Number 48 – Summer 2012

newsletterAlumni institute of fine arts

Contents From the Director...... 3

A Night at Sotheby’s...... 5

The Year in Pictures...... 6

Festschrifts in Honor of IFA Faculty Members...... 8

Getting Started Eleni Vassilika The (Non) History of

LA TOMBA DI TOMBALA American Art at the Institute ...... 10

KHA Becoming a Latin

ITALIANO LA TOMBA DI Americanist at the IFA . . . . 11 A NTICHITÀ F ONDAZIONE Remembrances E GIZIE M

USEO DI T

ORINO DELLE

ISBN 978-88-8117-127-9 SCALA Eleni Vassilika A. Richard Turner ...... 12

9 788881 171279 KHA SCALA € 12,00 Annette Kuhn ...... 13

Awards for Summer 2011. . . . 14 OPENING DOORS Outside Fellowships...... 15 The Early Netherlandish Triptych Reinterpreted

PhDs for 2011 - 2012...... 16

Alumni Updates...... 17

LYNN F. JACOBS Alumni Donors...... 28

Published by the Alumni Association of the Institute of Fine Arts 1 Institute of Fine Arts Alumni Association

Officers: Board of Directors: Committees:

President Patrick Amsellem Newsletter Phyllis Tuchman, editor Gertje Utley Patrick .amsellem@nyu .edu Schuyler Swartout gutley@rcn .com Yassana Croizat-Glazer History of the IFA Vice-President yassana .croizat-glazer@metmuseum .org Rebecca Rushfield,Chair Alicia Lubowski-Jahn William Barcham Alicia1155@aol .com Jennifer Perry Grants jperrymason@gmail .com Charles Little, Chair Treasurer Sabine Rewald Lisa Rotmil Sabine Rewald lisarotmil@aol .com sabine .rewald@metmuseum .org Walter S. Cook Lecture Anita Moskowitz, Chair Yvonne Elet Secretary Marie Tanner Susan Galassi Antonia Bartoli marietanner@aol .com Carol Krinsky Kathy Schwab Ex-Officio Alison West CAA Reunion Past Presidents awest1@nyc .rr .com Mary Tavener Holmes Mary Tavener Holmes Gerrit l . Lansing Jason Rosenfeld Nominating Committee Connie Lowenthal jrosenfeld@mmm .edu Robert Lubar, Chair Ida e . Rubin Suzanne Stratton-Pruitt

2 From the Director Patricia Rubin

to gather source material that will contribute to Doctorate at the Courtauld Institute . The IFA, the seminar and to a symposium, scheduled for of course, claims Linda among our Ph .D .s . Her February 1-2, 2013, on Duke House, its history qualities – intellectual courage as well as acumen, and the art history that it has housed . keen eyes and sharp wit – were recognized by her IFA professors, who aptly described her as Understanding ourselves is as important, “one of the outstanding historians of modern or even more so, than appreciating our art .” I have singled out Linda here because she surroundings . Over the past year, in response to is adding the title of emeritus professor to that a directive from the Provost expecting increased of alumna . Retiring, but not leaving the IFA, collaboration between the Institute and the Linda will be offering two courses a year for the Department of Art History, faculty and Board next two years, while completing her current committees intensely discussed the IFA’s identity and doubtless groundbreaking book on the and its place within New University . The representation of poverty . aim of the Institute is to participate in furthering the highest standard of teaching and research Despite such accolades and such inspiration, in art history and allied fields at NYU and to there is no room for complacency . Both maintain its leadership in those fields nationally the financial and the academic climate are and internationally . In coming years, IFA faculty challenging . The successful implementation of will contribute to undergraduate programs in the our new M .a . and entry-level Ph .D . programs in University on a regular basis . Not only will this art history is proof of the Institute’s commitment From the Director allow us to forge closer links with the extensive to creative planning and willingness to Patricia Rubin network of scholarship in the arts represented conceive of major academic initiatives . The at NYU, but it will enhance our influence as Mellon-funded degree in Archive and Library Summer 2012: the Institute is about to have a educators . We will also be able to incorporate Conservation and summer institutes in facelift . Girdled by scaffolding, Duke House, teaching experience systematically in our Ph .D . technical art history are just two of the major a Belle Époque beauty, is going to have her program, as all entering students will be expected projects underway at the Conservation Center . masonry inspected and re-pointed in places, to work with an IFA faculty member in devising Specially convened review panels in art history, with the façades checked and restored over the and delivering an undergraduate course . This conservation, and archaeology will be meeting coming months . The work, though a potential will add to and complement the opportunities over the next two years, as part of the Mellon nuisance, is an absolute necessity . The building and the mentoring that have been made Research Initiative, to review the current state is now a hundred years old . While the University available to our students by our colleagues in the of those disciplines and the IFA’s position as a marks this anniversary with maintenance, we Department of Art History, which have been of graduate institute in those fields . In the coming are taking the opportunity to use our expertise such benefit to so many of you . year seminars in Medieval and Classical art to learn about the Institute’s distinguished will be added to our growing roster of working surroundings . The Duke House centennial Your achievements as IFA alumni abundantly groups, lectures, artists’ presentations, colloquia, was officially declared at this year’s graduation, testify to the Institute’s position as a magnet and consortia . A full and varied program of when we proudly toasted our 55 new Masters for talent and its capacity to foster and to conferences, with linked bursaries for student of Arts, 8 new Masters of Arts with Advanced promote that talent . Many, but not all, of your research, will permit us to explore specialist Certificates in the Conservation of Historic publications, prizes and projects are described topics and overarching themes, including Beyond and Artistic Works, and 20 new Doctors of here – and please keep us informed by emailing Representation: An Interdisciplinary Approach to Philosophy . On that occasion, in addition to Andrea Cirelli in the Alumni Affairs office the Nature of Things (September 27-29), Digital happily offering well deserved congratulations, at andrea .cirelli@nyu .edu . We are eager to Art History (November 30-December 1), and we served specially commissioned cupcakes and hear from you . To learn of other student and Archaeology, Heritage, and the Mediation of Time cookies picturing our façade . Our celebrations faculty accomplishments, I urge you to read (April 12-13) . For all of these, and more, please are planned to include more than baked goods . this year’s Annual, which is available to you on visit our website . We look forward to seeing you Over the coming months, we will be adding to the IFA website or by request from Andrea . in the audience, as well as on the podium . the Alumni Association’s oral history project Of the many honors awarded our faculty this with interviews of alumni, faculty and staff who year, I will mention three, all bestowed upon The IFA alumni community is a critical aspect recall the installation of the IFA in the Duke Linda Nochlin, who, on the same day in April of the Institute’s pre-eminence . It has a great Mansion in 1959 . In the autumn Jean-Louis received the 2012 Appraisers Association of tradition and is an active network . The Institute Cohen is teaching a seminar on the Duke House America Award for Excellence in the Arts and is immensely grateful to the Alumni Association, and its context in terms of urban planning was honored at the Elizabeth a . Sackler Center its officers and Association President Gertje and interior design . A grant from the Duke for Feminist Art at the as Utley, who represent alumni interests and those Foundation has allowed us to appoint seven being among those “remarkable women who of the current generation of IFA students . They students as Duke House Fellows . The Fellows took chances and broke through barriers to advocate for IFA excellence and, most crucially, will spend time over the summer in libraries succeed in their respective fields” (to quote from support our connection to you . In turn, the and archives in New York, at the Getty Research Gloria Steinem’s presentation speech) . In July, scholarships and summer stipends that alumni Center in Los Angeles, and at Duke University Linda went to to receive an Honorary fund build our future .

3 4 A Night at Sotheby’s Alumni Voices

by Charles Moffet (IFA ‘71) not only about the demarcation between the with strategy than price . I hoped that it would Nineteenth Century and Modern Art but find its way into a great where it On the evening of May 2nd, I was on a about Munch’s intentions . We exchanged ideas would be properly cared for . telephone bidding with a Sotheby’s client and observations . We talked about the wooden who had a serious interest in Edvard Munch’s placard on the frame that bears Munch’s The Scream is said to be one of the most The Scream . It is one of four versions . The hand-written explanation of “the scream .” The recognizable images on the planet . It example sold that night was a pastel that figure is not screaming but is reacting to the transcends borders, changing styles, was signed and dated 1895 . To my eye, it is scream of nature . For the artist the moment movements in Modern Art, and visual the most beautiful and fully realized of the was transcendent and transcendental . In the language . It speaks to people of all ages, versions . The pastel is very fresh, and the background are a barely visible church and a nationalities, , races and epochs . composition has been articulated in ways that barque on the open water, symbols of spiritual Of course it has been parodied and used for add meaning to the work . From the moment life and the journey of life . Contours and lines myriad commercial purposes such as T-shirts, that I saw the pastel itself I knew that I was connect the figure in the foreground with the coffee mugs, ties, refrigerator magnets, looking at one of the greatest works of art landscape and the composition as a whole . blow-up plastic dolls, puzzles, ice-cube trays, that I would ever encounter at close quarters . books jackets, New Yorker cartoons, and Seeing it out of the frame and without the The bidding opened at $40,000,000 . Twelve thousands of other things . But it overrides intervention of glass was astonishing . minutes later the bidder on the phone any cheapening and degradation . It continues with me purchased it for $107,000,000 to connect with the millions of people who For me, the high point came one afternoon ($119,900,000 including the commission encounter it in its original forms . To borrow when Adam Gopnik came to study it in known as a Buyer’s Premium), the highest from Wallace Steven’s poem The Idea of connection with an essay that he wrote for price ever paid for a work of art sold at Order at Key West, it speaks of “ghostlier Sotheby’s about The Scream. We looked and auction . My focus throughout the bidding was demarcations and keener sounds .” It places us talked for about an hour . The longer we not the magnitude of the price but the hope squarely in a zone that resonates with all of us, contemplated the composition, the more we that the bidder on other end of the phone and it announces the coming of the Twentieth were drawn into it as an image that spoke would win the Munch . I was more concerned Century .

Follow the IFA on Facebook. Keep track of upcoming events and news of your colleagues, friends, and professors. If you can’t attend a Silberberg lecture or some other talk, they are now streamed live. Out-of-town for a session of the Kirk Varnedoe Memorial series? They’re accessible via Vimeo. www.ifa.nyu.edu

5 The Year in Pictures

CAA Reunion Held Friday, February 24, 2012 in Los Angeles as part of the 100th Annual Conference of the College Art Association

Elizabeth Pergam, Rachel Kousser Karen Leader, Kalliopi Minioudaki, Jongwoo Kim, Allison Unruh Patricia Rubin, Maria Saffiotti

Anna Indych-Lopez, Adele Nelson Jacquelyn Coutre, Beth Merfish, Anna Brodbeck Lisa Banner, Aruna D’Souza Eve Straussman-Pflanzer

An IFA Alumni Reunion again will be held at the Duke House when the College Art Association meets in NYC. This year, mark your calendars for Friday, February 15 at 6:00 p.m. at the IFA. At this cocktail reception, we will also host an IFA Alumni Book Exhibition. If you have published a book in the 2011, 2012 or 2013 calendar years, and would like to display it at the Reunion, please send an email to [email protected] with “Book Exhibition” in the subject line. Please include the book’s title, publisher, year of publication, publisher’s website address, and a note if that publisher will be attending the CAA Book Fair. Please note, that alumni will not be able to sell copies of their book at this event, but are welcome to have ordering instructions on-hand for prospective buyers.

6 Director’s Extracurricular Seminar: Wanda Corn On March 20, 2012, Wanda Corn, Robert and Ruth Halpern Professor Emerita in Art History, Stanford University, delivered the lecture “Portraiture and the Making of Gertrude Stein.”

Wanda Corn, Linda Nochlin Wanda Corn lecturing Wanda Corn, Edward Sullivan

The Walter W.S. Cook Annual Lecture: A.A. Donohue On November 17, 2011, A.A. Donohue, Department of Classical and Near Eastern Archaeology, Bryn Mawr College, delivered the lecture “Contraditions in Greek Naturalism.”

Charles Little, Allan Rosenbaum Gertje Utley, Anita Moskowitz, Beth Holman

7 Festschrifts in Honor of IFA Faculty Members

compiled by Rebecca Rushfield (IFA ’80) Jonathan ALEXANDER: Tributes to Jonathan Buchthal 1904-1996, Institute of Fine Arts, J.G. Alexander: The Making and Meaning 22 May 1997, New York: Institute of Fine In 2012, the Duke House will celebrate its of Illuminated Medieval & Renaissance Arts, 1997 . hundredth anniversary . This milestone must Manuscripts, Art & Architecture, Susan L’Engle be commemorated with publications and and Gerald B . Guest, eds ., London: Harvey Walter COOK: In Memory of Dr. Walter W.S. exhibits both scholarly and entertaining . To Miller, 2006 . Cook, Tributes delivered at a gathering at the prepare, the Alumni Association’s Committee Institute of Fine Arts, on on the History of the Institute of Fine Arts Dieter ARNOLD: Structure and Significance, Thursday, September 27, 1962. will expand its activities in a number of ways . Bau und Bedeutung, Gedanken sur spanish Medieval Art – Loan Exhibition in It will broaden the scope of its oral history altägyptischen Architektur (Feschrift für Dieter honor of Dr . Walter w . s . Cook, arranged by project to include graduates and staff members Arnold), P . Janosi, ed ., Vienna: Osterreichische the Alumni Association Institute of Fine Arts together with faculty and it is seeking copies Akademie der Wissenschaften [Denkschriften held at the Cloisters from December 15, 1954 of archival material related to teaching at der Gesamtakademie 33], 2005 . to January 30, 1955 . the Institute including faculty papers, course materials, and programs from special lectures Jacob BEAN: Essays in Memory of Jacob Bean Colin t . EISLER: New Studies on Old Masters: and events . If you are aware of the location (1923-1992), Linda Wolk-Simon and William Essays in Renaissance Art in Honour of Colin of such materials or have them in your M . Griswold, eds ., with the assistance of Eisler, John Garton and Diane Wolfhal, possession, or, if you wish to be interviewed Elizabeth K . Allen, Master Drawings Vol . 31, eds ., Toronto: Centre for Reformation and about your experiences at the IFA, please no . 4, 1993 . Renaissance Studies, 2011 . contact Rebecca Rushfield at wittert@juno . com or 718-575-2702 . Peter VON BLANCKENHAGEN: Studies in Richard ETTINGHAUSEN: Studies in Art Classical Art and Archaeology: A tribute to Peter and Literature of the Near East: Festschrift Heinrich Von Blanckenhagen, Mary Moore and in honor of Richard Ettinghausen, Peter J . Gunter Kopcke, eds ., Locust Valley, NY: J .J . Chelkowski, ed ., Salt Lake City: Middle Augistin, 1979 . East Center, University of Utah/New York University Press, 1974 . Harry BOBER: Essays in Honor of Harry Bober on the Occasion of the Twenty-Fifth Anniversary Walter f . FRIEDLAENDER: Festschrift of the Founding of the International Center of Walter Friedlaender sum 90. Geburstag, Georg Medieval Art, Elizabeth Parker, ed ., Gesta vol Kaufmann and Willibald Sauerlaender, eds ., XX, no . 1, 1981 . : De Gruyter, 1965 . Essays in Honor of Walter Friedlaender . Eve BORSOOL: Studies in Art and History New York: Institute of Fine Arts, New York for Eve Borsook, Ornella Francisci Osti, ed ., University [Marsyas, Studies in the History of Florence: Centro Di, 1999 . Art 2, supplement], 1965 .

Bernard V . BOTHMER: Artibus Aegypti: Donald HANSEN: Leaving No Stones Studia in honorem Bernard V. Bothmer a Unturned: Essays on the Ancient Near East colleges amicis discipulis conscripta, Herman de and Egypt in Honor of Donald P. Hansen, Meulenaere and Luc Limme, eds ., Brussels: Erica Ehrenberg, ed ., Winona Lake, IN: Musées royaux d’art et d’histoire, 1983 . Eisenbrauns, 2002 .

