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Dossier De Presse 2015
DOSSIER DE PRESSE 2015 Réalisation du dossier de presse: Blues Passions - Programmation sous réserve - Licences n°2-3 : 113040 - 11304 1 - Siret : 441 136 330 00020 - Ape : 9001Z DANIEL MOURGUET Président de Blues Passions Le monde géopolitique est en perpétuel mouvement, dans un contexte économique difficile, avec des grandes régions en construction ; et ceux qui étaient nos références artistiques vieillissent. Pour continuer à vous offrir un festival convivial, riche de découvertes, et des scènes magiques, nous devons anticiper tous ces changements. Toute l’équipe de Cognac Blues Passions, salariés et bénévoles, travaille sans relâche pour s'adapter, tout en gardant ce qui est notre savoir-faire, ce qui a fait notre succès grâce à votre présence et votre participation. Ce festival, inscrit dans le patrimoine vivant de la ville de Cognac et de son territoire, doit avancer pour garantir sa pérennité. Cette édition 2015 fait une large place à la jeunesse, à ceux qui seront nos références de demain et j’espère sincèrement que beaucoup d’entre vous diront plus tard : « j’y étais », ou « c’est à Cognac que je l’ai vu(e) la première fois ! » Au nom de toute l’équipe - les professionnels, le Conseil d’Administration et tous les bénévoles passionnés par l'événement - je vous souhaite un très bon festival 2015. © CHRISTOPHE DUCHESNAY © CHRISTOPHE DUCHESNAY MICHEL rolland Directeur et programmateur du festival Voici des mois, que nos yeux et nos oreilles sont saturés d’échos d’une éclatante absurdité, celle du comportement humain ! Répéter en boucle que tout va mal ne peut qu’inciter au découragement. -
Kwame Nkrumah and the Pan- African Vision: Between Acceptance and Rebuttal
Austral: Brazilian Journal of Strategy & International Relations e-ISSN 2238-6912 | ISSN 2238-6262| v.5, n.9, Jan./Jun. 2016 | p.141-164 KWAME NKRUMAH AND THE PAN- AFRICAN VISION: BETWEEN ACCEPTANCE AND REBUTTAL Henry Kam Kah1 Introduction The Pan-African vision of a United of States of Africa was and is still being expressed (dis)similarly by Africans on the continent and those of Afri- can descent scattered all over the world. Its humble origins and spread is at- tributed to several people based on their experiences over time. Among some of the advocates were Henry Sylvester Williams, Marcus Garvey and George Padmore of the diaspora and Peter Abrahams, Jomo Kenyatta, Sekou Toure, Julius Nyerere and Kwame Nkrumah of South Africa, Kenya, Guinea, Tanza- nia and Ghana respectively. The different pan-African views on the African continent notwithstanding, Kwame Nkrumah is arguably in a class of his own and perhaps comparable only to Mwalimu Julius Nyerere. Pan-Africanism became the cornerstone of his struggle for the independence of Ghana, other African countries and the political unity of the continent. To transform this vision into reality, Nkrumah mobilised the Ghanaian masses through a pop- ular appeal. Apart from his eloquent speeches, he also engaged in persuasive writings. These writings have survived him and are as appealing today as they were in the past. Kwame Nkrumah ceased every opportunity to persuasively articulate for a Union Government for all of Africa. Due to his unswerving vision for a Union Government for Africa, the visionary Kwame Nkrumah created a microcosm of African Union through the Ghana-Guinea and then Ghana-Guinea-Mali Union. -
Nigeria: a New History of a Turbulent Century
More praise for Nigeria: A New History of a Turbulent Century ‘This book is a major achievement and I defy anyone who reads it not to learn from it and gain greater understanding of the nature and development of a major African nation.’ Lalage Bown, professor emeritus, Glasgow University ‘Richard Bourne’s meticulously researched book is a major addition to Nigerian history.’ Guy Arnold, author of Africa: A Modern History ‘This is a charming read that will educate the general reader, while allowing specialists additional insights to build upon. It deserves an audience far beyond the confines of Nigerian studies.’ Toyin Falola, African Studies Association and the University of Texas at Austin About the author Richard Bourne is senior research fellow at the Institute of Commonwealth Studies, University of London and a trustee of the Ramphal Institute, London. He is a former journalist, active in Common wealth affairs since 1982 when he became deputy director of the Commonwealth Institute, Kensington, and was the first director of the non-governmental Commonwealth Human Rights Initiative. He has written and edited eleven books and numerous reports. As a journalist he was education correspondent of The Guardian, assistant editor of New Society, and deputy editor of the London Evening Standard. Also by Richard Bourne and available from Zed Books: Catastrophe: What Went Wrong in Zimbabwe? Lula of Brazil Nigeria A New History of a Turbulent Century Richard Bourne Zed Books LONDON Nigeria: A New History of a Turbulent Century was first published in 2015 by Zed Books Ltd, The Foundry, 17 Oval Way, London SE11 5RR, UK www.zedbooks.co.uk Copyright © Richard Bourne 2015 The right of Richard Bourne to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act, 1988 Typeset by seagulls.net Index: Terry Barringer Cover design: www.burgessandbeech.co.uk All rights reserved. -
