Ajaja Gbara Eni : Exploring Citizen Rebellion in Post
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La Fiesta Des Suds
LA FIESTA DES SUDS PIQUEZ VOTRE CURIOSITÉ, LA FIESTA DES SUDS STIMULE VOS SENS… Du 18 au 21 octobre, la 26ème Fiesta des Suds cultive l’art des contrastes et des rencontres inattendues. Véritable institution des nuits d’octobre, l’événement marseillais perpétue cette identité sudiste à la fois atypique et universelle, festive et plurielle. Conjuguant les cultures sur tous les modes dans une atmosphère de festival planétaire et de grande fête populaire, la 26ème Fiesta des Suds aimante les artistes qui subliment et les mélanges qui stimulent. Une invitation pour 3 nuits et une après-midi à dépasser les apparences autant qu’à sortir de sa coquille... Avec ses têtes d’affiches brûlantes, ses prodigieux talents émergents, ses esthétiques futuristes et ses héros musicaux actuels, l’affiche 2017 égrène des artistes d’Afrique du Sud, du Nigéria, du Burkina, du Canada, du Japon, du Liban, de France, du Mali, des Etats-Unis, de Colombie, d’Algérie ou du Royaume-Uni et fait renouer le Dock des Suds avec son glorieux passé portuaire, ouvert sur le monde. Piquante, vivante et éclatante comme une chaude nuit de Méditerranée, la 26ème Fiesta des Suds fait vibrer les sens… «25 ans de Fiesta à Marseille et pas une ride ! C’est bien ! Mais soyons franc à part l’OM et quelques hommes politiques, c’est rare, très rare ! Cet événement ressemble à cette ville, c’est un Marseille idéal ! Vous prenez toutes les « couleurs » de notre cité, vous les mettez dans un lieu unique, ancienne réserve de sucres du port, patrimonial comme ils disent, et vous ajoutez des mets et boissons du monde entier ! Vous irriguez de musiques qui interpellent les oreilles et rappellent d’où l’on vient. -
Hair: the Performance of Rebellion in American Musical Theatre of the 1960S’
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Winchester Research Repository University of Winchester ‘Hair: The Performance of Rebellion in American Musical Theatre of the 1960s’ Sarah Elisabeth Browne ORCID: 0000-0003-2002-9794 Doctor of Philosophy December 2017 This Thesis has been completed as a requirement for a postgraduate research degree of the University of Winchester MPhil/PhD THESES OPEN ACCESS / EMBARGO AGREEMENT FORM This Agreement should be completed, signed and bound with the hard copy of the thesis and also included in the e-copy. (see Thesis Presentation Guidelines for details). Access Permissions and Transfer of Non-Exclusive Rights By giving permission you understand that your thesis will be accessible to a wide variety of people and institutions – including automated agents – via the World Wide Web and that an electronic copy of your thesis may also be included in the British Library Electronic Theses On-line System (EThOS). Once the Work is deposited, a citation to the Work will always remain visible. Removal of the Work can be made after discussion with the University of Winchester’s Research Repository, who shall make best efforts to ensure removal of the Work from any third party with whom the University of Winchester’s Research Repository has an agreement. Agreement: I understand that the thesis listed on this form will be deposited in the University of Winchester’s Research Repository, and by giving permission to the University of Winchester to make my thesis publically available I agree that the: • University of Winchester’s Research Repository administrators or any third party with whom the University of Winchester’s Research Repository has an agreement to do so may, without changing content, translate the Work to any medium or format for the purpose of future preservation and accessibility. -