Dietrich VON BOTHMER: Essays in Honor Evelyn B . HARRISON: The Published of Dietrich Von Bothmer, a .J . Clark and J . Writings of Evelyn B. Harrison: A bibliography Gaunt, eds . With B . Gilman, Amsterdam: for her seventy-fifth birthday, 5 June 1995, Allard Pierson Series Vol . 14, 2002 . Jasper Gaunt, ed ., Lawrenceville, NJ: American School of Classical Studies at Jonathan BROWN: Art in Spain and the Athens, 1995 . Hispanic World: Essays in Honor of Jonathan Brown, Sarah Schrith, ed ., London: Paul Egbert HAVERKAMP-BEGEMANN: Essays Holberton Publishing in association with the in Northern European Art Presented to Egbert Center for Spain in America, 2010 . Haverkamp-Begemann on His Sixtieth Birthday, Anne-Marie s . Logan, ed ., Doornspijk: Hugo BUCHTHAL: In Memorium Hugo Davaco, 1983 . Buchthal 1909-1996 and Amalia Serkin 8 Ludwig Heinrich HEYDENREICH: Studien Thomas MATHEWS: Festschrift, Anathemata 10 of Franklin Jasper Walls lectures), An e . zur toskanischen Kunst, Festschrift für Ludwig Eortika: Studies in Honor of Thomas E. Farkas, Prudence Oliver Harper, Evelyn Byrd Heinrich Heydenreich zum 23 März 1963, Mathews, Mainz: Philipp von Zabern, 2010 . Harrison, eds ., P . von Zabern, 1987 . Ludwig H Heydenreich, Wolfgang Lotz and Lise Lotte Moller, eds ., Munich: Prestel- Millard MEISS: Studies in Late Medieval Robert ROSENBLUM: Open Eyes and Open Verlag, 1964 . and Renaissance Painting in Honor of Millard Mind: The Art History of Robert Rosenblum: Meiss, , ed ., New York: New York A Symposium in Honor of the 50th Anniversary Henry-Russell HITCHCOCK: An University Press, 1977 . of Robert Rosenblum’s Ph.D. from the Institute Exhibition in Honor of HENRY-RUSSELL The Burlington Magazine 117 no . 869, of Fine Arts, New York University, New York HITCHCOCK, April 1968, Texts by Phyllis August 1975 [Special Issue Devoted to the University, , October 13-14, Williams Lehmann, Mary Bartlett Cowdrey Italian Trecento in Memory of Millard Meiss .] 2006 . and Robert Rosenblum, Northampton: Smith College Museum of Art, 1968 . Ulrich MIDDELDORF: Festscrift Ulrich Patricia Lee RUBIN: “Una Insalaata di piu In Search of Modern Architecture: A Tribute Middeldorf, Antje Kosegarten and Peter Tigle, Erbe,” A Festschrift for Patricia Lee Rubin, Jim to Henry-Russell Hitchcock, Helen Searing, ed ., eds ., Berlin: Walter de Gruyter, 1968 . Harris, Scott Nethersole and Per Rumberg, Cambridge, MA: MIT Press in association eds ., The Courtauld Institute of Art, 2011 . with the Architectureal History Foundation, Helmut NICKEL: Essays in Honor of Helmut 1982 . Nickel, Metropolitan Museum of Art Journal, Alfred SALMONY: Special Number Dedicated volume 24, 1989 . to the Memory of Alfred Salmony, Artibus Asiae Horst w . JANSON: Art the Ape of Nature: vol . 22, No ½, January 1959 . Studies in Honor of H.W. Janson, Moshe Barash Linda NOCHLIN: Self and History: A and Lucy Freeman Sandler, eds ., New York: Festschrift in Honor of Linda Nochlin, Aruna Willibald SAUERLAENDER: Gothic Art and Harry n . Abrams/Prentice Hall, 1981 . D’Souza, ed ., New York and London: Thames Thought in the Late Medieval Period: Essays and Hudson, 2001 . in Honor of Willibald Sauerlander, Colum Güenter KOPCKE: Amilia: The Quest for Hourihane, ed ., (Index of Christian Art Excellence. Studies in Honor of Gunter Kopcke David O’CONNOR: The Archaeology and Art Occasional Papers 12), Index of Christian on the Occasion of His 75th Birthday, r .B . of Ancient Egypt: Essays in Honor of David B. Art, Department of Art and Archaeology, Koehl, ed ., Philadelphia: INSTAP Academic O’Connor, Zahi Hawass and Janet Richards, Princeton University in Association with Penn Press, 2010 . eds ., Cairo: The American University in Cairo State University Press, 2011 . Press; Cahier No . 36 edition, 2007 . Richard KRAUTHEIMER: Pratum Eric Jan SLUIJTER: Aemulatio: Imitation, Romanum, Richard Krautheimer zum 100. RICHARD OFFNER: An exhibition of Italian emulation and invention in Netherlandish art Geburtstag, Renate l . Colella and Meredith J . panels & manuscripts from the thirteenth and from 1500 to 1800, Essays in Honor of Eric Jan Gill, eds ., Wiesbaden: l . Reichert, 1997 . fourteenth centuries in honor of Richard OFfner, Sluijter, Anton w .a . Boschloo, ed ., Zwolle: In Memoriam Richard Krautheimer, April 9 to June 6, 1965, Hartfor: Wadsworth Waanders, 2011 . relazioni della giornata di studi, Roma, 20 Atheneum, 1965 . febbraio 1995, Palazzo dei Conservatori, Salla A discerning eye: essays on early Italian Craig Hugh SMYTH: Craig Hugh Smyth – In dell’Ercole, Renate l . Colella and Meredith J . painting (Part one: Essays on Offner), Andrew Memoriam, Louis a . Waldman and Caroline Gill, eds ., Rome: Bibliotheca Hertziana, 1997 . Ladis, ed ., University Park: Pennsylvania State Elam, eds ,. Florence: Leo s . Olschki, 2009 . University Press, 1998 . Irving LAVIN: IL 60: Essays Honoring Irving Alexander C . SOPER: Professor Alexander Lavin on his Sixtieth Birthday, Marilyn Erwin PANOFSKY: De Artibus Opuscula XL: C. Soper III: 85th Birthday Anniversary, Aronberg Lavin, ed ., New York: Italica Press, Essays in honor of Erwin Panofsky, Millard Orientations, Vol . 21, no . 1, January 1990 . 1990 . Meiss, ed ., New York: New York University Press, 1961 (2 vols .) Priscilla SOUCEK: Pearls from Water, Rubies Karl LEHMANN: Essays in memory of Karl “Miscellanea Erwin Panofsky,” Bulletin from Stone: Studies in in Honor of Lehmann, Lucy Freedman Sandler, ed ., des Musées Royaux des Beaux Arts de Belgique Priscilla Soucek, Linda Komaroff, ed ., Artibus New York: Institute of Fine Arts, New York (Bressels) 4, nos . 1-3, 1955 . Asiae (special volumen) LXVI, no . 2, 2006 . University [Marsyas, Studies in the History of Studien zu Kunst und Philosophie, Erwin Art 1, supplement], 1964 . Panofsky zum 70 geburstag dargebracht, Emil Charles STERLING: Hommage à Charles Kieser and Egon Verheyen, eds ., 1962 (2 vols ., Sterling: Des primitifs à Matisse, April-June James MCCREDIE: Samothracian typescript) . 1992, Nicole Reynaud, ed ., : Musee du Connections: Essays in Honor of James R. [Les Dossiers du Département des McCredie, Olda Palagia and Bonna D . Edith PORADA: Monsters and Demons in Peintures 40], 1992 . Wescoat, eds ., Oxford/Oakville, CT: Oxbow the Ancient and Mediaeval Worlds: Papers Books, 2012 . Presented in Honor of Edith Porada (Volume 9 Getting Started The (Non) History of American Art at the Institute

by Wanda Corn (IFA ’65)

When I entered the MA program at the Institute in the fall of 1963, I was interested in medieval art; I had studied English and French cathedral architecture as an undergraduate with Nicholas Pevsner in London and thought I would continue to work on religious architecture during the Middle Ages . When I left the IFA a decade later, it was with a doctorate in the field of modern art with special attention to the history of the . Since then, my scholarship, exhibitions, and most of my teaching have been dedicated to North American art . I am an “Americanist,” Wanda Corn giving the 2012 IFA Director’s Extracurricular Seminar, “Portraiture and the a term someone invented to identify scholars Making of Gertrude Stein” who work on pre-contemporary art of the United States . painting . For his dissertation, Goldwater contrary, Janson was of the generation who felt had written the first study of primitivism, Regionalism was anti-modernist, reactionary, In the 1960s, the foundations of the history of analyzing the different ways modern artists and this country’s version of Socialist Realism . American art were being laid by a generation of like Paul Gauguin, Pablo Picasso, and Paul He politely told me he thought there were young scholars who came out of Harvard and Klee appropriated and absorbed the aesthetics more important artists for me to study . So had written their dissertations on eighteenth- and mystique of African and Oceanic art . I did not begin my own revisionist study of and nineteenth-century American painting He was sympathetic to my wanting to write Grant Wood until after I had my Ph .D . in and sculpture under the tutelage of Benjamin about pre-1945 American modernism, saying hand . With a touch of irony, I published my Rowland . Rowland was a scholar of Asian art on a couple of occasions that if students first essay on the artist in a JansonFestshrift . and as something of a hobby gave courses on could research secondary and tertiary Italian American art . His doctoral students went off to Renaissance artists, I could study the work There were others who helped along the way . teach the history of American Art at Barnard/ of artists like John Sloan, Charles Sheeler I wrote my first paper and my MA thesis on Columbia (Barbara Novak), Dartmouth (John and Charles Demuth . He also approved my American art under Colin Eisler who directed Wilmerding), Delaware (William Homer), Yale plan to make nineteenth-century American the Museum Certification Program in which (Jules Prown), and the City University of New literature my related minor and I took a I was also enrolled . We were required to write York (Willian Gerdts) but the Institute never sequence of courses from English Department on some aspect of museology, and I wrote on hired any one of these Americanist pioneers . faculty at Washington Square College; one of the first collectors and exhibitions of American The prevailing view at the Institute was that those professors sat on my orals committee . vernacular art, work that then was called American art before 1945 was provincial; it My major field of study was European and American “primitive,” “folk” or “naïve” art . I was better to study the European masters from American art from 1780 to the present and came to that topic through a personal event . whom American artists learned . Goldwater saw to it that I received a few My parents had restored and furnished a 1832 questions during my orals about American Greek Revival Connecticut mansion and had Students wanting to study American art art . I remember his showing a slide of an early come upon two “folk” portraits of a husband in the 1960s had to self-tutor themselves John Singleton Copley portrait and asking me and wife that they hung in the formal rooms of through reading courses and independent how one would know it was a work from the the house . Visiting on a house tour, Reginald study . I muddled through as did a few other New World . In those days, the Americanness French, a romance language professor from Institute students at the time: Patricia Hills of American art was much debated and Amherst, identified the two unsigned portraits and Donald Keyes were part of my cohort, and Goldwater was interested in the debate . as the work of Erastus Salisbury Field about David Sokol and Maribelle Mann were not far whom almost nothing was known . French behind, all becoming recognized as curators, Peter Janson also helped me craft my program . went on to pull together Field’s life story and scholars, and teachers in American art . I took at least one, maybe two, independent organize the first exhibition of his work at Personally, I depended a great deal on advice studies courses with him . Because Janson the Connecticut Historical Society . When I and counsel from Professor had written two essays on the American saw the exhibition, I was deeply impressed who himself had pioneered in opening up Regionalists, I naively thought he might be by the traditional skills of connoisseurship the field of “modern art” while in graduate sympathetic to my writing a paper on Grant and stylistic analysis French had brought to school at Harvard studying under Richard Wood, whom he knew from his first teaching his project . This was my first introduction Offner, a specialist in Florentine renaissance position at the University of Iowa . To the to itinerant art in mid-nineteenth-century

10 continued on page 13 Getting Started Becoming a Latin Americanist at the IFA

by Ilona Katzew (IFA ’00) Egbert Haverkamp- Begemman, to gain When I arrived in New York in the fall of a better sense of 1990 I was literally dizzy with excitement . larger artistic trends The city was filled with everything a young that I could connect art historian could possibly dream about . back to my “crypto” With the Met right across the street, my visits interest in Spanish were constant, and each one was filled with colonial art . magical anticipation: I was fascinated by the Amasis painter vases in the Greek and Roman Things were galleries, the Byzantine and Visigothic jewelry slightly different (back then I was partial to belt buckles!), the when it came to Parmigianinos in the European paintings Latin American galleries, and just about everything else . I modernism . Edward had the same feeling of wondrous vertigo at J . Sullivan, who Ilona Katzew’s exhibition Contested Vision in the Spanish Colonial World at the Institute when I first saw a pocket-sized taught downtown LACMA November 6, 2011— January 29, 2012 book listing all the courses . I wanted to study at the time, everything, and luckily we were required to occasionally offered courses in a field that Latin America and writing about their work . I try out classes in many areas . I was especially he himself helped pioneer on this side of the also worked at the Americas Society, the only inspired by the late Dietrich von Bothmer, border . He talked about the importance of exhibition space in town that was constantly who allowed his students to “play” with traveling to Latin America and buying books, presenting Latin American exhibitions from ancient shards in his office at the Met in an all the books that you could possibly get your ancient to contemporary . It was there that effort to teach us how to look (and I confess hands on because, he would stress, they were I was able to make my curatorial debut in that I was one step away – well, maybe two – not readily available in local libraries . And 1996 – still as a graduate student – with my from making Greek art my major) . Linda Nochlin and Robert s . Lubar allowed exhibition New World Orders . When Holland me to use their seminars on impressionism/ Cotter from the New York Times reviewed But having grown up in Mexico City postimpressionism and Spanish modernism it, he was enthusiastic and used the word and studied Latin American history and as platforms to explore the work of Latin “offbeat” to describe it . I remember this well, literature as an undergraduate, I was also American modernists . I wrote papers on because it was one of those “aha! moments” starved for classes in an area that I hardly saw the enigmatic Venezuelan artist Armando when I realized that a field that made perfect represented in the course booklet . My first Reverón (I suppose he could be considered sense to me to study was largely on the edges year at the Institute coincided with a visiting an “impressionist”), on exiled Spanish and of art history, and that pushing it to the center professorship of Clara Bargellini, a specialist European surrealists in Mexico, and Latin (calling more attention to it, really) would in colonial Mexican art from the Insitituto American nationalism . It soon became clear take some doing . But the art was great and de Investigaciones Estéticas (Universidad that, if I was going to make Latin American art deserved to be understood within the larger Nacional Autónoma de México) . It was a an area of focus, it would be through the lens panorama of art history . Getting younger golden opportunity to write my first paper on of modernism . So I took my orals in European scholars interested in the field was one, and a strange series of paintings depicting racial and Latin American modernism and then wrote perhaps the most important, way to do this . mixing that I had just seen in a museum in my dissertation on eighteenth-century casta Studying and actively publishing the material Mexico City . Known as casta paintings, these painting . I found my way through archives in in mainstream publications was another . And eighteenth-century works were as much about Mexico and Europe by talking primarily to building collections and planning exhibitions art as history, and they were the ideal point historians, as they had more experience in the of “offbeat” and not so “offbeat” topics of entry into a field that has since become field and much sage advice to offer . anymore (which I am fortunate to do at the my lifelong passion . Clara also pushed me Los Angeles County Museum of Art, where to give a paper at a conference organized by That was the best I could do to paste it all I am building the first collection of Spanish the Instituto in Zacatecas (Mexico) in 1992, together at a time when there was no Latin colonial art and enhancing the modern and a conference which became a landmark in American major at the ifa . The rest I did contemporary holdings) was yet another the field of Latin American art: that is where through the amazing resources in the city: critical avenue to making the art, and by many of us met for the first time, new ideas going to galleries, connecting with colleagues extension the field, more widely visible and were discussed, and lifelong friendships were from other institutions (Diana Fane, the accessible . It is truly rewarding to see how the forged . But aside from Clara’s class there was curator of Converging at the field has grown since those days at the ifa . nothing . So I found myself attending Jonathan Brooklyn Museum, was especially inspiring), But there’s still much, much more to be done, Brown’s and Robert Rosenblum’s lectures, and the folks at the Hispanic Society of America, and that is truly the exciting part . having long conversations with and meeting artists from all over continued on page 13 11 Remembrance: A. Richard Turner

by John M. Hunisak (IFA ’69) Dick’s achievement as an administrator was so extraordinary that it tended to overshadow I first met a . Richard Turner in the Oak his academic stature, which was nevertheless Room of the Duke mansion, a full decade remarkable . His obituaries have rightly before he became director of the Institute stressed Inventing Leonardo (Alfred a . of Fine Arts . At the time, he was chair of Knopf, 1993) as his most important work the Art Department at Middlebury College, of scholarship . With exceptional skill and searching for a junior colleague . On a subtlety, he wove the intricate historical web Saturday morning, he had scheduled a half- of Leonardo’s shifting and elusive reputation hour interview that lasted for three . He from the sixteenth to the twentieth centuries . invited me to Vermont, and after a weekend visit to Middlebury, offered me the job . My I was honored to collaborate with him and life changed, permanently and dramatically, as Glenn M . Andres on The Art of Florence, a a result of meeting Dick Turner . Clearly, he two-volume, 1312-page behemoth with over was a man of action, who analyzed situations eight hundred superlative illustrations in color quickly and trusted his instincts . I very much and many more in black and white (Abbeville wanted to work for him . Press, 1988; English, Italian, French, and Japanese editions) . Dick wrote all the essays One needed no more than a few minutes Richard Turner, 1932-2011 on painting, covering the period 1300-1600 . in Dick’s presence to realize that he was an This kind of publication demands the re- extraordinary individual: fully in charge, attended every one of my lectures for the telling of oft-covered material, interspersed supremely confident, and definitely larger than “introduction to art history” course, always with interpretative and personal insights . life . He had been born, raised, and educated discussing content and presentation afterward, Dick’s writing is admirably, eminently clear on the east coast, earning his undergraduate often over a two-martini lunch . His and readable, but never predictable . He and graduate degrees at Princeton . Academic generosity, both personal and professional, was was an expert at conveying knowledgeable and personal traits melded seamlessly . incomparable . interpretation with mastery and elegance, plus Infectious good humor radiated from him, clarity, originality, and perspicacity . and he was a man of many passions . Higher Dick told me that he did not intend to stay education, the history of art, and effective very long at Middlebury, despite his obvious Dick was a brilliant administrator and scholar, communication occupied his mental apex, but affection for the place . At that point in remarkably consistent in his passions and birding was up there, too . He kept binoculars his career, always restless, he craved new priorities . He was an expert conversationalist, and a camera very near to his desk at all challenges . Indeed, by the fall of 1975 he always animated and witty . He could instantly times . Once, I remember the phone ringing had left Middlebury to accept the presidency shift gears from intense seriousness in order to and Dick abruptly ending a conversation of Grinnell College in Iowa . By the fall of deliver an unexpected, mischievous mot and dashing from the building . A rare bird 1979 he was back on the east coast . For the that perfectly encapsulated a situation . He had been sighted not far from campus; Dick next twenty-one years, he was a formidable had a long-standing reputation as an inspired had no intention of missing that unique presence at New York University, first as teacher, who filled lecture halls to capacity . I opportunity . Director of the Institute of Fine Arts, then remember hearing students at Middlebury Dean of the Faculty of Arts and Science, and tease him about his initials, ART; Dick seemed I know of no other mentorship that equaled Director of New York University’s Institute to take special pleasure in the fact that his his during my first year of teaching . By the of the Humanities . After retiring in 2000, he given name and chosen profession were so time I arrived at Middlebury, he had become and his wife Jane moved permanently to Cape inextricably intertwined . As teacher and Dean of the Faculty, as well as chair of the Art May Court House, New Jersey, where they scholar, author and administrator, he served Department, and the demands on his time had maintained a home from the beginning of art with fullness, vitality, and unswerving were overwhelming . Nevertheless, he his association with NYu . commitment . We have lost a great man .

