Unit 11 : ISLAMIC CULTURE and the MAKING of ASSAMESE SOCIETY
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Formation of the Heterogeneous Society in Western Assam (Goal Para)
CHAPTER- III Formation of the Heterogeneous Society in Western Assam (Goal para) Erstwhile Goalpara district of Western Assam has a unique socio-cultural heritage of its own, identified as Goalpariya Society and Culture. The society is a heterogenic in character, composed of diverse racial, ethnic, religious and cultural groups. The medieval society that had developed in Western Assam, particularly in Goalapra region was seriously influenced by the induction of new social elements during the British Rule. It caused the reshaping of the society to a fully heterogenic in character with distinctly emergence of new cultural heritage, inconsequence of the fusion of the diverse elements. Zamindars of Western Assam, as an important social group, played a very important role in the development of new society and cufture. In the course of their zamindary rule, they brought Bengali Hidus from West Bengal for employment in zamindary service, Muslim agricultural labourers from East Bengal for extension of agricultural field, and other Hindusthani people for the purpose of military and other services. Most of them were allowed to settle in their respective estates, resulting in the increase of the population in their estate as well as in Assam. Besides, most of the zamindars entered in the matrimonial relations with the land lords of Bengal. As a result, we find great influence of the Bengali language and culture on this region. In the subsequent year, Bengali cultivators, business community of Bengal and Punjab and workers and labourers from other parts of Indian subcontinent, migrated in large number to Assam and settled down in different places including town, Bazar and waste land and char areas. -
Indian Cultural Dance Logos Free Download Indian Cultural Dance Logos Non Watermarked Dance
indian cultural dance logos free download indian cultural dance logos non watermarked Dance. Information on North Central Zonal Cultural Centre (NCZCC) under the Ministry of Culture is given. Users can get details of various art forms of various states such as Uttar Pradesh, Bihar, Madhya Pradesh, Rajasthan, Haryana, Uttaranchal and Delhi. Get detailed information about the objectives, schemes, events of the centre. Links of other zonal cultural centers are also available. Website of Eastern Zonal Cultural Centre. The Eastern Zonal Cultural Center (EZCC) is one of the seven such Zonal Cultural Centers set up by the Ministry of Culture with a vision to integrate the states and union territories culturally. Users can get information about the objectives, infrastructure, events, revival projects, etc. Details about the member states and their activities to enhance the cultural integrity are also available. Website of Indira Gandhi National Centre for the Arts. The Indira Gandhi National Centre for the Arts (IGNCA) under the Ministry of Culture is functioning as a centre for research, academic pursuit and dissemination in the field of the arts. Information about IGNCA, its organizational setup, functions, functional units, regional centres, etc. is given. Details related to archeological sites, exhibitions, manuscripts catalogue, seminars, lectures. Website of Jaipur Kathak Kendra. Jaipur Kathak Kendra is a premier Institution working for Training, Promotion & Research of North Indian Classical Dance Kathak. It was established in the year 1978 by the Government of Rajasthan and formally started working from 19th May 1979. Website of North East Zone Cultural Centre. North East Zone Cultural Centre (NEZCC) under Ministry of Culture aims to preserve, innovate and promote the projection and dissemination of arts of the Zone under the broad discipline of Sangeet Natak, Lalit Kala and Sahitya. -
Assam - a Study on Bihugeet in Guwahati (GMA), Assam
