DOCSLIB.ORG

JJ3501 Final

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
JJ3501 Final Volume 35 • Issue 01 January 2007 Journale of the rNew Jsersey Jazze Societyy DedicatedJ toa the perforzmance, przomotion and preservation of jazz. Ed Berger’s Focus on Jazz Photographic Studies from Louis to Wynton By Fradley Garner Jersey Jazz International Editor NEWARK — “The first performance photos I ever took were of Louis Armstrong in 1956 when I was 17,” recalls Ed Berger, associate director of the Rutgers University Institute of Jazz Studies and dedicated photographer of musicians, who has mounted his first ever exhibit in Dana Library on the Newark campus. “Louis was playing on a revolving stage in a tent not far from where we lived in Princeton, and it was a moving experience in more than one sense.” Berger’s 54 black and white photographs are displayed in a room often used for classes and other events, so visitors can’t go in at times. He suggests calling the library office at 973-353-5222, to check when it’s open to the public. On the creative level, that matter of access — into performing venues — has become a growing problem for photographers, says Berger, who notes that many promoters and club owners “seem to be getting more and more restrictive about picture taking.” If you happen to be in the right place at the right time, he shrugs, “almost any idiot can push the shutter button and get something interesting.” continued on page 12 2007 Pee Wee Russell Memorial Stomp MARCH 4, 2007 LOUIS ARMSTRONG. Music Circus, Lambertville, NJ, July 4, 1966. Photo by Ed Berger. Birchwood Manor, Whippany TICKETS NOW AVAILABLE see page 8 ARTICLES Hopewell Valley Bistro Gypsy Jazz . 20 The Name Dropper . 39 in this issue: Classic Stine . 9 CDs: Other Views . 22 ADVERTISERS NEW JERSEY JAZZ SOCIETY Salt Creek Grille in Princeton . 10 Books: Alive at the Village Vanguard Pres Sez/NJJS Calendar/ From the Crow’s Nest . 10 and Lennie Tristano . 25 Shanghai Jazz . 5 NJJS Bulletin Board . 2 – 3 Milt Hinton Jazz Photography Award . 11 Book: Band Singer (Garry Stevens) . 28 Cornerstone . 7 The Mail Bag . 4 Tony Mottola Tribute at Shanghai Jazz . 11 DVD: Jazz Icons . 29 Salt Creek Grille . 17 Editor’s Pick/Deadlines/NJJS info . 6 Big Band in the Sky. 14 NJPAC: Gillespie All-Stars and Trumpets . 21 Notes from the Music Committee . 8 Dixieland in Israel . 16 New Orleans Jazz Orchestra . 31 eighty eights . 23 In the Mainstream . 34 REVIEWS EVENTS CTS Images . 28 Jazz Trivia . 34 Cape May Jazz Festival . 18 ’Round Jersey: Bridgewater, Arbors Records . 33 Dance Lessons for friends of NJJS . 35 November Member Meeting: Morris, Ocean County . 36 Laura Hull . 40 About NJJS/Membership Info . 35 Jazz Club Owners . 19 Somewhere There’s Music. 38 Weichert Realtors . 40 New JerseyJazzSociety NJJS Calendar Monday January 8 2007 Bickford/Morris see p 36 Wednesday January 17 2007 Ocean County College see p 37 Prez Sez Saturday January 20 2007 By Andrea Tyson President, NJJS Bridgewater see ad p 27 & p 36 anuary is an exciting time for the NJJS — New Jersey Jazz Society banner in their club — Saturday January 20 2007 Peabody/Charleston Workshop Jacclimating new board members, arranging please check it out — and if you don’t see it, ask Union see p 35 committee assignments, setting up our special about it! The concert that night was just star- Monday January 29 2007 calendar in this our 35th incorporated year. studded, as some of their friends joined them up Bickford/Morris see p 36 The new board members, along with news of on the bandstand. A good time was had by all! Rio Clemente sat in, then Zan Stewart stepped Wednesday January 31 2007 the December 3rd Annual Meeting, will be Ocean County College see p 37 presented via these pages in future editions. up with his sax, among many others. This is a fine club with ample private parking. Saturday February 3 2007 2006 was a very good year for our membership Bridgewater see ad p 27 & p 36 I roster, with many new and renewing members. Speaking of Zan, we caught his quartet at Trumpets one recent Sunday evening — with Sunday February ? 