12 Remembrance: Annette Kuhn

in which students presented work in progress the Sag Harbor Express explained last spring, in the basement seminar room without any her “Parents Column…characteristically, less faculty members attending . For another encouraged parents to parent than to take conference she organized on Sex in Art – their children to the exciting and varied arts still a daring undertaking at the time – such events the city offered .” She continued with luminaries as Joseph Campbell, Leo Steinberg the Voice after she left the Institute, with a and Richard Brilliant came to speak . After column called “ Shock” that focused Richard Nixon invaded Cambodia in 1969, on the latest things in the art world . One the National Guard shot students at Kent column from late October 1975 has lots about State, draft deferments for graduate students Jeffrey Deitch who was then an unassuming were revoked and protests were organized 23 years old curating his first show, “Lives,” an from Berkeley to Columbia, it became independent effort at the Fine Arts Building the task of these officers to present student in Tribeca . As the Executive Director of the demands to the Administration . After much New York City Art Commission in the 1970’s to-do, the IFA was shut down and a banner and 1980’s Annette supervised the review hung from the second floor balcony of the of permanent works of art, architecture and Annette Kuhn, 1945-2012 Duke mansion that gave visible presence to landscape architecture proposed on or over our involvement . city-owned property, and the care of the city’s extensive public art collections . Beyond these by Marie Tanner (IFA ’76) Although Annette’s field was Near Eastern, duties she was a supportive voice for New she contributed to Staale Sinding-Larsen’s York City artists and a vocal advocate of the Annette Kuhn began studies at the Institute in study of imagery at the Ducal in city program in which artists were offered the the Fall of 1967 . In 1968 she helped draft a Venice; and she appears as a co-author of his opportunity to rehabilitate and eventually slate for the Student Officers, which consisted fundamental book, Christ in the Council Hall . own city-owned abandoned properties . From of Chuck Little, Marie Tanner and herself . Her interests extended to contemporary art, 1985-1987 Annette was the Director of the Among the accomplishments during her too . During her student years she wrote a New York Studio School . We will miss her; tenure was the creation of an Infant Academy, column for children for the Village Voice . As she had a vibrant, inspiring personality .

Getting Started The (Non) History of American Art at the Institute (Continued)

America and precipitated my desire to research classicist, taught at Washington Square College a painting by an artist that no one in the artists born in this country . Colin Eisler was where she dedicated a course to the history academy cared about at the time deeply my advisor for a museum seminar paper and of American art . I taught that course for her impressed me and gave me further incentive subsequently an MA thesis on The Return in 1966 when she was on sabbatical, and she to stay the course and do my bit to bring of the Native: The Development of Interest in and Milton became informal mentors and Steinbergian dignity and purpose to the study American Primitive Painting. wonderful friends . of American masters .

I must also mention the inspirational presence Leo Steinberg, then teaching at Hunter Today the Institute has an internationally in New York during the 1960s of Milton College, gave occasional public lectures in recognized graduate program in Latin and Blanche Brown and Leo Steinberg, all Manhattan and I, like other students, would American art but still no fulltime faculty of whom had done their graduate study at travel to hear him, regardless of what he was dedicated to historic art of the United States . the Institute in earlier years . Milton had self- talking about . One time, at the Metropolitan Given that the Metropolitan Museum across tutored himself in the history of American Museum, he brilliantly lectured on The the street has one of the greatest collections of art, published major studies on American Crucifixion by Thomas Eakins, an American American art in the world, I have long hoped modernism and the Armory Show and set up master I knew by name but had never studied that the Institute would commit to training the a graduate program at CUNY with a major nor been taught . The reach of Steinberg’s next generation of Americanists . emphasis on American Art . His wife Blanche, a scholarship and his independent reading of

13 The IFA Alumni Association awards for Summer 2011:

Pinar Gokpinar - A doctoral candidate AnneMarie Perl - Dissertation level doctoral Laura Leaper - Dissertation level doctoral working with Priscilla Soucek and Finbarr student working with Linda Nochlin on a candidate working with Jonathan Brown on Barry Flood on issues of the ways in which study of George Mathieu and Yves Klein, “Fray Deigo de Valades, Rhetorica Christiana: architectural and urban spaces were generated Cold War artist-showmen . Award made to forming an image of New Spain .” Award and understood through the lenses of socio- travel to Paris to meet and interview George made to travel to the libraries of Tulane, cultural research in and . In order Mathieu, who has never been the subject of Harvard and Yale Universities in order to to prepare for archival research, Ottoman a dissertation, over a two week period and examine various editions of Diego de Valades’s Turkish and Persian languages are mandated . to obtain access to papers currently in his Rhetorica Christiana, the subject of her Award made for six weeks in Tehran to possession . dissertation . undertake intensive Persian classes at the Dehkhoda Institute . Berit Potter - Dissertation level doctoral Deanna Sheward - Dissertation level doctoral candidate working with Thomas Crow candidate working with Jean-Louis Cohen Lihong Liu - Dissertation level doctoral and Edward Sullivan on the role of Grace on the architecture of the American atomic student supervised by Jonathan Hay on a McCann Morley, the founding director of defense program during World War II for dissertation focusing on the late work of the San Fransisco Museum of Modern Art, in her dissertation: “Building for the Bomb: Wen Zhengming and its connections to the establishing early collections and exhibitions Monumentality and the Manhattan Project .” art community of the Lower Yangtze Delta of modern Latin American art in the United Award made for twelve weeks in College Park, Region in the mid-16th century in . States . Award made for three weeks of research Maryland, where she consulted the Manhattan Award made to travel for nine weeks to at the archives of the Cincinnati Art Museum Project archives, the Office for Scientific Chicago, San Fransciso, San Diego, Seattle in Paris where Grace Morley began her career . Research and Development Archives, the and Honolulu to see original Wen artworks Army Corps of Engineer Archives, and the which are in US museums and collections but Leslie r . Groves papers . have not been published . Lihong carefully examined longscroll paintings and albums that can only be fully experienced in person .

14 IFA students who have won outside fellowships for 2011-2012

Fellowships granted by outside foundations, museums, research institutes, and universities redound greatly to a student’s scholarly and professional benefit and credit . The IFA expects students to apply for outside funding and supports their applications with workshops and faculty advice .

Joseph Ackley Lauren Jacobi Iraida Rodriguez-Negron Deutscher Akademischer Austausch Dienst Morgan Library and Museum Drawing The Meadows/Kress Prado Fellowship, (DAAD) Germany Research Fellowship; Institute Fellowship Meadows Museum, SMU NYU Global Research Initiative Fellowship in Berlin Cindy Kang Christina Rosenberger Theodore Rousseau Fellowship, The Sylvan C . and Pamela C . Coleman Memorial Jennifer Babcock Metropolitan Museum of Art; Fellowship, The Metropolitan Museum of Art Terrace Research Associate, Museum of Fine Harriett a . Shaw Fellowship, Wellesley Arts Boston College; Ileana Selejan Bourse Chateaubriand Fellowship, The Dissertation Fellowship, Harry Ransom Luis Castañeda Embassy of (Declined) Center, University of Texas at Austin Graduate Research Fellowship Humanities Initiative, NYU (Declined) Rachel Kaplan Blanca Serrano Predoctoral Summer Fellowship, Graduate La Caixa Foundation Fellowship Liam Considine School of Arts and Science, NYU Sara Roby Fellow in Twentieth Century Sophie Scully American Realism, Smithsonian American Art Lihong Liu Dedalus Foundation Fellowship for Museum Research Grant, The Metropolitan Center Conservation of Contemporary Art for Far Eastern Art Studies Hosami Museum, Grace Dingledine Kyoto Julia Sybalsky NYU Global Research Initiative Fellowship in Conservation Fellowship American Museum London Caitlin McKenna of Natural History Tuition Fellowship, Art, Space & Mobility in Rachel Federman the Early Ages of Program, Max Elizabeth Williams Library Research Grant The Getty Foundation Planck Kunsthistorisches Institute in Florence Stiftung Preussischer Kulturbesitz Scholarship, Staatliche Museen, Berlin; Kara Fiedorek Sarah Montross Jane and Morgan Whitney Fellowship, The Kosciuszko Foundation Scholarship Vassar Alumni Fellowship; Metropolitan Museum of Art National Gallery of Art Summer Internship Ana Franco Kathryn Wysocki Pinta Travel Fellowship to Paris Lelia Packer Deutscher Akademischer Austausch Dienst Dean’s Dissertation Fellowship, Graduate (DAAD) Ethnographic Museum in Germany; Maryl Gensheimer School of Arts and Science, NYU PEOScholar Award; Lemmermann Foundation Fellowship for AAUW American Fellowship Study in Rome Jeongho Park Theodore Rousseau Fellowship, The Allison Young Galia Halpern Metropolitan Museum of Art Robert Holmes Travel/Research Award for Research Fellowship Max Planck African Scholarship, Graduate School of Arts Kunsthisorisches Institute in Florence; Maggie Popkin and Science, NYU J .B .Harley Research Fellowship in the History Memoria Romana International Doctoral of Cartography Fellowship, Max Planck Institute

Nicholas Herman Claire Rifelj Theodore Rousseau Fellowship, The Henry Luce Foundation/ACLS Dissertation Metropolitan Museum of Art Fellowship in American Art

Amanda Herrin Francisco Rodriguez-Chaparro Samuel H . Kress Institutional Fellowship Fulbright Fellowship

15 Doctors of Philosophy conferred in 2011-2012

Qamar Adamjee Lauren Jacobi Heather McCarthy “Strategies for Visual Narration in the “The Topography of Money: The Architecture “Queenship, Cosmography, and Regeneration: Illustrated Chandayan Manuscripts” and Urbanism of Banks in Renaissance ” The Decorative Programs and Architecture of Sponsor: Priscilla Soucek Sponsor: Marvin Trachtenberg Ramesside Royal Women’s Tombs” Sponsor: David O’Connor Guendalina Ajello Danielle Johnson “Afterlives: The Reuse, Adaptation and “Salvador Dalí and René Magritte, 1928- Adele Nelson Transformation of Rome’s Ancient Theaters” 1938” “The Monumental and the Ephemeral: Sponsor: Marvin Trachtenberg Sponsor: Robert Lubar The São Paulo Bienal and the Emergence of Abstraction in Brazil, 1946-1954” Vanessa Davidson Ronda Kasl Sponsor: Edward Sullivan “Paulo Bruscky and Edgardo Antonio Vigo: “The Making of Hispano-Flemish Style: Art, Pioneers in Alternative Communication Commerce, and Politics in Fifteenth-Century Maggie Popkin Networks, Conceptualism, and Performance Castile” “The Triumphal Route in Republican and (1960s-1980s)” Sponsor: Egbert Haverkamp-Begemann Imperial Rome: Architecture, Experience, and Sponsor: Edward Sullivan Memory” Yulin Lee Sponsor: Katherine Welch Isabel Fowlkes “Strategies of Spatialization in the “The Cults of Syrian-Phoenician Contemporary Art Museum: An Exploratory Jennifer Udell in Rome: Archaeology, Topography, and Study of New Museums of Contemporary Art “Times of Day and Times of Year on Athenian Connections to the Roman East” in ” Vases” Sponsor: Clemente Marconi Sponsor: Jean-Louis Cohen Sponsor: Clemente Marconi

Casey Gardonio-Foate Niria Leyva-Gutierrez Jessica Veith “Professional Women Artists of Iberia’s “Painting Power: Images of Ecclesiastical “Memorializing the Past: Jan de Bray and Golden Age: Careers in Context” Authority in Seventeenth-Century New Spain” the Construction of Identity in Seventeenth- Sponsor: Jonathan Brown Sponsor: Jonathan Brown Century Haarlem” Sponsor: Mariët Westermann Sarah Graff Sarah Madole “Humbaba/Huwawa” “Innovation and Identity on Mythological Sponsor: Katherine Welch Frieze Sarcophagi from Roman Asia Minor” Sponsor: Katherine Welch Karen Hung “Carved Elegance: Hans Thoman, German Michele Matteini Renaissance Sculptor” “Painting in the Age of Evidential Scholarship Sponsor: Colin Eisler (Kaozheng): Luo Ping’s Late Years, ca . 1770- 1799” Spnsor: Jonathan Hay

16 Alumni Updates

Conservation ...... 17 Jennifer Perry Lectures: Co-Organizer of the international MA and Conservation Certificate 1993 conference, “Modern and Contemporary Mural Asian Art...... 18 Mailing Address: Department of Asian Art Paintings: Technique, Value and Conservation,” The Metropolitan Museum of Art MCMP-2012, Universidad Politécnica de Valencia, Islamic Art...... 18 1000 Fifth Ave ., New York, NY 10028 Spain, 2012; Speaker, “Una introducción a la Email Address: Jennifer .Perry@metmuseum .org preservación de murales contemporáneos,” Facultad Ancient Near Eastern, Greek & Roman Art. . . 19 Latest Position: Conservator, Department of Asian de Bellas Artes masters’ program of the Universidad Art de Barcelona, Spain, 2012; Speaker, “An Early Christian to Medieval Art...... 20 Lectures & Presentations: ‘It’s More Than a Introduction to the Conservation of Contemporary Picture: The Structure of a Japanese Painting,’ Murals,” Cologne Institute for Conservation Renaissance to 18th Century Art ...... 21 symposium, ‘The Art of Ito Jakuchu,’ National Sciences (CICS), Cologne University of Applied Gallery of Art Center for Advanced Study in the Sciences, Cologne, Germany, 2011; Speaker, 19th Century, Modern & Contemporary Art. . 24 Visual Arts and The Freer Gallery of Art and “Rescuing Keith Haring’s ‘Tuttomondo,’” Villa Arthur M . Sackler Gallery Smithsonian Institution, La Pietra, Florence, Italy, 2011; Speaker, “Caring 2012 . for Contemporary Murals,” a presentation to mural conservators of Denmark, Royal Danish Rebecca Anne Rushfield Academy of Fine Arts, Copenhagen, Denmark, MA and Conservation Certificate, 1980 2011; Speaker, “American Communities and their Mailing Address: 66-10 149th Street, #4C, Murals,” the national meeting of the National Trust Flushing NY 11367 for Historic Preservation, Austin, Texas, USA, Email Address: wittert@juno .com 2010 . Conservation Publications: Editor, Conservation of Easel Paintings: Principles and Practice, Joyce Hill Stoner Kristi Dahm a 79-author guide to the history, philosophy MA1970, Certificate in MA and Conservation Certificate, 2002 and methods of treatment of easel paintings, Conservation 1973 Mailing Address: The Art Institute of Chicago Butterworth-Heinemann, forthcoming Autumn Mailing Address: Department of Prints and Drawings 2012 5105 Kennett Pike, 111 s . Michigan Avenue Winterthur, DE 19735 Chicago, IL 60303 Paul Schwartzbaum Email Address: Email Address: kdahm@artic .edu MA and Conservation Certificate, 1972 jhstoner@udel .edu Publications: John Marin’s Watercolors: A Medium Mailing Address: Peggy Guggenheim Collection, Latest Position: for Modernism, Martha Tedeschi with Kristi Dahm, Palazzo Vernier dei Leoni, Dorsoduro 701 Venice Edward f . and Elizabeth Goodman Rosenberg The Art Institute of Chicago, 2010 . Italy Professor of , University of Lectures: “Playing Around with Paint, John E-mail Address: paulvenice1@gmail .com Delaware Marin’s Evolving Watercolor Technique,” The High Latest Position: Chief Conservator Peggy Publications: Conservation of Easel Paintings, Museum, Atlanta, 2011 Guggenheim Collection Taylor and Francis, eds . Joyce Hill Stoner and Honors & Awards: John Marin’s Watercolors: A Senior Technical Advisor/ Conservator for Museum Rebecca Rushfield, forthcoming 2012 Medium for Modernism, nominated, American Construction and Overseas Exhibitions, Solomon Lectures & Presentations: Passing the Brush: Association of Museum Curators annual Award for r . Guggenheim Foundation Three Generations of Wyeth Painters, Bismarck Excellence Honors & Awards: Awarded Doctor Honoris Foundation, Paris; Andrew Wyeth: The Messages of Projects: Scholarly Catalog of Picasso Paintings, Causa, the University ofArt and Design Cluj- the Medium, Wadsworth Atheneum Sculpture and Drawings at the Art Institute of Napoca, Romania in recognition of a career in Honors & Awards: 2011 College Art Association Chicago conservation, 2011 . and Heritage Preservation Award for Distinction in Future Projects: Retirement November 2012 Scholarship and Conservation; American Institute Eric Gordon for Conservation for outstanding contributions to MA and Conservation Certificate 1980 Will Shank the field of paintings conservation . Mailing Address: 600 North Charles St ., MA 1981, Conservation Certificate 1982 Future Projects: Wyeth Vertigo, exhibition, Baltimore, MD 21201 Mailing Address: Calle Ample 17 - 19 Shelburne Museum, 2013 Email Address: egordon@thewalters .org Principal 2 Latest Position: Head of Painting Conservation, 08002 Barcelona, Spain Lindsey Tyne The Walters Art Museum Email Address: willshank@earthlink .net MA and Conservation Certificate 2010 Publications: New Eyes on America: the Genius Website: www .willshank .net Mailing Address: Thaw Conservation Center, The of Richard Caton Woodville, “Painting America”- Latest Position: Freelance conservator and curator Morgan Library & Museum chapter on the development of Woodville’s painting Publications: Co-Author, with Antonio Rava et 225 Madison Avenue technique and technical entries, forthcoming 2013 . al, “Keith Haring in Pisa: Cleaning and Protection New York, NY 10016 Lectures & Presentations: “The Elusive Richard of an Acrylic Outdoor Painting,” postprints from Email Address: ltyne@themorgan .org Caton Woodville: Painting America,” University of the symposium “Conservation of Colour in 20th- Latest Position: Assistant Paper Conservator, Delaware, Winterthur . Century Architecture,” Lugano, Switzerland, 2012; Thaw Conservation Center, The Morgan Library Honors & Awards: Craig Hugh Smyth Fellowship, “It’s time to compromise over Haring’s mural,” The & Museum I Tatti, , Florence, 2012 Art Newspaper, February 2012; “Recognizing and Future Projects: researching the Walters Art Protecting America’s Public Murals,” Journal of the Museum’s The Ideal City panel painting National Trust for Historic Preservation, 2011 .