International Journal of Science and Research (IJSR) ISSN: 2319-7064 Impact Factor (2018): 7.426 Female Participation in Folk Music of Assam - A Study on Bihugeet in Guwahati (GMA), Assam Palme Borthakur1, Bhaben Ch. Kalita2 1Department of Earth Science, University of Science and Technology, Meghalaya, India 2Professor, Department of Earth Science, University of Science and Technology, Meghalaya, India Abstract: Songs, instruments and dance- the collaboration of these three ingredients makes the music of any region or society. Folk music is one of the integral facet of culture which also poses all the essentials of music. The instruments used in folk music are divided into four halves-taat (string instruments), aanodha(instruments covered with membrane), Ghana (solid or the musical instruments which struck against one another) and sushir(wind instruments)(Sharma,1996). Out of these four, Ghana and sushirvadyas are being preferred to be played by female artists. Ghana vadyas include instruments like taal,junuka etc. and sushirvadyas include instruments that can be played by blowing air from the mouth like flute,gogona, hkhutuli etc. Women being the most essential part of the society are also involved in the process of shaping up the culture of a region. In the society of Assam since ancient times till date women plays a vital role in the folk music that is bihugeet. At times Assamese women in groups used to celebrate bihu in open spaces or within forest areas or under big trees where entry of men was totally prohibited and during this exclusive celebration the women used to play aforesaid instruments and sing bihu songs describing their life,youth and relation with the environment. -
Tribal Religion of Lower Assam of North East India
TRIBAL RELIGION OF LOWER ASSAM OF NORTH EAST INDIA 1HEMANTA KUMAR KALITA, 2BHANU BEZBORA KALITA 1Associate Professor, Dept. of Philosophy, Goalpara College, 2Associate Professor, Dept of Assamese, Goalpara College E-mail: [email protected] Abstract - Religion is very sensitive issue and naturally concerned with the sentiment. It is a matter of faith and made neither through logical explanation nor scientific verification. That Religion from its original point of view was emerged as the basic needs and tools of livelihood. Hence it was the creation of human being feeling wonderful happenings bosom of nature at the early stage of origin of religion. It is not exaggeration that tribal people are the primitive bearer of religious belief. However religion for them was not academically explored rather it was regarded as the matter of reverence and submission. If we regard religion from the original point of view the religion then is not discussed under the caprice of ill design.. To think about God, usually provides no scientific value as it is not a matter of verification and material pleasant. Although to think about God or pray to God is also not worthless. Pessimistic and atheistic ideology though not harmful to human society yet the reverence and faith towards God also minimize the inter religious hazards and conflict. It may help to strengthen spirituality and communicability with others. Spiritualism renders a social responsibility in true sense which helps to understand others from inner order of heart. We attempt to discuss some tribal religious festivals along with its special characteristics. Tribal religion though apart from the general characteristic feature it ushers natural gesture and caries tolerance among them. -
Monthly Multidisciplinary Research Journal
Vol 6 Issue 10 July 2017 ISSN No : 2249-894X ORIGINAL ARTICLE Monthly Multidisciplinary Research Journal Review Of Research Journal Chief Editors Ashok Yakkaldevi Ecaterina Patrascu A R Burla College, India Spiru Haret University, Bucharest Kamani Perera Regional Centre For Strategic Studies, Sri Lanka Welcome to Review Of Research RNI MAHMUL/2011/38595 ISSN No.2249-894X Review Of Research Journal is a multidisciplinary research journal, published monthly in English, Hindi & Marathi Language. All research papers submitted to the journal will be double - blind peer reviewed referred by members of the editorial Board readers will include investigator in universities, research institutes government and industry with research interest in the general subjects. Regional Editor Dr. T. Manichander Advisory Board Kamani Perera Delia Serbescu Mabel Miao Regional Centre For Strategic Studies, Sri Spiru Haret University, Bucharest, Romania Center for China and Globalization, China Lanka Xiaohua Yang Ruth Wolf Ecaterina