La Fiesta Des Suds
LA FIESTA DES SUDS PIQUEZ VOTRE CURIOSITÉ, LA FIESTA DES SUDS STIMULE VOS SENS… Du 18 au 21 octobre, la 26ème Fiesta des Suds cultive l’art des contrastes et des rencontres inattendues. Véritable institution des nuits d’octobre, l’événement marseillais perpétue cette identité sudiste à la fois atypique et universelle, festive et plurielle. Conjuguant les cultures sur tous les modes dans une atmosphère de festival planétaire et de grande fête populaire, la 26ème Fiesta des Suds aimante les artistes qui subliment et les mélanges qui stimulent. Une invitation pour 3 nuits et une après-midi à dépasser les apparences autant qu’à sortir de sa coquille... Avec ses têtes d’affiches brûlantes, ses prodigieux talents émergents, ses esthétiques futuristes et ses héros musicaux actuels, l’affiche 2017 égrène des artistes d’Afrique du Sud, du Nigéria, du Burkina, du Canada, du Japon, du Liban, de France, du Mali, des Etats-Unis, de Colombie, d’Algérie ou du Royaume-Uni et fait renouer le Dock des Suds avec son glorieux passé portuaire, ouvert sur le monde. Piquante, vivante et éclatante comme une chaude nuit de Méditerranée, la 26ème Fiesta des Suds fait vibrer les sens… «25 ans de Fiesta à Marseille et pas une ride ! C’est bien ! Mais soyons franc à part l’OM et quelques hommes politiques, c’est rare, très rare ! Cet événement ressemble à cette ville, c’est un Marseille idéal ! Vous prenez toutes les « couleurs » de notre cité, vous les mettez dans un lieu unique, ancienne réserve de sucres du port, patrimonial comme ils disent, et vous ajoutez des mets et boissons du monde entier ! Vous irriguez de musiques qui interpellent les oreilles et rappellent d’où l’on vient. -
Emeagwali Voted History's 35 Greatest African
Emeagwali Voted History’s 35 th Greatest African Comment: Emeagwali (third from bottom right) ranked 35th and the greatest African scientist ever . Emeagwali Voted History’s 35 th Greatest African LONDON - Philip Emeagwali was voted the 35th greatest African of all time in a survey for New African magazine, it was announced on August 26, 2004. Emeagwali also ranked as the greatest African scientist ever. The technology category was topped by Imhotep, the multi-genius that designed Egypt's first pyramid. The science category was topped by Emeagwali famed for helping give birth to the supercomputer, the technology that gave rise to the Internet. Comment: Philip E meagwali also ranked greatest African scientist ever . Emeagwali ranked #1 scientist Page 2 of 25 Emeagwali Voted History’s 35 th Greatest African Emeagwali's discovery of a formula that enables supercomputers powered by 65,000 electronic brains called "processors" to perform the world’s fastest calculations inspired the reinvention of supercomputers - from the size and shape of a loveseat to a thousand-fold faster machine that occupies the space of four tennis courts, costs 400 million dollars a piece, powered by 65,000 processors and that can perform a billion billion calculations per second. Emeagwali reformulated Newton’s Second Law of Motion as 18 equations and algorithms; then as 24 million algebraic equations; and finally he programmed and executed those equations on 65,000 processors at a speed of 3.1 billion calculations per second. Emeagwali's 65,000 processors, 24 million equations and 3.1 billion calculations were three world records that garnered international headlines. -
Afrofuturism 2.0 & the Black Speculative Art Movement
AFROFUTURISM 2.0 & THE BLACK SPECULATIVE ART MOVEMENT Notes on a Manifesto Reynaldo Anderson Over the last decade, an embryonic movement examining the overlap between race, art, science and design has been stirring and growing beneath the surface. Afrofuturism is the current name for a body of systematic Black speculative thought originating in the 1990s as a re- sponse to postmodernity that has blossomed into a global movement the last five years. Although contemporary Black speculative thought has roots at the nexus of 19th century scientific racism, technology, and the struggle for African self-determination and creative expression, it has now matured into an emerging global phenomenon. Afrofuturism 2.0 is the beginning of both a move away and an answer to the Euro- centric perspective of the 20th century’s early formulation of Afrofu- turism that wondered if the history of African peoples, especially in North America, had been deliberately erased. Or to put it more plainly, future-looking Black scholars, artists, and activists are not only reclaim- ing their right to tell their own stories, but also to critique the European/ American digerati class of their narratives about cultural others, past, present and future and, challenging their presumed authority to be the sole interpreters of Black lives and Black futures. Kodwo Eshun asserts: “Afrofuturism may be characterized as a program for recovering the histories of counter-futures created in a century hostile to Afrodiasporic projection and as a space within which the critical work of manufac- turing tools capable of intervention within the current political dispen- sation may be undertaken” (288). -
Political Philosophy in Postcolonial Africa: a Critical Examination of The