17 Alumni Updates Continued

Asian Art Future Projects: Art After War and Cultural Encyclopaedia of , 2011; “The Safavid Empire Trauma: Cambodia, , Tibet and Outer of Persia: ‘The Padshah of the Inhabited Quarter of Rosina Buckland the Globe,’ in The Great Empires of Asia, edited by PhD 2008 Jim Masselos, The University of California Press, S TEPHANIE S TOKES Mailing Address: 128/7 Viewforth, Edinburgh Stephanie Stokes ELEGANT ROOMS 2010; “Thoughts of a Painting; Reza Derakhshani THAT WORK MA 1980 FANTASY AND FUNCTION IN I NTERIOR D ESIGN in Retrospective View,” in Reza Derakshani; EH10 4LN, ELEGANT ROOMS THAT WORK F ANTASY AND FUN C T I ON I N INTERIO R DE S I GN

Stephanie Stokes with Jorge S. Arango Foreword by Xavier Guerrand-Hermès Mailing Address: Principal photography by Michel Arnaud Selected Works, Geneva: Patrick Cramer Publisher, Email Address: rosina .buckland@gmail .com Rizzoli International Publications, Inc.  Park Avenue South New York, NY  www.rizzoliusa.com

: ---- 470 Park Avenue, . 2010; “Visual Vestiges of Travel: Persian Windows Latest Position: Senior Curator (Japan), National Can.: ., U.K.: £ . Hardcover, ¼ x ¾ inches  pages  full color illustrations Rights: World Apartment 11C, For serial rights, images to accompany your coverage, or any other publicity on European Weaknesses,” Journal of Early Museum of Scotland information about this title please contact: Pam Sommers, Publicity Director, T. () - , [email protected] Publications: “Painting Nature for the Nation: New York, NY 10022 Modern History, 2009; “ xi . Monuments .” Taki Katei and the Challenge to Email Address: Encyclopaedia Iranica, 2007; “The Ali Qapu

Foreword by Culture in Meiji Japan,” forthcoming, Brill; “The stephaniestokes@aol .com, XAVIER G UERRAND-H ERMÈS Palace .” Encyclopaedia of Islam, 2007; “In the Eye of fate of shunga in the Meiji era,” Japan Review, stephanie@stephaniestokesinc .com the Storm: Visualizing the Qajar Axis of Kingship,” forthcoming Latest Position: President, Stephanie Stokes Inc ., in l . Komaroff, ed ., Pearls from Water, Rubies from Future Projects: Special exhibition of Japanese Interior Design Stone: Studies in Islamic Art in Honor of Priscilla woodblock prints from the National Museum of Publications: Elegant Rooms that Work: Fantasy & Soucek, Artibus Asiae (2006) . Scotland Function in Interior Design, Rizzoli, forthcoming Lectures: “Urban baroque and European town 2013 . views of Isfahan and Istanbul,” at the Biennial Patricia Eichenbaum Karetzky Honors and awards: Has published in more Conference of the International Society of Iranian PhD 1979 than 50 magazines, including Architecture Digest Studies, Istanbul . 2012; “Nadir ’s Delhi Loot Mailing Address: 150 East 69th St # 10N and Traditional Home; and appeared on television and the Eighteenth-century Exotics of Empire,” New York NY 10021 shows, including HGTV with Chris Madden . Bard Graduate Center in Decorative Arts, New Email Address: karetzky@bard .edu Named by House Beautiful to their list of the Top York, 2012; “On orientalisms,” keynote speech, Website: www .karetzky .com 100 Designers several times and received HB’s symposium Orient und Okzident im Licht des Latest Position: o . Munsterberg Chair of Asian “Kitchen of the Month” award, 2008 . Anderen, Flaubert-Zentrum, Ludwig-Maximilian Art, Bard College Future projects: Book tour; additional projects in University, Munich, 2011; “Echoes of Isfahan in Publications: “Xu Yong’s This Face” Yishu, 2011; New York City, Washington, DC, and Annapolis . Aleppo; and Mercantile Houses th “Bomu: Don’t Fence Me In” Yishu, 2011; “Zhang in the17 -century,” 7th European Conference of O’s Recent Work” Yishu, 2011; “Gao Yuan’s Iranian Studies, Cracow, , 2011; “(Con) ‘Precious Little Angel’” n.paradoxa, Jan 2011 . Islamic Art Figuring Sociability: The European Body in Exhibitions: “Contemporary Chinese Christian Persian Painting (17th c),” conference Corpus Art” Woods Studio, Bard College Annandale on the Sussan Babaie fictum: Soziale Imaginationen des Körpers in der Hudson, 2011 . PhD 1994 Bildfigur der Frühen Neuzeit, Ludwig-Maximilian Lectures & Presentations: “The Image of the Mailing Address: University, Munich, 2011; “The Aleppo Zimmer Winged Celestial and Its Travels Along the Silk Elisabethstrasse 44, (Berlin) and Other Lonely Places; Transcultural Road -- on the Silk Road II”, XVIth 80796 Munich, Germany Networks and Mercantile Houses in 17th-century Congress of the International Association of Email Address: Persia and ,” Museum of Islamic Art, Buddhist Studies, Dharma Drum Buddhist sbabaie@mac .com Pergamonmuseum, Berlin, 2011; “The Problem College, Jinshan, Taiwan, 2011; “Contemporary Latest Position: of History in Contemporary Arts from the Middle Female Artists Whose Art Employs Themes Related Visiting Professor, Institute for Art History, East,”conference Crossing Cultural Spaces: Islam to Daoism,”7th International Conference on Ludwig-Maximilian University, Munich, 2010- and the West in the Arts and Sciences, University Daoist Studies, Nanyue Changsha, 2011 . 2012 of Minnesota, Minneapolis, MN, 2011; “Urban Lecturer in Asian arts, The Courtauld Institute of Dramas, Daily Lives: 17th-century Isfahan and Ann Wood Norton Art, London, appointment starts Autumn 2013 Istanbul,” symposium “El poder de la imagen: MA 1964, PhD 1981 Publications: Isfahan and its : Statecraft, retratos de la ciudad barroca,” Universidad Mailing Address: 4 Kenilworth Way, Pawtucket, Shi‘ism and the Architecture of Conviviality in Early Internacional Menéndez-Pelayo (UIMP) and RI 02860 Modern Iran, Edinburgh: University of Edinburgh la Escuela de Barroco Fundación Focus-Abengoa, Email Address: anorton@providence .edu Press, 2008; Slaves of the Shah: New Elites of Seville, Spain, 2010; “The Aesthetics of ; Latest Position: Professor of Humanities in Art , co-editor and co-author, London, i .B . Debating and Islam in Contemporary History, Providence College/Jungian Psychoanalyst Tauris, 2004; Persian Drawings in the Metropolitan Arts,” in The Other in Near Eastern and Jewish in private practice Museum of Art, with Marie Lukens Swietochowski, Studies, Interdisciplinary Symposium of the Publications: “The Spirit of Afghanistan: Tradition New York, Metropolitan Museum of Art, 1989; Allianz Visiting Professors and their Munich and Renewal through the Arts” in Education About “Frontiers of visual taboo: painted ‘indecencies’ in Colleagues, Munich, Germany, 2010; “Curators Asia, Association for Asian Studies Isfahan” in Images of Desire: On the Erotic and the of Ideas: Urban Interventions and the Pursuit of Exhibitions: “Mongol Visions: Winged Horses Sensual in Islamic Art, edited by Francesca Leoni Novelty,” Deutsche Orientalisten Conference, and Shamanic Skies: Contemporary Masters from and Mika Natif, Ashgate, 2012; “The Islamic Marburg, Germany, 2010; “Problems of History the Land of Chinngis Khaan,” New York, Tibet Palace,” in Treasures of the Aga Khan Museum: in Contemporary Arts from the Middle East,” The House . architecture in Islamic arts, 2012; “Qavam al-Din Townhouse Gallery, Cairo, Egypt, 2010; “Houses Lectures & Presentations: “The Sun, The Shirazi,” The Great Builders, edited by Kenneth and Mercantile Networks: From Isfahan to Cairo Horse, Mongolian and Modern Powell, Thames and Hudson, 2011; “Voices of and Aleppo,” Supreme Council of Antiquities, Psychoanalysis,” Copenhagen Authority: Locating the ‘modern’ in ‘Islamic’ Arts,” Cairo, Egypt, 2010; “Signs of Architectural Getty Research Journal, 2011; “The Chihil Sutun,” Personhood in 15th-century Persianate World,”

18 at the Renaissance Society of America Annual “Reframing Islamic Art for the 21st Century,” Ancient Near Eastern, Conference, Venice, Italy, 2010; “‘Where is the Berkeley CA, 2011; “, Mongolia, and Greek & Roman Art Modern in Post-Modern?’ and other problems in Islamic Art,” San Jose State University, San Jose, contemporary arts from the Middle East,” Invited CA, 2011; “Taq-i Bostan and the Question Beryl Barr-Sharrar lecture, American University in Beirut, Lebanon, of Sasanian Textiles/Sasanian Textiles and MA 1972, PhD 1980 2010; “Anxious Historiographies of ‘Islamic’ Art,” the Question of Taq-i Bostan” (with Johanna Mailing Address: 311 East 72nd Street / 14B, New Getty Research Institute, Los Angeles, CA, 2009 Movassat), San Jose State University, San Jose, York, New York 10021 Honors & Awards: Winner of the 2009 Middle 2009; “The Formation and Transformation of Email Address: bbsharrar@aol .com or beryl .barr . East Studies Association, Houshang Pourshariati Islamic Art in Afghanistan,” Asian Art Museum, sharrar@nyu .edu Iranian Studies Book Award for Isfahan and its San Francisco, 2009 Latest Position: Adjunct Professor of Fine Arts, Palaces: Statecraft, Shi‘ism and the Architecture Institute of Fine Arts, NYU of Conviviality in Early Modern Iran; National Olga Bush Publications: “New Perspectives on the Workshop Endowment for the Humanities Fellowship for PhD 2006 of the Derveni Krater,” in Sailing to Classical Greece. book project “Architectural Cosmopolitanism in Mailing Address: 151 College Ave . Apt . 2 Papers on Greek Art, Archaeology and Epigraphy the Middle East: Houses of 17th- Century Aleppo Poughkeepsie, NY 12603 presented to Petros Themelis, Oxford & Oakville: and Isfahan,” 2012-2013; Tom and Patricia Email Address: olbush@vassar .edu Oxbow, 2011; “The Derveni Krater,” entry in Kennedy Residential Fellowship, School of Art and Latest Position: Visiting Scholar, Kunsthistorisches The Oxford Encyclopedia of Ancient Greece and Art History, University of South Florida, Tampa, Institut-Max-Planck-Institute, Florence, 2011 . Rome, OUP, 2009; “A Plakettenvase from Ancient Florida, 2011; Fulbright Regional Researcher- Publications: “The Art of Spain, North Africa, and Messene,” in KEPMATIA ΦΙΛΙΑΣ . Essays in Scholar Grant, for Egypt and Syria, 2009-2010; the Western Mediterranean” and multiple catalog Honor of Ioannis Touratsoglou, Athens, 2009 . Getty Research Institute, Visiting Scholar, Los entries, Masterpieces from the Department of Lectures & Presentations: “Approaches to Angeles, 2008-2009; Soudavar Foundation book Islamic Art in The Metropolitan Museum of Art, Hellenistic Metalwork,” Greek and Roman Bronzes subvention grant (for Isfahan and its Palaces), New Haven and London: Yale University Press, from the Mediterranean, XVIIth International Bronze Geneva, London and New York, 2007; Office of 2011; “’Designs Always Polychromed or Gilded’: Congress, Izmir, , 2011; “A New Proposal for the Vice President for Research, book subvention The Aesthetics of Color in the Alhambra,” And the Restoration of the Dresden Marble Maenad,” grant (for Slaves of the Shah), University of Diverse Are Their Hues: Color in Islamic Art and Skopas in Paros. Third International Conference on rd Michigan, 2003 Culture, Proceedings of the 3 Biennial Hamad the Archaeology of Paros and the Cyclades, 2010; Future projects: Persian kingship and architecture: bin Khalifa Symposium on Islamic Art, Cordoba, “The Eschatological Iconography of the Derveni Strategies of power in Iran from the Achaemenids to Spain, New Haven and London, Yale University Krater,” in Bronze grecs et romains, recherches the Pahlavis, co-editor (manuscript under contract); Press, 2011 . récentes. Colloque en homage à Claude Rolley, Architectural Mnemonics of the Metropole in the Lectures and Presentations at Conferences: l’Institut National d’Histoire de l’Art, Paris, 2009 . Middle East: Houses of 17th-century Aleppo and “Iberian : From Medieval al- Lecture: “Observations on the Dresden Maenad,” Isfahan (book manuscript in preparation); Tehran, Andalus to Contemporary Andalusia,” Shangri Scuola Normale, Pisa, 2011; “Some Observations in series Cities in World History, Polity Books La, The Doris Duke Foundation, Honolulu, on Copies in the Late Roman Republican Period,” (commissioned manuscript) . Hawai’I, 2011; “Twentieth-Century Architecture Columbia University, 2010 . in Spain: National Identity and the Legacy of Projects: Invited editor, a book on Greek and Carol Bier the Muslim Past,” Pennsylvania State University, Roman luxury arts; a book tentatively entitled MA 1977 New Kensington, 2011; “Prosopopeia: The Gift “Shapes of Hellenistic Luxury . Symposium Ware in Mailing Address: 1608 McGee Avenue, Berkeley, of Tongues, The Tongues of Gifts,” International Gold, Silver and Bronze from Philip II of Macedon CA 94703 symposium in connection with the exhibition Gifts to the End of the Roman Republic .” Email Address: bier .carol@gmail .com of the Sultan: The Arts of Giving at the Islamic Latest Position: Visiting Scholar, Center for Courts, Los Angeles County Museum of Art, 2011; Robert Steven Bianchi Islamic Studies/Graduate Theological Union, “Islamic Art Objects: Recovering Women’s Voices,” MA 1969 Berkeley, CA; Research Associate, The Textile School of Architecture and the Department of Mailing Address: 2034 Barracuda Court Museum, Washington, DC Landscape Architecture, University of Illinois, Holiday, Florida 34691 Publications: 2012: “The Decagonal Tomb Urbana-Champaign, 2012; “What Gifts Have to E-mail Address: thedrbob@verizon .net Tower at Maragha and Its Architectural Context: Say: Islamic Luxury Objects in the Mediterranean Latest position: Conservateur en chef, Fondation Lines of Mathematical Thought,” Nexus Network Context,” Kunsthistorisches Institut-Max-Planck- Gandur pour l’Art/Geneve Journal: Architecture and Mathematics, Torino, Institut, 2012; “Dining at Shangri La: Creation of Lectures & Presentations: International Italy; 2011:”Taking Sides, but Who’s Counting? Architectural Interiors and Collecting Islamic Art Symposium 2012: “Quelques aspects de la The Decagonal Tomb Tower at Maragha,” Bridges in America in the 1930-1960’s,” Kunsthistorisches production artistique de l’Egypte tardive (1069- Coimbra: Mathematics, Music, Art, Architecture, Institut-Max-Planck-Institut, 2012 . 30 avant notre ere), Paris, Institut de France, Culture, ed . r . Sarhangi and C . Sequin; 2011: Honors and Awards: Scholar-in-Residence, “The Nature of Pharaonic Art in the Ptolemaic “From Grid to Projected Grid: Oriental Carpets Shangri La, The Doris Duke Foundation, Period: The so-called Mixed Style and Regionalism and the Development of Linear Perspective,” Textile Honolulu, Hawai’i, 2011 . Revisited” Society of America 2010 Proceedings . Lincoln, NE; Future Projects: Monograph in progress on the 2010:”CarpetMath: Exploring Mathematical Alhambra; essay on Spanish photojournalism on Aspects of Turkmen Carpets,” Journal of contemporary life in North Africa . Mathematics and the Arts, London . Lectures & Presentations: “Qur’an, Amthal, and Geometry on the Iranian Plateau in the 11th and 12th Centuries,” University of California, 2012;

