Religion and Realism in Late Nineteenth-Century American
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News of Her Own: Harriett Beecher Stowe's Investigative Fiction
News of Her Own: Harriett Beecher Stowe’s Investigative Fiction Mark Canada Essay originally published in Ignatius Critical Edition of Uncle Tom’s Cabin, 2009. When the Fugitive Slave Law was passed in September 1850, it made news—a lot of news. With predictably diverse opinions, newspapers across the country reacted to both the new law and its aftermath. The Constitution in Middletown, Connecticut, called on readers to support the rule of law, while the New Hampshire Sentinel, Farmer's Cabinet, and New York Independent strongly opposed it, using words such as "obnoxious", "odious", and "iniquitous". Reporting on the transfer of captured fugitive Henry Long's case to a district court, the New York Evangelist encouraged the "friends of freedom" to "contribute the means of carrying the case up to the Supreme Court, in case of Long's conviction." 1 One newspaper reader, however, was not content to let the press wage war on the Fugitive Slave Law or on slavery in general. "You don’t know how my heart burns within me at the blindness and obtuseness of good people on so very simple a point of morality as this", Harriet Beecher Stowe wrote in a letter to her brother Henry Ward Beecher in February 1851. She continued, Must we forever keep calm and smile and smile when every sentiment of manliness and humanity is kicked and rolled in the dust and lies trampled and bleeding and make it a moment to be exceedingly cool! I feel as if my heart would burn itself out in grief and shame that such things are. -
Realism.VL.2.Pdf
Realism Realism 1861- 1914: An artistic movement begun in 19th century France. Artists and writers strove for detailed realistic and factual description. They tried to represent events and social conditions as they actually are, without idealization. This form of literature believes in fidelity to actuality in its representation. Realism is about recreating life in literature. Realism arose as an opposing idea to Idealism and Nominalism. Idealism is the approach to literature of writing about everything in its ideal from. Nominalism believes that ideas are only names and have no practical application. Realism focused on the truthful treatment of the common, average, everyday life. Realism focuses on the immediate, the here and now, the specific actions and their verifiable consequences. Realism seeks a one-to-one relationship between representation and the subject. This form is also known as mimesis. Realists are concerned with the effect of the work on their reader and the reader's life, a pragmatic view. Pragmatism requires the reading of a work to have some verifiable outcome for the reader that will lead to a better life for the reader. This lends an ethical tendency to Realism while focusing on common actions and minor catastrophes of middle class society. Realism aims to interpret the actualities of any aspect of life, free from subjective prejudice, idealism, or romantic color. It is in direct opposition to concerns of the unusual, the basis of Romanticism. Stresses the real over the fantastic. Seeks to treat the commonplace truthfully and used characters from everyday life. This emphasis was brought on by societal changes such as the aftermath of the Civil War in the United States and the emergence of Darwin's Theory of Evolution and its effect upon biblical interpretation. -
Biofuturity, Disability, and Crip Communities in Anglophone Speculative Fiction
UNIVERSITY OF CALIFORNIA, SAN DIEGO The Dis-Topic Future: Biofuturity, Disability, and Crip Communities in Anglophone Speculative Fiction A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Literature by Amanda Martin Sandino Committee in charge: Professor Shelley Streeby, Chair Professor Michael Davidson Professor Brian Goldfarb Professor Ari Heinrich Professor Sarah Nicolazzo 2018 Copyright Amanda Martin Sandino, 2018 All rights reserved. The Dissertation of Amanda Martin Sandino is approved, and it is acceptable in quality and form for publication on microfilm and electronically: ________________________________________________________________ ________________________________________________________________ ________________________________________________________________ ________________________________________________________________ ________________________________________________________________ (Chair) University of California, San Diego 2018 iii Dedication This dissertation is dedicated to my chronic pain support network—nothing about us without us! iv Epigraph “They're looking for this fearsome wizard only to discover that he's nothing but a little tiny fellow. I mean, I don't think the point is that he's tiny. I think the point is, you know, things that we believe we lack are already inside of us just wanting to be found.” – George Crabtree, “Victoria Cross,” Murdoch Mysteries “You don't speak of dreams as unreal. They exist. They leave a mark behind them.” – Ursula K. Le Guin, The Lathe of Heaven “Art is not neutral. It either upholds or disrupts the status quo, advancing or regressing justice. We are living now inside the imagination of people who thought economic disparity and environmental destruction were acceptable costs for their power. It is our right and responsibility to write ourselves into the future. All organizing is science fiction. -
Thewestfield Leader
;eas@n THEWESTFIELD LEADER The Le+dlng mi Mott Widely Circulated Weekly Seu*paper In Union County •-• D fi _l Di -I u *-> *-t UJ U- usr»« SXDM CIVI fcutf f& WESTFIELD, NEW JERSEY, THURSDAY, DECEMBER 22, 1983 Evtrv Tkuratey 24 Pages—25 Cents NINET £ AR, NO. 21 d, N. 1. Firehouse Rehab Jr. High Curriculum Architect Named Preliminary work on the Petersen, Gregory Ryan, Vote Scheduled Jan. 5 upgrading of the North Ernest Settles and Edward Declining to act on pro- staff and citizen commit- cepts" course (required) Ave. Firehouse are ex-Sobin. posed junior high school tees for the past five years. to be offered pected to begin shortly Unanimously approved course selection recom- The Board of Education • Drop all P.A. Majors (full with the awarding of a was an ordinance amen- mendations made by a voted last year to move the year courses) in 1984-85 $45,000 contract to theding the town's land use school staff committee for ninth grade out of the• Remove Art offerings Hillier Group of Princeton law. Principally technical September, 1984, thejunior high schools into the from P.A. offerings in by the Town Council Tues- changes, the revisions Westfield Board of Educa- high school in 1987. Thegrade 7 - 1984-85 day night. mainly apply to filing pro- tion scheduled a Jan. 5 junior high school changes Fine Arts cedures, garden apart- special meeting to discuss will take care of the junior • Drop music requirement The architectural firm ment zones and accessory the changes and to act onhigh school program in the in grade 7 and 8 -1984-85 will prepare detailed con- buildings. -
From Lisheen Stud Lord Gayle Sir Gaylord Sticky Case Lord Americo Hynictus Val De Loir Hypavia Roselier Misti IV Peace Rose QUAR
From Lisheen Stud 1 1 Sir Gaylord Lord Gayle Sticky Case Lord Americo Val de Loir QUARRYFIELD LASS Hynictus (IRE) Hypavia (1998) Misti IV Right Then Roselier Bay Mare Peace Rose Rosie (IRE) No Argument (1991) Right Then Esplanade 1st dam RIGHT THEN ROSIE (IRE): placed in a point-to-point; dam of 6 foals; 3 runners; 3 winners: Quarryfield Lass (IRE) (f. by Lord Americo): see below. Graduand (IRE) (g. by Executive Perk): winner of a N.H. Flat Race and placed twice; also placed over hurdles. Steve Capall (IRE) (g. by Dushyantor (USA)): winner of a N.H. Flat Race at 5, 2008 and placed twice. 2nd dam RIGHT THEN: ran 3 times over hurdles; dam of 8 foals; 5 runners; a winner: Midsummer Glen (IRE): winner over fences; also winner of a point-to-point. Big Polly: unraced; dam of winners inc.: Stagalier (IRE): 4 wins viz. 3 wins over hurdles and placed 3 times inc. 3rd Brown Lad H. Hurdle, L. and winner over fences. Wyatt (IRE): 2 wins viz. placed; also winner over hurdles and placed 5 times and winner over fences, 2nd Naas Novice Steeplechase, Gr.3. 3rd dam ESPLANADE (by Escart III): winner at 5 and placed; also placed twice over jumps; dam of 5 foals; 5 runners; 3 winners inc.: Ballymac Lad: 4 wins viz. placed at 5; also winner of a N.H. Flat Race and placed 4 times; also 2 wins over hurdles, 2nd Celbridge Extended H. Hurdle, L. and Coral Golden EBF Stayers Ext H'cp Hurdle, L. and winner over fences. -