News Briefs the Elite Runners Were Those Who Are Responsible for Vive
VOL. 117 - NO. 16 BOSTON, MASSACHUSETTS, APRIL 19, 2013 $.30 A COPY 1st Annual Daffodil Day on the MARATHON MONDAY MADNESS North End Parks Celebrates Spring by Sal Giarratani Someone once said, “Ide- by Matt Conti ologies separate us but dreams and anguish unite us.” I thought of this quote after hearing and then view- ing the horrific devastation left in the aftermath of the mass violence that occurred after two bombs went off near the finish line of the Boston Marathon at 2:50 pm. Three people are reported dead and over 100 injured in the may- hem that overtook the joy of this annual event. At this writing, most are assuming it is an act of ter- rorism while officials have yet to call it such at this time 24 hours later. The Ribbon-Cutting at the 1st Annual Daffodil Day. entire City of Boston is on (Photo by Angela Cornacchio) high alert. The National On Sunday, April 14th, the first annual Daffodil Day was Guard has been mobilized celebrated on the Greenway. The event was hosted by The and stationed at area hospi- Friends of the North End Parks (FOTNEP) in conjunction tals. Mass violence like what with the Rose F. Kennedy Greenway Conservancy and North we all just experienced can End Beautification Committee. The celebration included trigger overwhelming feel- ings of anxiety, anger and music by the Boston String Academy and poetry, as well as (Photo by Andrew Martorano) daffodils. Other activities were face painting, a petting zoo fear. Why did anyone or group and a dog show held by RUFF. -
AXS TV Schedule for Mon. June 29, 2020 to Sun. July 5, 2020 Monday
AXS TV Schedule for Mon. June 29, 2020 to Sun. July 5, 2020 Monday June 29, 2020 7:20 PM ET / 4:20 PM PT 8:00 AM ET / 5:00 AM PT AXS TV Insider Rock Legends Featuring highlights and interviews with the biggest names in music. Earth, Wind & Fire - Earth, Wind & Fire is an American band that has spanned the musical genres of R&B, soul, funk, jazz, disco, pop, rock, Latin and African. They are one of the most successful 7:30 PM ET / 4:30 PM PT bands of all time. Leading music critics cast fresh light on their career. Rock Legends Journey - Journey is an American rock band that formed in San Francisco in 1973, composed of 8:30 AM ET / 5:30 AM PT former members of Santana and Frumious Bandersnatch. The band has gone through several Rock & Roll Road Trip With Sammy Hagar phases; its strongest commercial success occurred between 1978 and 1987. Sunset Strip - Sammy heads to Sunset Blvd to reminisce at the Whisky A-Go-Go before visit- ing with former Mötley Crüe drummer Tommy Lee at his house. After cooking together and Premiere exchanging stories, the guys rock out in Tommy’s studio. 8:00 PM ET / 5:00 PM PT Nothing But Trailers 9:00 AM ET / 6:00 AM PT Sometimes the best part of the movie is the preview! Watch some of the best trailers, old and The Big Interview new, during this special presentation. Dwight Yoakam - Country music trailblazer takes time from his latest tour to discuss his career and how he made it big in the business far from Nashville. -
