Nemla News Summer 2013 Northeast Modern Language Association
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March 2018 New Releases
March 2018 New Releases what’s inside featured exclusives PAGE 3 RUSH Releases Vinyl Available Immediately! 59 Vinyl Audio 3 CD Audio 8 RICHIE KOTZEN - TONY MACALPINE - RANDY BRECKER QUINTET - FEATURED RELEASES TELECASTERS & DEATH OF ROSES LIVEAT SWEET BASIL 1988 STRATOCASTERS: Music Video KLASSIC KOTZEN DVD & Blu-ray 35 Non-Music Video DVD & Blu-ray 39 Order Form 65 Deletions and Price Changes 63 800.888.0486 THE SOULTANGLER KILLER KLOWNS FROM BRUCE’S DEADLY OUTER SPACE FINGERS 203 Windsor Rd., Pottstown, PA 19464 [BLU-RAY + DVD] DWARVES & THE SLOTHS - DUNCAN REID & THE BIG HEADS - FREEDOM HAWK - www.MVDb2b.com DWARVES MEET THE SLOTHS C’MON JOSEPHINE BEAST REMAINS SPLIT 7 INCH March Into Madness! MVD offers up a crazy batch of March releases, beginning with KILLER KLOWNS FROM OUTER SPACE! An alien invasion with a circus tent for a spaceship and Killer Klowns for inhabitants! These homicidal clowns are no laughing matter! Arrow Video’s exclusive deluxe treatment comes with loads of extras and a 4K restoration that will provide enough eye and ear candy to drive you insane! The derangement continues with HELL’S KITTY, starring a possessed cat who cramps the style of its owner, who is beginning a romantic relationship. Call a cat exorcist, because this fiery feline will do anything from letting its master get some pu---! THE BUTCHERING finds a serial killer returning to a small town for unfinished business. What a cut-up! The King of Creepy, CHRISTOPHER LEE, stars in the 1960 film CITY OF THE DEAD, given new life with the remastered treatment. -
Biofuturity, Disability, and Crip Communities in Anglophone Speculative Fiction
UNIVERSITY OF CALIFORNIA, SAN DIEGO The Dis-Topic Future: Biofuturity, Disability, and Crip Communities in Anglophone Speculative Fiction A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Literature by Amanda Martin Sandino Committee in charge: Professor Shelley Streeby, Chair Professor Michael Davidson Professor Brian Goldfarb Professor Ari Heinrich Professor Sarah Nicolazzo 2018 Copyright Amanda Martin Sandino, 2018 All rights reserved. The Dissertation of Amanda Martin Sandino is approved, and it is acceptable in quality and form for publication on microfilm and electronically: ________________________________________________________________ ________________________________________________________________ ________________________________________________________________ ________________________________________________________________ ________________________________________________________________ (Chair) University of California, San Diego 2018 iii Dedication This dissertation is dedicated to my chronic pain support network—nothing about us without us! iv Epigraph “They're looking for this fearsome wizard only to discover that he's nothing but a little tiny fellow. I mean, I don't think the point is that he's tiny. I think the point is, you know, things that we believe we lack are already inside of us just wanting to be found.” – George Crabtree, “Victoria Cross,” Murdoch Mysteries “You don't speak of dreams as unreal. They exist. They leave a mark behind them.” – Ursula K. Le Guin, The Lathe of Heaven “Art is not neutral. It either upholds or disrupts the status quo, advancing or regressing justice. We are living now inside the imagination of people who thought economic disparity and environmental destruction were acceptable costs for their power. It is our right and responsibility to write ourselves into the future. All organizing is science fiction. -
Religion and Realism in Late Nineteenth-Century American
