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The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters
4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 16, 2018, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters TODD BARKAN JOANNE BRACKEEN PAT METHENY DIANNE REEVES Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 2 THE 2018 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts The 2018 NEA JAzz MASTERS Performances by NEA Jazz Master Eddie Palmieri and the Eddie Palmieri Sextet John Benitez Camilo Molina-Gaetán Jonathan Powell Ivan Renta Vicente “Little Johnny” Rivero Terri Lyne Carrington Nir Felder Sullivan Fortner James Francies Pasquale Grasso Gilad Hekselman Angélique Kidjo Christian McBride Camila Meza Cécile McLorin Salvant Antonio Sanchez Helen Sung Dan Wilson 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 -
Keeping the Tradition by Marilyn Lester © 2 0 1 J a C K V
AUGUST 2018—ISSUE 196 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM P EE ING TK THE R N ADITIO DARCY ROBERTA JAMES RICKY JOE GAMBARINI ARGUE FORD SHEPLEY Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East AUGUST 2018—ISSUE 196 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : ROBERTA GAMBARINI 6 by ori dagan [email protected] Andrey Henkin: [email protected] Artist Feature : darcy james argue 7 by george grella General Inquiries: [email protected] ON The COver : preservation hall jazz band 8 by marilyn lester Advertising: [email protected] Encore : ricky ford by russ musto Calendar: 10 [email protected] VOXNews: Lest We Forget : joe shepley 10 by anders griffen [email protected] LAbel Spotlight : weekertoft by stuart broomer US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviewS 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Miscellany 31 Suzanne Lorge, Marc Medwin, Jim Motavalli, Russ Musto, John Pietaro, Joel Roberts, Event Calendar 32 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Contributing Writers Mathieu Bélanger, Marco Cangiano, Ori Dagan, George Grella, George Kanzler, Annie Murnighan Contributing Photographers “Tradition!” bellowed Chaim Topol as Tevye the milkman in Fiddler on the Roof. -
Barbara Weathers Barbara Weathers Mp3, Flac, Wma
Barbara Weathers Barbara Weathers mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop / Funk / Soul Album: Barbara Weathers Country: US Released: 1990 Style: New Jack Swing, Contemporary R&B MP3 version RAR size: 1376 mb FLAC version RAR size: 1943 mb WMA version RAR size: 1309 mb Rating: 4.1 Votes: 181 Other Formats: WMA AAC MPC FLAC DTS VQF MMF Tracklist Hide Credits Barbi Doll A1 Producer – Rex Salas A2 Our Love Will Last Forever A3 My Only Love A4 Where Can You Run The Master Key A5 Producer – David "Pic" Conley*, Derrick Culler Where Did Our Love Go B1 Saxophone – Gerald Albright B2 All I Know Anywhere B3 Saxophone – Gerald Albright B4 Our Love Runs Deep Companies, etc. Produced For – Isaac Wayne Productions Produced For – Kalimba Productions, Inc. Produced For – Pic-N-Choose Productions Produced For – Racer-Ex Productions Published By – Pecot Music Co. Published By – Virgin Music, Inc. Published By – Racer-Ex Music Published By – Christ In Charge Music Published By – Selesongs Music Published By – Too Sweet Muzik Published By – Maurice White Music Published By – Electric Bill Music Published By – Reyshell Music Published By – EMI April Music Inc. Published By – Is Hot Music Published By – Random Notes Music Published By – Colgems-EMI Music Inc. Published By – Multi-Culler Music Published By – CBS Music Inc. Published By – Jobete Music Co., Inc. Published By – Isaac Wayne Music Published By – WB Music Corp. Published By – DQ Music Record Company – Warner Communications Copyright (c) – Reprise Records Phonographic Copyright (p) -
View Was Provided by the National Endowment for the Arts
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. LORRAINE GORDON NEA Jazz Master (2013) Interviewee: Lorraine Gordon (October 15, 1922 – June 6, 2018) Interviewer: Anthony Brown with recording engineer Ken Kimery Dates: July 7, 2012 Depository: Archives Center, National Music of American History Description: Transcript. 43 pp. Brown: Today is July 7, 2012, and this is the Smithsonian Jazz Oral History Interview with NEA Jazz Master Lorraine Gordon, in her home in New York City. It happens to be a very hot but beautiful day in New York. Good afternoon, Lorraine Gordon! Gordon: Hello. Thank you for coming on this hot day. Brown: And thank you so much for your incomparable hospitality. Ken and I are having a wonderful time. This is Anthony Brown, and Ken Kimery is here, to interview Lorraine Gordon, who, if you do not know who Lorraine Gordon is, she, over the last approximately 70 years, has been a mover-and-shaker in jazz, starting first at Blue Note Records, and, in the last fifteen years, as the owner and, shall we say, preserver of the greatest jazz club in the world, the Village Vanguard. So, Lorraine, where do you want to start this odyssey of your life in jazz? Do we start in Newark? Gordon: Why not? That’s almost where it did start. I mean, that’s where I was born, although I would like to be somewhere else—but I wasn’t. Brown: So you’re a Jersey girl! Gordon: No, I liked Newark. -
