embrasures). Some three story versions. Some with corner projections similar to bastions. -
3.1 Buthan06.Xp
SLSA Jahresbericht 2009 Bhutan-Swiss archaeological excavation project 200 8–2010 Drapham Dzong, Bhutan. Report 2009 . Werner Meyer Introduction Silvia Scheuerer and Kuenga Wangmo In collaboration with Nagtsho Dorji and Sonam Tashi The Drapham Dzong is located in the Bumthang district in Central Bhutan on a moun - tain ledge in the Chamkhar Chhu valley (exact positio n: N27° 39 ' 15.4", E 90 º 45 ' 14.9", heigh t: approx. 2,930 m.a.s.l .). The elongated mountain ledge is steep on all sides and in places, the rock forms the foundation of the wall. An ancient valley path leads across the col, east of the fortress hill. The entire site is divided into two topographical parts – a mountain fortress and a projecting, fortified settlement in the south-east. The fortress consists of three layer s: a main and an upper castle, a lower castle, and advanced outer baileys situated in the north and the south. Two staircases fortified by towers connect the southern outer bailey with the valley settlement. The mountain fortress is 200 m long, measured along the longitudinal axis which approximately lies in the north-south direction. The archaeological excavation of Drapham Dzong is a major project, undertaken by the Ministry of Home and Culture Affairs of the Royal Government of Bhutan and Hel vetas Bhutan, in collaboration with the SLSA . It successfully began its first excava - tion in autumn 2008 under the scientific direction of Prof. Dr. Werner Meyer from the University of Basel. The compensation of salaries for the Basle team during the exca - vation period in 2009 was taken over by the Basle foundation FAG (Freiwillige Aka de - mi sche Gesellschaf t).