2007 Thank you all so much. Speaking of members — MONTHLY MEMBER MEETING it’s never the wrong time to give a gift Bob DeVos on guitar, Andy Watson on drums Trumpets/Montclair (details TBA) and Kevin McCarthy on bass. The performance membership — renewal rates are very high included lovely versions of Cole Porter’s “What Wednesday February 7 2007 for those people who receive a gift membership. Ocean County College see p 37 is This Thing Called Love” and Bob Haggart’s So, please remember the NJJS when thinking of “What’s New?” The intimate setting was perfect Monday February 26 2007 gifts for your friends and family for birthdays Bickford/Morris see p 36 and the evening was a bit of a meet and greet as and anniversaries. Sheila Anderson and Awilda Rivera of WBGO Sunday March 4 2007 Pee Wee Russell Memorial Stomp Also, please send me your e-mail address at walked in. Carrie Jackson was on hand as well. see COMING UP p 3 and p 8 [email protected]. We send an e-mail blast every I I think all those in attendance had a fun Monday March 12 2007 now and then with emerging news — we’d like afternoon at our November Member Meeting Bickford/Morris see p 36 to make sure as many members as possible get at Trumpets in Montclair. A special thanks to those updates. Saturday March 17 2007 owners Enrico and Kristine for their continued Bridgewater see ad p 27 & p 36 support and generosity. What a terrific panel Recent Doings Monday March 19 2007 discussion — lots of laughs, too. Our panel Bickford/Morris see p 36 I We had a lovely evening at Cecil’s in October consisted of Mike Canterino, Kristine Massari, celebrating a special anniversary with Pam Purvis Amos Kaune and Ed Polcer. Jazz club owners Wednesday March 21 2007 Ocean County College see p 37 and Bob Ackerman. They provided a meal for didn’t have it easy and they still don’t! That’s why all guests and we were very appreciative of their we need to support them by getting off the couch Monday April 9 2007 Bickford/Morris see p 36 hospitality. Cecil’s should now be sporting a large to go clubbing! Entertainment that evening was continued on page 3 Tuesday April 10 2007 NJJS co-sponsor Mason Gross concert New Brunswick see p 3 NJJS Bulletin Board Saturday/Sunday Special Offer 2005 and the American Library recording with a play list that is out of June 9/10 2007 Association, Katrina Relief Fund. We this world. E-mail NJJS President Jazzfest ”Do You Know What It Means To still have a few in inventory. This is a Drew Univ. Madison see p 8 Andrea Tyson at [email protected] or write Miss New Orleans” is a CD produced very worthy cause — one still in to her at 110 Haywood Avenue, by the New Hampshire Library of need of financial assistance. So Sunday October 7 2007 Piscataway, NJ 08854 and enclose Traditional Jazz (see Joe Lang’s review, please help by purchasing a CD. Cost NJJS 35th Anniversary your check. This CD makes an Dinner Dance (details TBA) July/August 06 Jersey Jazz). All is $18 plus $2 shipping. But if you buy proceeds from sales of the disk a CD at one of our events, the cost excellent gift that also contributes to support Music Cares, Hurricane Relief will be just $18. This is a special a most worthy cause. 2 January 2007 JerseyJazz New JerseyJazzSociety by Judi Canterino and Mike also, on a I Also on the college scene, NJJS was What’s Goin’ On couple of numbers, with Rio Clemente the co-sponsor of a recent concert at the I Record Bin — We’ve updated our accompanying. Mason Gross School of the Arts’s gorgeous inventory list. If interested, I can e-mail a Nicholas Center in New Brunswick. Ralph We’re not having a Member Meeting in copy to you (it’s in Excel) — let me know: Bowen directed the Rutgers Jazz Ensemble December/January fearing inclement [email protected]. Jack Sinkway is now and Conrad Herwig directed the Scarlet handling our CDs, so he’s the go-to guy! weather, but will resume in February. Knights Jazz Trombones, joining in on I Plans are being finalized as we go to We’ve had good response to the first three a couple of tunes. The evening featured press regarding the Stomp, Jazzfest and our meetings and hope even more members Eddie Palmieri on piano and Renato will attend in the future. fall dinner/dance. Check out Joe Lang’s Thoms and Johnny Rivero on percussion. Music Committee Column on page 8. I NJJS met with the owners of the Salt Dr. Lou Iozzi presented Mr. Palmieri with Creek Grille; we hope you’ll support their an NJJS Lifetime Achievement Award. The Coming Up efforts in opening a new restaurant in evening’s selections emphasized Rutgers’s I Pee Wee Stomp TICKETS AVAILABLE Princeton with jazz several nights a week. Center for Latino Arts and Culture. NOW. We’ve lined up a spectacular event. Selections such as Dizzy Gillespie’s Same place: Birchwood Manor in Check them out at www.saltcreekgrille.com “Manteca” brought the house to its feet! Whippany. Same time: noon, on Sunday, and let them know you read about them in Please come out and enjoy a wonderful March 4.