Patrascu University of San Francisco, San Francisco University Walla, Israel Spiru Haret University, Bucharest Karina Xavier Jie Hao Fabricio Moraes de AlmeidaFederal Massachusetts Institute of Technology (MIT), University of Sydney, Australia University of Rondonia, Brazil USA Pei-Shan Kao Andrea Anna Maria Constantinovici May Hongmei Gao University of Essex, United Kingdom AL. I. Cuza University, Romania Kennesaw State University, USA Romona Mihaila Marc Fetscherin Loredana Bosca Spiru Haret University, Romania Rollins College, USA Spiru Haret University, Romania Liu Chen Beijing Foreign Studies University, China Ilie Pintea Spiru Haret University, Romania Mahdi Moharrampour Nimita Khanna Govind P. Shinde Islamic Azad University buinzahra Director, Isara Institute of Management, New Bharati Vidyapeeth School of Distance Branch, Qazvin, Iran Delhi Education Center, Navi Mumbai Titus Pop Salve R. -
The Classical Tradition in the Vaisnava Music of Assam
The Classical Tradition in the Vaisnava Music of Assam Maheswar Neog --- www.atributetosankaradeva.org presents before the readers a pioneering paper on the Vaisnava music of Assam, authored by Dr. Maheswar Neog. It covers virtually every aspect of the music of the Sankaradeva Movement (and also touches upon other traditions of music in Assam). As is evidenced by some of its references, this paper was written in the early part of the latter half of the 20th century when Bargit research was still at a nascent stage. We have retained these references as they reflect the important milestones in the progress of research on the Sankaradeva Movement in Assam. The paper is redacted from the Journal of the Srimanta Sankaradeva Research Institute, Nagaon (2006). Editing note(s):- Diacritics has been used sparingly; only the long diacritic (macron) pertaining to a/A has been highlighted and that too, depending upon the context. --- We do not have any particular evidence to show what exact type of music was prevalent in Assam anterior to the spread of the wave of neo-Vaisnavism which was ushered into the valley of the Brahmaputra in the last decades of the 15th and the initial decades of the 16th century by Sankaradeva. We are left to our imagination in this matter; but this imagination can be based on the evidence of the writings of a few pre- Sankaradeva poets, and the song compositions of at least two poets, Mankara and Durgavara, who seem to have remained outside of the neo-Vaisnava circle of Sankaradeva. In the early period of Assamese literature preceding the neo-Vaisnava movement of the last part of the 15th century and the early part of the 16th, the Ramayana and portions of the Mahabharata were rendered into Assamese verse; and these verses were put to ragas or recited in simple tunes. -
SUFIS and THEIR CONTRIBUTION to the CULTURAL LIFF of MEDIEVAL ASSAM in 16-17"' CENTURY Fttasfter of ^Hilojiopl)?
SUFIS AND THEIR CONTRIBUTION TO THE CULTURAL LIFF OF MEDIEVAL ASSAM IN 16-17"' CENTURY '•"^•,. DISSERTATION SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE AWARD OF THE DEGREE OF fttasfter of ^hilojiopl)? ' \ , ^ IN . ,< HISTORY V \ . I V 5: - • BY NAHIDA MUMTAZ ' Under the Supervision of DR. MOHD. PARVEZ CENTRE OF ADVANCED STUDY DEPARTMENT OF HISTORY ALIGARH MUSLIM UNIVERSITY ALIGARH (INDIA) 2010 DS4202 JUL 2015 22 CENTRE OF ADVANCED STUDY Department of History Aligarh Muslim University Aligarh-202 002 Dr. Mohd. Parwez Dated: June 9, 2010 Reader To Whom It May Concern This is to certify that the dissertation entitled "Sufis and their Contribution to the Cultural Life of Medieval Assam in 16-17^^ Century" is the original work of Ms. Nahida Muxntaz completed under my supervision. The dissertation is suitable for submission and award of degree of Master of Philosophy in History. (Dr. MoMy Parwez) Supervisor Telephones: (0571) 2703146; Fax No.: (0571) 2703146; Internal: 1480 and 1482 Dedicated To My Parents Acknowledgements I-11 Abbreviations iii Introduction 1-09 CHAPTER-I: Origin and Development of Sufism in India 10 - 31 CHAPTER-II: Sufism in Eastern India 32-45 CHAPTER-in: Assam: Evolution of Polity 46-70 CHAPTER-IV: Sufis in Assam 71-94 CHAPTER-V: Sufis Influence in Assam: 95 -109 Evolution of Composite Culture Conclusion 110-111 Bibliography IV - VlU ACKNOWLEDGEMENTS It is pleasant duty for me to acknowledge the kindness of my teachers and friends from whose help and advice I have benefited. It is a rare obligation to express my gratitude to my supervisor Dr. Mohd. -
