Dr. Ben at the Foothills of the Mountains of the Moon Where the God Hapi Dwells
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Kwame Nkrumah and the Pan- African Vision: Between Acceptance and Rebuttal
Austral: Brazilian Journal of Strategy & International Relations e-ISSN 2238-6912 | ISSN 2238-6262| v.5, n.9, Jan./Jun. 2016 | p.141-164 KWAME NKRUMAH AND THE PAN- AFRICAN VISION: BETWEEN ACCEPTANCE AND REBUTTAL Henry Kam Kah1 Introduction The Pan-African vision of a United of States of Africa was and is still being expressed (dis)similarly by Africans on the continent and those of Afri- can descent scattered all over the world. Its humble origins and spread is at- tributed to several people based on their experiences over time. Among some of the advocates were Henry Sylvester Williams, Marcus Garvey and George Padmore of the diaspora and Peter Abrahams, Jomo Kenyatta, Sekou Toure, Julius Nyerere and Kwame Nkrumah of South Africa, Kenya, Guinea, Tanza- nia and Ghana respectively. The different pan-African views on the African continent notwithstanding, Kwame Nkrumah is arguably in a class of his own and perhaps comparable only to Mwalimu Julius Nyerere. Pan-Africanism became the cornerstone of his struggle for the independence of Ghana, other African countries and the political unity of the continent. To transform this vision into reality, Nkrumah mobilised the Ghanaian masses through a pop- ular appeal. Apart from his eloquent speeches, he also engaged in persuasive writings. These writings have survived him and are as appealing today as they were in the past. Kwame Nkrumah ceased every opportunity to persuasively articulate for a Union Government for all of Africa. Due to his unswerving vision for a Union Government for Africa, the visionary Kwame Nkrumah created a microcosm of African Union through the Ghana-Guinea and then Ghana-Guinea-Mali Union. -
Nigeria: a New History of a Turbulent Century
More praise for Nigeria: A New History of a Turbulent Century ‘This book is a major achievement and I defy anyone who reads it not to learn from it and gain greater understanding of the nature and development of a major African nation.’ Lalage Bown, professor emeritus, Glasgow University ‘Richard Bourne’s meticulously researched book is a major addition to Nigerian history.’ Guy Arnold, author of Africa: A Modern History ‘This is a charming read that will educate the general reader, while allowing specialists additional insights to build upon. It deserves an audience far beyond the confines of Nigerian studies.’ Toyin Falola, African Studies Association and the University of Texas at Austin About the author Richard Bourne is senior research fellow at the Institute of Commonwealth Studies, University of London and a trustee of the Ramphal Institute, London. He is a former journalist, active in Common wealth affairs since 1982 when he became deputy director of the Commonwealth Institute, Kensington, and was the first director of the non-governmental Commonwealth Human Rights Initiative. He has written and edited eleven books and numerous reports. As a journalist he was education correspondent of The Guardian, assistant editor of New Society, and deputy editor of the London Evening Standard. Also by Richard Bourne and available from Zed Books: Catastrophe: What Went Wrong in Zimbabwe? Lula of Brazil Nigeria A New History of a Turbulent Century Richard Bourne Zed Books LONDON Nigeria: A New History of a Turbulent Century was first published in 2015 by Zed Books Ltd, The Foundry, 17 Oval Way, London SE11 5RR, UK www.zedbooks.co.uk Copyright © Richard Bourne 2015 The right of Richard Bourne to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act, 1988 Typeset by seagulls.net Index: Terry Barringer Cover design: www.burgessandbeech.co.uk All rights reserved. -
Africana Studies in New York State
Africana Studies in New York State Abdul Alkalimat, University of Toledo Draft released March 28, 2006 Available at eblackstudies.org Table of contents Introduction......................................................................................................................... 4 Need for this study.............................................................................................................. 4 Method ................................................................................................................................ 6 D1: Definition................................................................................................................. 6 D2: Data collection ......................................................................................................... 6 D3: Digitization .............................................................................................................. 7 D4: Discovery................................................................................................................. 7 D5: Design ......................................................................................................................7 D6: Dissemination .......................................................................................................... 8 Research note...................................................................................................................... 8 The historical background to Black Studies in New York State ....................................... -