Load more

Recommended publications
  • Duke Ellington Kyle Etges Signature Recordings Cottontail
    Duke Ellington Kyle Etges Signature Recordings Cottontail. Cottontail stands as a fine example of Ellington’s “Blanton-Webster” years, where the ​ band was at its peak in performance and popularity. The “Blanton-Webster” moniker refers to bassist Jimmy Blanton and tenor saxophonist Ben Webster, who recorded Cottontail on May 4th, 1940 alongside Johnny Hodges, Barney Bigard, Chauncey Haughton, and Harry Carney on saxophone; Cootie Williams, Wallace Jones, and Ray Nance on trumpet; Rex Stewart on cornet; Juan Tizol, Joe Nanton, and Lawrence Brown on trombone; Fred Guy on guitar, Duke on piano, and Sonny Greer on drums. John Hasse, author of The Life and Genius of Duke ​ Ellington, states that Cottontail “opened a window on the future, predicting elements to come in ​ jazz.” Indeed, Jimmy Blanton’s driving quarter-note feel throughout the piece predicts a collective gravitation away from the traditional two feel amongst modern bassists. Webster’s solo on this record is so iconic that audiences would insist on note-for-note renditions of it in live performances. Even now, it stands as a testament to Webster’s mastery of expression, predicting techniques and patterns that John Coltrane would use decades later. Ellington also shows off his Harlem stride credentials in a quick solo before going into an orchestrated sax soli, one of the first of its kind. After a blaring shout chorus, the piece recalls the A section before Harry Carney caps everything off with the droning tonic. Diminuendo & Crescendo in Blue. This piece is remarkable for two reasons: Diminuendo & ​ ​ Crescendo in Blue exemplifies Duke’s classical influence, and his desire to write more ​ grandiose pieces with more extended forms.
    [Show full text]
  • Pops Prevails
    Journal of Jazz Studies vol. 8, no. 1, pp. 93-99 (Spring 2012) Pops Prevails Edward Berger What a Wonderful World: The Magic of Louis Armstrong’s Later Years. By Ricky Riccardi. New York: Pantheon, 2011. 369 pp. $28.95. Louis Armstrong’s later work is a far more controversial subject than one would expect, given his universal recognition as jazz’s seminal creator and, at one time, arguably the world’s most recognizable figure. But it is precisely his success in these two disparate and, to many, incompatible roles that led some critics to ignore his later artistic achievements and to bemoan what many viewed as his abandonment of his genius in pursuit of popular acceptance. Add to that the uneasiness engendered in some circles by Armstrong’s complex stage persona, and the controversy becomes more understandable. Ricky Riccardi makes abundantly clear in this new and valuable work that, although Armstrong may have devoted his entire life to entertaining his audience, it did not preclude serious artistic achievement at all stages of his career. Most writers, Riccardi included, use the transition from Armstrong’s leadership of his big band to the formation of the All Stars in 1947 as the demarcation between early and late Armstrong. Since Armstrong recorded from 1923 to 1971, his “late” period spanned some 24 years—exactly half of his entire recording career. Moreover, some critics felt that Armstrong’s contributions as a creative improviser ended even earlier, essentially dismissing much of his output after the Hot Fives and Hot Sevens. It is interesting to note how our concept of age has changed over the decades.