19 Alumni Updates Continued Ancient Near Eastern, Greek & Roman Art

Andrew J. Clark on Jewish Life on the Roman Frontier,” in a book-length of the the MA 1973, PhD 1992 Shofar: An Interdisciplinary Journal of Jewish Studies, freestanding baptismal building in Italy; A study of Mailing Address: 5063 Gloria Ave ., Encino CA Spring 2012 the spatiovisual culture of sovereignty in medieval 91436 north Italy, centered around the patronage of Email Address: andrew .jay .clark@gmail .com Matteo Visconti; Edited journal issue for I Tatti Latest Position: Independent Scholar Early Christian and Medieval Art Studies on the material culture of Italian lordship, Future Project: Attic Black-figured Olpai and 1200-1600 . Oinochoai, Allard Pierson Series, University of Jennifer Ball Amsterdam . PhD 2001 James Morganstern Mailing Address: 312 15th Street, Brooklyn, NY MA 1964 Thomas F. Mathews 11215 Mailing Address: Department of History of Art, MA 1962 Email Address: jennball@mac .com Ohio State University, 215 Pomerene Hall, 1760 Email Address: tfm1@nyu .edu Latest Position: Associate Professor, Brooklyn Neil Ave ., Columbus, Ohio 43210 Latest Position: John Langeloth Loeb Professor College and The Graduate Center, City University Email Address: morganstern .1@osu .edu of the History of Art, emeritus, IFA, NYU; of NY Latest Position: Professor emeritus, Ohio Distinguished Visiting Professor, Center for Publications: Contributor, Byzantium and Islam: State University; consultant, Art graphique et Medieval and Renaissance Studies, UCLA, Spring Age of Transition . Helen C . Evans, ed . with patrimoine; member of scientific committee 2012 Brandie Ratliffe, NY, Metropolitan Museum of Art, for Abbey of Jumièges, Département de Seine- Lectures & Presentations: “Religious 2012 . Maritime in Roman-period Egypt,” Center for the Study of Publications: “Deux réemplois à l’église Notre- , UCLA; “The Christian Cult of Images Stephen Lamia Dame de Jumièges . L’usage de la bretture et de la and the Ancient Votive Tradition,” CMRS, MA 1973 gradine à l’époque préromane”, in Yves Gallet, ed ., UCLA; “Armenian Art on the International Mailing Address: 269 West 72nd Street Ex quadris lapidibus, La pierre et sa mise en œuvre Stage,” Graduate Seminar in Armenian Studies, New York, NY 10023 dans l’art médiéval, Mélanges d’Histoire de l’art UCLA; “The Via Sacra in Constantinople,” Art Email Address: LamiaS@dowling .edu offerts à Eliane Vergnolle, Turnhout, 2012 Department, UCLA; “The Secret of the Gospel Latest Position: Professor of Visual Arts & Honors & Awards: Franklin Research Grant, of King Gagik of Kars,” Friends of Armenian Director of the Honors Program, Dowling College, American Philosophical Society Languages and Culture, UCLA; “New Faces from Oakdale, NY Projects: monographs on Notre-Dame and Saint- Egypt,” The J . Paul Getty Museum, the Getty Lectures & Presentations: “Nostalgia, Memory Pierre at Jumièges Villa; Lecture at the IFA, NYU, “The Portrait of and loca sancta: Romanesque Monuments as Septimius Severus in Berlin .” Macrocosmic Pilgrimage Souvenirs,” University of Doralynn Pines Stirling, Scotland M .a . 1972, Certificate in MuseumT raining, 1972

Eleni Vassilika Eleni Vassilika (Ph .D . Columbia University, 1985) MA 1982, PhD 1989 Areli Marina Mailing Address: 395 Riverside Drive, New York, Mailing Address: DI TOMBALA PhD 2004 NY 10025

Museo Egizio di Torino, KHA Email Address: Email Address: doralynn .pines@gmail .com Via Accademia delle Scienze 6, arelimarina@gmail .com Latest Position: Metropolitan Museum of Art, 10123 Torino, Italy ITALIANO LA TOMBA DI Latest Position: Associate Director for Administration, retired 2009 . A NTICHITÀ F ONDAZIONE E

E-mail Address: GIZIE Assistant Professor, M Currently independent scholar and consultant

USEO DI T

ORINO DELLE eleni .vassilika@museoegizioISBN 978-88-8117-127-9.it SCALA Eleni Vassilika University of Illinois, Honors & Awards: Elected to the Board of the

9 788881 171279 KHA SCALA Latest Position: Director, € 12,00 Urbana-Champaign College Art Association, 2012 . Museo Egizio di Torino Publications: The Italian (Fondazione Museo delle Antichità Egizie di Piazza Transformed: Parma in the Communal Age, Mary Schaefer Torino), since 2005 . University Park, PA: Pennsylvania State University MA 1962 Publications: Superguida dell’Antico Egitto, Press, 2012; “From the Myth to the Margins: Ph .D . Liturgical Studies, University of Notre Dame Florence, Scala Group, forthcoming 2012 (for The Patriarch’s Piazza at San Pietro di Castello in Mailing Address: 3-5419 Portland Place Halifax, young visitors); The Tomb of Kha, Florence, Scala Venice,” Renaissance Quarterly, 2011 . Nova Scotia Canada B3K 1A2 Group, 2010 (also available in Italian and French); Lectures: “The Construction of Courtliness in Italy Email Address: trinitas@istar .ca Masterpieces of the Museo Egizio in Turin, Florence: 1200 to 1400,” Renaissance Society of America Latest Position: professor (retired), Atlantic School Scala Group, 2009 (also available in Italian and annual conference, Washigton DC, 2012; “The of French) . Lombard Revival of Matteo il Magno Visconti,” Future Projects: Women in Pastoral Office: The Lectures: “Egypt’s Glory in Italy: The Museo at “The Material Culture of the Italian Signori, Story of Santa Prassede, Rome, being readied for Egizio di Torino” MMA, NY 2012 1200–1600” symposium, Villa I Tatti, Harvard publication by Oxford University Press . Projects: exhibition, “Ägyptens Schätze entdecken: University Center for Italian Renaissance Studies, Meisterwerke aus dem Ägyptischen Museum Florence, 2011 . Stephen Karl Scher Turin,” Speyer, Germany, 2011-2012 Honors & Awards: Villa I Tatti Fellowship, MA 1961 Harvard University Center for Italian Renaissance Mailing Address: 1185 Park Avenue, apt . 9-B, Stefanie Weisman Studies, 2010-2011; Graham Foundation for New York, NY 10028-1311 MA 2009 Advanced Study in the Fine Arts, Production and Email Address: skscher56@aya .yale .edu Email Address: stefanieweisman@gmail .com Presentation Grant, 2011 . Latest Position: retired; independent scholar Publications: “Militarism in the Wall Paintings of Projects: Sanctified in Water, Sealed in Stone: The Publications: catalogue entries for exhibition, “The the Dura-Europos Synagogue: A New Perspective Italian Baptistery 1000-1500, Portrait in Fifteenth Century Italy From Donatello

20 to Bellini, 2011; book review; Graham Pollard, Renaissance to 18th Century Art Arthur R. Blumenthal Renaissance Medals, The National Gallery of Art, MA 1968, PhD 1984 Washington D .C ., in The Medal, 2009 Michaël J. Amy Mailing Address: 1740 Bryan Avenue, Winter Lectures & Presentations: “The Portrait Medal MA 1989, PhD 1997 Park, Florida 32789 and Its Place in Italian Renaissance Culture,” Mailing Address: College E-mail Address: lovingart@cfl .rr .com seminar, The Frick Collection, 2012; “Art of Imaging Arts & Sciences, Website: www .lovingart .net Collecting in the Italian Renaissance: Rome, Rochester Institute of Latest Position: founder, Loving Art Partnerships Florence, Mantua,” 2011; “Art Collecting in Technology, (art museum consulting); director emeritus, Cornell the Italian Renaissance,” The Arts Arena of the 73 Lomb Memorial Drive, Fine Arts Museum American University in Paris, 2010 Rochester, NY 14623 Lectures: “In the Light of Naples: Francesco de Mura Future Projects: Entries for Volume III, A Census Email Address: in America,” Italian Cultural Institute in NYC of Gothic Sculpture in America, The International Michael_Amy35@hotmail .com (Consulate) and Washington (Embassy) Center of Medieval Art, The Cloisters; Entry on Website: www .michaelamy .com Honors & Awards: Florida Art Museum Directors the bronze angel by Jehan Barbet at The Frick Latest Position: Professor of the History of Art, Association, Lifetime Achievement Award Collection for the catalogue of exhibition, Bard College of Imaging Arts & Sciences, Rochester Projects: Exhibition in two US museums: “In the Graduate Cente on the collection of Georges Institute of Technology Light of Naples: The Art of Francesco de Mura” in Hoentschel, 2013; Article on the bronze angel by Publications: A Living Thing Shouldn’t Be 2016 (Neapolitan Late Baroque); and TV series on Jehan Barbet in the Frick Collection Members There: A Conversation with Andre Woodward, in “Chasing Caravaggio” (Bravo or History channel), Bulletin, 2012 Sculpture, May 2012; Making Faces, in Face to Face, starring Federico Castelluccio Tony Oursler, Aarhus, Denmark, ARoS Aarhus Tiffany Sprague Kunstmuseum, 2012; Crystal Clear Dreams: A Thomas Buser MA 2001 Conversation with Eunsuh Choi, in Sculpture, MA 1967, PhD 1974 Email Address: December 2011; Lee Bul, Phantasmic Morphologies, Mailing Address: 3601 Sudbury Ln tiffany .sprague@yale .edu in Sculpture, May 2011 Louisville, KY 40220 Latest Position: Lecture: From Mural to Panel, and Beyond: Email Address: tabuse01@louisville .edu Director of Publications Cimabue’s Altarpiece of the Crucifixion at Assisi, The Latest Position: Associate Professor, University of and Editorial Services, Renaissance Society of America, Annual Meeting, Louisville (retired) Yale University Art Gallery Washington, DC, 2012 Recent Publications: an online textbook and Publications: A Modern World: reference work: historyofdrawing .com, chapters on American Design from the William Barcham the twentieth century not yet published . Yale University Art Gallery, 1920–1950, editor; PhD 1974 Get There First, Decide Promptly: The Richard Mailing Address: 218 Harrison Avenue, Highland Alan Phipps Darr Brown Baker Collection of Postwar Art, editor; Lee Park, NJ 08904 MA 1975, PhD 1980 Freidlander, In the Picture: Self-Portraits, 1958– Email Address: williambarcham@gmail .com Latest Position: Senior Curator of the European 2011, editor Publications: “La trasformazione del Cristo passo Paintings, Sculpture and Decorative Arts Projects: Francesco Vanni: Art in Late Renaissance in un emblema urbano a Padova nel Quattrocento,” Department and Walter B . Ford II Family Curator Siena, editor in L”iconografia della solidarietà, La mediazione delle of European Sculpture & Decorative Arts, The immagini (secoli XIII-XVIII), Mauro Carboni and Detroit Institute of Arts Bill Travis Maria Giuseppina Muzzarelli, eds ., Venice, Marsilio Publications: “Pietro Torrigiani and His Sculpture MA 1981, PhD 1994 Editori, 2011 . in Henrician : Sources and Influences” E-mail Address: wjtravis@yahoo .com Exhibitions: 2012, curator, La Seduzione del in The Anglo-Florentine Renaissance: Art for Publications: recently launched an art blog Coloer: Giambattista Tiepolo e Paolo Veronese, Musei the Early Tudors . New Haven and London, Yale featuring the work of living artists talking Civici, Udine, Italy . University Press, 2012, from the Villa I Tatti, about their work . It is a curated site: Lectures & Presentations: 2012: University of Florence, and the Paul Mellon Centre for Studies www .artsmartsblog .com . St Andrews: Deferential or Formulaic?: Antonio in British Art, London, international conference Vivarini and the Sacred Image of the Man of held 2007; “Donatello, Desiderio and Geri William D. Wixom Sorrows (Symposium in Honor of Peter Humfrey), da Settignano, and Sculpture in Pietra Serena MA 1963 forthcoming, artibus et historiae, 2013; 2011: Yale for a Boni Palace and Elsewhere in Florence: Mailing Address: 3 Strawberry Hill Rd, Pawling, University and National Gallery of Art, Washington A Reassessment”, Desiderio da Settignano . NY 12564 DC: Public Life and Festivals in Eighteenth-Century Venezia: Marsilio, 2011, from The Proceedings E-mail Address: wdwxm@comcast .net Venice; 2011: Ben Gurion University of the Negev, of the International Conference on Desiderio da Latest Position: Michel David-Weill Chairman, Beer Shiva, Israel: Picturing the Pursuit of Settignano, conference held Villa I Tatti and the Dept . of Medieval Art and The Cloisters, in the Eighteenth Century Kunsthistorisches Institute in Florence, 2007; Metropolitan Museum of Art (retired) Honors & Awards: 2011: Fellow, Bogliasco “A 19th century Royal Sèvres ‘Déjeuner Chinois Publications: Medieval Art, The Ronald S. Lauder Foundation, Genoa, Italy . Réticulé’: An important New Acquisition at the Collection, Selection . . ., exh . cat ., New York, Neue Detroit Institute of Arts,” in The French Porcelain Galerie, 2011 . Society Journal, 2011, from the French Porcelain Lectures: Collecting Medieval Art in the Late 20th Society Symposium in honor of Tamara Preaud . Century: the Ronald s . Lauder Collection, Neue Galerie, New York, 2011 Honors & Awards: Curator Emeritus, Medieval Art and The Cloisters, Metropolitan Museum of Art