Make It New: Reshaping Jazz in the 21St Century
Make It New RESHAPING JAZZ IN THE 21ST CENTURY Bill Beuttler Copyright © 2019 by Bill Beuttler Lever Press (leverpress.org) is a publisher of pathbreaking scholarship. Supported by a consortium of liberal arts institutions focused on, and renowned for, excellence in both research and teaching, our press is grounded on three essential commitments: to be a digitally native press, to be a peer- reviewed, open access press that charges no fees to either authors or their institutions, and to be a press aligned with the ethos and mission of liberal arts colleges. This work is licensed under the Creative Commons Attribution- NonCommercial- NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/ by-nc-nd/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, California, 94042, USA. DOI: https://doi.org/10.3998/mpub.11469938 Print ISBN: 978-1-64315-005- 5 Open access ISBN: 978-1-64315-006- 2 Library of Congress Control Number: 2019944840 Published in the United States of America by Lever Press, in partnership with Amherst College Press and Michigan Publishing Contents Member Institution Acknowledgments xi Introduction 1 1. Jason Moran 21 2. Vijay Iyer 53 3. Rudresh Mahanthappa 93 4. The Bad Plus 117 5. Miguel Zenón 155 6. Anat Cohen 181 7. Robert Glasper 203 8. Esperanza Spalding 231 Epilogue 259 Interview Sources 271 Notes 277 Acknowledgments 291 Member Institution Acknowledgments Lever Press is a joint venture. This work was made possible by the generous sup- port of -
20Th Century Masters Press Release
1 SMOOTH FUNK SHINES BRIGHT ON THE BEST OF ATLANTIC STARR Atlantic Starr had the smooth funk thang down. One of funk-soul’s stellar acts, Atlantic Starr claimed Top 20 R&B hits in the ‘70s, ‘80s and ‘90s, and is still heard today at the funkiest gatherings. A cool dozen of those Top 20 hits, from 1978’s “Stand Up” to 1987’s #1 R&B/#1 pop “Always,” each digitally remastered, have now been brought together on The Best Of Atlantic Starr edition of 20th Century Masters/The Millennium Collection (A&M/UME), released July 17, 2001. Formed in upstate New York in 1976 by the brothers Lewis (guitarist-vocalist David, trombonist Jonathan and keyboardist-vocalist Wayne), Atlantic Starr soon headed west to Los Angeles. With singer Sharon Bryant, a surprisingly rare female lead vocalist for a funk band, Atlantic Starr hit the ground running after signing to A&M. It was Wayne, however, who sang lead on the group’s first R&B Top 20, the showtime anthem “Stand Up” from its self-titled 1978 debut album. From 1980’s Radiant, its third album, Bryant’s dusky-to-gutsy lead on the cautionary “When Love Calls” sent the song to #5 R&B while Wayne sang lead for the Top 20 R&B “Send For Me.” With Bryant up front, the sunny “Circles” (#2 R&B, Top 40 pop) and come hither “Love Me Down” (Top 20 R&B) rocketed 1982’s Brilliance to #1 Soul for three weeks. Bryant also led the coy, teasing “Touch A Four Leaf Clover” (#4 R&B) and joined Wayne for the love duet “More, More, More” (#11 R&B), both from 1983’s Yours Forever. -
Jazzweek with Airplay Data Powered by Jazzweek.Com • February 2, 2005 Volume 1, Number 11 • $7.95 in This Issue: KBEM Raises $25,000
JazzWeek with airplay data powered by jazzweek.com • February 2, 2005 Volume 1, Number 11 • $7.95 In This Issue: KBEM Raises $25,000 . 4 Jarreau, Wynton XM Specials . 5 Bob Dorough Visits, Performs at KUVO. 8 Artist News and Notes . 9 Reviews and Picks. 13 Jazz Radio . 15 Smooth Jazz Radio. 20 Radio Panels. 24 VILLAGE VANGUARD AT 70: More News . 4 Q&A with Lorraine Gordon . p10 Charts: #1 Jazz Album – Doctor Lonnie Smith #1 Smooth Album – Dave Koz #1 Smooth Single – Soul Ballet JazzWeek This Week EDITOR Ed Trefzger t IAJE in January, WDUQ station manager Scott Hanley spoke about CONTRIBUTING EDITORS the Jazz Core Values study. It’s available in an abridged edition online Keith Zimmerman Aat walrusresearch.com, along with lots of other interesting and useful Kent Zimmerman studies about fundraising, public radio audiences, and the like. It makes for Tad Hendrickson interesting reading, if, like me, you not only enjoy the music, but the nitty- CONTRIBUTING WRITER gritty. Tom Mallison In a nutshell, the study suggests that stations that play real jazz, that PHOTOGRAPHY present historical context and information, and that have authoritative per- Barry Solof sonalities who know and love the music will resonate with listeners. And those listeners pay attention to what’s played, motivating them to learn more PUBLISHER about the artist or to buy a CD. Tony Gasparre I suppose that’s common sense. But as a teacher I once had said, “It’s ADVERTISING: Contact Tony Gasparre ‘good sense’, not ‘common sense.’ If it were common sense, everyone would (585) 235-4685 x3 or have it.” email: [email protected] I spent a little time in the past couple of days looking at the 12+ ratings SUBSCRIPTIONS: Prices in US Dollars: of various jazz stations around the country, most of which I’ve listened to at Charter Rate: $199.00 per year, length at various times on the net, and all of which have managers or hosts JazzWeek w/ Industry Access – Charter that I know. -
Black History December 6, 2019 (Pdf) Download
Scoop Black History SCOOP USA MEDIA Celebrating 59 Years of Community News ScoopUSA Black History Corner by Adelaide Abdur-Rahman was born in Decatur, GA. [email protected] 1980 Mary Littlejohn Singleton, first African American woman elected to the Jacksonville, Florida City Council, SAGITTARIUS - November 22 - December 21 dies in Tallahassee, FL. 1987 Richard Taylor, singer with The Manhattans, dies. SAGITTARIUS – The Happy-Go-Lucky One 1990 (Quintin) Kwame Alexander, professional basket- Good-natured optimist. Doesn’t want to grow up ball player (The Finnish League), was born in Moreno Val- (Peter Pan syndrome). Indulges self. Boastful. Likes ley, CA. luxuries and gambling. Social and outgoing. Impa- 1990 Dee Clark, singer (Raindrops), dies in Smyrna, GA. tient. Fun to be around. Having lots of friends. Flirtatious. Does 1992 Chancellor James Williams, sociologist, historian like rules. Dislikes being confined – tight space or ever-tight and writer (The Destruction of Black Civilization), dies in clothes. Doesn’t like be doubted. Beautiful inside and out. Washington, DC. Turquoise was the stone for the month of December 1994 Marjorie Joyner, inventor of the permanent wave In ancient Mexico, turquoise was reserved for the gods machine patent number 1,522,258 and hot curling rods pat- and could not be worn by mere mortals. In the 13th ent number 1,693,515 dies in Chicago, IL. century, turquoise was thought to protect its wearer 2000 Levi Jackson, first African American football cap- from falling especially from horses. Legend says tears tain at Yale University and first African American ex- of joy combined with rain seeped into mother earth to ecutive at Ford Motor Company, dies. -
N Lewis O Atlantic Starr Lay Chri Lake: Another Clothes Call
June 18, 1998 n Lewis o Atlantic Starr lay Chri lake: Another Clothes Call LETTERS Adventist Higher Education Having left a generous industry about the newly established Women's I loved Ginger Ketting's "A College salary and retirement to teach electri- Resource Center at La Sierra Professor Shares Her cal engineering, I am now happily part University (see "Kit Watts: What's Heart," in the April of the lowest-paid engineering faculty She Doing Now?" Apr. 16 Cutting 16 Cutting Edge in North America. The happy part is Edge Conversations). Some projects Edition. I have that our students gather here to learn reported as fact are actually still in attended an Ad- engineering together with Adventist process—including a resource library, ventist college for Christian principles. I did not come worship materials, and liturgies three of the past four here either to quietly observe or to designed for women. Since this is a years, and during contribute to a decline of Christian donation-based ministry and I'm a that time I have visited with students standards. Why have the editors of the half-time director, it will take time to from almost every Adventist college or Review thrown me into a barre' turn plans into reality. university in North America. Ella and I ran out of time It's amazing to see the dis- Don't Forget . and space to explore it, but crepancy between college my work at the Southeastern students' opinion of their The deadline for our Fresh Voices contest is approaching. California Conference is also professors and outsiders' If you're an Adventist age 35 or younger, we welcome a cutting-edge experience! opinions of these same teach- your essay (1,700 words or fewer) about one of the For example, SECC has: ers. -
Thelonious Monk's Pianism