History of North East India (1228 to 1947)
HISTORY OF NORTH EAST INDIA (1228 TO 1947) BA [History] First Year RAJIV GANDHI UNIVERSITY Arunachal Pradesh, INDIA - 791 112 BOARD OF STUDIES 1. Dr. A R Parhi, Head Chairman Department of English Rajiv Gandhi University 2. ************* Member 3. **************** Member 4. Dr. Ashan Riddi, Director, IDE Member Secretary Copyright © Reserved, 2016 All rights reserved. No part of this publication which is material protected by this copyright notice may be reproduced or transmitted or utilized or stored in any form or by any means now known or hereinafter invented, electronic, digital or mechanical, including photocopying, scanning, recording or by any information storage or retrieval system, without prior written permission from the Publisher. “Information contained in this book has been published by Vikas Publishing House Pvt. Ltd. and has been obtained by its Authors from sources believed to be reliable and are correct to the best of their knowledge. However, IDE—Rajiv Gandhi University, the publishers and its Authors shall be in no event be liable for any errors, omissions or damages arising out of use of this information and specifically disclaim any implied warranties or merchantability or fitness for any particular use” Vikas® is the registered trademark of Vikas® Publishing House Pvt. Ltd. VIKAS® PUBLISHING HOUSE PVT LTD E-28, Sector-8, Noida - 201301 (UP) Phone: 0120-4078900 Fax: 0120-4078999 Regd. Office: 7361, Ravindra Mansion, Ram Nagar, New Delhi – 110 055 Website: www.vikaspublishing.com Email: [email protected] About the University Rajiv Gandhi University (formerly Arunachal University) is a premier institution for higher education in the state of Arunachal Pradesh and has completed twenty-five years of its existence. -
Crossing Borders and Singing About Erotic Desires in Bhawaiyaa Folk Music
Crossing Borders and Singing about Erotic Desires in Bhawaiyaa Folk Music rini barman zubaan 128 b Shahpur Jat, 1st foor new delhi 110 049 email: [email protected] website: www.zubaanbooks.com Published by Zubaan Publishers Pvt. Ltd 2019 In collaboration with the Sasakawa Peace Foundation fragrance of peace project All rights reserved Zubaan is an independent feminist publishing house based in New Delhi with a strong academic and general list. It was set up as an imprint of India’s first feminist publishing house, Kali for Women, and carries forward Kali’s tradition of publishing world quality books to high editorial and production standards. Zubaan means tongue, voice, language, speech in Hindustani. Zubaan publishes in the areas of the humanities, social sciences, as well as in fiction, general non-fiction, and books for children and young adults under its Young Zubaan imprint. Typeset in Arno Pro 11/13 Crossing Borders and Singing about Erotic Desires in Bhawaiyaa Folk Music With the onset of foggy winter in January, the sun in Amingaon (the district headquarters of Kamrup, Assam) had taken a backseat. One could easily tell that the days had become shorter. Yet, surrounded by a host of green trees, we were drawn to the rhythm of the neighbouring Brahmaputra separating us from the rest of Guwahati. Being a little removed from urban development during 2001-06, my school hosted a number of cultural functions. I distinctly recall one such occasion, when the theme was folk culture, and after much brainstorming the girls in my class decided to perform the folk melody Mahout Bondhu. -
Chapter 3 Assam
