Listen! Festival 2019 PR

Total Page:16

File Type:pdf, Size:1020Kb

Listen! Festival 2019 PR Listen! Festival is approaching! After three successful editions, Listen! will once again be a Brussels-wide celebration of diversity in electronic and dance music, bringing together some of the scene’s most talented artists from Belgium and abroad. In 2019, Listen! will take place from Wednesday 17 April to Sunday 21 April (Monday 22 being a public holiday in Belgium) and will feature DJ sets, live concerts, showcases, talks, workshops, exhibitions, record fair, gear fair and more. The enigmatic Horta Gallery , the side entrance to Brussels Central station designed by Brussels most famous architect Victor Horta, will be once again the main venue of the festival, hosting DJs and live performances in three different rooms on Friday, Saturday and Sunday evenings. Among the international artists invited, Karenn ‘live’, Motor City D rum Ensemble, Kamaal Williams, Objekt, Palms Trax, Avalon Emerson and many more. Great local based acts will also join the bill, such as Lefto, Cleveland, DTM Funk, Alfred Anders, soFa, Vice City DJs, Walrus ... To complement the line-up, for the first time Listen! will also host a Boiler Room stage. More information is available at listenfestival.be Similar to the previous editions, the festival will host events in several other locations in Brussels: The beautiful Art Deco building of Flagey will host Listen!’s opening night on Wednesday 17 April. For the occasion, two masters of rhythm, the “father of Afrobeat” Tony Allen and techno pioneer Jeff Mills , will perform live for the first time together in Belgium. New to Listen! Les Halles Saint -Gery / Sint -Gorikshallen , a late 19th century building in the heart of Brussels previously hosting the covered market halls, will become The Sound District , the very daytime meeting point of the Festival. The Sound District will bring together music enthusiasts from all over Europe, from beginners to professionals. To this end, the District will host several online and offline activities: ● Brussels very own Kiosk Radio will move to the District, co-broadcasting radio shows together with some of the main international web radios: Amsterdam-based Red Light Radio , Le Mellotron from Paris, LYL Radio from Lyon and dublab.de from Cologne. ● The Independent Label Market will celebrate independent music, bringing together label owners from Belgium and abroad. ● Poppunt, Court Circuit & SAE will support young artists in improving their knowledge and skills through workshops, feedback sessions and masterclasses. ● Turnlab will showcase the newest trends in music production at their Gear & Synth fair. ● VICE will curate a photography exhibition ● Lo op Session Brussels will assemble music producers under the same roof on Sunday afternoon, for a gathering of music production and networking Listen! will also host a series of extra events curated by some of the most successful Belgian labels, promoters and collectives: On Thursday 18 April, a series of showcases will be held in various locations in the city centre of Brussels, where some of the most promising Belgian labels will invite like-minded international labels for a joint night of live music and DJ sets. Among the labels taking part in the showcases, Vlek, Lexi Disques, Ekster, We Play House, Kalahari Oyster Cult, Radio Martiko and many more. The showcases are free for everyone. On Friday 19 April the Ghent-based label STROOM will bring the best of Belgian ambient to Les Brigittines . On Saturday 20 April, VK will host a night dedicated to global sounds in collaboration with the Rebel Up collective, while Le Bureau Électronique will programme an experimental electronic night at La Vallée , surrounded by the audiovisual installations of “La Vallée de l’Image”. Finally on Sunday 21 April, the queer party collectives Spek & Gay Haze (from Antwerp and Brussels respectively) will host a party at Quay 01 , from afternoon till late evening. The full line-up of Thursday’s Showcases and the extra events will be announced in January. For more information: Nicolas Bucci: [email protected] / +32 486 935 963 Please find here our logo, poster and pictures : lstn.be/presspack Website: listenfestival.be Attend Event: lstn.be/2019 .