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2009 Religion and realism in late nineteenth-century American literature Lisa Irene Moody Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Moody, Lisa Irene, "Religion and realism in late nineteenth-century American literature" (2009). LSU Doctoral Dissertations. 134. https://digitalcommons.lsu.edu/gradschool_dissertations/134 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. RELIGION AND REALISM IN LATE NINETEENTH-CENTURY AMERICAN LITERATURE A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English by Lisa Irene Moody B.A., University of Chicago, 1986 M.A., Northwestern University, 1991 December 2009 ACKNOWLEDGEMENTS Throughout the process of writing this dissertation, I have been guided by many excellent faculty and colleagues, each of whom has added significantly to this project. First and foremost, I would like to acknowledge the mentorship of my dissertation director, J. Gerald Kennedy, for his expert guidance, close readings, and overall interest in my graduate studies. Dr. Kennedy has promoted my work and held me to a high personal and academic standard, for which he himself has proven to be an apt role model. -
Doru POP the “Trans National Turn”. New Urban Identities
The “Trans national Turn”. 9 New Urban Identities and theI. TransformationCreating of thethe Romanian Space Contemporary Cinema Doru POP The “Trans national Turn”. New Urban Identities and the Transformation of the Romanian Contemporary Cinema Abstract The pressure of globalization and the transformations of the international film markets are rapidly changing the recent Romanian cinema. In a period spanning from 2010 to 2014, the paper describes same of the most important transformations, visible early on in productions like Marţi după Crăciun (Tuesday after Christmas) and even more importantly in a film like Poziţia copilului (Child’s Pose). The process, called by the author “the transnational turn” of the Romanian film, is characterized by the fact that urban spaces become more and more neutral and generic and the stories are increasingly de-contextualized. Designed for international markets, these films are changing both the set- ting and the mise-en-scène, creating a non specific space which is more likely to be accepted by cinema goers around the world. The second argument is the present generation Romanian cinema makers are moving even further, they are choosing to abandon the national cinema. As Elisabeth Ezra and Terry Rowden noted in their introduction to the classical reader on “transnational cinema”, another major aspect is that the recent films are increasingly indicating a certain “Hollywoodization” of their storytelling, and, implicitly, of the respective urban contexts of their narratives. This impact goes beyond genrefication, and, as is the case with productions like Love building (2013), which are using both cosmopolitan behaviors and non-specific urban activities, are manifestations of deep transformations in the Romanian cinema. -
Tuesday 12 April 2016, London. This June, Audiences at BFI Southbank Will Be Enchanted by the Big-Screen Thrills of Steven Spie
WITH ONSTAGE APPEARANCES FROM: DIRECTORS CRISTI PUIU, RADU JUDE, ANCA DAMIAN, TUDOR GIURGIU, RADU MUNTEAN AND MICHAEL ARIAS; BROADCASTERS MARK KERMODE AND JONATHAN MEADES Tuesday 12 April 2016, London. This June, audiences at BFI Southbank will be enchanted by the big-screen thrills of Steven Spielberg as we kick off a two month season, beginning on Friday 27 May with a re-release of the sci-fi classic Close Encounters of the Third Kind (Director’s Cut) (1977) in a brand new 35mm print, exclusively at BFI Southbank. We also welcome the most exciting talent behind the ‘New Wave’ of Romanian cinema to BFI Southbank, including directors Cristi Puiu and Radu Jude, as we celebrate this remarkable movement in world cinema with a dedicated season Revolution In Realism: The New Romanian Cinema. The BFI’s ever popular Anime Weekend returns to BFI Southbank from 3-5 June with the best new films from the genre, while this month’s television season is dedicated to Architecture on TV, with onscreen appearance from JG Ballard, Iain Nairn and Raymond Williams. The events programme for June boasts film previews of Notes on Blindness (Pete Middleton, James Spinney, 2016) and Race (Stephen Hopkins, 2016), and a TV preview of the new BBC drama The Living and the Dead starring Colin Morgan and Charlotte Spencer. New releases will include the Oscar-nominated Embrace of the Serpent (Ciro Guerra, 2015) and Apichatpong Weerasethakul’s latest film Cemetery of Splendour (2015). The BFI’s new Big Screen Classics series offers films that demand the big-screen treatment, and this month include The Night of the Hunter (Charles Laughton, 1955), Once Upon a Time in the West (Sergio Leone, 1968) and Days of Heaven (Terrence Malick, 1978). -