Thelonious Monk’s Pianism BENJAMIN GIVAN S cores of jazz artists have crafted their own dis- tinctive instrumental techniques, whether by choice or because they lacked access to standardized instruction, but few have played as un- conventionally as the pianist Thelonious Monk (1917–82). Flagrantly fouting both classical and jazz norms, Monk was often accused of in- eptitude, particularly during his early career.1 Yet today he has become one of jazz’s iconic fgures, revered as a master composer and often regarded, in the popular imagination, as the archetypal nonconformist intellectual and modernist artist. This is no paradox. On the contrary, Monk’s sui generis pianism helped to cement all these facets of his public 404 persona. If some of the musicians, listeners, and writers who heard Monk over the years dismissed him as incompetent, others countered that he was fully capable of playing conventionally but chose not to, and still others judged his pianism favorably by either its own self-defned stan- dards or the larger jazz community’s. The most widely held view among the pianist’s devotees, especially during the peak period of his career in the late 1950s and 60s but still persisting in some quarters, is grounded in modernist aesthetics. It casts his instrumental technique as subor- dinate, even irrelevant, to his music’s abstract structure, and it gives comparatively little serious consideration to the sound he elicited from 1 Two other leading jazz artists who were accused of technical inadequacy are trum- peter Miles Davis (1926–91) and tenor saxophonist John Coltrane (1926–67). -
Oral Histories
Oral Histories Oral Histories are available at through a wide variety of resources at the museum, from online exhibitions, to Archive Center collections, to the Smithsonian Jazz collections. Below is a listing of selected oral histories with women illustrating the breadth and depth of the oral histories available at the museum. Military A More Perfect Union- Japanese Americans & the U.S. Constitution During the opening months of World War II, almost 120,000 Japanese Americans, two-thirds of them citizens of the United States, were forced out of their homes and into detention camps established by the U.S. government. Many would spend the next three years living under armed guard, behind barbed wire. Look for: Nancy K. Araki Mary Tsukamoto Sue Embrey Morgan Yamanaka http://amhistory.si.edu/perfectunion/transcript.html#today1 Louisa Susannah Wells Louisa Susannah Wells describes conditions in the North Atlantic during a voyage from New York to London in 1778. http://americanhistory.si.edu/onthewater/oral_histories/life_at_sea/wells.htm Maria Isabel Solis Thomas, Shipyard Worker World War II scrambled American society. Jobs in shipyards brought men, women, and families to parts of the country they had never visited before. In their new homes, they often lived and worked among people of many different backgrounds. At the peak of wartime production in 1943, women made up more than 10 percent of the work force in most of the shipyards. Listen to the story of Maria Isabel Solis Thomas, to gain an understanding of the immense changes World War -
The Hilltop 1-27-1989
Howard University Digital Howard @ Howard University The iH lltop: 1980-90 The iH lltop Digital Archive 1-27-1989 The iH lltop 1-27-1989 Hilltop Staff Follow this and additional works at: http://dh.howard.edu/hilltop_198090 Recommended Citation Staff, Hilltop, "The iH lltop 1-27-1989" (1989). The Hilltop: 1980-90. 214. http://dh.howard.edu/hilltop_198090/214 This Book is brought to you for free and open access by the The iH lltop Digital Archive at Digital Howard @ Howard University. It has been accepted for inclusion in The iH lltop: 1980-90 by an authorized administrator of Digital Howard @ Howard University. For more information, please contact [email protected]. The H1t!o111'1 I 111~1t C1Ra111 .. """""' e D.C.nllt • ' Howard loses Jeffries to S.C. State r' Athletic Director Moultrie fends off critics as search for new head coqch gets underway Three Howard assistant coaches: said that he and his wife wanted to Alonza L. Robertson Ben Blabknall, the defensive coor return to · South Carolina, which is Hilltop Staff Reporter dinator; Jim Ward, the running their home. The university plans to announce backs coach; and Alonzo Lee, the Jeffries, 49, began his head its choice to lead the football pro linebackers coach, have interviewed coaching career at the school in 1973 - gram Feb. I, less than month after for the position. , and over the next six years became Head Coach Willie Jeffries resigned ''The team and staff are eager to the Mid-Eastern Athletic Con to accept the same position at South find out who the leader is going to be ference's winningest coach claiming ·.' ~ ,.;· {\·; Carolina State.