21 Alumni Updates Continued Renaissance to 18th Century Art

Andria Derstine William Hood Lynn F. Jacobs MA 1996, PhD 2004 PhD 1976 MA 1980, PhD 1986 OPENING Mailing Address: Allen Memorial Art Museum, Mailing Address: 141 East 55th Street Mailing Address: DOORS The Early Netherlandish Triptych Reinterpreted Oberlin College, 87 North Main St ., Oberlin, OH Apt 6H PO Box 3497 44074 New York, NY 10022 Fayetteville, AR 72702 Email Address: Andria .Derstine@oberlin .edu Latest Position: Visiting Professor, Columbia Email Address: Latest Position: John G . w . Cowles Director, University, 2008-10; Visiting Professor, IFA, 2012 . lynnfjacobs@yahoo .com LYNN F. JACOBS Allen Memorial Art Museum, Oberlin College Now retired as Mildred C . Jay Professor Emeritus Latest Position: Publications: “Fragments and Reflections: Monet, of Art History at Oberlin College Professor, University of Arkansas War, and Ellen Johnson,” in Monet in Giverny: Publications: Opening Doors: The Early Landscapes of Reflection, ed . Benedict Leca, Giles, Lyle Humphrey Netherlandish Triptych Reinterpreted, University London, with the Cincinnati Art Museum, 2012 PhD 2007 Park, Penn State Press, 2011 . Lectures: “Leonardo, his Last Supper, and some Mailing Address: 1606 Craig Street, Raleigh, NC Lectures: “Dissolving Boundaries: The Thresholds thoughts on his Sforza Horse” and “Connections 27608 of Netherlandish Triptychs and Flemish Manuscript between Modern and Contemporary Art in the Email Address: lylehumphrey@me .com Illumination,” New Perspectives on Flemish Allen Memorial Art Museum and the Panza di Latest Position: Independent scholar Illumination: International Colloquium, Brussels; Biumo Collections”, Cadenabbia, Italy, 2011; Publications: “Detached manuscript illuminations “The Ghent Altarpiece and the Threshold to “Curatorial, Renovation and Fundraising Projects from the Scuola di San Giovanni Evangelista of Salvation,” Sixteenth Century Society and at the AMAM”, Oberlin, OH, 2011 Venice and the confraternity’s mariegole in the Conference, San Antonio, TX Exhibitions: Reinstallation of the permanent Archivio di Stato di Venezia” in Atti del Convegno Projects: book project: At the Threshold: collection, Allen Memorial Art Museum, 2011 Libri miniati per la chiesa, per la città, per la corte in in Netherlandish art, 1400-1675 Honors & Awards: Brown Foundation Fellow, Europa: lavori in corso, Padua, Il Poligrafo, 2012 . Dora Maar House, Ménerbes, France, 2012 Lectures: “For the ‘noblest trade in Venice and Anne Leader the richest’: Martino da Modena’s Illuminations MA 1995; PhD 2000 Wayne Franits for the 1471 Mariegola of the Mercers’ Guild,’ Mailing Address: PhD 1987 Renaissance Society of America Annual Meeting, 820 w . Marietta St . NW, Mailing Address: Professor of Art History Venice, 2010; “Le miniature di Martino da Apt . 1463, Dept . of Art and Music Histories Modena nella Mariegola dei Merciai di Venezia: Atlanta, GA 30318 Syracuse University Una testimonianza della presenza dei lucchesi Email Address: Suite 308 Bowne Hall a Venezia nel tardo quattrocento,” Convegno annecleader@gmail .com Syracuse, NY 13244-1200 Internazionale di Studi di Storia della Miniatura, Current Position: Professor, Savannah College of Email Address: wefranit@syr .edu Padua, 2010; “From Column to Chalice: Passion Art and Design -- Atlanta Latest Position: Professor of Art History, Dept . of Imagery in Venetian Mariegole, 1350-1520,” at Publications: The Badia of Florence: Art Art and Music Histories, Syracuse University New Perspectives on the Man of Sorrows: Art and and Observance in a Renaissance Monastery . Publications: “Genre Painting in Seventeenth- Devotion in Renaissance Venice and the North, Bloomington: Indiana University Press, 2012; Century Europe,” in A Companion to Renaissance Institute of Fine Arts, 2011; “Manuscript Paintings review, Jerusalem on the Hill: Rome and the Vision and Baroque Art (Blackwell Companions to Art for the Confraternities and Guilds of Venice,” of Saint Peter’s Basilica in the Renaissance by Marie History), ed . J . Saslow and B . Bohn, Chichester/ Course guest lecture, Art and Architecture of Early Tanner, Renaissance Quarterly, Winter 2011; The Hoboken, Wiley Publishers, 2012; “Living in the Modern Venice, Duke University, 2012 . Lost Art of the Altarpiece . The Newsletter of the Lap of Luxury: Vermeer, His Admirers and His Honors and awards: Gladys Krieble Delmas Italian Art Society, Fall 2011 . Patrons,” in exhib . cat . Vermeer’s Women: Secrets Foundation Publication Assistance Grant, 2010 Lectures: “Family, Faction, and Florentine Burial and Silence, Cambridge, The Fitzwilliam Museum, Projects: Forthcoming: La miniatura per le scuole Practice,” Renaissance Society of America Annual 2011-12; “Gabriel Metsu and the Art of Luxury,” e le arti veneziane. Mariegole dal 1260 al 1500, Meeting, Washington, DC, 2012; “The Badia of in exhib . cat . Gabriel Metsu, Dublin, National Collana di studi e di ricerche sulle culture popolari Florence: Art and Observance in a Renaissance Gallery of Ireland; Amsterdam, Rijkmuseum; venete realizzata su iniziativa della Regione del Monastery,” Ivy Hall Lecture Series, 2012, and Washington D .C ., National Gallery of Art, Veneto, Angelo Colla Editore; “Further Evidence LIBA Lecture Series, 2011, SCAD-Atlanta . 2010-11 . for Martino da Modena in Venice: the Mariegola Honors & Awards: Renaissance Society of America Lectures: “A Tale of Two Canvases: Vermeer’s dei Merciai of 1471 and the patronage of the Research Grant, 2012 [A Topography of Tombs in Astronomer and Geographer,” Cornell University, Lucchese Community,” Arte Veneta; “From Renaissance Florence]; Presidential Fellowship for Ithaca NY; Cornelis Bega: The Astounding Work of Column to Chalice: Passion Imagery in Venetian Faculty Development, Savannah College of Art and a Short-Lived Artist, 2012, Suermondt-Ludwig- Mariegole ca . 1320-1550” in New Perspectives on the Design, 2011 [Research in the Florentine Archives: Museum, Aachen, Germany; Additions (and Man of Sorrows, William Barcham and Catherine Renaissance Burial Practices]; Summer Teachers Subtractions) to David de Haen, (ca. 1597-1622), Puglisi eds ., Medieval Institute Publications, 2013 . Institute in Technical Art History (STITAH), symposium: Caravaggio and His Followers in Article in progress: “’Lovely in ruin’ or ‘hacked all Institute of Fine Arts Conservation Center, New Rome, Ottowa, Canada . to pieces’?: The Mutilation of Venetian Mariegole in York University, 2011 . Projects: Book: The Paintings of Dirck van Baburen the Nineteenth and Twentieth centuries” . ca. 1592/93-1624: Catalogue Raisonné, Amsterdam/ Philadelphia: John Benjamins Publishing Company, forthcoming 2013; Book: Vermeer, London, Phaidon Press Limited, forthcoming 2013 .

22 Rachel McGarry Publications: Jewels in Spain 1500-1800, and Joyas Joseph Polzer MA 1999, PhD 2007 en España, 1500-1800, Madrid, The Hispanic PhD 1963 Mailing Address: 20155 Lakeview Avenue, Society of America/Center for Spain in America/ Latest Position: Retired in 2003 Deephaven, MN 55331 Centro de Estudios Europa Hispánica, 2012 . Publications: “Who is the Master of the Email Address: rmcgarry@artsmia .org Revised ed . Jewels in Spain, 1500-1800, New York, Crucifixion in the Campo Santo of Pisa?,” Studi Latest Position: Associate Curator, Prints and 1972, in Spanish and English, with additional di Storia dell’Arte, XXI, 2010; “Reflections on Drawings, Minneapolis Institute of Arts bibl . and new color illus . Leonardo’s Last Supper,” Artibus et Historiae, LXIII, Honors & Awards: MIA grant from the Gladys 2011; “Concerning Chrysography in Dugento Krieble Delmas Foundation, 2012 to support Alison Manges Nogueira Tuscan Art and the Origin of the two Washington current project to research and develop online Ph .D . 2008 Madonnas,” forthcoming Arte Medievale; “Some presentation of Jacopo de’Barbari’s View of Venice Mailing Address: 800 West End Avenue, #10D Shop Altarpieces by Simone Martini, and Lippo New York, NY 10025 Vanni’s Artistic Origin,” forthcoming Arte Cristiana Anne McGee Morganstern Email Address: am718@nyu .edu MA 1961, PhD 1970 Latest Position: Assistant Curator, Robert Lehman Lisa M. Rafanelli Mailing Address: Collection, Metropolitan Museum of Art PhD 2004 70 Webster Park Avenue, Publications: Catalogue entries: “Annunciation Mailing Address: 60 East End Ave, Apt . 5B New Columbus, OH 43214 in an Initial M by the Maestro Daddesco”; “The York, NY 10028 Email Address: Last Judgment, Virgin and Child, Crucifixion, E-mail Address: Lisa .rafanelli@mville .edu morganstern .2@osu .edu etc . by the Master of the Dominican Effigies,” in Latest Position: Associate Professor and Chair, Latest Position: Florence at the Dawn of the Renaissance: Painting Dept . of Art History, Manhattanville College Professor Emeritus, Department of History of Art, and Illumination, 1300-1350, ed . Christine Sciacca, Publications: “Michelangelo’s Noli Me Tangere The Ohio State University exh . cat . Los Angeles, J . Paul Getty Museum, for Vittoria Colonna: A Reflection of the Publications: Gothic Tombs of Kinship in France, the 2012-13; “Maiolica Plate Depicting Metabus and Changing Status of Women in Renaissance Italy,” Low Countries and England, Penn State University Camilla by Francesco Xanto Avelli .” in Earth, Sea, in Reinventing Mary Magdalene: Iconographical Press, 2000; High Gothic Sculpture at Chartres and Sky: Nature in Western Art – Masterpieces from Studies from the Middle Ages to the Baroque, ed. Amy Cathedral, the Tomb of the Count of Joigny, and the the Metropolitan Museum of Art, exh . cat . Tokyo, Morris and Michelle Erhart, Leiden, Brill, 2012; Master of the Warrior Saints, Penn State University Metropolitan Museum of Art, Tokyo, 2012- “Thematizing Vision in the Renaissance: The Press, 2011 . 2013; “Trivulzio Candlestick, Milan Cathedral,” Noli Me Tangere as a Metaphor for Art Making” Lectures: “Prior and Gardner’s French Grove Encyclopedia of Medieval Art . ed . Colum in Sense and the Senses in Early Modern Art and Contemporaries: The Culmination of a Century of Hourihane, New York, Oxford University Press, , a . Sanger and s . Kulbrandstad Inventory and Restoration,” conference, “Balancing 2012; “Candlestick, San Paolo fuori le mura .” Walken, eds ., Ashgate, forthcoming; “To Touch the Account,” at Cambridge University, 2011, Grove Encyclopedia of Medieval Art . ed . Colum or Not to Touch: The Noli Me Tangere and organized to commemorate the publication of e .s . Hourihane, New York, Oxford University Press, Incredulity of Thomas in Word and Image from Prior and Arthur Gardner’s An Account of Medieval 2012 . Early to the Ottonian period,” in Figure-Sculpture in England, by Cambridge Exhibitions: Art in Renaissance Venice, 1400- Noli Me Tangere: Text Image Context: Contributions University Press, 1912 . 1515: Paintings and Drawings from the Museum’s of Exegesis, Art History, Philosophy and Literature Collections . Metropolitan Museum of Art, 2011- Studies Concerning the Prohibition of Touch in John Anita Moskowitz 12; Paintings on Parchment: Italian Renaissance 20:17, Peeter’s Publishers (in press); “Sense and MA 1971, PhD 1978 Illuminations from the Robert Lehman Collection, Sensibilities: A Feminist Reading of Titian’s Noli Mailing Address: 420 Riverside Drive, apt . Metropolitan Museum of Art, 2012 . Me Tangere (1509-1515),” Critica d’Arte, 2009 . 8G . New York, NY 10025 Lectures & Presentations: “Paired Portraits of Lectures: Session chair and organizer, “Consuming E-mail Address: anita .moskowitz@stonybrook .edu Francesco Sforza and Bianca Maria Visconti: the Renaissance in ,” College Art Latest Position: Professor of Art History, Stony Images of Conjugal and Political Unity at the Association 97th Annual Conference, Chicago, Brook University Court of Milan .” Renaissance Society of America 2010; “Michelangelo’s Noli Me Tangere for Vittoria Publications: Forging Authenticity: Bastianini conference, Washington, D .C ., 2012; “Art in Colonna as a Signifier of the Changing Status and Neo-Renaissance in Florence, Florence, Leo s . Renaissance Venice, 1400-1515: Paintings and of Women in Renaissance Italy,” International Olschki, forthcoming; “’Dell’ Anima Trasmigrata’: Drawings in the Museum’s Collections,” Curator’s Conference: Noli Me Tangere in Interdisciplinary Desiderio da Settignano and Giovanni Bastianini,” Talk Lecture Series, Metropolitan Museum of Art, Perspective, Katholieke Universiteit, Leuven, 2009; Desiderio da Settignano, Venice, Marsilio Editori, 2011 . “To Touch or Not to Touch: The Noli Me Tangere 2011 . and Incredulity of Thomas in Word and Image Lectures: “Carved/Re-carved: The Surface of Anna Karolina Piotrowska from Early Christianity to the Ottonian period,” Sculpture,” Co-chair, College Art Association PhD 2009 International Conference: Noli Me Tangere: Word, annual conference, 2011, New York City . Mailing Address: 8/F Flat L, King Cheung Image, Context, Rome, Academica Belgica, 2008 . Projects: Stefano Bardini and the Art Market in Mansion Honors & Awards: Awarded Sabbatical leave, nineteenth-century Italy (collaborative project) 5, King Kwong Street Spring 2011 term . Happy Valley Future Projects: Currently co-authoring book, Priscilla Elkow Muller Hong Kong Gender and in Italian Renaissance and Baroque MA 1963, PhD 1969 Email Address: annakpiotrowska@hotmail .com Art, with Erin e . Benay Mailing Address: 44 Prospect Park West - E9 apiotrow@scad .edu Brooklyn, New York 11215 Latest Position: Institutional Effectiveness Latest Position: Curator Emerita of the Museum, Coordinator, Savannah College of Art and Design The Hispanic Society of America Hong Kong, Chine s .a .r .

23 Alumni Updates Continued Renaissance to 18th Century Art

French Paintings 305x229 jacket 02/07/2012 11:50 Page 1

ZAFRAN

AUTHOR M Eric M. Zafran is the Susan Morse Hilles Curator of European Art at the Wadsworth Atheneum, where he has worked since

A MASTERS OF Daniel Savoy Eric 1Zafran997. Previously he was Curator of European Paintings at the Ronny Cohen Museum of Fine Arts, Boston, where he wrote volume I of the S FRENCH PAINTING

museum’s Catalogue of French Paintings. He has also authored T publications on Rembrandt, Monet, Gauguin, Doré, and Calder. MASTERS OF E 1290–1920 R

S FRENCH PAINTING

PhD 2008 MA 1969, PhD 1973 O PhD 1979 Masters of French Painting 1290–1920 presents 138 works

F 1290–1920 comprising the Wadsworth Atheneum’s internationally

F recognized collection of French paintings and pastels. These

R range from the great seventeenth-century religious

Also available from GILES: E masterpieces by Poussin and Claude to charming N eighteenth-century genre pictures and portraits by Boucher, MASTERS OF ITALIAN BAROQUE PAINTING

Mailing Address: Mailing Address: C Mailing Address: Ronny Cohen Art The Detroit Institute of Arts Robert, Vigée Le Brun, and Trinquesse, and on into the full

R. Ward Bissell, Dwight Miller, and Andria Derstine H range of nineteenth-century trends, with outstanding In association with the Detroit Institute of Arts

examples by Géricault, Delacroix, Monet, Renoir, Gauguin, P FRAGONARD’S PROGRESS OF LOVE and Toulouse-Lautrec. A

AT THE FRICK COLLECTION 1 Hartford’s Wadsworth Atheneum, founded in 1842 by 2 Colin B. Bailey I N In association with the Frick Collection, New York 9 Daniel Wadsworth, is one of America’s oldest art museums.

Department of Fine Arts 5 Linden Pl 0 P O Box 20241

T When it first opened it held seventy-eight mainly American MASTERPIECES OF ITALIAN PAINTING – I 1 paintings, but it has now grown into an international

The Walters Art Museum N 9 Morten Steen Hansen and Joaneath A. Spicer collection with more than 50,000 works of art. 2 G

In association with the Walters Art Museum 0 This fully illustrated volume will provide both scholars and the general public with an up-to-date resource on 4513 Manhattan College Parkway Hartford CT 06106 French art from the late mNedieval period of Ythe 1290s to the NY 10021-0064 early part of the twentieth century. It publishes for the first time full references, provenances, exhibition histories, and