Rosa Aparecida Do Couto Silva Fela Kuti
1 UNIVERSIDADE ESTADUAL PAULISTA “JÚLIO DE MESQUITA FILHO” FACULDADE DE CIÊNCIAS HUMANAS E SOCIAIS ROSA APARECIDA DO COUTO SILVA FELA KUTI: CONTRACULTURA E (CON)TRADIÇÃO NA MÚSICA POPULAR AFRICANA FRANCA 2015 2 ROSA APARECIDA DO COUTO SILVA FELA KUTI: CONTRACULTURA E (CON)TRADIÇÃO NA MÚSICA POPULAR AFRICANA Dissertação apresentada à Faculdade de Ciências Humanas e Sociais, Universidade Estadual Paulista “Júlio de Mesquita Filho”, como pré-requisito para a obtenção do título de Mestre em História. Orientador: Prof. Dr. José Adriano Fenerick FRANCA 2015 3 Silva, Rosa Aparecida do Couto. Fela Kuti : contracultura e (con)tradição na música popular africana / Rosa Aparecida do Couto Silva. – Franca : [s.n.], 2015. 129 f. Dissertação (Mestrado em História). Universidade Estadual Paulista. Faculdade de Ciências Humanas e Sociais. Orientador: José Adriano Fenerick. 1. Contracultura. 2. Música popular. 3. Pan-africanismo. I. Título. CDD – 780 4 ROSA APARECIDA DO COUTO SILVA FELA KUTI: CONTRACULTURA E (CON)TRADIÇÃO NA MÚSICA POPULAR AFRICANA Dissertação apresentada à Faculdade de Ciências Humanas e Sociais, Universidade Estadual Paulista “Júlio de Mesquita Filho”, como pré-requisito para a obtenção do título de Mestre em História. BANCA EXAMINADORA Presidente: _________________________________________________________________ Prof. Dr. José Adriano Fenerick (UNESP – Franca) 1ª Examinadora: ____________________________________________________________ Profa. Dra. Márcia Tosta Dias (UNIFESP – Guarulhos) 2º Examinador: _____________________________________________________________ Prof. Dr. Marcos Sorrilha Pinheiro (UNESP – Franca) Franca, 17 de agosto de 2015. 5 Aos queridos Ângela, Antônio, Miguel, Ana Carolina e Matheus W. 6 AGRADECIMENTOS No processo de pesquisa de mestrado do qual este trabalho é fruto tive a sorte de encontrar pessoas que me auxiliaram de diversas maneiras e às quais eu serei eternamente grata. -
Pay-Per-View
Pay-Per-View Don’t bother with the babysitter. Stop worrying about traffic. Because with Pay Per View, you get the best seats in the house without ever leaving home. From UFC fights to exclusive concerts, watch the best in live sports and entertainment right on your own TV. Ordering made easy No need to call or go online. Just order with your remote. From the Guide menu, go to the Pay Per View event channel (PPV) to see what’s playing this month. Once you’ve made your selection, all you need to do is select “Watch” and then confirm your order. It’s that easy. What’s new this month? UFC 264: Poirier vs McGregor 3 July 10th, 2021, 10:00 p.m. ET / 7:00 p.m. PT The final chapter in the trilogy between Dustin Poirier and Conor McGregor will be written on Saturday, July 10, as the lightweight superstars settle the score in the main event of UFC 264 at T-Mobile Arena in Las Vegas. After Ireland's McGregor defeated Poirier in 2014, Louisiana's "Diamond" evened the score in January, setting up the most highly anticipated rubber match in UFC history between former champions determined to be the one leaving this trilogy victorious. SD standard definition $64.99 HD high definition $64.99 Channels 324 and 611 (BlueCurve TV SD) Channels 300 and 601 (BlueCurve TV HD) Replays: Available until July 25th, 2021 Ring Of Honor: Best In The World 2021 July 11h, 2021, 8:00 p.m. ET / 5:00 p.m. -
“Which Way Nigeria?”