Chapter 3 Assam Udayon Misra 1. The Ahom Period (1328-1826) The impression has long sought to be created that the “North-East” is a landlocked area and that its geographical isolation is a major factor contributing to its economic backwardness. Not to speak of the pre-Ahom period when Assam, made up primarily of the Brahmaputra Valley, had quite an active interaction with the northern part of the Indian subcontinent, even under the Ahom rulers (1328-1826) who were known for their closed-door approach, there was active trade between Assam and her western neighbours, Bengal and Bihar as also with Bhutan, Tibet and Myanmar. Describing the kingdom of Assam during the height of Ahom rule in the seventeenth century, the historian S.K.Bhuyan states: “The kingdom of Assam, as it was constituted during the last 140 years of Ahom rule, was bounded on the north by a range of mountains inhabited by the Bhutanese, Akas, Daflas and Abors; on the east, by another line of hills people by the Mishmis and the Singhphos; on the south, by the Garo, Khasi, Naga and Patkai hills; on the west, by the Manas or Manaha river on the north bank, and the Habraghat Pargannah on the south in the Bengal district of Rungpore. The kingdom where it entered from Bengal commenced with the Assam Choky (gate) on the north bank of the Brahmaputra, opposite Goalpara; while on the south bank it commenced from the Nagarberra hill at a distance of 21 miles to the east of Goalpara. “The kingdom was about 500 miles in length, with an average breadth of 60 miles. -
Classical Music in Assam
CLASSICAL MUSIC IN ASSAM Dr. Maheswar Neog There has been a strong tradition ofthe culture of music in Assam (or ancient Kamarupa) from the earliest times. When the great Chinese traveller Hiuen-tsang visited the capital ofthe seventh century Kamarupa king, Bhaskaravarman, the holy guest was entertained with music and dances almost everyday for a month. It is further held that a maid-in waiting, who was adept in dancing and music, died on the funeral pyre of Bhaskaravarman, a great lover of these arts. King Vanamalavarman of Kamarupa (orh century) erected a temple to Hatakasulin Siva, and this was properly endowed with dan seuse. In the copperplate inscription of this king, the boats on the waves of the Lauhitya, or Brahmaputra, are likened to dancing women agitated at the approach of male dancers. In the Bargaon inscription of another succeeding Kamarupa monarch, Ratnapala, obeisance is paid to Natesvara Sankara, the master of dances, always exhibiting tandava. Indrapala of the same dynasty is eulogised in an inscription as anavadyavidyadhara. Among the early sculptural remains we fmd many dancing figures, and men playing on different types ofdrums, flute and vina. In the tantric, text, Kalika-purana, written at Kamarupa in the IIth or rzrh century, there are several references to vocal and instrumental music in connection with different rituals. The sixteen-armed Maha maya, for example is to be worshipped with certain music in the autumn, SANGEET NATAK 14 the eighteen-armed goddess likewise is to be adored on mahanavami day. It has been ordained in this tantra that kings, seeking victory in wars, should have the army worshipped by women performing music and dance. -
The Music Academy, Madras 115-E, Mowbray’S Road
THE JOURNAL THE MUSIC ACADEMY MADRAS A QUARTERLY DEVOTED TO THE ADVANCEMENT OF THE SCIENCE AND ART OF MUSIC VoLXXIX 1958 Parts I-1V silt si i m iiwfer m farmfo u “ I dwell not in Vaikuntha, nor in the hearts of Yogins, nor in the Sun; where my Bhaktas sing, there be I, Narada ! ” EDITED BY V. RAGHAVAN, m .a ., p h .d . 1959 PUBLISHED BY THE MUSIC ACADEMY, MADRAS 115-E, MOWBRAY’S ROAD. MADRAS-14 Annual Subscription :—Inland Rs. 4 : Foreign 8 sh. Post paid. A11 correspondence should be addressed to Dr. V. Raghavan, Editqr,Journal of the Music Academy. * Articles on musical Subjects,are accepted for publication; on the understandihg that they .are contributed solely to the Journal of the Music Academy. • n All’manuscripts should be legibly written or preferably typewrit ten (double spaced—on one side of the paper only) and should be signed by the writer giving his address in full. ^ All .articles and communications intended for publication should reach the office at least one month before the date of publication (ordinarily the 15th of the* 1st month in each quarter). n The Editor of the. Journal is not responsible for the views expres sed by individual contributors. v All advertisements intended for publication should, reach the office not later than the 1st of the first month of each quarter. All books, moneys and cheques due to and intended for the Journal should be sent to Dr. V. Raghavan, Editor. *• f ADVERTISEMENT CHARGES COV&R PA G ES: Full Page Half page A.• f Back (outside) Rs.