ISBN 978-1-904832-93-5 condition reports as well as comparative images and insightful historical commentaries for each painting. The book also includes an introductory essay on the Riverdale, NY 10471 Email Address: formation of the collectionEmail by curator Eric M. Zafran, a Address: ronny .cohen@att .net glossary, selected bibliography, and an index. Distributed in the USA and Canada by ACC Distribution 6 West 18th Street 4th floor New York, NY 10011 USA www.antiquecc.com Email Address: eric .zafran@GILES Latest Position: Independent consultant/writer/ An imprint of D Giles Limited Front cover illustration: 4 Crescent Stables UK£45.00/US$65.00 AT T H E W A D S W O R T H AT H E N E U M Claude Monet, The Beach at Trouville, 1870. 139 Upper Richmond Road ISBN 978-1-904832-93-5 Detail of cat. no. 100 London 5 6 5 0 0 E R I C M . Z A F R A N SW15 2TN Back cover illustration: UK Élisabeth Louise Vigée Le Brun, The Duchesse de Polignac Wearing a Straw Hat, 1782. 9 781904 832935 daniel .savoy@manhattan .edu ww w.gilesl td.com wadsworthatheneum .org Detail of cat. no. 37 researcher Latest Position: Assistant Professor of Art History, Latest Position: Publications: Dora Frost: New Work 2012, artnet . Manhattan College Susan B . Hilles Curator of European Art, com artist catalogue Recent Publications: Venice from the Water: Wadsworth Atheneum Architecture and Myth in an Early Modern City, Publications: Masters of French Painting, Wanda M. Corn New Haven and London, Yale University Press, 1290-1920: At the Wadsworth Atheneum, MA 1965 2012; “Palladio and the Water-oriented Urban forthcoming 2012 Mailing Address: PO Box 1299, Sagamore Beach, Scenography of Venice,” Journal of the Society of MA 02562 Architectural Historians, 2012 . Email Address: wcorn@stanford .edu th Lectures & Presentations: “Temporalities of 19 Century, Modern Latest Position: retired, Stanford University 2007 Myth in Early Modern Venetian Architecture,” and Contemporary Art Publications: Women Building History: Public Art Renaissance Society of America Annual Meeting, at the 1893 Columbian Exposition, University of 2012 . Patrick Amsellem California Press, 2011; with Tirza Latimer, Seeing Future Projects: A book and four related articles MA 2000, PhD 2007 Gertrude Stein: Five Stories, University of California on new approach to Italian Renaissance architecture Mailing Address: 315 7th Avenue 19A, New York, Press, 2011 . NY 10001 Lectures: 2011-12, lectured widely on Gertrude Marie Tanner Email Address: patrick .amsellem@nyu .edu Stein and the visual arts in conjunction with the PhD 1976 Latest Position: Museum Director, Skissernas exhibition I guest curated with Tirza Latimer, Mailing Address: 16 East 74th Street, Museum/Museum of Public Art, Lund, Sweden Seeing Gertrude Stein: Five Stories on view at the NY, NY 10021 Contemporary Museum of Jewish Art in San E-mail Address: marietanner@yahoo .com Jane Becker Francisco and the Smithsonian National Portrait Latest Position: independent scholar MA 1992, Ph .D . 1998 Gallery . Publications: The Last Descendant of Aeneas: The Mailing Address: 21 Round Hill Road Projects: Preparing an exhibition on Hapsburgs and the Mythic Image of the Emperor. Scarsdale, NY 10583 O’Keeffe and her modern style of dress and home New Haven & London: Yale University Press, Email Address: adler .becker@verizon .net decor 1993; Jerusalem on the Hill: Rome and the Vision Latest Position: Independent Art Historian of St. Peter’s Basilica in the Renaissance. London & Lectures & Presentations: “Edouard Vuillard: Maura Coughlin Turnhout: Harvey Miller, 2011; “Il rinnovamento From the Interiors of Montmartre to the League of PhD 2001 architettonico di Roma come nuova Gerusalemme Nations,” The Jewish Museum, New York, 2012; Mailing Address: Bryant University nel Rinascimento: s . Pietro tra Niccolo’ V e Giulio “Understanding Vuillard’s World,” The Jewish 1150 Douglas Pike II”; La basilica di San Pietro: fortuna e imagine, Museum, New York, 2012; “Vuillard in Turn- Smithfield RI 02917 USA Vatican City, 2011; “Pope Nicholas V and Passion of-the-Century France,” The Jewish Museum, Email Address: mcoughli@bryant .edu Booty in Piero della Francesca’s Flagellation of New York, 2012; “Eugène Carrière’s Le Théâtre Latest Position: Assistant Professor of Visual Christ,” New Studies on Old Masters: Essays in de Belleville: The Audience and the Power of La Studies, Dept of English and , Renaissance Art in Honour of Colin Eisler, Toronto, Foule .” Theatricality and the Performative in the Bryant University University of Toronto Press, 2010; “Imperial Long Nineteenth Century, Nineteenth Century Publications: “Spectacle, Maintenance and themes in Piero’s True Cross Cycle,” Cittá e Studies Association Conference, Tampa, FL, 2010 . Materiality: Women and Death in Modern Corte nell’ Italia di Piero della Francesca,” Padua, Brittany” essay submitted for the collection Women Marsilio, 1996; “Ubi Sunt: An Elegiac Topos in Claude Cernuschi and the Material Culture of Death, ed . Maureen the Fète Champètre,” Giorgione, Atti del Convegno MA 1983, PhD 1988 Daly Goggin and Beth Fowkes Tobin, under Internazionale di Studi. Castelfranco Veneto, l979; Mailing Address: contract, Ashgate Press; “Representing Heritage “Chance and Coincidence in Titian’s Diana and Fine Arts/Devlin Hall and Loss on the Brittany Coast: Sites, Things and Actaeon,” Art Bulletin, l974; “Concordia in Piero 140 Commonwealth Ave Absence” International Journal of Heritage Studies, della Francesca’s Baptism of Christ,” Art Quarterly, Chestnut Hill MA 02467 special issue on Maritime Museums, forthcoming l972 . Email Address: cernusch@bc .edu 2012; “Sites of Absence and Presence: Tourism and Honors and awards: National Endowment Position: Professor, the Morbid Material Culture of Death in Brittany,” Fellowship, 1993; Wittenborn Prize (The Last Boston College in Staging Violent Death: The Dark Performances Descendant of Aeneas), 1993; Faculty-in-Residence Publications: “Defining Self in Kokoschka’s of Thanatourism, ed . Brigitte Sion, in the series, Award, Queens College, 1985; Kingsley Porter Self-Portraits,” German Quarterly, Spring 2011; “Enactments,” an imprint of Seagull Press, Prize, 1974 Barnett Newman and Heideggerian Philosophy, forthcoming 2012 . Projects: Book: Sublime Truth and the Senses: Fairleigh Dickinson University Press; “Paul Klee Lectures: “From Edge to Edge: Brittany and Titian’s Poesie for King Philip II of Spain . and Language” in John Sallis, ed ., The Philosophical Atlantic ,” The 38th annual Vision of Paul Klee . Association of Art Historians Conference at Milton Keynes, UK; panel on ‘Art History beyond National Boundaries’ Session Convenor: Emma

24 Barker, The Open University 2012; panel Chair government grants, awards and honors, and Parisian Angeles, Los Angeles County Museum of Art in and presenter, “Spirituality in Nineteenth- contacts as well as timelines, maps, and images, association with Prestel, 2012 . century European Visual Culture” Association of George Mason University Creative Award Grant for Historians of Nineteenth-century Art Nineteenth research trip to Paris, 2011 . Ilona Katzew Century Studies Association (NCSA) 33rd Annual Projects: Manuscript in progress: Transatlantic PhD 2000 Conference, (Spiritual Matters/Matters of the Encounters: Latin American Artists in Paris between Mailing Address: Los Angeles County Museum of Spirit) Asheville, NC, 2012; “Visual Culture of the Wars. Art, 5905 Wilshire Blvd . Los Angeles, CA 90036 Want: Poverty and Widowhood on the Brittany E-mail Address: ikatzew@lacma .org Coast” 32nd Annual Nineteenth Century Studies Lindsay Harris Latest Position: Curator and Department Head, Association (NCSA) Money/Myths, 2011, PhD 2010 Latin American Art, LACMA Albuquerque, New Mexico; “Death at Land’s End: Mailing Address: 3823 Porter Street, NW #302, Publications: Editor, Contested Visions in the Spanish Inventing Celtic Brittany, c .1900” in the panel Washington, DC 20016 American World, Los Angeles and New Haven, Los Nationalist Figures, conference, , Myth, E-mail Address: lindsay .ruth .harris@gmail .com Angeles County Museum of Art and Yale University Nationalism at the University of Exeter, Latest Position: Exhibition Research Specialist, Press, 2011; “Valiant Styles: New Spanish Painting, UK, 2010 . Department of 1700–1785,” chapter in Painting in Spanish America: Honors & Awards: 2011 Bryant Student Choice Photographs, National Gallery of Art From Conquest to Independence, ed . Jonathan Brown Award for Excellence in Teaching, College of Arts Publications: “Photography of the “Primitive” in and Luisa Elena Alcalá, New Haven and Madrid, and Sciences Italy: Perceptions of the Peasantry at the turn of the Yale University Press and El Viso, forthcoming Projects: “Celtic Folklore, Popular Pilgrimage and Twentieth Century,” in Journal of Modern Italian 2013; “Remedo de la ya muerta América: The the Breton landscape, 1851-1878” in Representing Studies, 2012; “A New Kind of Ruin: Postwar Sicily Construction of Festive Rites in Colonial Mexico,” France: Paintings and Photographs, 1839-1875, through the Camera Lens,” in Milton Gendel: A in Contested Visions in the Spanish Colonial World, ed . April Watson and Simon Kelly, Nelson-Atkins Surreal Life, ed . Peter Miller, ex . cat ., Rome, Museo ed . Ilona Katzew, Los Angeles and New Haven, Museum, Kansas City, 2013 . Carlo Bilotti, 2011 . Los Angeles County Museum of Art and Yale University Press, 2011; “La saga de los orígenes . Michele Greet Paula R. Hornbostel Una reinterpretación americanista de dos cuadros PhD 2004 MA 2000 de Cristóbal de Villalpando,” Anales del Instituto de Mailing Address: Email Address: phornbos@lachaisefoundation .org Investigaciones Estéticas, Mexico, 2011; “Las glorias Associate Professor of Art History Website: www .lachaisefoundation .org de la República de Tlaxcala o la conciencia como Department of History and Art History, MS 3G1 Latest Position: Curator & Trustee, Lachaise imagen sublime por Jaime Cuadriello,” Estudios 4400 University Dr . Foundation de Historia Novoshispana, Universidad Nacional George Mason University Publications: “Twentieth Century Earth : Autónoma de México, forthcoming 2012 (book Fairfax, VA 22030 Isabel in the Art and Letters of Gaston Lachaise,” review); “Miscegenation and Blood in Spanish Email Address: mgreet@gmu .edu in Face and Figure: The Sculpture of Gaston Lachaise, America and Beyond,” in Lexikon of the Hispanic Lectures: Gallery Talk: “Suprasensorial: Experiments The Bruce Museum, Greenwich, CT, 2012; “‘Mes Baroque, ed ., Evonne Levy and Ken Mills, Austin, in Light, Color, and Space,” Hirshhorn Museum Mains’: A Sculptor’s Vow”, in Works by Gaston University of Texas Press, forthcoming 2012 . and Sculpture Garden, 2012; Lecture: “Roberto Lachaise: A Modern Epic Vision, Santa Fe, New Lectures: “Images, Devotions, and Indigenous Matta’s Transnational Surrealism,” Art Museum Mex, Gerald Peters Gallery, 2012, and traveling to Identities in Mexico: A Conversation with Jaime of the Americas, Organization of American States, New York, NY November 2012 . Cuadriello, Ilona Katzew, and William B . Taylor”, Washington, DC, 2011; “Joaquín Torres-García Lectures: “‘Mes Mains’: A Vow from Sculptor University of Texas at Austin, 2012; “Contested in Paris: Artist, Innovator, Organizer,” George Gaston Lachaise to his Muse, his Model, his Visions in the Spanish Colonial World: Broadening Washington University, Washington, DC, Visiting Wife” Gerald Peters Gallery, Santa Fe, NM, 2012; the Canon,” Blanton Museum, The University of Artists and Scholars Lecture Series, 2011; Gallery “A Flower on Her Breakfast Tray, a Sculpture in Texas at Austin, 2012; “Parody of the Long-Gone talk in conjunction with the unveiling Camilo Egas’s Her Garden: Gaston and ‘Madame’ Lachaise in America: The Construction of Festive Rites in newly restored mural Ecuadorian Festival, 1933, Georgetown: 1906-1935,” in conjunction with Colonial Mexico,” UCLA and Los Angeles County The New School, Sheila C . Johnson Design Center, exhibition Maine Moderns: Art in Seguinland, Museum of Art, Symposium, Contested Visions in Anna-Maria and Stephen Kellen Gallery New York, 1900-1940, Docent’s Annual Meeting, 2011, the Spanish Colonial World, 2011; “Casta Painting,” NY, 2011; Discussant, Encuentros: Artistic Exchange The Portland Museum of Art, Portland, Maine, Phoenix Art Museum, 2011 . between the u .s . and Latin America, Smithsonian and revised Georgetown Historical Society, Honors & Awards: Eleanor Tufts Book Prize from Institution, Washington, DC, 2011; panelist, Georgetown, Maine, 2011 in conjunction with the American Society for Hispanic Art Historical “Symposium on Gender, Arts, and Human Rights exhibition Georgetown Goes Modern . Studies, 2012, for Contested Visions in the Spanish with Marjorie Agosín,” George Mason University, Colonial World; NEA (National Endowment for the Fairfax, VA, 2011 . Leslie Jones Arts), for Contested Visions in the Spanish Colonial Honors and Awards: National Endowment for PhD 2003 World, Los Angeles County Museum of Art, 2011 . the Humanities Fellowship to support the writing Mailing Address: Exhibitions: Contested Visions in the Spanish Colonial of book Transatlantic Encounters: Latin American 5104 Cimarron Lane World, 2011–2012, LACMA (selected as one Artists in Paris between the Wars, 2012-2013 . The Culver City, CA 90230 of top 10 exhibits of 2011 by LA Times art critic NEH grant will also fund creation of an open Email Address: Christopher Knight) . access website to accompany the book . It will chezlcj@roadrunner .com; Projects: Exhibition of 18th century New Spanish include searchable database of nearly 300 Latin ljones@lacma .org planning (w/team of colleagues from Mexico & American artists working in Paris between the wars, Latest Position: Curator, Prints and Drawings, Los Spain; planning stage); The Ports of France by Juan listing their country of origin, addresses in Paris, Angeles County Museum of Art Patricio Morlete Ruiz: Seriality in Spanish Colonial schools attended, group and individual exhibitions, Publications: Drawing Surrealism, exh . cat . Los Painting (planning stage) .

25 Alumni Updates Continued 19th Century, Modern and Contemporary Art

Jongwoo Jeremy Kim of Art, University of Oklahoma, Norman, OK, Barbara Matilsky Lesley Dill’s Poetic Visions PhD 2007 2012 . PhD 1983 from shimmer to sister gertrude morgan Mailing Address: Lectures: “French Post-Impressionist Painting,” Mailing Address: Hite Art Institute Charles B . Goddard Center for the Performing 121 Prospect Street, Department of Fine Arts Arts, Ardmore, OK, 2011; Inaugural speaker, Bellingham, WA 98225 University of Louisville Distinguished Lecture Series, Heritage Hall Email Address: Lutz Hall, Room 147 (preparatory school): Five public lectures on 19th bcmatilsky@cob .org Louisville KY 40292-1909 and 20th-century European painting, 2011-12 Latest Position: Curator E-mail Address: Honors & Awards: Marquis Who’s Who in the of Art, Whatcom Museum whatcom museum, bellingham, washington jongwoo .kim@louisville .edu World, 2012 Publications: Lesley Dill’s Poetic Visions: From Latest Position: Assistant Professor of Art History, Shimmer to Sister Gertrude Morgan, 2011 . University of Louisville Barbara Larson Projects: Vanishing Ice: Alpine and Polar Landscapes Publications: Painted Men in Britain, 1868-1918: PhD, 1996 in Art, 1775-2012 (exhibition and catalogue, Royal Academicians and Masculinities, Farnham, Mailing Address: Art Department November 2013) UK, Ashgate, 2012; “Perilous Flight: Icarus’s University of West Florida Transgression of Masculinity,” in Gravity in Art: 11000 University Parkway Jerry D. Meyer Essays on Weight and Weightlessness in Painting, Pensacola, FLA 32514 PhD 1973 Sculpture and Photography, eds . Mary D . Edwards Email Address: blarson@uwf .edu Mailing Address: 3030 n . First Street and Elizabeth Bailey, Jefferson, NC, McFarland, Latest Position: Associate Professor of Modern DeKalb, IL 60115 2012 European Art, University of West Florida Email Address: jmeyer@niu .edu Lectures & Presentations: “Solomon’s Recent publications: Darwin and Theories of Latest Position: retired (Professor Emeritus), Market: Limits of a Homosocial Network,” Aesthetics and Cultural History, Barbara Larson School of Art, Northern Illinois University North American Victorian Studies Association and Sabine Flach, eds ., introduction and chapter Publications: “Ben Hecht and George Grosz: A Conference, University of Wisconsin-Madison, “Darwin, Burke, and the Biological Sublime,” Dada Happenstance during the 1920s,”Caxtonian, 2012; Edwardian Art and Its Legacies, Ashgate Press, 2012; “Evolution and Painting” in March 2012 Britain, London, 2012; “Masculine Isolation and Evolution and the Arts in Victorian Culture, Bernard Edwardian Portraiture,” University of Kentucky, Lightman and Bennett Zon, eds ., Cambridge Jason Rosenfeld Lexington, 2012; UK Visual Studies Forum, University Press, 2012; contributor, Visual Culture MA 1993, PhD 1999 “Death: ’s Portraits of Dandies”; and Evolution: A Conversation, J . D . Talasek, Mailing Address: Marymount Manhattan College Association of Art Historians, Open University, Rick Welch, and Kevin Finneran, eds ., National 221 East 71st Street Milton Keynes, UK, 2012, “A Portrait of a Young Academy of Sciences, Washington, D .C ., 2011 . New York, NY 10021 Man as a Nymph: Henry Scott Tuke, r .a . and His Honors & Awards: McGeorge Fellowship, Email Address: jrosenfeld@mmm .edu Academic Follies” University of Melbourne, for Sites of the Self: Brain, Latest Position: Distinguished Chair and Professor Future Projects: Masculinity in Portraiture: , and Embodiment in Art of Early Third Repubic of Art History, Marymount Manhattan College Whistler, Degas, and Sickert, a book treating the France, 2012 Publications: Stephen Hannock: Vistas with Text . construction, distortion, and destabilization of Lectures: “Darwin . the Divine Breath of New York, Marlborough Fine Art Ltd, 2012; John masculinity as shown in portraits painted by James the Creator, and the Evolutionary Topos of Everett Millais . London and New York, Phaidon McNeill Whistler, Edgar Degas, and Walter Sickert . Symbolism,” for Redefining European Symbolism, Press Ltd ., 2012; The Pre-Raphaelites, London, Musée d’Orsay and University of Edinburgh, 2012; Tate Publishing, 2012; With Tim Barringer Victor Koshkin-Youritzin “Gauguin, the Sensorium, and the Spiritual,” for and Alison Smith, Pre-Raphaelites: Victorian M .a . 1967, Certificate in MuseumT raining, IFA/ Spiritual Matters/Matters of the Spirit, Nineteenth Avant-garde, ex . cat . London, Tate Publishing, MMA, 1969 Century Studies Conference, Asheville, 2012; 2012; “Millais and the ‘luster of Titian’,” in The Mailing Address: 1721 Oakwood Drive “Redon et la grande guerre,” Redon Symposium, Reception of Titian in Britain, c . 1780-1880: Artists, Norman, OK 73069 Montpellier, sponsored Musée d’Orsay, 2011 . Collectors, Critics . de . Peter Humfrey . Brepols, Email Address: vky@ou .edu Turnhout, 2012 . Latest Position: Alisa Luxenberg Exhibitions: Stephen Hannock. Recent Paintings: David Ross Boyd Professor, History of Art, PhD 1991 Vistas with Text, Marlborough Gallery, New York, University of Oklahoma, Norman, OK Mailing Address: University of Georgia, Lamar 2012, and Marlborough Fine Art, London, 2013; Publications: “Remembering Koussevitzky: An Dodd School of Art W/ Tim Barringer & Alison Smith, Pre-Raphaelites: Interview with Conductor Anthony Morss,” online 270 River Road, Athens, GA 30602-7676 Victorian Avant-Garde, , 2012– 2013; journal of the Koussevitzky Recordings Society, Email Address: allux@uga .edu National Gallery of Art, 2013; Pushkin Museum of 2011; “Revealing Stokowski: An Interview with Latest Position: Professor of Art History, Art, 2013; Mori Art Museum, 2013– 2014 . Conductor Anthony Morss,” online journal of the University of Georgia, Lamar Dodd School of Art Lectures: Architecture Lecture Series, New Koussevitzky Recordings Society, 2011; co-author Publications: “Black Art: The Enigmatic Drawings Jersey Institute of Technology, Newark, “Ruskin, of exh cat . with Margaret Morgan Grasselli, From of Charles-Francois de La Traverse”, Master Pre-Raphaelitism, Historicism, Eclecticism: Vernet to Villon: Nineteenth-Century French Master Drawings, Summer 2011; Secrets and Glory: Baron Toward an Architecture,” 2012; The Treasures of Drawings from the National Gallery of Art, Fred Taylor and his “Voyage picturesque en Espagne,” the Collection in Context: The Pre-Raphaelite Jones, Jr . Museum of Art, University of Oklahoma, Madrid, CEEH, forthcoming 2013 . Brotherhood, Symposium, Museo de Arte de Norman, OK, 2012; co-curator of exh with Honors & Awards: 2012 M .G . Michael Research Ponce, Puerto Rico, “John Everett Millais and Margaret Morgan Grasselli, From Vernet to Villon: Award the Old Masters,” 2012; The Reception of Titian Nineteenth-Century French Master Drawings from Future Projects: Currently working on nature in Britain, c . 1769-1877: Artists, Collectors, the National Gallery of Art, Fred Jones, Jr . Museum prints of Celedonio de Arce y Cacho Critics, International Conference, University of St