Recommended publications
  • Dossier De Presse 2015
    DOSSIER DE PRESSE 2015 Réalisation du dossier de presse: Blues Passions - Programmation sous réserve - Licences n°2-3 : 113040 - 11304 1 - Siret : 441 136 330 00020 - Ape : 9001Z DANIEL MOURGUET Président de Blues Passions Le monde géopolitique est en perpétuel mouvement, dans un contexte économique difficile, avec des grandes régions en construction ; et ceux qui étaient nos références artistiques vieillissent. Pour continuer à vous offrir un festival convivial, riche de découvertes, et des scènes magiques, nous devons anticiper tous ces changements. Toute l’équipe de Cognac Blues Passions, salariés et bénévoles, travaille sans relâche pour s'adapter, tout en gardant ce qui est notre savoir-faire, ce qui a fait notre succès grâce à votre présence et votre participation. Ce festival, inscrit dans le patrimoine vivant de la ville de Cognac et de son territoire, doit avancer pour garantir sa pérennité. Cette édition 2015 fait une large place à la jeunesse, à ceux qui seront nos références de demain et j’espère sincèrement que beaucoup d’entre vous diront plus tard : « j’y étais », ou « c’est à Cognac que je l’ai vu(e) la première fois ! » Au nom de toute l’équipe - les professionnels, le Conseil d’Administration et tous les bénévoles passionnés par l'événement - je vous souhaite un très bon festival 2015. © CHRISTOPHE DUCHESNAY © CHRISTOPHE DUCHESNAY MICHEL rolland Directeur et programmateur du festival Voici des mois, que nos yeux et nos oreilles sont saturés d’échos d’une éclatante absurdité, celle du comportement humain ! Répéter en boucle que tout va mal ne peut qu’inciter au découragement.
    [Show full text]
  • Tony Allen Was One of Single Musician Do the Work of a Small the Primary Co-Founders of the Genre of Percussion Section
    As drummer and musical director of Fela inventions. The array of drum, cymbals, Anikulapo Kuti’s band Africa 70 from 1968 foot pedals and hardware that let a to 1979, Nigerian Tony Allen was one of single musician do the work of a small the primary co-founders of the genre of percussion section. Tony Allen had Afrobeat music. Fela once stated that, heard the possibilities listening to his TONY ALLEN “without Tony Allen, there would be no Art Blakey and Max Roach records while A Tribute To Art Blakey Afrobeat.” He has also been described coming up in Nigeria and hearing how Nice Jazz Festival by Brian Eno as “perhaps the greatest they applied African rhythm concepts drummer who has ever lived.” to the drum set. West Africa, of course, Théâtre de Verdure has its own percussion ensembles where Nice, France In Nigeria in 1964, when future Afrobeat multiple musicians play interlocking July 19, 2017 star Fela Kuti heard and hired his parts. Allen drew on those close-to-home influential drummer Tony Allen, they polyrhythms to put his own spin on what were both working as jazz musicians. The the Americans were doing... There are following year, they revamped the band times when Tony Allen can sound oddly into something more pop-oriented. Now like a percolating New Orleans drummer, Tony Allen revisits those jazz roots in a adding a little of this to a little of that salute to his early hero Art Blakey. and letting the flavors marry in some big, Creole culinary metaphor. But then Kevin Whitehead, npr.org: everything is connected.
    [Show full text]
  • June 2020 Volume 87 / Number 6
    JUNE 2020 VOLUME 87 / NUMBER 6 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow.