Catálogo Encuentros Cartagena 2014
IX ENCUENTRO INTERNACIONAL DE PRODUCTORES 9TH INTERNATIONAL PRODUCERS MEETING V TALLER DOCUMENTAL 5 TH DOCUMENTARY WORKSHOP III TALLER DE FESTIVALES DE CINE 3RD FILM FESTIVALS WORKSHOP VIII TALLER DE CRÍTICA Y PERIODISMO CINEMATOGRÁFICO 8TH FILM CRITICISM AND JOURNALISM WORK- SHOP ENCUENTRO DE PRODUCTORES FRANCIA – COLOMBIA MEETING OF PRODUCERS FROM FRANCE AND COLOMBIA LANZAMIENTO DE LA SERIE EXPRESO SUR, UNA FIESTA DE CULTURAS LAUNCH OF THE SERIES EXPRESO SUR, UNA FIESTA DE CULTURAS 13-19 | 03 | 2014 13 - 19 | 03 | 2014 CONTENIDO MINISTERIO DE CULTURA DE COLOMBIA MIEMBROS DEL CONSEJO NACIONAL DE LAS FESTIVAL INTERNACIONAL DE CINE DE MINISTRY OF CULTURE OF COLOMBIA ARTES Y LA CULTURA EN CINEMATOGRAFÍA CARTAGENA – FICCI – CNACC CARTAGENA INTERNATIONAL FILM FESTIVAL CONTENT MEMBERS OF THE NATIONAL COUNCIL OF FILM ARTS AND CULTURE Ministra de Cultura Ministra de Cultura Gerente General 04 Minister of Culture Minister of Culture of Colombia General Manager Mariana Garcés Córdoba Mariana Garcés Córdoba Lina Rodríguez PRESENTACIÓN PRESENTATION Viceministra de Cultura Directora de Cinematografía del Directora General Vice-minister of Culture Ministerio de Cultura de Colombia General Director María Claudia López Sorzano Film Office Director for the Ministry of Mónika Wagenberg Culture of Colombia 09 88 Secretario General Adelfa Martínez Bonilla Presidente Junta Directiva FICCI IX ENCUENTRO ENCUENTRO DE General Secretary Chairman of FICCI Board of Directors Enzo Rafael Ariza Ayala Delegados de la Ministra de Cultura Salvatore Basile Ferrara INTERNACIONAL -
Spring 2019 Film Calendar
National Gallery of Art Film Spring 19 I Am Cuba p27 Special Events 11 A Cuba Compendium 25 Janie Geiser 29 Walt Whitman Bicentennial 31 The Arboretum Cycle of Nathaniel Dorsky 33 Roberto Rossellini: The War Trilogy 37 Reinventing Realism: New Cinema from Romania 41 Spring 2019 offers digital restorations of classic titles, special events including a live performance by Alloy Orchestra, and several series of archival and contem- porary films from around the world. In conjunction with the exhibition The Life of Animals in Japanese Art, the Gallery presents Japanese documentaries on animals, including several screenings of the city symphony Tokyo Waka. Film series include A Cuba Compendium, surveying how Cuba has been and continues to be portrayed and examined through film, including an in-person discussion with Cuban directors Rodrigo and Sebastián Barriuso; a celebra- tion of Walt Whitman on the occasion of his bicen- tennial; recent restorations of Roberto Rossellini’s classic War Trilogy; and New Cinema from Romania, a series showcasing seven feature length films made since 2017. Other events include an artist’s talk by Los Angeles-based artist Janie Geiser, followed by a program of her recent short films; a presentation of Nathaniel Dorsky’s 16mm silent The Arboretum Cycle; the Washington premieres of Gray House and The Image Book; a program of films on and about motherhood to celebrate Mother’s Day; the recently re-released Mystery of Picasso; and more. 2Tokyo Waka p17 3 April 6 Sat 2:00 La Religieuse p11 7 Sun 4:00 Rosenwald p12 13 Sat 12:30 A Cuba Compendium: Tania Libre p25 2:30 A Cuba Compendium: Coco Fusco: Recent Videos p26 14 Sun 4:00 Gray House p12 20 Sat 2:00 A Cuba Compendium: Cuba: Battle of the 10,000,000 p26 4:00 A Cuba Compendium: I Am Cuba p27 21 Sun 2:00 The Mystery of Picasso p13 4:30 The Mystery of Picasso p13 27 Sat 2:30 A Cuba Compendium: The Translator p27 Films are shown in the East Building Auditorium, in original formats whenever possible. -
Ulysses' Gaze