Emeagwali Voted History's 35 Greatest African
Emeagwali Voted History’s 35 th Greatest African Comment: Emeagwali (third from bottom right) ranked 35th and the greatest African scientist ever . Emeagwali Voted History’s 35 th Greatest African LONDON - Philip Emeagwali was voted the 35th greatest African of all time in a survey for New African magazine, it was announced on August 26, 2004. Emeagwali also ranked as the greatest African scientist ever. The technology category was topped by Imhotep, the multi-genius that designed Egypt's first pyramid. The science category was topped by Emeagwali famed for helping give birth to the supercomputer, the technology that gave rise to the Internet. Comment: Philip E meagwali also ranked greatest African scientist ever . Emeagwali ranked #1 scientist Page 2 of 25 Emeagwali Voted History’s 35 th Greatest African Emeagwali's discovery of a formula that enables supercomputers powered by 65,000 electronic brains called "processors" to perform the world’s fastest calculations inspired the reinvention of supercomputers - from the size and shape of a loveseat to a thousand-fold faster machine that occupies the space of four tennis courts, costs 400 million dollars a piece, powered by 65,000 processors and that can perform a billion billion calculations per second. Emeagwali reformulated Newton’s Second Law of Motion as 18 equations and algorithms; then as 24 million algebraic equations; and finally he programmed and executed those equations on 65,000 processors at a speed of 3.1 billion calculations per second. Emeagwali's 65,000 processors, 24 million equations and 3.1 billion calculations were three world records that garnered international headlines. -
Afrofuturism 2.0 & the Black Speculative Art Movement
AFROFUTURISM 2.0 & THE BLACK SPECULATIVE ART MOVEMENT Notes on a Manifesto Reynaldo Anderson Over the last decade, an embryonic movement examining the overlap between race, art, science and design has been stirring and growing beneath the surface. Afrofuturism is the current name for a body of systematic Black speculative thought originating in the 1990s as a re- sponse to postmodernity that has blossomed into a global movement the last five years. Although contemporary Black speculative thought has roots at the nexus of 19th century scientific racism, technology, and the struggle for African self-determination and creative expression, it has now matured into an emerging global phenomenon. Afrofuturism 2.0 is the beginning of both a move away and an answer to the Euro- centric perspective of the 20th century’s early formulation of Afrofu- turism that wondered if the history of African peoples, especially in North America, had been deliberately erased. Or to put it more plainly, future-looking Black scholars, artists, and activists are not only reclaim- ing their right to tell their own stories, but also to critique the European/ American digerati class of their narratives about cultural others, past, present and future and, challenging their presumed authority to be the sole interpreters of Black lives and Black futures. Kodwo Eshun asserts: “Afrofuturism may be characterized as a program for recovering the histories of counter-futures created in a century hostile to Afrodiasporic projection and as a space within which the critical work of manufac- turing tools capable of intervention within the current political dispen- sation may be undertaken” (288). -
Political Philosophy in Postcolonial Africa: a Critical Examination of The
POLITICAL PHILOSOPHY IN POSTCOLONIAL AFRICA: A CRITICAL EXAMINATION OF THE IMPACT OF COLONIALISM AND MILITARY DICTATORSHIPS IN NIGERIA By Lillian Chioma Nwosu Submitted to Central European University School of Public Policy In partial fulfillment of the requirements for the degree of Master of Arts in Public Policy CEU eTD Collection Supervisor: Daniel Large Author’s declaration: Budapest, Hungary 2020 i Author’s Declaration: I, the undersigned Lillian Chioma Nwosu, hereby declare that I am the sole author of this thesis. To the best of my knowledge this thesis contains no material previously published by any other person except where proper acknowledgement has been made. This thesis contains no material which has been accepted as part of the requirements of any other academic degree or non-degree program, in English or in any other language. This is a true copy of the thesis, including final revisions. Date: June 12, 2020 Name: Lillian Chioma Nwosu CEU eTD Collection Signature: ii Abstract This thesis examines the impact of colonialism and military regimes on the development of political philosophy and government in postcolonial African countries, using Nigeria as a case study. Particularly, it interrogates the nature of the social contract in precolonial times, colonial times, and precolonial times. Using the Women’s War of 1929, it draws a contrast between the nature of the social contract in precolonial and colonial times. This thesis finds that while colonialism eroded the political systems and philosophies of the peoples of precolonial Nigeria, both colonialism and military rule heavily contributed to a strong culture of state authoritarianism, and the social contract was severely weakened by both events. -
In Memory: Larry Obadele Williams