    [Show full text]
  • 2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
    2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson,
    [Show full text]
  • Indie Mixtape Subscribers Can Get 10% Off This Can't-Miss Set by Entering the Code JONI10 Checkout
    :: View email as a web page :: The spring of 1995 was a crowded season in indie-rock history. Pavement dropped their polarizing third album, the willfully messy and frequently brilliant Wowee Zowee. Yo La Tengo continued their hit streak of low-key masterworks with Eletr-O-Pura. Illinois fuzz-rock quartet Hum hit hard with Youʼd Prefer An Astronaut, and Teenage Fanclub produced one of their finest jangle-pop efforts, Grand Prix. Wilco, Elastica, and Apples In Stereo put out well-regarded debuts. And Red House Painters hit a new high-water mark with Ocean Beach. But even in an era when classic indie records seemed to come out every week, there was nothing quite like Alien Lanes, the eighth full-length LP by a band from Dayton, Ohio called Guided By Voices. Released on April 4, 1995, Alien Lanes arrived with baked-in mythology. It had been supposedly recorded for just $10 in various concrete basements around Dayton by a group of blue-collar guys in their mid-30s. Uproxx dug into the history of this classic and produced this great oral history. -- Steven Hyden, Uproxx Cultural Critic and author of This Isn't Happening: Radiohead's "Kid A" And The Beginning Of The 21st Century OPENING TRACKS RINA SAWAYAMA This budding indie-pop star is among the buzziest acts to emerge this year, with an ear-catching single called “STFU” that’s like Carly Rae Jepsen if she spent years obsessing over Korn’s Follow The Leader. That pan-genre approach ultimately informs Sawayama — who was born in Japan and raised in London — and her aesthetic.
    [Show full text]
  • Tony Allen & Jeff Mills
    Tony Allen & Jeff Mills Start time: 8.00pm Running time: 90 mins no interval Please note all timings are approximate and subject to change Chal Ravens explores the backstory to techno legend Jeff Mills and iconic drummer Tony Allen’s collaboration ahead of their performance Jeff Mills and Tony Allen are two masters of rhythm from very different musical worlds. As a pioneer of Detroit techno – tough, minimal, yet infused with the fluidity of jazz and funk – Mills helped establish the drum machine as one of the most familiar musical building blocks of the past 30 years. And as the architect of Fela Kuti’s hypnotising grooves, Allen has been the life-force of Afrobeat since the 1960s, an endlessly innovative drummer whose influence spreads through hip-hop, new wave, punk rock and beyond. Allen and Mills came together in 2016 in Paris, the city where both now live. For their first rehearsal, Mills brought his Roland TR-909 drum machine over to Allen’s studio to see if their idiosyncratic styles could find common ground. The encounter turned out to be much more than a casual jam session – instead, it was the beginning of a tentative, two- handed interaction that has continued to evolve with every performance. ‘Everything [Allen] does is part of a conversation,’ Mills said in 2017, recalling their first meeting, ‘once I knew that, then I knew how I could meet him halfway.’ For most drummers of course, collaboration is inevitable. Like Allen, Mills has frequently worked with ensembles, from jazz-fusion quartet Spiral Deluxe to the Montpelier Philharmonic Orchestra.
    [Show full text]
  • DOSSIER DE PRESSE 13 Avril 2017 SOMMAIRE
    DOSSIER DE PRESSE 13 avril 2017 SOMMAIRE ÉDITO p 3 PROGRAMMATION 2017 p 4 JEUDI 6 JUILLET p 5 VENDREDI 7 JUILLET p 11 CRÉATION HUBERT-FÉLIX THIÉFAINE p 13 SO FRECH SO FRENCH p 19 SAMEDI 8 JUILLET p 20 VITALIC A LA PLAGE p 25 DIMANCHE 9 JUILLET p 29 COLOMBIA VIBRA p 34 PARTENARIATS ARTISTIQUES p 37 EUROCKS SOLIDAIRES p 38 SUR PLACE OU À EMPORTER p 41 SERVICES AUX FESTIVALIERS p 42 BILLETTERIE p 43 LE SITE DU MALSAUCY & LE CAMPING p 44 LES PARTENAIRES DU FESTIVAL p 45 L’ÉQUIPE DU FESTIVAL p 46 INFOS ET CONTACTS PRESSE p 47 Eurock’n 'Roll Circus Enveloppé d’un parfum exquis de début d’été, le festival des Eurockéennes forme un fabuleux espace de liberté, de rencontres et de découvertes. Une bulle d’oxygène salutaire où l’on savoure des pépites musicales comme on se régale de friandises à la belle saison. Une invitation à vivre un immense et joyeux rassemblement ! Cette année, ce ne sont pas 3 mais 4 jours de musiques sans frontières qui vous attendent sur la presqu’île du Malsaucy. 4 jours de partage, de joyeux foutoir, de folie rock, pop, electro et hip-hop pour une fête format XXL. À ciel ouvert, des étendues vertes à la plage en passant par les chapiteaux et les scènes du festival, une foule de curiosités à écouter et à voir se dévoile au cœur d’une République éphémère à la sociabilité amplifiée. 70 artistes composent le casting étoilé de cette 29ème édition qui s’annonce d’ores et déjà comme LE rendez-vous incontournable estival.