J EAN-CHRISTOPHE S ERVANT “Which way Nigeria?” MUSIC UNDER THREAT: A QUESTION OF MONEY, MORALITY, SELF-CENSORSHIP AND THE SHARIA “WHICH WAY NIGERIA?” Music under Threat: A Question of Money, Morality, Self-Censorship and the Sharia by JEAN-CHRISTOPHE SERVANT Published by Freemuse Editor in Chief: Marie Korpe Translated from French by Daniel Brown ISSN 1601-2127 Layout: Sigrún Gudbrandsdóttir Cover illustration: Ali Bature Printed in Denmark 2003 by Handy-Print © Freemuse 2003 The views in the report do not necessarily represent the views of Freemuse. Report no. 04/2003 Freemuse Wilders Plads 8 H · 1403 Copenhagen K. · Denmark tel: +45 32 69 89 20 · fax: +45 32 69 89 01 e-mail: [email protected] web: www.freemuse.org OTHER PUBLICATIONS BY FREEMUSE: 1st World Conference on Music and Censorship (2001, ISBN: 87-988163-0-6) “Can you stop the birds singing?” – The Censorship of Music in Afghanistan, by John Baily (2001, ISSN: 1601-2127) “A Little Bit Special” – Censorship and the Gypsy Musicians of Romania, by Garth Cartwright (2001, ISSN: 1601-2127) Playing With Fire – Fear and Self-Censorship in Zimbabwean Music, by Banning Eyre (2001, ISSN: 1601-2127) TABLE OF CONTENTS PREFACE 5 ABSTRACT 7 5 CASE STUDY: FEMI KUTI - ABOUT THE AUTHOR 8 the banning of "Bang, Bang, Bang" MAP 9 5.1 Biography of Femi Kuti 56 INTRODUCTION 11 5.1.1 NBC vs. Femi Kuti 59 1 THE YEARS OF DEMOCRAZY: 6 GANGSTA RAP AND MAKOSSA 1999-2002 15 6.1 High moral grounds versus 65 the "Music of the Devil" 2 GENERAL BACKGROUND ON NIGERIA 2.1 Religion 17 7 SHARIAPHRENIA 2.2 -
Assessing Fela Anikulapo-Kuti, Lucky Dube and Alpha Blondy
humanities Article Political Messages in African Music: Assessing Fela Anikulapo-Kuti, Lucky Dube and Alpha Blondy Uche Onyebadi Department of Journalism, Texas Christian University, Fort Worth, TX 76129, USA; [email protected] Received: 30 September 2018; Accepted: 30 November 2018; Published: 6 December 2018 Abstract: Political communication inquiry principally investigates institutions such as governments and congress, and processes such as elections and political advertising. This study takes a largely unexplored route: An assessment of political messages embedded in music, with a focus on the artistic works of three male African music icons—Fela Anikulapo-Kuti (Nigeria), Lucky Dube (South Africa), and Alpha Blondy (Côte d’Ivoire). Methodologically, a purposive sample of the lyrics of songs by the musicians was textually analyzed to identify the themes and nuances in their political messaging. Framing was the theoretical underpinning. This study determined that all three musicians were vocal against corruption, citizen marginalization, and a cessation of wars and bloodshed in the continent. Keywords: Political communication; African politics; African music; Fela Anikulapo-Kuti; Alpha Blondy; Lucky Dube; textual analysis 1. Introduction Music permeates significant aspects of African society, culture, and tradition. Adebayo(2017, p. 56) opined that “to the African, music is not just a pastime, it is a ritual” that describes the true essence and humaneness in being of African origin. Cudjoe(1953, p. 280) description of the place of music among the Ewe people in Ghana typifies this African musical heritage. He observed that “music has an important place in the social life of the Ewe people. There is no activity which does not have music appropriate to it: weaver, farmer and fisherman each sings in perfect time to the rhythmic movement of (one’s) craft .. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
Liquid Blackness Reflects on the Expansive Possibilities of the L.A
Georgia State University ScholarWorks @ Georgia State University Communication Faculty Publications Department of Communication 2015 Encountering the Rebellion: Liquid Blackness Reflects on the Expansive Possibilities of the L.A. Rebellion Films Alessandra Raengo Georgia State University, [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/communication_facpub Part of the Communication Commons Recommended Citation Alessandra Raengo. “Encountering the Rebellion: liquid blackness reflects on the expansive possibilities of the L.A. Rebellion films,” in L.A. Rebellion: Creating a New Black Cinema, ed. Allyson Nadia Field, Jan- Christopher Horak, Jacqueline Stewart, pp. 291-318. University of California Press, 2015. This Book Chapter is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Faculty Publications