ULYSSES’ GAZE PROJECT 2013-2015: Stories of migration in Europe 2 // ULYSSES’ GAZE 2015 “This project has been funded with support from the European Commission. This publication reflects the views only of the author, and the Commission cannot be held responsible for any use which may be made of the information contained therein.” ULYSSES’ GAZE 2015 // 3 TABLE OF CONTENTS 06 CHAPTER I. 04 ACADEMIC PERSPECTIVE. INTRODUCTION 08 Milica Petrovic, Belgium: A Country of Permanent Immigration. 20 Lucy Mayblin, Aneta Piekut, Gill Valentine, ‘Other’ posts in ‘other’ places: Poland through a postcolonial lens? 44 Mona Vintila, Migration as a form of abandonment. 50 Yannis Koukmas, 62 Migration in 21st century Greece. CHAPTER II. INDIVIDUAL PERSPECTIVES. MIGRATION AS AN EXPERIENCE 64 Olivia Maria Hărşan Interview with Romanian actress Clara Vodă. 70 Interview by Nikos Ago Costa Gavras about his experience as an immigrant. 106 74 Nina Bogosavac Your (apparent) enemy. PARTICIPANTS OF THE ULYSSES GAZE PROJECT 78 Marius Radu Two facets of migration in GOLDEN AGE Romania. 84 Mirona Mitache, An immigrant in Belgium about immigrants. 92 Anne Marie Majlund Jensen Inventing new languages. 98 Alicja Kordos Athens as a melting pot. Migration in Greece. 4 // ULYSSES’ GAZE 2015 INTRODUCTION The project Ulysses’ Gaze: Stories of Migration through East- European Cinematography tackled the topic of migration from Eastern to Western European countries through a cycle of film projections followed by debates linked to the this topic and by further contributions on the Internet platform : www.ulysses_project.eu. The partners involved in the project were both Eastern and Western European associations whose main objective is to stimulate the general public’s interest in the heritage, history and culture of the Eastern and Central Europe and of the Balkans: EuropaNova (BE), Dom Spotkań z Historią (PL), Ethnological Museum of Thrace (GR), Platform Spartak (NL) and Student Plus (RO). -
The Romanian New Wave Anca Pusca a a Goldsmiths, University of London Available Online: 11 Aug 2011
This article was downloaded by: [American University Library] On: 28 December 2011, At: 08:39 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Cambridge Review of International Affairs Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/ccam20 Restaging the 1989 revolution: the Romanian New Wave Anca Pusca a a Goldsmiths, University of London Available online: 11 Aug 2011 To cite this article: Anca Pusca (2011): Restaging the 1989 revolution: the Romanian New Wave, Cambridge Review of International Affairs, DOI:10.1080/09557571.2011.558888 To link to this article: http://dx.doi.org/10.1080/09557571.2011.558888 PLEASE SCROLL DOWN FOR ARTICLE Full terms and conditions of use: http://www.tandfonline.com/page/terms-and-conditions This article may be used for research, teaching, and private study purposes. Any substantial or systematic reproduction, redistribution, reselling, loan, sub-licensing, systematic supply, or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae, and drug doses should be independently verified with primary sources. The publisher shall not be liable for any loss, actions, claims, proceedings, demand, or costs or damages whatsoever or howsoever -
47Th Chicago International Film Festival October 6–20
WhatTheWorld Is Watching © 47th Chicago International Film Festival October 6–20 AMC River East 21 (322 E. Illinois St.) CHICAGOFILMFESTIVAL.COM PRESENTING PARTNER facebook.com/chicagofilmfestival twitter @chifilmfest ...SeeForYourself In this year’s lineup, you will find films that are visually bold and Lelouch. Speaking of the great masters of cinema, they are also well artistically daring. Some present a refreshing view on the growing represented in our program this year. pains of childhood while others explore the immigrant experience from truly original perspectives. You will find award-winning films Each film provides a once-in-a-lifetime opportunity to experience the as well as stories about real people that go beyond the headlines. sights, sounds and experiences of other cultures on the big screen And in keeping with our tradition of discovering new talent, this and the chance to hear and maybe even meet some of the artists year’s filmmakers will take you on provocative