    [Show full text]
  • Read Full Article in PDF Version
    The Subversive Songs of Bossa Nova: Tom Jobim in the Era of Censorship Irna Priore and Chris Stover OSSA nova flourished in Brazil at the end of the 1950s. This was a time of rapid Bdevelopment and economic prosperity in the country, following President Jucelino Kubitschek’s 1956 proclamation of “fifty years of progress in five,” but after the 1964 coup d’état, when General Humberto Castello Branco’s military regime took control of Brazil, the positive energy of the bossa nova era quickly dissipated.1 Soon after the 1964 coup the atmosphere changed: civil rights were suppressed, political dissent was silenced, and many outspoken singer-songwriters, authors and playwrights, journalists, and academics were censored, arrested, and imprisoned. First-generation bossa nova artists, however, were able to avoid such persecution because their music was generally perceived as apolitical.2 This essay challenges this perception by analyzing the ways in which iconic bossa nova composer Antônio Carlos (“Tom”) Jobim inscribed subversive political thought through musical syntax and lyrical allegory in several of his post-1964 songs. We begin by providing a brief overview of the socio-political history of 1960s Brazil, considering some general features of the Brazilian protest song (canção engajada) before focusing on Chico Buarque’s anthemic “Roda viva” as an exemplar of that style. We then move to a detailed examination of the Jobim compositions “Sabiá” and “Ligia,” the lyrics to both of which speak of love, longing, and saudade in the manner of many bossa nova songs, but within which can be found incisive (if carefully coded) critiques of the Castello Branco government.
    [Show full text]
  • Guide to Ella Fitzgerald Papers
    Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996.................................................................
    [Show full text]
  • Academic Catalog 2000-2001
    TEACHERSCOLLEGE COLUMBIA UNIVERSITY 2000–2001 Contents 1 Teachers College. Defining the Work of Educators 4 An Introduction to Teachers College 36 Academic Calendar 39 Research and Service Activities 51 The Milbank Memorial Library 53 Computing and Information Services 55 Instruction and Research Support Services 56 Teacher Education Programs and Internships 59 Research Fellowships 59 Student Life and Student Services 62 Faculty 82 Special Term Faculty 92 Trustees and Officers 94 Programs of Study 275 Degree Requirements 278 Registration, Expenses and General Regulation plus Touchtone Services 284 Residence Halls Information 287 Admissions Application Information 290 Student Aid Information 293 Application for Admission 295 Letter of Reference 297 Residence Hall Application 299 Student Aid Application 301 Index Correspondence Directory Notice of Nondiscriminatory Policy How to Get to Teachers College Map TEACHERSCOLLEGE D EFINING THE W ORK OF E DUCATORS Soon after being named president of Teachers College, I received a letter from a well-known educator suggesting the College change its name. The author reasoned that Teachers College is the largest and most comprehensive graduate and professional school of education in the United States. Teachers College focuses on education in the broadest sense of the word—in and out of the classroom and across a lifespan. A third of our students are in teacher preparation programs. Arthur E. Levine, President, Teachers College, The rest are planning on careers in administra- Columbia University tion, policy, research, and teaching in fields rang- ing across education, health, and psychology. The proposal certainly had merit, but it was at the same time impossible. The most valuable possession we have at Teachers College is our name.
    [Show full text]
  • Vut 20140303 – Big Bands
    JAMU 20140305 – BIG BANDS (2) 10. Chicago Serenade (Eddie Harris) 3:55 Lalo Schifrin Orchestra: Ernie Royal, Bernie Glow, Jimmy Maxwell, Marky Markowitz, Snooky Young, Thad Jones-tp; Billy Byers, Jimmy Cleveland, Urbie Green-tb; Tony Studd-btb; Ray Alonge, Jim Buffington, Earl Chapin, Bill Correa-h; Don Butterfield-tu; Jimmy Smith-org; Kenny Burrell-g; George Duvivier-b; Grady Tate-dr; Phil Kraus-perc; Lalo Schifrin-arr,cond. Englewood Cliffs, NJ, April 27/29, 1964. Verve V6-8587. 11. A Genuine Tong Funeral – The Opening (Carla Bley) 2:14 Gary Burton Quartet with Orchestra: Gary Burton-vib; Larry Coryell-g; Steve Swallow-b; Bobby Moses-dr; Mike Mantler-tp; Jimmy Knepper-tb,btb; Howard Johnson-tu,bs; Leandro “Gato” Barbieri-ts; Steve Lacy-ss; Carla Bley-p,org,cond. New York, July 1967. RCA Victor LSP 3901. 12. Escalator Over the Hill (Carla Bley) 4:57 Michael Mantler-tp; Sam Burtis, Jimmy Knepper, Roswell Rudd-tb; Jack Jeffers-btb; Bob Carlisle, Sharon Freeman-h; John Buckingham-tu; Jimmy Lyons-as; Gato Barbieri-ts; Chris Woods-bs; Perry Robinson-cl; Nancy Newton-vla; Charlie Haden-b; Paul Motian-dr; Tod Papageorge, Bob Stewart, Rosalind Hupp, Karen Mantler, Jack Jeffers, Howard Johnson, Timothy Marquand, Jane Blackstone, Sheila Jordan, Phyllis Schneider, Pat Stewart-voc; Bill Leonard, Don Preston, Viva, Carla Bley- narrators. November 1968-June 1971, various places. JCOA 839310-2. 13. Adventures in Time – 3x3x2x2x2=72 (Johnny Richards) 4:29 Stan Kenton Orchestra: Dalton Smith, Bob Behrendt, Marvin Stamm, Keith Lamotte, Gary Slavo- tp; Bob Fitzpatrick, Bud Parker, Tom Ringo-tb; Jim Amlotte-btb; Ray Starlihg, Dwight Carver, Lou Gasca, Joe Burnett-mell; Dave Wheeler-tu,btb; Gabe Baltazar-as, Don Menza, Ray Florian-ts; Allan Beutler-bs; Joel Kaye-bass,bs; Stan Kenton-p; Bucky Calabrese-b; Dee Barton-dr; Steve Dweck- tympani,perc.
