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Af20-Booking-Guide.Pdf
1 SPECIAL EVENT YOU'RE 60th Birthday Concert 6 Fire Gardens 12 WRITERS’ WEEK 77 Adelaide Writers’ Week WELCOME AF OPERA Requiem 8 DANCE Breaking the Waves 24 10 Lyon Opera Ballet 26 Enter Achilles We believe everyone should be able to enjoy the Adelaide Festival. 44 Between Tiny Cities Check out the following discounts and ways to save... PHYSICAL THEATRE 45 Two Crews 54 Black Velvet High Performance Packing Tape 40 CLASSICAL MUSIC THEATRE 16 150 Psalms The Doctor 14 OPEN HOUSE CONCESSION UNDER 30 28 The Sound of History: Beethoven, Cold Blood 22 Napoleon and Revolution A range of initiatives including Pensioner Under 30? Access super Mouthpiece 30 48 Chamber Landscapes: Pay What You Can and 1000 Unemployed discounted tickets to most Cock Cock... Who’s There? 38 Citizen & Composer tickets for those in need MEAA member Festival shows The Iliad – Out Loud 42 See page 85 for more information Aleppo. A Portrait of Absence 46 52 Garrick Ohlsson Dance Nation 60 53 Mahler / Adès STUDENTS FRIENDS GROUPS CONTEMPORARY MUSIC INTERACTIVE Your full time student ID Become a Friend to access Book a group of 6+ 32 Buŋgul Eight 36 unlocks special prices for priority seating and save online and save 15% 61 WOMADelaide most Festival shows 15% on AF tickets 65 The Parov Stelar Band 66 Mad Max meets VISUAL ART The Shaolin Afronauts 150 Psalms Exhibition 21 67 Vince Jones & The Heavy Hitters MYSTERY PACKAGES NEW A Doll's House 62 68 Lisa Gerrard & Paul Grabowsky Monster Theatres - 74 IN 69 Joep Beving If you find it hard to decide what to see during the Festival, 2020 Adelaide Biennial . -
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
Secondary Ticketing
BRIEFING PAPER Number 4715, 11 September 2020 By Lorraine Conway Secondary ticketing Contents: 1. Introduction 2. Consumer protection 3. Reviews: secondary ticketing 4. Enforcement action 5. FIFA files a criminal complaint against Viagogo 6. Parliamentary question and debate 7. Appendix: chronology of past initiatives www.parliament.uk/commons-library | intranet.parliament.uk/commons-library | [email protected] | @commonslibrary 2 Secondary ticketing Contents Summary 3 1. Introduction 4 2. Consumer protection 5 3. Reviews: secondary ticketing 8 3.1 Professor Waterson’s review 8 3.2 Government response to the Waterson report 9 3.3 CMA review 10 3.4 The Culture, Media and Sport (CMS) Committee 11 3.5 Investigation by Which? 13 4. Enforcement action 14 4.1 Action taken by ASA 14 4.2 Action taken by CMA 15 Independent review of Viagogo’s compliance 17 CMA action against StubHub 18 5. FIFA files a criminal complaint against Viagogo 19 6. Parliamentary question and debate 20 7. Appendix: chronology of past initiatives 21 Cover page image copyright Holidays: Day 15 by Lachlan Hardy. Licensed under CC BY 2.0 / image cropped. 3 Commons Library Briefing, 11 September 2020 Summary The online resale of tickets (the secondary ticketing market) applies to recreational, sporting or cultural events in the UK. Secondary ticketing, especially pricing, is a subject that attracts much public interest. Recently, there have been various investigations of this sector resulting in some enforcement activity. Following the introduction of the Consumer Rights Act 2015 (CRA 2015), the Government commissioned an independent report by Professor Michael Waterson to explore the effectiveness of consumer protection measures concerning online secondary ticketing facilities. -
The 2009 Lotte Lenya Competition First Round
The 2009 Lotte Lenya Competition Lauren Worsham’s recent credits include Sophie in Master Class (Pa- permill Playhouse), Clara in The Light in the Piazza (Chamber Version - Kilbourn Hall, Eastman School of Music Weston Playhouse), Cunegonde in Candide (New York City Opera), Jerry Springer: The Opera (Carnegie Hall), Olive in The 25th Annual Putnam Saturday, 18 April 2009 County Spelling Bee (First National Tour). New York workshops/readings: Mermaid in a Jar, Le Fou at New Georges, The Chemist's Wife at Tisch, Mir- ror, Mirror at Playwright's Horizons, and Now I Ask You at Provincetown First Round Playhouse. Graduate of Yale University, 2005. Thanks for all the love