POLITICAL PHILOSOPHY IN POSTCOLONIAL AFRICA: A CRITICAL EXAMINATION OF THE IMPACT OF COLONIALISM AND MILITARY DICTATORSHIPS IN NIGERIA By Lillian Chioma Nwosu Submitted to Central European University School of Public Policy In partial fulfillment of the requirements for the degree of Master of Arts in Public Policy CEU eTD Collection Supervisor: Daniel Large Author’s declaration: Budapest, Hungary 2020 i Author’s Declaration: I, the undersigned Lillian Chioma Nwosu, hereby declare that I am the sole author of this thesis. To the best of my knowledge this thesis contains no material previously published by any other person except where proper acknowledgement has been made. This thesis contains no material which has been accepted as part of the requirements of any other academic degree or non-degree program, in English or in any other language. This is a true copy of the thesis, including final revisions. Date: June 12, 2020 Name: Lillian Chioma Nwosu CEU eTD Collection Signature: ii Abstract This thesis examines the impact of colonialism and military regimes on the development of political philosophy and government in postcolonial African countries, using Nigeria as a case study. Particularly, it interrogates the nature of the social contract in precolonial times, colonial times, and precolonial times. Using the Women’s War of 1929, it draws a contrast between the nature of the social contract in precolonial and colonial times. This thesis finds that while colonialism eroded the political systems and philosophies of the peoples of precolonial Nigeria, both colonialism and military rule heavily contributed to a strong culture of state authoritarianism, and the social contract was severely weakened by both events. -
Tony Allen Was One of Single Musician Do the Work of a Small the Primary Co-Founders of the Genre of Percussion Section
As drummer and musical director of Fela inventions. The array of drum, cymbals, Anikulapo Kuti’s band Africa 70 from 1968 foot pedals and hardware that let a to 1979, Nigerian Tony Allen was one of single musician do the work of a small the primary co-founders of the genre of percussion section. Tony Allen had Afrobeat music. Fela once stated that, heard the possibilities listening to his TONY ALLEN “without Tony Allen, there would be no Art Blakey and Max Roach records while A Tribute To Art Blakey Afrobeat.” He has also been described coming up in Nigeria and hearing how Nice Jazz Festival by Brian Eno as “perhaps the greatest they applied African rhythm concepts drummer who has ever lived.” to the drum set. West Africa, of course, Théâtre de Verdure has its own percussion ensembles where Nice, France In Nigeria in 1964, when future Afrobeat multiple musicians play interlocking July 19, 2017 star Fela Kuti heard and hired his parts. Allen drew on those close-to-home influential drummer Tony Allen, they polyrhythms to put his own spin on what were both working as jazz musicians. The the Americans were doing... There are following year, they revamped the band times when Tony Allen can sound oddly into something more pop-oriented. Now like a percolating New Orleans drummer, Tony Allen revisits those jazz roots in a adding a little of this to a little of that salute to his early hero Art Blakey. and letting the flavors marry in some big, Creole culinary metaphor. But then Kevin Whitehead, npr.org: everything is connected. -
June 2020 Volume 87 / Number 6
JUNE 2020 VOLUME 87 / NUMBER 6 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow. -
Listen! Festival 2019 PR
Listen! Festival is approaching! After three successful editions, Listen! will once again be a Brussels-wide celebration of diversity in electronic and dance music, bringing together some of the scene’s most talented artists from Belgium and abroad. In 2019, Listen! will take place from Wednesday 17 April to Sunday 21 April (Monday 22 being a public holiday in Belgium) and will feature DJ sets, live concerts, showcases, talks, workshops, exhibitions, record fair, gear fair and more. The enigmatic Horta Gallery , the side entrance to Brussels Central station designed by Brussels most famous architect Victor Horta, will be once again the main venue of the festival, hosting DJs and live performances in three different rooms on Friday, Saturday and Sunday evenings. Among the international artists invited, Karenn ‘live’, Motor City D rum Ensemble, Kamaal Williams, Objekt, Palms Trax, Avalon Emerson and many more. Great local based acts will also join the bill, such as Lefto, Cleveland, DTM Funk, Alfred Anders, soFa, Vice City DJs, Walrus ... To complement the line-up, for the first time Listen! will also host a Boiler Room stage. More information is available at listenfestival.be Similar to the previous editions, the festival will host events in several other locations in Brussels: The beautiful Art Deco building of Flagey will host Listen!’s opening night on Wednesday 17 April. For the occasion, two masters of rhythm, the “father of Afrobeat” Tony Allen and techno pioneer Jeff Mills , will perform live for the first time together in Belgium. New to Listen! Les Halles Saint -Gery / Sint -Gorikshallen , a late 19th century building in the heart of Brussels previously hosting the covered market halls, will become The Sound District , the very daytime meeting point of the Festival. -
“Which Way Nigeria?”