    [Show full text]
  • Gerry Mulligan Discography
    GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”.
    [Show full text]
  • The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters
    4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 16, 2018, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters TODD BARKAN JOANNE BRACKEEN PAT METHENY DIANNE REEVES Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 2 THE 2018 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts The 2018 NEA JAzz MASTERS Performances by NEA Jazz Master Eddie Palmieri and the Eddie Palmieri Sextet John Benitez Camilo Molina-Gaetán Jonathan Powell Ivan Renta Vicente “Little Johnny” Rivero Terri Lyne Carrington Nir Felder Sullivan Fortner James Francies Pasquale Grasso Gilad Hekselman Angélique Kidjo Christian McBride Camila Meza Cécile McLorin Salvant Antonio Sanchez Helen Sung Dan Wilson 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18
    [Show full text]
  • Mixed Folios
    mixed folios 447 The Anthology Series – 581 Folk 489 Piano Chord Gold Editions 473 40 Sheet Music Songbooks 757 Ashley Publications Bestsellers 514 Piano Play-Along Series 510 Audition Song Series 444 Freddie the Frog 660 Pop/Rock 540 Beginning Piano Series 544 Gold Series 501 Pro Vocal® Series 448 The Best Ever Series 474 Grammy Awards 490 Reader’s Digest Piano 756 Big Band/Swing Songbooks 446 Recorder Fun! 453 The Big Books of Music 475 Great Songs Series 698 Rhythm & Blues/Soul 526 Blues 445 Halloween 491 Rock Band Camp 528 Blues Play-Along 446 Harmonica Fun! 701 Sacred, Christian & 385 Broadway Mixed Folios 547 I Can Play That! Inspirational 380 Broadway Vocal 586 International/ 534 Schirmer Performance Selections Multicultural Editions 383 Broadway Vocal Scores 477 It’s Easy to Play 569 Score & Sound Masterworks 457 Budget Books 598 Jazz 744 Seasons of Praise 569 CD Sheet Music 609 Jazz Piano Solos Series ® 745 Singalong & Novelty 460 Cheat Sheets 613 Jazz Play-Along Series 513 Sing in the Barbershop 432 Children’s Publications 623 Jewish Quartet 478 The Joy of Series 703 Christian Musician ® 512 Sing with the Choir 530 Classical Collections 521 Keyboard Play-Along Series 352 Songwriter Collections 548 Classical Play-Along 432 Kidsongs Sing-Alongs 746 Standards 541 Classics to Moderns 639 Latin 492 10 For $10 Sheet Music 542 Concert Performer 482 Legendary Series 493 The Ultimate Series 570 Country 483 The Library of… 495 The Ultimate Song 577 Country Music Pages Hall of Fame 643 Love & Wedding 496 Value Songbooks 579 Cowboy Songs
    [Show full text]
  • Ken Peplowski Discography
    Discography – Ken Peplowski 1987 Double Exposure Concord Jazz 1989 Sonny Side Concord Jazz 1990 Mr. Gentle and Mr. Cool Concord Jazz 1990 Illuminations Concord 1991 Groovin' High Concord Jazz 1992 Concord Duo Series, Vol. 3 Concord Jazz 1992 The Natural Touch Concord Jazz / Concord 1993 Steppin' with Peps Concord Jazz 1994 Encore! Live at Centre Concord Concord Jazz / Concord 1994 Live at Ambassador Auditorium Concord Jazz / Concord 1995 The International All-Stars Play Benny Goodman, Vol. 2 Nagel Heyer Records 1995 The International Allstars Play Benny Goodman, Vol. 1 Nagel Heyer Records 1995 It's a Lonesome Old Town Concord Jazz / Concord 1996 The Other Portrait Concord / Concord Jazz 1997 A Good Reed Concord Jazz / Concord 1998 Grenadilla Concord Jazz 1999 Last Swing of the Century Concord Vista / Concord Jazz 2000 All This...Live in the UK, Vol. 1 Koch / Koch Jazz 2001 Tribute to Benny Goodman with the BBC Big Band Chandos 2002 Just Friends Nagel Heyer Records 2002 And Heaven Too: Live in the U.K. Vol. 2 Koch 2002 Remembering Louis Jump Records 2002 Ellingtonian Tales Mainstream 2002 Lost in the Stars Nagel Heyer Records 2004 Easy to Remember Nagel Heyer Records 2007 Memories of You Tokuma Records 2008 Gypsy Lamento Venus / Venus Jazz Japan 2008 When You Wish Upon a Star Tokuma Records 2011 In Search Of Capri 2013 Maybe September Capri 2013 ...Live at the Kitano Victoria Company 2018 Sunrise Arbors 2018 Duologue Arbors Credits 2018 Duologue Adrian Cunningham / Ken Peplowski Primary Artist 2018 Sunrise Ken Peplowski / Ken Peplowski