and support from Bryan and Management 101. Most importantly, I owe it all to my amazing family. Proud member AEA! www.laurenworsham.com The Kurt Weill Foundation for Music, Inc. administers, promotes, and perpetuates the legacies of Kurt Weill and Lotte Lenya. It encourages broad dissemination and appreciation of Weill’s music through support of performances, productions, recordings, and scholarship; it fosters understanding of Weill’s and Lenya’s lives and work within diverse cultural contexts; and, building upon the legacies of both, it nurtures talent, particularly in the creation, performance, and study of musical theater in its various manifestations and media. Established in 1998 by the Kurt Weill Foundation for Music, the Lotte Lenya Competition provides a unique opportunity for talented young singer/actors to show their versatility in musical theater repertoire ranging from opera/operetta to contemporary Broadway, with Competition Administration, for the Kurt Weill Foundation: a focus on the varied works of Kurt Weill. -
Pan Macmillan AUTUMN CATALOGUE 2021 PUBLICITY CONTACTS
Pan Macmillan AUTUMN CATALOGUE 2021 PUBLICITY CONTACTS General enquiries [email protected] Alice Dewing FREELANCE [email protected] Anna Pallai Amy Canavan [email protected] [email protected] Caitlin Allen Camilla Elworthy [email protected] [email protected] Elinor Fewster Emma Bravo [email protected] [email protected] Emma Draude Gabriela Quattromini [email protected] [email protected] Emma Harrow Grace Harrison [email protected] [email protected] Jacqui Graham Hannah Corbett [email protected] [email protected] Jamie-Lee Nardone Hope Ndaba [email protected] [email protected] Laura Sherlock Jess Duffy [email protected] [email protected] Ruth Cairns Kate Green [email protected] [email protected] Philippa McEwan [email protected] Rosie Wilson [email protected] Siobhan Slattery [email protected] CONTENTS MACMILLAN PAN MANTLE TOR PICADOR MACMILLAN COLLECTOR’S LIBRARY BLUEBIRD ONE BOAT MACMILLAN Nine Lives Danielle Steel Nine Lives is a powerful love story by the world’s favourite storyteller, Danielle Steel. Nine Lives is a thought-provoking story of lost love and new beginnings, by the number one bestseller Danielle Steel. After a carefree childhood, Maggie Kelly came of age in the shadow of grief. Her father, a pilot, died when she was nine. Maggie saw her mother struggle to put their lives back together. As the family moved from one city to the next, her mother warned her about daredevil men and to avoid risk at all cost. Following her mother’s advice, and forgoing the magic of first love with a high-school boyfriend who she thought too wild, Maggie married a good, dependable man. -
“A Powerful and Thrilling Blend of Punk, Rock, Indie and Hardcore That’Ll Get the Teeth in Your Skull Rattling.” - NME
“a powerful and thrilling blend of punk, rock, indie and hardcore that’ll get the teeth in your skull rattling.” - NME "they're in a field of their own... this is one of the albums of the year" - KERRANG! (5/5) “A debut as savage and unrelenting as their name suggests… the trio are kicking up dust and throwing it in the eyes of all that is inane and boring” - Upset (5/5) "post-punks making the brutal beautiful" - Total Guitar “A distinctive shot at post-hardcore… Brutus contribute an intriguing new voice to underground music” Rocksound “exciting, expansive and full of surprises” - Louder Than War (9/10) “‘Burst’ is a truly stunning record allowing two hostile genres (Punkrock and Postrock) to become real friends with apparent ease” - VISIONS (9/12) "Brutus prove they know exactly what they are doing. With this amazing debut, they deserve to get attention!" - FUZE “..if they were British or American, Brutus would’ve already qualified to grace the covers of Rock Sound and Kerrang!” - Record Collector (4/5) “Short sharp burst of genre-jumping heavy rock” - CMU “With Burst, Brutus claims their unique spot in the Belgian rock-scene. There is no other band that sounds like this trio.” - Damusic “They better start packing for a tour along the world’s biggest metropolises.”- Focus Knack (4/5) “‘Explosive' is the most fitting label for Brutus' debut album - 'Burst' carries masses of energy, catchy hooks and emotional melodies alike.” - Eclipsed (8.5/10) "The trio from Belgium releases an extraordinarily good album on Hassle Records. -