ENG 3702-001: American Realism and Naturalism: 1865-1918 Christopher Hanlon Eastern Illinois University
Eastern Illinois University The Keep Fall 2002 2002 Fall 8-15-2002 ENG 3702-001: American Realism and Naturalism: 1865-1918 Christopher Hanlon Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/english_syllabi_fall2002 Part of the English Language and Literature Commons Recommended Citation Hanlon, Christopher, "ENG 3702-001: American Realism and Naturalism: 1865-1918" (2002). Fall 2002. 116. http://thekeep.eiu.edu/english_syllabi_fall2002/116 This Article is brought to you for free and open access by the 2002 at The Keep. It has been accepted for inclusion in Fall 2002 by an authorized administrator of The Keep. For more information, please contact [email protected]. 3/0). - 00( ENG 3702: American Realism & Naturalism: 1865-1918 Dr. Christopher Hanlon Fall, 2002 Office: Coleman 3811 Phone: 581.6302 Office hours: MWF 12-1, 2-3 (and by appoint.) [email protected] Required Texts: Kate Chopin, The Awakening Pauline Hopkins, Contending Forces Frank Norris, McTeague Edith Wharton, The House of Mirth The Norton Anthology of American Literature, vol. 2, 5th edition (eds. Nina Baym et al.) American Realism and Naturalism (coursepack available at Campus Copy Center in MLK StudentUnion) COURSE TRAJECTORIES: The Civil War, which claimed the lives of over half a million Americans, had a seismic effect on America's self-image. Prior to 1860, Americans had been taught to think of themselves as exceptional in many ways, and they had grown used to viewing the North American continent as a great blank canvas it was their manifest destiny to inscribe. But after 1865, with the end of the Civil War and the first assassination of an American president, Americans required a new narrative to tell themselves about themselves. -
Two Tendencies Beyond Realism in Arthur Miller's Dramatic Works
Inês Evangelista Marques 2º Ciclo de Estudos em Estudos Anglo-Americanos, variante de Literaturas e Culturas The Intimate and the Epic: Two Tendencies beyond Realism in Arthur Miller’s Dramatic Works A critical study of Death of a Salesman, A View from the Bridge, After the Fall and The American Clock 2013 Orientador: Professor Doutor Rui Carvalho Homem Coorientador: Professor Doutor Carlos Azevedo Classificação: Ciclo de estudos: Dissertação/relatório/Projeto/IPP: Versão definitiva 2 Abstract Almost 65 years after the successful Broadway run of Death of a Salesman, Arthur Miller is still deemed one of the most consistent and influential playwrights of the American dramatic canon. Even if his later plays proved less popular than the early classics, Miller’s dramatic output has received regular critical attention, while his long and eventful life keeps arousing the biographers’ curiosity. However, most of the academic works on Miller’s dramatic texts are much too anchored on a thematic perspective: they study the plays as deconstructions of the American Dream, as a rebuke of McCarthyism or any kind of political persecution, as reflections on the concepts of collective guilt and denial in relation to traumatizing events, such as the Great Depression or the Holocaust. Especially within the Anglo-American critical tradition, Miller’s plays are rarely studied as dramatic objects whose performative nature implies a certain range of formal specificities. Neither are they seen as part of the 20th century dramatic and theatrical attempts to overcome the canons of Realism. In this dissertation, I intend, first of all, to frame Miller’s dramatic output within the American dramatic tradition. -
T Am T Th T Be an C M in Fo Co Fa Gr W St Ch T Ra Sm in R No T Str W Fa