In Memory: Larry Obadele Williams For over 30 years Larry Obadele Williams (respectfully referred to here as Obadele) to was active in researching African and African- American historical studies as a lecturer, curriculum consultant, journalist and archivist. He was a correspondent for the international journal Africa Must Unite, published by the Arusha- Konakri Institute under the editorship of Ruwa Chiri. In his student years as a student at the University of Chicago, he was active in the Black Student Union and editor of the Black student newspaper, Black Rap. He also attended classes taught by the late pioneering Black psychologist Bobby E. Wright, author of The Psychopathic Racist Personality and Anderson Thompson at the Black Communiversity in Chicago, Illinois during the 1970s. From 1973-1978, Obadele was instrumental in organizing local Atlanta Marcus M. Garvey celebrations along with Akiba Adande and Khusu Wanzu. As a photo-journalist he covered both African Liberation Day Celebrations and the 1st Martin Luther King, Jr. National Holiday March and Birthday celebrations. During 1976-78, Obadele served as a staff volunteer at the Institute of the Black World. In 1978 thru 1980, he became a member of the Shrine of the Black Madonna of the Pan African Orthrodox Christian Church and tutored Basic Training members in African history. During 1983 he coordinated the Return to the Source Conference featuring Charles B. Copher, Asa G. Hilliard III, Charles S. Finch III, Runoko Rashidi, Walter Palmer and Charlyne Harper-Bolton sponsored by the Bennu Study Group and Morris Brown College. As a writer, his articles have appeared in the Journal of African Civilizations, the Atlanta Voice newspaper, Return to the Source, History, the Bible and Blackman magazine, IFA News, the Atlanta Inquirer newspaper, Kwanzaa Resource Guide and RAW magazine. -
2013Kwanzaa Press
2013 Capital City Kwanzaa Festival FACT SHEET What 2013 Capital City Kwanzaa Festival Attended by families from Baltimore, MD to Durham, NC When Saturday, December 28, 2013 • 1:00 p.m. • 9:00 p.m. Where The Hippodrome Theater 528 N. 2nd Street Richmond, Virginia 23219 Who Presented by Elegba Folklore Society, Inc. Richmond's Cultural Ambassador A Richmond-based not for profit cultural arts and education organization. With City of Richmond, Dominion, Wells Fargo, CBS 6, 97.3 WRIR Richmond Independent Radio In cooperation with Radio Communications of Virginia and the Arts & Cultural Funding Consortium Cost $6 Advance General Admission. $7, Door. $5 Students (12-18) & Seniors (65+), Advance. $6, Door. $5 Group Rates, 10 or More, Advance, Only. Free for Children Under 12. Tickets Group and Advance Sales Elegba Folklore Society’s Cultural Center 101 E. Broad St., Richmond, VA 23219, 804/644-3900 http://www.efsinc.org At the Door Day of Show Only. No Group Sales Media Contact Janine Bell 804/644-3900 [email protected] Electronic Images Included or Available. Capital City Kwanzaa Festival 101 East Broad Street • Richmond, Virginia 23219 804/644-3900 (phone) • 644-3919 (fax) www.elegbafolkloresociety.org For Immediate R e l e a s e Contact: Janine Bell 804/644-3900 [email protected] Date: December 13, 2013 2013 CAPITAL CITY KWANZAA FESTIVAL DECEMBER 28 AT THE HIPPODROME THEATER THEMED “REMEMBERING MANDELA” Richmond, VA • Elegba Folklore Society, Richmond’s Cultural Ambassador, presents the 2013 Capital City Kwanzaa Festival on Saturday, December 28, 1:00 p.m. – 9:00pm new this year at The Hippodrome Theater, 528 N. -
An Afrocentric Case Study Policy Analysis of Florida Statute 1003.42(H) CHIKE AKUA Georgia State University
Georgia State University ScholarWorks @ Georgia State University Educational Policy Studies Dissertations Department of Educational Policy Studies Fall 1-6-2017 The Life of a Policy: An Afrocentric Case Study Policy Analysis of Florida Statute 1003.42(h) CHIKE AKUA Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/eps_diss Recommended Citation AKUA, CHIKE, "The Life of a Policy: An Afrocentric Case Study Policy Analysis of Florida Statute 1003.42(h)." Dissertation, Georgia State University, 2017. https://scholarworks.gsu.edu/eps_diss/155 This Dissertation is brought to you for free and open access by the Department of Educational Policy Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Educational Policy Studies Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. ACCEPTANCE This dissertation, THE LIFE OF A POLICY: AN AFROCENTRIC CASE STUDY POLICY ANALYSIS OF FLORIDA STATUTE 1003.42(H), by CHIKE AKUA, was prepared under the direction of the candidate’s Dissertation Advisory Committee. It is accepted by the committee members in partial fulfillment of the requirements for the degree Doctor of Philosophy in the College of Education and Human Development, Georgia State University. The Dissertation Advisory Committee and the student’s Department Chair, as representatives of the faculty, certify that this dissertation has met all standards of excellence and scholarship as determined by the faculty. _________________________________ _________________________________ Joyce E. King, Ph.D. Janice Fournillier, Ph.D. Committee Chair Committee Member _________________________________ _________________________________ Kristen Buras, Ph.D. Akinyele Umoja, Ph.D. Committee Member Committee Member _________________________________ Date _________________________________ William Curlette, Ph.D. -
Talking Drum