26 Andrews, School of Art History, Scotland, “Millais Phyllis Tuchman Manner: Drawings from Ribera to Goya, The Frick and Titian,” 2011; The Victorians and the Masters: MA 1973, ABD 1983 Collection, New York, 2011; Co-chair of the A Discussion of the Paul Mellon Lectures by Mailing Address: session “Lawrence Alloway, Visual Culture and Elizabeth Prettejohn, Yale Center for British Art, 340 East 80th St ., Contemporary Practice,” College Art Association “Millais and Venetian Art,” 2011 . New York, New York 10075 Conference, New York, 2011; “Portraits and Email Address: History,” invited paper in the session “Between Margaret Samu phyllistuchman@gmail .com Iberia and New Spain: The Scholarship of Jonathan MA 2004, PhD 2010 Publications: Brown,” Tenth Annual Distinguished Scholar Mailing Address: 7410 35th Avenue, Atp 208W, 2012: “Color Me Sculpture” in exh . cat, Ken Price Session, College Art Association Conference, New Jackson Heights, NY 11372-8149 Sculpture, Los Angeles County Museum of Art York, 2011; “Archival Document or Art?” lecture Email Address: margaret .samu@gmail .com and traveling to Dallas, Nasher Sculpture Center on Warhol and photography, exhibition Andy in Publications: “Exhibiting : Aleksei and New York, Metropolitan Museum of Art: the Valley, Zoellner Arts Center, Lehigh University, Venetsianov’s Nudes and the Russian Art Market ArtesMagazine, reviews: Dan Flavin Drawings at 2011; “Warhol and Cars,” lecture for docents, 1820-1850,” Nineteenth-Century Studies, 2011 . Morgan Library, Roy Lichtenstein retrospective at exhibition Warhol and Cars: American Icons, Lectures: “Realist Critics and the Female Nude Art Institute of Chicago; Artforum, review: Donald Montclair Art Museum, Montclair, n . J ., 2011 . in Nineteenth-Century Russia,” Yale University; Judd Drawings at Spruth Maegers, London; 2011: Honors & Awards: Chancellor’s Award for “The Female Nude in Russia: The Art Market Al Held Paintings 1959, exh . cat ., Craig f . Starr Excellence in Teaching, State University of New and Nineteenth-Century Criticism” (in Russian), Gallery, NY; Eric Fischl: Early Paintings, exh . York, 2011 European University of St . Petersburg . cat ., Skarstedt Gallery, NY; Artforum, Picasso Projects: “Thinking You Know,” Poetics Journal, and Braque: The Cubist Experiment, 1910-1912 1998, reprint in A Guide to Poetics Journal: Donna Stein at Kimbell Art Museum; obit magazine (obit- Writing in the Expanded Field, 1982-1998, eds . MA 1965 mag .com), 2010: Bauhaus; The Mourners; Mark Lyn Hejinian and Barrett Watten, Wesleyan Mailing Address: 1432 Hillcrest Avenue, Pasadena, Rothko; Marc Chagall; Barbara Hepworth; Louise University Press, forthcoming; “Seeing Satire in CA 91106 Bourgeois; Winslow Homer; 2011: Picasso’s the Peepshow,” in Seeing Satire, eds . Elizabeth Email Address: dstein@wendemuseum .org Portrait of Kahnweiler (1911); Paul Strand; Mies Mansfield and Kelly Malone, Oxford: SVEC Latest Position: Associate Director, The Wende van der Rohe; Degas Sculpture; Cy Twombly; H .H . (Studies on Voltaire and the Eighteenth Century), Museum and Archive of the Cold War Richardson; Lucian Freud; 9/11 Memorial; Willem , forthcoming . Invited Publications: “Monir Shahroudy Farmanfarmaian, de Kooning . Speaker, Sixth Annual Dennis O’Keefe Memorial Empowered by American Art: An Artist’s Journey,” Lectures: George Segal: The Last Chapter, Lecture, organized by the Friends of Sojourner Woman’s Art Journal, Spring/Summer, 2012; “The Princeton, 2011, New York Studio School, 2012 . Truth Library, SUNY New Paltz, 2012; “Warhol’s Photographic Source for a Qajar Painting,” and Honors and Awards: Getty Museum Archives 1964-65 Self-Portrait: Authenticity, Interpretation, “For the Love of Her People: An interview with purchased more than 45 tapes with interviews with and the Market,” paper for the Second Biennial Farah Diba on the Pahlavi Programs for the Arts artists conducted 1970s-1980s . Conference of the Association of Historians of in Iran” in Performing the Iranian State, Anthem, Projects: co-curator, with Gail Stavitsky, Robert American Art, Boston, 2012 . forthcoming 2012 . Smithson in New Jersey, Montclair Art Museum, centennial exhibition, Lisa M. Tannenbaum 2014 . MA 2009 Mailing Address: Reva Wolf 225 East 72nd Street, 702, MA 1981, PhD 1987 NY NY 10021 Mailing Address: Art History Department Email Address: State University of New York at New Paltz lisa .tannenbaum@aya .yale .edu 1 Hawk Drive Latest Position: New Paltz, NY 12561 Adjunct, Parsons, E-mail Address: wolfr@newpaltz .edu The New School Latest Position: Professor, State University of New Publications: “Soaking in Time,” in Infinite York at New Paltz Instances: Studies and Images of Time, Mark Batty Publications: “John Bull, Liberty and Wit: How Publishers, 2011 . England Became Caricature,” in The Efflorescence Lectures: “Soaking in Space: Michel of Caricature, 1759–1838, ed by Todd Porterfield, de Montaigne’s Journal de Voyage of 1580-81,” London, Ashgate Publishing, 2011; “What Andy Norton Art History Conference, Shreveport, Warhol Did: An Exchange” (letter to the editor), LA, 2011 and CUNY English Student Associate New York Review of Books, 2011, print edition Graduate Conference, 2012 . (abridged version) and www .nybooks .com (full Honors and Awards: Jacob K . Javits Fellowship, version) . awarded 2011 Lectures: “On the Significance of Place in Projects: Ph .D . dissertation Goya’s Drawings,” paper, symposium Drawn to Spain: Showcasing New Research on Spanish Drawings, Research Forum, Courtauld Institute, London, 2012; “Goya in the Context of 17th and 18th Century Spanish Drawings,” discussion leader, Study Day for scholars, The Spanish

27 Alumni donors

The Institute of Fine Arts gratefully acknowledges the generosity of our alumni donors . Listed below are alumni who made a gift of $100 or more between July 31, 2011 and August 21, 2012 . Thank you for your support!

$25,000 + Mary H . Fong Maya B . Muratov Suzanne Deal Booth William e . Hood, Jr . Christopher a . Noey Anne Ehrenkranz Matthew H . Kennedy Mary Oey Phoebe Dent Weil Barbara G . Mathes Jo Anne C . Olian Anonymous (2) Mary B . Moore Adela f .l . Oppenheim Cynthia Wolk Nachmani Elizabeth a . Oustinoff $5,000 to $24,999 Robert s . Nelson David t . Owsley Catherine Brawer Elizabeth B . Smith and Ines Losada Powell Patricia e . Karetzky Paul M . Schwartzbaum Beatrice C . Rehl Dara J . Mitchell Christine M . Singer Sabine Rewald Anne n . Rorimer Harriet K . Stratis Jason Marshall Rosenfeld Claire Svetlik Mann Paula J . Volent Deborah Rothschild Mariët Westermann Joseph t . Ruzicka $200 to $499 Polly J . Sartori $1,000 to $4,999 Susan Staples Arms and Deborah Schorsch Meg a . Armstrong Richard G . Arms, Jr . Sarah w . Schroth Emily f . Braun Elisabeth Lauren Barro Kent John Severson Mary Braman Buchan Marcia e . Brocklebank Marjorie n . Shelley Philippe de Montebello Thomas a . Buser Priscilla Parsons Soucek Jennifer Eskin Gabriella B . Canfield Cecil l . Striker Irving l . Finkelstein Wanda M . Corn Carol f . Tabler Anne Christina Hrychuk Rachel l . Danzing Marcia r . Toledano Dorothy Robinson Mahon and Jean e . Dommermuth Deborah Lee Trupin Terrence s . Mahon Lisa Marie Duffy-Zeballos Anne w . Umland Christopher s . Malstead Elisabeth Dunn Gertje r . Utley Michele D . Marincola Martha e . Easton Stefanie Walker Anna Marguerite McCann Suzanne P . Fredericks Ian B . Wardropper Bannon McHenry Patricia Mosle Friedman Lynn H . Zelevansky Beatrix Medinger Laura M . Gadbery Anonymous Charles s . Moffett Susan G . Galassi Anne Poulet William l . Hickman $100 to $199 Lisa a . Rotmil William G . Holman Lynne D . Ambrosini Katherine a . Schwab Victoria M . Jenssen Patrick Amsellem Betty Selly Smith Anna D . Kartsonis Nancy e . Ash Joan Troccoli Charles J . Katz Konstanze Bachmann Stark C . and Michael l . Ward Sarah B . Landau Catherine r . Puglisi and Reva June Wolf Richard s . Lanier William Lee Barcham Dale G . Zaklad Minna M . Lee Jo Anne G . Bernstein Anonymous Jay a . Levenson Caroline Boillod Roger w . Lipsey Eve Borsook $500 to $999 Earl r . Mandle Leslie Davidson Bruning Carolyn Loessel Connor Susan D . Marcus Robert t . Buck, Jr . Peter Daniel De Staebler Elizabeth P . McGowan Walter B . Cahn Margaret Holben Ellis Anne McGee Morganstern and Andrea Y . Chevalier Shelley Fletcher James Morganstern Judith Colton

28 $100 to $199 continued Alicia e . Lubowski-Jahn Nadia Tscherny Dario a . Covi Elizabeth J . Lytton Emily Trevor Van Vleck Suzanne l . Davis Vivian B . Mann Patricia a . Waddy Christina Laguna De Leon Ira s . Mark Karen Graham Wade Eugene J . Dwyer Leatrice Mendelsohn Diane Waldman Carol s . Eliel Jerry D . Meyer Judith s . Weinraub Marianne V . Elrick-Manley Michael P . Mezzatesta Irene Cioffi Whitfield Christine M . Faltermeier Denyse l . Montegut Marina D . Whitman Melissa e . Feldman Frances Land Moore Walter M . Widrig Rikke r . Foulke Laura a . Morowitz William D . Wixom Eric M . Frank Anita f . Moskowitz Peter M . Wolf Leslie M . and Tom l . Freudenheim Priscilla Elkow Muller Roberta May-Hwa Wue Kathryn Calley Galitz Won Y . Ng Bonnie e . Yochelson Jorge a . Garcia-Tuduri Andrea Spaulding Norris Eric M . Zafran Jasper Gaunt Stephen e . Ostrow Alice M . Zrebiec Mildred l . Glimcher Joan H . Pachner Shelley e . Zuraw Lois r . Granato Linda Morey Papanicolaou Michele M . Greet Elizabeth C . Parker Rosalind r . Grippi Sylvie Penichon Janet B . Grossman Elizabeth a . Pergam Shary e . Grossman Jennifer Perry Pamela B . Hatchfield Alan Phipps Darr Judith s . and Joel a . Herschman Barbara e . Pollard Stein Sharon r . Herson Barbara J . Price Paula Rand Hornbostel Stuart w . Pyhrr Penelope Hunter-Stiebel Bridget J . Quinn Isabelle Hyman Valrae Reynolds Michael Jacoff Linda Jones Roccos Lyle Humphrey Johnson Allen Rosenbaum William r . Johnston Julie M . Saul Anna Jozefacka Ingrid l . Schaffner Annette l . Juliano Peggy Schiffer Dorothy Kosinski Sheila Schwartz Linda Konheim Kramer a . Kate Sheerin Carol Herselle Krinsky Martha C . Singer Marsa Laird Sharon Dunlap Smith a . Floyd Lattin Caron Smith Ursula Lee Jack Soultanian, Jr . Yulin Lee Deirdre Corcoran Stam Dene a . Leopold Paul Stanwick Colleen Ritzau Leth Donna Michele Stein Korn Deborah Lipton Mary Stofflet Charles t . Little Elizabeth Rosen Stone Linda s . Lourie Edward J . Sullivan Rosa Lowinger James w . Sykes Jr .

29 The Frick’s four panels by Piero della Francesca will be featured with other loans in an upcoming exhibition, Piero della Francesca in America (February 12 through May 19, 2013). Above: Saint John the Evangelist, 1454–1469, oil on poplar panel, thinned and cradled, 52.7 x 24.5 inches, The Frick Collection, New York

IFA Students and Alumni working at the Frick Collection: Denise Allen Susan Galassi Peggy Iacono Alison Lonshein Genevra LoVoci* Edgar Munhall Jeongho Park* Ellen Prokop Louisa Wood Ruby Joanna Sheers* Sarah Thein Ian Wardropper

*current student

30 INSTITUTE OF FINE ARTS – NYU

Annual Giving Campaign For Alumni Alumni Giving plays an essential role in fulfilling the Institute’s mission to educate future generations of historians, conservators and archaeologists . With a gift of $50 or more you will receive one year of IFA Alumni Association membership and enjoy access to the IFA library, invitations to IFA programs, and a subscription to the annual Alumni Newsletter . Thank you for your generosity, involvement and support of your alma mater .

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I am pleased to make a gift of: $5,000 $2,500 $1,000 $500 $250 $100 $50 Other $______See above for benefits at the $50 level . A gift of $5,000 or more makes you eligible for membership in the IFA’s Connoisseurs Circle . To learn more about the benefits of membership please contact Andrea Cirelli at andrea .cirelli@nyu .edu or 212-992-5812 .

Gift Designation Alumni Annual Fund (10-89540) Supports summer stipends for student travel and research, the annual Walter S. Cook Lecture, alumni reunion and newsletter. Alumni Annual Fellowship Fund (10-89540-AF001) Exclusively supports student financial aid. Conservation Center Annual Fund (22-89000-R2145) Provides essential support that can be directed to areas of greatest need at the Conservation Center.

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The Institute of Fine Arts is part of the Graduate School of Arts & Sciences at New York University, a not-for-profit 501(c)(3) organization . All gifts to the Institute of Fine Arts are tax-deductible to the full extent of the law . 31 The Alumni Association 1 East 78th Street, New York, NY 10075