As a freelance writer, Alan Yuill Walker has spent The Scots & The Turf tells the story of the his life writing about racing and bloodstock. For amazing contribution made to the world of over forty years he was a regular contributor to Thoroughbred horseracing by the Scots and Horse & Hound and has had a long involvement those of Scottish ancestry, past and present. with the Thoroughbred Breeders’ Association. Throughout the years, this contribution has Other magazines/journals to which he has been across the board, from jockeys to trainers contributed on a regular basis include The and owners as well as some superb horses. British/European Racehorse, Stud & Stable, Currently, Scotland has a great ambassador in Pacemaker, The Thoroughbred Breeder and Mark Johnston, who has resurrected Middleham Thoroughbred Owner & Breeder. He was also in North Yorkshire as one of the country’s a leading contributor to The Bloodstock foremost training centres, while his jumping Breeders’ Annual Review. His previous books counterpart Alan King, the son of a Lanarkshire are Thoroughbred Studs of Great Britain, The farmer, is now based outside Marlborough. The History of Darley Stud Farms, Months of Misery greatest lady owner of jumpers in recent years Moments of Bliss, and Grey Magic. was Queen Elizabeth the Queen Mother, while Stirling-born Willie Carson was five-times champion jockey on the Flat. These are, of course, familiar names to any racing enthusiast but they represent just a small part of the Scottish connection that has influenced the Sport of Kings down the years. Recognition of the part played by those from north of the Border is long overdue and The Scots & The Turf now sets the record straight with a fascinating account of those who have helped make horseracing into the fabulous spectacle it is today. -
102 FREEMEN of GLOUCESTER 75 1734 76 77 78 79 80 81 82 83 Wm
102 FREEMEN OF GLOUCESTER 75 1734 Ric. Powell, app. of Wm. Barrett* Wm. Drinkwater, app. of Jos. Hale and Jos. Cother, cordwainers Francis Gregory, app. of Thos. Jaines, feltmaker Sam. Johnson,1 app. of Wm. Hayes and Jas. Brotherton, cordwainers Thos. Wilton, app. of John Singleton, pinmaker Sam. Blocksom, app. of Wm. Lodge* 76 Jos. Hill, app. of Rob. Longden* Wm. Chamberlayn, app. of Jas. Brotherton* John Latham, app. of John Best* Thos. Humphris, app. of John Ricketts* John Box, app. of Cowcher Shipton, pinmaker John Child, app. of John Jelfe and Ric. Weaver* 77 Francis Hembly, app. of Wm. Stephens* Thos. Selwyn, app. of Geo. Edwards, heelmaker Thos. Evans, app. of Thos. Jones, glover Thos. Jeffs, app. of John Holder, pinmaker Jas. Oldacre, app. of Thos. Fletcher* Ric. Young, app. of Nic. Wilkins** 78 Benj. Spillman, app. of Abraham Smith* Cornelius Gardner, app. of Ric. Taylor, barber-surgeon Thos. Child, app. of Sam. Ricketts, carpenter John Lane, app. of Ric. Weaver, farrier John Lake, app. of Hen. Draper and Ric. Weaver, farriers Wm. Simonds, app. of Wm. Sparrowhawke* 79 Rob. Buckle, app. of Thos. Puckeridge* Clement Fisher, app. of Thos. Browne* Ric. Purton,2 app. of Jos. Collier, cordwainer Ric. Wintie, app. of Thos. Humphris, currier Thos. Gaze, app. of Wm. Roberts, carpenter Jas. Cull, app. of Geo. Edwards* 80 Thos. Hathaway, son of Wm.** John Wood, son of Wm.** Ric. Gill, son of Wm.* Thos. Holder,3 son of John* Rog. Church, son of Rog., glazier Thos. Randle, son of Thos., pargeter 81 Jeremiah Harris, son of Nat.* John Cowles, son of John* Wm. -
The Ideology of Self-Making and the White Working Class in Rebecca Harding Davis' Life in the Iron Mills
REDEN Revista Española de Estudios Norteamericanos / Noviembre 2020. Volumen 2 The Ideology of Self-making and the White Working Class in Rebecca Harding Davis’ Life in the Iron Mills Sofía Martinicorena Universidad Complutense de Madrid Sofía Martinicorena The Ideology of Universidad Complutense Self-making and the de Madrid White Working Class in Rebecca Harding Davis’ Life in the Iron Mills ebecca Harding Davis’ novella Life in the Iron Mills, published in 1861 in R The Atlantic Monthly, is now considered a landmark of early American realism. This paper analyses the text’s depiction of the white working class and the ideological consequences of the myth of upward mobility and self-making, which are presented as an impossibility to Hugh Wolfe, the story’s main character. I will argue that Davis’ choice to offer a representation of the precarious lives of the workers of Northern industrial capitalism implies a criticism of the quintessentially American narrative of ABSTRACT upward mobility, and a subsequent reflection on how foundational narratives operate in a society that is not homogeneous in terms of race or class. More specifically, I will maintain that Life in the Iron Mills operates as a contestation to the myth of the self- made man, evinced by the comparison between Hugh Wolfe’s situation and that of the mill owners, who encourage his aspirations from an oblivious position of privilege. Lastly, Hugh’s tragic death will be taken as proof that the myth of self-making mystifies the actual social and economic dynamics of industrial capitalism. Key Words: Realism; Harding Davis; self-made man; capitalism; ideology. -