J EAN-CHRISTOPHE S ERVANT “Which way Nigeria?” MUSIC UNDER THREAT: A QUESTION OF MONEY, MORALITY, SELF-CENSORSHIP AND THE SHARIA “WHICH WAY NIGERIA?” Music under Threat: A Question of Money, Morality, Self-Censorship and the Sharia by JEAN-CHRISTOPHE SERVANT Published by Freemuse Editor in Chief: Marie Korpe Translated from French by Daniel Brown ISSN 1601-2127 Layout: Sigrún Gudbrandsdóttir Cover illustration: Ali Bature Printed in Denmark 2003 by Handy-Print © Freemuse 2003 The views in the report do not necessarily represent the views of Freemuse. Report no. 04/2003 Freemuse Wilders Plads 8 H · 1403 Copenhagen K. · Denmark tel: +45 32 69 89 20 · fax: +45 32 69 89 01 e-mail: [email protected] web: www.freemuse.org OTHER PUBLICATIONS BY FREEMUSE: 1st World Conference on Music and Censorship (2001, ISBN: 87-988163-0-6) “Can you stop the birds singing?” – The Censorship of Music in Afghanistan, by John Baily (2001, ISSN: 1601-2127) “A Little Bit Special” – Censorship and the Gypsy Musicians of Romania, by Garth Cartwright (2001, ISSN: 1601-2127) Playing With Fire – Fear and Self-Censorship in Zimbabwean Music, by Banning Eyre (2001, ISSN: 1601-2127) TABLE OF CONTENTS PREFACE 5 ABSTRACT 7 5 CASE STUDY: FEMI KUTI - ABOUT THE AUTHOR 8 the banning of "Bang, Bang, Bang" MAP 9 5.1 Biography of Femi Kuti 56 INTRODUCTION 11 5.1.1 NBC vs. Femi Kuti 59 1 THE YEARS OF DEMOCRAZY: 6 GANGSTA RAP AND MAKOSSA 1999-2002 15 6.1 High moral grounds versus 65 the "Music of the Devil" 2 GENERAL BACKGROUND ON NIGERIA 2.1 Religion 17 7 SHARIAPHRENIA 2.2 -
Talking Drum
TALKING DRUM AFRICAN SCHOLARS FORUM NEWSLETTER FALL 2019 EVENTS OCTOBER, 2019 November 7th - ASF & statesmen, his strategy to the Global Governance spon- international community to iso- sored talk by Professor Patri- late and sanction the Apartheid cia Agupusi {American Uni- regime created the most global- versity}. ized human rights struggle of the 20th century. Contact: [email protected] [email protected] November 19th—UMass Bos- ton ASF Pre-Conference Recep- tion @ At the African Studies Association Conference, Copley Bring Back Our Girls: place, Mariot. Time: 6PM—8PM. Boko-haram & Gender See program/register here: violence in Northern Ni- https://www.umb.edu/ geria. news_events_media/events/ Time: 3:15PM—4:45PM. pre_conference_african_studies Venue: MGS 03-625 _association_reception_2019 November 8th & 9th - November 21st- 24th— Cameroonian Conference : The talking drum is one African Studies Association con- Conflict & Change in of the oldest musical in- ference @ Mariot, Copley Cameroon. Square. strument from West Afri- November 12th - Oliver ca and it is prominent December 10th – Remember- Tambo : Documentary & ing the Rwandan Genocide Movie screening. among the Yorubas and 25th Memorial (Human Rights Program). Timothy Longman Hausas. It can be regulat- {Boston University}. ed to mimic the tone of human speech. The talk- December 13th – Kwanzaa Fest & Amilcar Cabral Speaker. ing drum is used as a Professor Nada Ali: Democrat- form of communication to ic Transitions in Sudan. send messages to people Have you heard from Jo- hannesburg: The life of both home and faraway. Oliver Tambo at the Cam- pus Ballroom 6 pm – 9 pm followed by a panel discus- sion and a reception.