and exciting journeys behind them. The languages may be different, but the emotions are to lands near and far. These more than 45 first-time filmmakers the same. Film unites us like no other art form can. could very well be the future Cronenberg, Herzog, Wenders or Michael Kutza | Founder and Artistic Director 3 easy ways to buy tickets & passes PHONE ONLINE IN PERSON Festival Hotline: 312.332.FILM Festival Passes available exclusively in our Festival FESTIVAL THEATER BOX OFFICE Tickets purchased by phone need to be reserved no Store: CHICAGOFILMFESTIVAL.COM AMC River East 21 (322 E. Illinois St.) later than 24 hours in advance. -
Northwest Catholic Women's Convocation
Northwest Catholic Women’s Convocation IIi April 22-23, 2005 AUTHOR TITLE PUBL. YR SYNOPSIS Vivienne SM “The State, the Moro Greenwood Press 2001 This essay by Angeles is included in “Contributions to the Study of Popular Culture, #65: Angeles, Ph.D. National Liberation Front, Religious Fundamentalism in Developing Countries” by Santosh C. Saha. and Islamic Resurgence in the Philippines” Betsey Beckman, A Retreat With Our Lady, St. Anthony 1997 Co-authored with Nina O’Connor and J. Michael Sparough. M.M. Dominic & Ignatius: Praying Messenger Press With Our Bodies Full Body Blessing: St. Anthony 1992 A superb meditation work that can be used for individual and group praise and movement. Praying with Movement Messenger Press Frida Berrigan “Proud to be an American? Common May “The weapons industry- companies like Lockheed Martin, Boeing, Raytheon and Northrop Not While it Chooses Bombs Dreams 2, Grumman- are also pretty tone deaf. With the country on a permanent war footing, the sky is Over Bread.” NewsCenter 2003 literally the limit for America's second most heavily subsidized industry.” Read more of Frida’s numer commentaries and articles at www.AlterNet.org/authors/5482 and at www.jonahhouse.org/frida_index.htm . “Now you see, now you In these times Sept. “U.S. military researchers are hard at work developing directed-energy weapons that could be don’t: The Pentagon’s 29, used to destroy communication lines, power grids, or fuel dumps, or to zero in on part of a Blinding Lasers” 2002 vehicle, like the engine.” But are they safe for civilian populations? Mary Boys, SNJM, Has God Only One Blessing? Paulist Press 2000 This compelling book makes academic scholarship highly accessible. -
Romanian and Hungarian Film Cultures at the Transilvania International Film Festival
EUROPEAN JOURNAL OF MEDIA STUDIES www.necsus-ejms.org Romanian and Hungarian film cultures at the Transilvania International Film Festival NECSUS 6 (1), Spring 2017: 219–225 URL: https://necsus-ejms.org/romanian-and-hungarian-film-cul- tures-at-the-transilvania-international-film-festival/ Keywords: culture, film festival, Hungary, Romania, Transilvania An arguably late arrival in the film festival circuit (first organised in 2002), the Transilvania International Film Festival[1] has been a significant date on the FIAPF calendar since 2011. The medium-sized and competitive Roma- nian film festival has its focus on first and second feature films by filmmakers from virtually all around the globe while also paying hommage to acclaimed personalities of European cinema. Furthermore, it serves as a hub for all things related to Romanian cinema and as such has become a staple in the Central and Eastern European region for both local audiences and interested film professionals.[2] A confusion surrounding its acronymic abbreviation is rather telling: at the regional or country level most people refer to it as ’TIFF’, irrespective of the language they speak – though this acronym by and large is reserved for the Toronto International Film Festival. Therefore, in this essay ’Transilvania IFF’ will be used. Another linguistic issue relates to its official naming, where instead of ’Transylvania’ the Romanian spelling of the region has been pre- ferred – reminiscent of a national (i.e. Romanian) component which reasserts, in my view, its country-affiliation and thereby denigrating any confusion re- lated to both the historical region and the festival concept as well.