Northwest Catholic Women's Convocation
Northwest Catholic Women’s Convocation IIi April 22-23, 2005 AUTHOR TITLE PUBL. YR SYNOPSIS Vivienne SM “The State, the Moro Greenwood Press 2001 This essay by Angeles is included in “Contributions to the Study of Popular Culture, #65: Angeles, Ph.D. National Liberation Front, Religious Fundamentalism in Developing Countries” by Santosh C. Saha. and Islamic Resurgence in the Philippines” Betsey Beckman, A Retreat With Our Lady, St. Anthony 1997 Co-authored with Nina O’Connor and J. Michael Sparough. M.M. Dominic & Ignatius: Praying Messenger Press With Our Bodies Full Body Blessing: St. Anthony 1992 A superb meditation work that can be used for individual and group praise and movement. Praying with Movement Messenger Press Frida Berrigan “Proud to be an American? Common May “The weapons industry- companies like Lockheed Martin, Boeing, Raytheon and Northrop Not While it Chooses Bombs Dreams 2, Grumman- are also pretty tone deaf. With the country on a permanent war footing, the sky is Over Bread.” NewsCenter 2003 literally the limit for America's second most heavily subsidized industry.” Read more of Frida’s numer commentaries and articles at www.AlterNet.org/authors/5482 and at www.jonahhouse.org/frida_index.htm . “Now you see, now you In these times Sept. “U.S. military researchers are hard at work developing directed-energy weapons that could be don’t: The Pentagon’s 29, used to destroy communication lines, power grids, or fuel dumps, or to zero in on part of a Blinding Lasers” 2002 vehicle, like the engine.” But are they safe for civilian populations? Mary Boys, SNJM, Has God Only One Blessing? Paulist Press 2000 This compelling book makes academic scholarship highly accessible. -
Nature in American Realism and Romanticism and the Problem with Genre
Nature in American Realism and Romanticism and the Problem with Genre BY MARTIN GROFF Early literature in the United States, written during a time when the vast North American landscape remained largely unexplored by European settlers, reflects a profound connection to nature and the centrality of the wilderness to the young nation’s culture and consciousness. But as the romantic and transcendentalist movements began to fade in the United States by the mid-nineteenth century, the portrayal of nature began to change as well, shifting away from the sublime and overtly spiritual and towards a so-called realist style. Ecocritics have long given attention to romantic representations of nature given the prominence of this aesthetic in both eighteenth and nineteenth century US and British literature. Though earlier scholarship tended to view nature predominantly as a spiritual metaphor for romantics, recent ecocritics “tend to place a new emphasis on the romantics’ engagement with the materiality of nature and their acute sense of the deterioration of wild and rural landscapes during processes of enclosure and industrialization.”1 Despite such shifts in critical emphasis, contemporary ecocriticism nonetheless frequently continues to rely on canonical assumptions. For instance, Ashton Nichols’s recent Beyond Romantic Ecocriticism: Toward Urbanatural Roosting (2011), even in its rethinking of certain traditional canonical models, reinforces the category of romanticism as a basis for analyses of historical ecologies. Confining ecocritical studies to the 1U. K. Heise, “Environment and Poetry,” in The Princeton Encyclopedia of Poetry and Poetics, ed. Roland Greene, et al. (Princeton: Princeton University Press, 2012), 437. Valley Humanities Review Spring 2015 1 borders of genres and movements such as “romanticism” and “realism,” however, presents certain risks.