    [Show full text]
  • Downbeat.Com January 2016 U.K. £3.50
    JANUARY 2016 U.K. £3.50 DOWNBEAT.COM DOWNBEAT LIZZ WRIGHT • CHARLES LLOYD • KIRK KNUFFKE • BEST ALBUMS OF 2015 • JAZZ SCHOOL JANUARY 2016 january 2016 VOLUME 83 / NUMBER 1 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Brian Zimmerman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer ŽanetaÎuntová Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Bookkeeper Emeritus Margaret Stevens Editorial Assistant Baxter Barrowcliff ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sam Horn 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York:
    [Show full text]
  • Tony Allen: an Autobiography of the Master Drummer of Afrobeat
    Popular Music http://journals.cambridge.org/PMU Additional services for Popular Music: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here Tony Allen: An Autobiography of the Master Drummer of Afrobeat. By Tony Allen with Michael E. Veal. Durham, NC and London: Duke University Press, 2013. 199 pp. ISBN 978-0-8223-5591-5 Bill Bruford Popular Music / Volume 33 / Issue 03 / October 2014, pp 560 - 562 DOI: 10.1017/S0261143014000518, Published online: 28 August 2014 Link to this article: http://journals.cambridge.org/abstract_S0261143014000518 How to cite this article: Bill Bruford (2014). Popular Music, 33, pp 560-562 doi:10.1017/S0261143014000518 Request Permissions : Click here Downloaded from http://journals.cambridge.org/PMU, IP address: 131.227.23.35 on 27 Oct 2014 560 Reviews negotiated, interactional narratives of ageing in the public eye. Heavily reliant on textual analysis, as well as focused on the performing bodies and identities of well-known women artists, the collection would have benefited from both further incorporation of ‘con-textual’ approaches such as ethnography, an examination of negotiation of gender and age by lesser known, ‘hidden’ female performers as well as those occupying more alternative and experimental musical spaces. Danijela Bogdanovic Liverpool John Moores University, UK [email protected] References Bennett, A. 2006. ‘Punk’s not dead: the continuing significance of punk rock for an older generation of fans’, Sociology, 40/2, pp. 219–35 Hodkinson, P. 2011. ‘Ageing in a spectacular “youth culture”: continuity, change and community amongst older goths’, British Journal of Sociology, 62/2, pp.
    [Show full text]
  • The Most Popular Musician Autobiographiestend to Come Tell A
    accor Lee p dude The most popular musician autobiographiestend to come from famous singers and guitar heroes. But drummers can tell a tale as well as anyone else. Here's a ten-pack of proof. awc ex-R accir help Tony Allen An Autobiggra7hy of the Mick Fleetwood PlaY On: Mac (2014) the I Master Drummer of Afrobeat (2013) "'Now, Then & Fleetwood succ but it's a pretty This second autobiography from Fleetwood Mac's 'Every musician has obstacles, cocaine-fueled dirt. ackn mall group that can relate to what Tony Allen ,founder doesn't skimp on the iBut to learn about own endured. Allen takes a very conversational tone in it's far more interesting iFleetwood's London rock scene in the :his memoir as he details a complex relationship trials in the as an aspiring pro admittedly short on :with Afrobeat pioneer Fela Kuti and the constant i'60s, itechnique He meets his struggles to get his own musical career but long on ambition. McVie, they form the first happening amidst political corruption and civil war in his native rhythmic soul mate in bassist John Mac with blues-guitar visionary Peter Nigeria. Even after relocating to France in the'80s, Allen describes incarnation of Fleetwood goes on another slog until Lindsey being held back by a heroin addiction and subpar solo records. Green, and off Fleetwood walk into his life. Fleetwood's Redemption comes later in life as the drummer is embraced by Buckingham and Stevie Nicks musical pursuits is inspiring. musicians like Flea and Blur's Damon Albarn palpable passion for his :Ginger Baker Hellraiser: Levon Helm This Whteel's on Fire: Levon ',TheAutobiography of the Woild's Helm and the Story of the Band (1993) ,Levon the swampy sound that 'G reatest D ru m mer (2009) Helm stoked ,helped go and enabled the Band to '|Hellraiser rolls and tumbles like Ginger Baker Dylan electric ,become units.