IPG Spring 2020 Rock Pop and Jazz Titles
Rock, Pop, and Jazz Titles Spring 2020 {IPG} That Thin, Wild Mercury Sound Dylan, Nashville, and the Making of Blonde on Blonde Daryl Sanders Summary That Thin, Wild Mercury Sound is the definitive treatment of Bob Dylan’s magnum opus, Blonde on Blonde , not only providing the most extensive account of the sessions that produced the trailblazing album, but also setting the record straight on much of the misinformation that has surrounded the story of how the masterpiece came to be made. Including many new details and eyewitness accounts never before published, as well as keen insight into the Nashville cats who helped Dylan reach rare artistic heights, it explores the lasting impact of rock’s first double album. Based on exhaustive research and in-depth interviews with the producer, the session musicians, studio personnel, management personnel, and others, Daryl Sanders Chicago Review Press chronicles the road that took Dylan from New York to Nashville in search of “that thin, wild mercury sound.” 9781641602730 As Dylan told Playboy in 1978, the closest he ever came to capturing that sound was during the Blonde on Pub Date: 5/5/20 On Sale Date: 5/5/20 Blonde sessions, where the voice of a generation was backed by musicians of the highest order. $18.99 USD Discount Code: LON Contributor Bio Trade Paperback Daryl Sanders is a music journalist who has worked for music publications covering Nashville since 1976, 256 Pages including Hank , the Metro, Bone and the Nashville Musician . He has written about music for the Tennessean , 15 B&W Photos Insert Nashville Scene , City Paper (Nashville), and the East Nashvillian . -
Omega Auctions Ltd Catalogue 28 Apr 2020
Omega Auctions Ltd Catalogue 28 Apr 2020 1 REGA PLANAR 3 TURNTABLE. A Rega Planar 3 8 ASSORTED INDIE/PUNK MEMORABILIA. turntable with Pro-Ject Phono box. £200.00 - Approximately 140 items to include: a Morrissey £300.00 Suedehead cassette tape (TCPOP 1618), a ticket 2 TECHNICS. Five items to include a Technics for Joe Strummer & Mescaleros at M.E.N. in Graphic Equalizer SH-8038, a Technics Stereo 2000, The Beta Band The Three E.P.'s set of 3 Cassette Deck RS-BX707, a Technics CD Player symbol window stickers, Lou Reed Fan Club SL-PG500A CD Player, a Columbia phonograph promotional sticker, Rock 'N' Roll Comics: R.E.M., player and a Sharp CP-304 speaker. £50.00 - Freak Brothers comic, a Mercenary Skank 1982 £80.00 A4 poster, a set of Kevin Cummins Archive 1: Liverpool postcards, some promo photographs to 3 ROKSAN XERXES TURNTABLE. A Roksan include: The Wedding Present, Teenage Fanclub, Xerxes turntable with Artemis tonearm. Includes The Grids, Flaming Lips, Lemonheads, all composite parts as issued, in original Therapy?The Wildhearts, The Playn Jayn, Ween, packaging and box. £500.00 - £800.00 72 repro Stone Roses/Inspiral Carpets 4 TECHNICS SU-8099K. A Technics Stereo photographs, a Global Underground promo pack Integrated Amplifier with cables. From the (luggage tag, sweets, soap, keyring bottle opener collection of former 10CC manager and music etc.), a Michael Jackson standee, a Universal industry veteran Ric Dixon - this is possibly a Studios Bates Motel promo shower cap, a prototype or one off model, with no information on Radiohead 'Meeting People Is Easy 10 Min Clip this specific serial number available. -
1 "Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology" Tim Lawrence Journal of Popular Music S
"Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology" Tim Lawrence Journal of Popular Music Studies, 20, 3, 2008, 276-329 This story begins with a skinny white DJ mixing between the breaks of obscure Motown records with the ambidextrous intensity of an octopus on speed. It closes with the same man, debilitated and virtually blind, fumbling for gospel records as he spins up eternal hope in a fading dusk. In between Walter Gibbons worked as a cutting-edge discotheque DJ and remixer who, thanks to his pioneering reel-to-reel edits and contribution to the development of the twelve-inch single, revealed the immanent synergy that ran between the dance floor, the DJ booth and the recording studio. Gibbons started to mix between the breaks of disco and funk records around the same time DJ Kool Herc began to test the technique in the Bronx, and the disco spinner was as technically precise as Grandmaster Flash, even if the spinners directed their deft handiwork to differing ends. It would make sense, then, for Gibbons to be considered alongside these and other towering figures in the pantheon of turntablism, but he died in virtual anonymity in 1994, and his groundbreaking contribution to the intersecting arts of DJing and remixology has yet to register beyond disco aficionados.1 There is nothing mysterious about Gibbons's low profile. First, he operated in a culture that has been ridiculed and reviled since the "disco sucks" backlash peaked with the symbolic detonation of 40,000 disco records in the summer of 1979. -
Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent. -
VIP- News›› ›› Premium Vol
WWW.VIP-BOOKING.coM VIP- News›› ›› PREmiUM VOL. 124 APRIL 2010 McGowan’s Musings: Peter Kelly ruled that Prince had commit- ted to perform in Dublin’s 82,300-seat Firstly, I hope that you’re all located where Croke Park in June 2008, but withdrew you wish to be – home, office, the country without explanation just days beforehand, you usually live in, and if you can’t make after 55,000 tickets were sold. Prince (51) it back I hope you’re extending your time did not testify at the hearing. The artist’s on a sunny beach somewhere! Iceland has agency, William Morris, was absolved of li- not had a good time of it of late, what with ability, agent Marc Geiger testified that he financial meltdown and rising debts; this is rarely spoke to Prince directly and found not the sort of new export that they need him one of his toughest clients to under- – we said ‘cash, not ash!’ you can hear the stand or nail down – surely not? When told creditors cry. But this is a serious situation, Allan McGowan that MCD owner Denis Desmond was on and obviously our business is badly af- the warpath, Prince apparently said, “Tell fected, with many acts unable to be in the ever decreasing profit margins, more and the cat to chill. We will work something right place at the right time to fulfill tour- more health and safety obligations and re- out.” Good for Denis! However Prince is ing commitments. Please let us know if strictions, lack of support from other sec- a remarkable performer, so we hope he you have had problems, as we’d like to get tors of the business – particularly record makes his only three concerts this summer. -
A Review of the Marlay Park Concerts 2014 Introduction
Dundrum Area Committee Meeting 1st September 2014 A Review of the Marlay Park Concerts 2014 Introduction A series of single stage concerts were held in Marlay Park on 29th June, 2nd July, 4th July, 10th July and 12th July. The Longitude Festival took place on the 18th, 19th and 20th July. The concerts were held in Marlay Park, Grange Road. The concerts were licensed by Dún Laoghaire Rathdown-County Council (DLR) and policed by An Garda Síochana who were supported by security personnel engaged by the Promoter. A number of complaints were received by DLR in regard to the concerts and the purpose of this document is to review these complaints and make recommendations where appropriate. Background Legislative context and licence The Planning and Development Act, 2000 as amended, Part XVI of the Planning and Development Regulations, 2001, as amended provide for the requirement of a license for the holding of outdoor events. Section 231 refers to Regulations relating to matters of procedure and administration for applications and for granting of licenses. S.I. no 600 of 2001 and S.I. no 116 of 2012 currently pertain. An event is defined in section 229 of the Act as: (a) “a public performance which takes place wholly or mainly in the open air or in structure with no roof or a partial, temporary structure and which is comprised of music, dancing, displays of public entertainment or any activity of a like kind, and “ (b) “any other event as prescribed by the Minister under section 241” Article 183 of the Planning and Development (Licensing of