by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. L.A. Rebellion Creating a New Black Cinema E D IT E D BY Allyson Nadia Field, Jan-Christopher Horak, and Jacqueline Najuma Stewart 15 UNIVERSITY OF CALIFORNIA PRESS University of California Press, one of the most distinguished university presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences. Its activities are supported by the UC Press Foundation and by philanthropic contributions from individuals and institutions. For more information, visit www .ucpress.edu. University of California Press Oakland, California © 2015 by The Regents of the University of California Library of Congress Cataloging-in-Publication Data L.A. Rebellion : creating a new black cinema/edited by Allyson Nadia Field, Jan-Christopher Horak, and Jacqueline Najuma Stewart, pages cm Includes bibliographical references and index. -
Ikoyi G&C Fact Sheet 2017.Indd
Groups and Conferences FACT SHEET About the Destination A warm welcome greets guests to Southern Sun Ikoyi, which lies in the bustling city centre of Lagos – the capital city of Nigeria. Located within easy access to the central business district and government offices, this hotel offers business and leisure travellers the ultimate in convenient accommodation and conferencing. In addition to being near to the CBD, the hotel is also close to a number of local attractions. Highlights in the city and its surrounds include Lekki Conservation Centre, Lekki Market, Freedom Park Lagos, Black Heritage Museum, Lagos Island, Victoria Island, Kalakuta Republic Museum, National Art Theatre, Elegushi Beach, Civic Centre and Tafawa Balewa. Southern Sun Ikoyi has 195 stylish bedrooms, 5 meeting rooms, a restaurant, bar and terrace, swimming pool and fitness centre. The Conference Experience Southern Sun Ikoyi offers a full range of services and facilities that can be tailored to suit your meeting requirements. With state-of-the-art facilities, Southern Sun Ikoyi is the first choice for conferences in Lagos. 5 REASONS to have your next event at Southern Sun Ikoyi 1 LOCATION Southern Sun Ikoyi is situated near the central business district of Lagos. It is Spaces within easy reach from Murtala Muhammed International airport and is also close to The hotel’s stylish sophistication and classic yet contemporary design combined with discreet service many local attractions. ensures a memorable function – whether it be a conference, seminar or gala dinner. The largest venue is 120m2 and is ideal for large conferences and seminars and can seat 100 people 2 LUXURY ACCOMMODATION cinema style. -
Socialscientia Journal of Social Sciences and Humanities Email: [email protected] Online Access
Vol 3. No 4 December 2018 38 Socialscientia Journal of the Social Sciences and Humanities ISSN:2636-5979. Regular. Volume 3. Number 4 December 2018 Socialscientia Journal of Social Sciences and Humanities Email: [email protected] Online access: http://www.journals.aphriapub.com/index.php/SS/ DIPLOMATIC SHRINE AND THE RE-INVENTION OF NIGERIA-FRANCE BILATERAL RELATIONS Nse Etim AKPAN1 and Imere Lordmizer NWOKAH2 1,2 Department of Political Science, Federal University Wukari, Taraba State, Nigeria. Abstract Historically, Nigeria and France cannot be said to have enjoyed a robust and cordial relations. Two incidences support this assertion, the first was the diplomatic face-off between both countries when France tested an atomic bomb in Africa against Nigeria’s protest while the second manifested in France’s support for Biafra during the Nigeria-Biafra crisis in 1966 and beyond. It is also on record that France had once worked tirelessly towards the dismemberment of Nigeria as a result of the competition for influence between both countries over the Francophone West African States. This paper examines the twists and turns of the relations between both countries in the wake of the recent visit by Emmanuel Macron, France’s President to Nigeria. Qualitatively driven and relying on the secondary sources of data, the paper observed that Macron’s visit has added some value to the relations between both countries given the peculiar nature of that visit. It equally averred that Macron’s visit to the legendary Fela Anikulapo’s Afro Beat New Afrika shrine in Ikeja, Lagos is not only a reinvention of their bilateral relations but has greatly changed the relations between the two countries, with France now exploiting other areas of developmental cooperation in Nigeria.