    [Show full text]
  • Song Machine
    UNDER EMBARGO UNTIL 9.00AM (UK TIME) – FRIDAY 23 OCTOBER 2020 SONG MACHINE NEW ALBUM – OUT NOW LIVE DATES ANNOUNCED LIVE CHAT TODAY TUNE IN HERE “…a fluent, brilliant whole.” – 4/5 stars – THE GUARDIAN “Song Machine... is the most cohesive Gorillaz album since Demon Dayz... sparkling with energy and invention…” – 4/5 stars – MOJO UNDER EMBARGO UNTIL 9.00AM (UK TIME) – FRIDAY 23 OCTOBER 2020 23rd October 2020: Song Machine: Season One - Strange Timez – the highly-anticipated new album from Gorillaz has finally arrived! LISTEN HERE. With seven episodes available to date, each with its very own video following the adventures of Noodle, 2D, Murdoc and Russel in the studio and across the world, the complete Season One collection is available now for the first time. Today also sees the biggest virtual band in the world announce a string of live shows, with a global live streaming performance in December and a run of dates next year. The SONG MACHINE TOUR will see Gorillaz broadcast their first show since 2018 live on 12th and 13th December, ahead of a visit to Köln, Berlin and Luxembourg next summer, with a homecoming show at The O2, London on 11th August 2021. Ticket info here. Finally, tune in later today to join Damon Albarn, Remi Kabaka and a selection of the featured artists who appear on Song Machine for a live chat at 1700 BST, Friday 23rd October. WATCH HERE. SONG MACHINE LIVE on 12th and 13th December (2020) is Gorillaz’ first live performance since 2018 and will be broadcast live around the world with three separate shows taking place across three time zones through the magic of LIVENow.
    [Show full text]
  • Music Reviews
    Music reviews http://www.musicomania.ca/en/music_reviews.htm#The%20Great%20Kat Note: If you can read french, go to the french section for additional content. FEATURED REVIEW: Bon Jovi FEATURED NEW ARTIST: The Good, The Bad & The Queen OTHER CD REVIEWS: Mika - Dolores O'Riordan - Caribou - Daft Punk - Siggi Schwarz & Michael Schenker - The Great Kat DVD REVIEWS: Finger Eleven - Bob Mould - Nick Drake OTHER NEW FINDINGS REVIEWS COMING UP NEXT MONTH KEY FOR THE STARS ARCHIVES: You can also search by artists names if you visit the artists directory. FEATURED REVIEW: Bon Jovi - Lost Highway (2007) For 20 years, we cannot say that Bon Jovi was particularly effective from a creative 1 of 10 2/6/2008 2:45 PM Music reviews http://www.musicomania.ca/en/music_reviews.htm#The%20Great%20Kat point of view. Except perhaps for Crush released in 2000, few albums really succeeded in catching the attention of critics. Despite everything, the group continued to sell millions of albums and to fill arenas on tour (with concerts based on their material of the Eighties of course). The coming of Lost Highway thus left me rather indifferent and this is why I awaited a hollow in the release of major albums to write some lines about it. At first, this new record can seem adventurous whereas the group makes a crossing between its usual hard rock style and contemporary country music. It’s an interesting mixture which makes the group progress in a beautiful way. On the other hand, the band remains to its best when it presents catchy pop melodies like it’s the case for the title-song, the ballad “(You Want To) Make A Memory” and “Whole Lot Of Leavin'”.
    [Show full text]