TALKING DRUM AFRICAN SCHOLARS FORUM NEWSLETTER FALL 2019 EVENTS OCTOBER, 2019 November 7th - ASF & statesmen, his strategy to the Global Governance spon- international community to iso- sored talk by Professor Patri- late and sanction the Apartheid cia Agupusi {American Uni- regime created the most global- versity}. ized human rights struggle of the 20th century. Contact: [email protected] [email protected] November 19th—UMass Bos- ton ASF Pre-Conference Recep- tion @ At the African Studies Association Conference, Copley Bring Back Our Girls: place, Mariot. Time: 6PM—8PM. Boko-haram & Gender See program/register here: violence in Northern Ni- https://www.umb.edu/ geria. news_events_media/events/ Time: 3:15PM—4:45PM. pre_conference_african_studies Venue: MGS 03-625 _association_reception_2019 November 8th & 9th - November 21st- 24th— Cameroonian Conference : The talking drum is one African Studies Association con- Conflict & Change in of the oldest musical in- ference @ Mariot, Copley Cameroon. Square. strument from West Afri- November 12th - Oliver ca and it is prominent December 10th – Remember- Tambo : Documentary & ing the Rwandan Genocide Movie screening. among the Yorubas and 25th Memorial (Human Rights Program). Timothy Longman Hausas. It can be regulat- {Boston University}. ed to mimic the tone of human speech. The talk- December 13th – Kwanzaa Fest & Amilcar Cabral Speaker. ing drum is used as a Professor Nada Ali: Democrat- form of communication to ic Transitions in Sudan. send messages to people Have you heard from Jo- hannesburg: The life of both home and faraway. Oliver Tambo at the Cam- pus Ballroom 6 pm – 9 pm followed by a panel discus- sion and a reception. -
Fela and His Wives: the Import of a Postcolonial Masculinity." Jouvert: a Journal of Postcolonial Studies, Vol
Stanovsky, D. (1998) "Fela and His Wives: The Import of a Postcolonial Masculinity." Jouvert: A Journal of Postcolonial Studies, vol. 2, no. 1, July 1998. [Republished in Montreal Serai, vol. 14, no. 1, Winter 2001.] Published by North Carolina State University, College of Humanities and Social Sciences. Version of record available open access from http://english.chass.ncsu.edu/jouvert/ Editors released reprint rights to authors. Fela and His Wives: The Import of a Postcolonial Masculinity By Derek Stanovsky ABSTRACT This paper explores the possibility that the production and consumption of Fela as a radical, third-world cultural and political figure is coupled with his presentation as radically polygynous and misogynist in ways that allow him to be fit into the existing discourses of race and gender in the West by both mainstream and left audiences. It suggests that Fela's fame in the West is not in spite of his polygyny and misogyny, but at least in part because of them. These elements allow him to be easily assimilated into the pre-existing script of Western expectations for Black African men, and additionally provides an implicit contrast that enables progressive (male) Western audiences to perceive themselves as both non-sexist and non-racist. It begins by examining the thoroughly postcolonial context out of which Fela emerges and into which he is received. Then, drawing on recent work by Judith Butler on gender as performative citation and iteration, it discusses the implications of this theory for views of race and masculinity in postcolonial contexts and apply it to the case of Fela and his wives. -
Assessing Fela Anikulapo-Kuti, Lucky Dube and Alpha Blondy
humanities Article Political Messages in African Music: Assessing Fela Anikulapo-Kuti, Lucky Dube and Alpha Blondy Uche Onyebadi Department of Journalism, Texas Christian University, Fort Worth, TX 76129, USA; [email protected] Received: 30 September 2018; Accepted: 30 November 2018; Published: 6 December 2018 Abstract: Political communication inquiry principally investigates institutions such as governments and congress, and processes such as elections and political advertising. This study takes a largely unexplored route: An assessment of political messages embedded in music, with a focus on the artistic works of three male African music icons—Fela Anikulapo-Kuti (Nigeria), Lucky Dube (South Africa), and Alpha Blondy (Côte d’Ivoire). Methodologically, a purposive sample of the lyrics of songs by the musicians was textually analyzed to identify the themes and nuances in their political messaging. Framing was the theoretical underpinning. This study determined that all three musicians were vocal against corruption, citizen marginalization, and a cessation of wars and bloodshed in the continent. Keywords: Political communication; African politics; African music; Fela Anikulapo-Kuti; Alpha Blondy; Lucky Dube; textual analysis 1. Introduction Music permeates significant aspects of African society, culture, and tradition. Adebayo(2017, p. 56) opined that “to the African, music is not just a pastime, it is a ritual” that describes the true essence and humaneness in being of African origin. Cudjoe(1953, p. 280) description of the place of music among the Ewe people in Ghana typifies this African musical heritage. He observed that “music has an important place in the social life of the Ewe people. There is no activity which does not have music appropriate to it: weaver, farmer and fisherman each sings in perfect time to the rhythmic movement of (one’s) craft ..