    [Show full text]
  • Keeping the Tradition by Marilyn Lester © 2 0 1 J a C K V
    AUGUST 2018—ISSUE 196 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM P EE ING TK THE R N ADITIO DARCY ROBERTA JAMES RICKY JOE GAMBARINI ARGUE FORD SHEPLEY Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East AUGUST 2018—ISSUE 196 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : ROBERTA GAMBARINI 6 by ori dagan [email protected] Andrey Henkin: [email protected] Artist Feature : darcy james argue 7 by george grella General Inquiries: [email protected] ON The COver : preservation hall jazz band 8 by marilyn lester Advertising: [email protected] Encore : ricky ford by russ musto Calendar: 10 [email protected] VOXNews: Lest We Forget : joe shepley 10 by anders griffen [email protected] LAbel Spotlight : weekertoft by stuart broomer US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviewS 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Miscellany 31 Suzanne Lorge, Marc Medwin, Jim Motavalli, Russ Musto, John Pietaro, Joel Roberts, Event Calendar 32 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Contributing Writers Mathieu Bélanger, Marco Cangiano, Ori Dagan, George Grella, George Kanzler, Annie Murnighan Contributing Photographers “Tradition!” bellowed Chaim Topol as Tevye the milkman in Fiddler on the Roof.
    [Show full text]
  • November 2015 BCJS Celebrates 25 Years of Jazz in Baltimore
    November 2015 BCJS Celebrates 25 Years of Jazz in Baltimore . 1 Member Profile: Greg Hatza . 5 BALTIMORE JAZZ ALLIANCE Two Kinds of Music . 6 Jam Sessions . 7 BJA Seeking New Board Members . 8 Member Notes, Discounts and Merchandise . 10 Ad Rates and Member Sign-up Form . 11 VOLUME XII ISSUE X THE BJA NEWSLETTER WWW.BALTIMOREJAZZ.COM BCJS Celebrates 25 Years of Jazz in Baltimore By Gail Marten and Bill Murray he Baltimore Chamber Jazz Soci - The three founders of Baltimore Chamber Jazz Society were ety had its origin in the winter of Parvin Sharpless, president; Gloria Katzenberg, program director; T1990-1991 when three Baltimore- area friends were talking around the and Stanley Panitz, treasurer. dinner table about the dearth of oppor - William Murray has been president since 2004. tunities in Baltimore to hear jazz. There were then excellent jazz programs at the King of France Tavern in Annapolis, music was being made. The proximity to Charlie Byrd, with his brother Joe on and they recalled exciting concerts at the performers allowed their styles and bass, and Chuck Redd on drums, made the Famous Ballroom on North Charles the nuances of their playing to be easily regular appearances there. Street where, under the sponsorship of heard, seen, and appreciated. At that dinner-table discussion, the The Left Bank Jazz Society, the brightest The musicians who appeared at the idea took shape: a society could be stars from New York City would per - King of France were sometimes young formed that would give jazz its due—a form, riding the train to Baltimore on players with interesting new styles, concert setting, in a small auditorium, Sunday afternoons and returning the sometimes older, established players.
    [Show full text]