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Georgia Douglas Johnson and Eulalie Spence As Figures Who Fostered Community in the Midst of Debate
Art versus Propaganda?: Georgia Douglas Johnson and Eulalie Spence as Figures who Fostered Community in the Midst of Debate Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Caroline Roberta Hill, B.A. Graduate Program in Theatre The Ohio State University 2019 Thesis Committee: Jennifer Schlueter, Adviser Beth Kattelman Copyright by Caroline Roberta Hill 2019 Abstract The Harlem Renaissance and New Negro Movement is a well-documented period in which artistic output by the black community in Harlem, New York, and beyond, surged. On the heels of Reconstruction, a generation of black artists and intellectuals—often the first in their families born after the thirteenth amendment—spearheaded the movement. Using art as a means by which to comprehend and to reclaim aspects of their identity which had been stolen during the Middle Passage, these artists were also living in a time marked by the resurgence of the Ku Klux Klan and segregation. It stands to reason, then, that the work that has survived from this period is often rife with political and personal motivations. Male figureheads of the movement are often remembered for their divisive debate as to whether or not black art should be politically charged. The public debates between men like W. E. B. Du Bois and Alain Locke often overshadow the actual artistic outputs, many of which are relegated to relative obscurity. Black female artists in particular are overshadowed by their male peers despite their significant interventions. Two pioneers of this period, Georgia Douglas Johnson (1880-1966) and Eulalie Spence (1894-1981), will be the subject of my thesis. -
The Thesis Committee for Rachel Leigh
To the University Council: The Thesis Committee for Rachel Leigh Smith certifies that this is the final approved version of the following electronic thesis: ―‗The Young Blood Hungers‘: Mapping Young Black Manhood in Marita Bonner‘s Frye Street Fiction.‖ _________________________________ Verner Mitchell, Ph.D. Major Professor We have read this thesis and recommend its acceptance: ________________________________ Shelby Crosby, Ph.D. ________________________________ Ladrica Menson-Furr, Ph.D. Accepted for the Graduate Council: _________________________________ Karen D. Weddle-West, Ph.D. Vice Provost for Graduate Programs ―THE YOUNG BLOOD HUNGERS‖: MAPPING YOUNG BLACK MANHOOD IN MARITA BONNER‘S FRYE STREET FICTION by Rachel Leigh Smith A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts Women‘s and Gender Studies The University of Memphis December 2010 Copyright © 2010 Rachel Leigh Smith All rights reserved ii Dedication To my parents, Mallory and Wesley, for their incredible and unwavering support iii ABSTRACT Smith, Rachel Leigh. MA. The University of Memphis. December 2010. 'The Young Blood Hungers': Mapping Young Black Manhood in Marita Bonner's Frye Street Fiction. Major Professor Verner Mitchell. Marita O. Bonner, early twentieth century African American public intellectual and creative writer, wrote particularly about the experiences of blacks in Chicago. Though most Bonner scholarship focuses primarily on her working class female characters, this study provides close readings of the young male figures in the short stories in ―One Boy‘s Story,‖ ―The Makin‘s,‖ ―The Whipping,‖ ―There Were Three,‖ ―Tin Can,‖ and ―Nothing New.‖ I analyze how these texts confront notions of family, personal identity, and violence, and how Bonner configures young life as a volatile liminal space of human development. -
The Statement
THE STATEMENT A Robert Lantos Production A Norman Jewison Film Written by Ronald Harwood Starring Michael Caine Tilda Swinton Jeremy Northam Based on the Novel by Brian Moore A Sony Pictures Classics Release 120 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS SHANNON TREUSCH MELODY KORENBROT CARMELO PIRRONE ERIN BRUCE ZIGGY KOZLOWSKI ANGELA GRESHAM 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, 550 MADISON AVENUE, SUITE 1005 SUITE 200 8TH FLOOR NEW YORK, NY 10024 LOS ANGELES, CA 90046 NEW YORK, NY 10022 PHONE: (212) 445-7100 PHONE: (323) 655-0593 PHONE: (212) 833-8833 FAX: (212) 445-0623 FAX: (323) 655-7302 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com THE STATEMENT A ROBERT LANTOS PRODUCTION A NORMAN JEWISON FILM Directed by NORMAN JEWISON Produced by ROBERT LANTOS NORMAN JEWISON Screenplay by RONALD HARWOOD Based on the novel by BRIAN MOORE Director of Photography KEVIN JEWISON Production Designer JEAN RABASSE Edited by STEPHEN RIVKIN, A.C.E. ANDREW S. EISEN Music by NORMAND CORBEIL Costume Designer CARINE SARFATI Casting by NINA GOLD Co-Producers SANDRA CUNNINGHAM YANNICK BERNARD ROBYN SLOVO Executive Producers DAVID M. THOMPSON MARK MUSSELMAN JASON PIETTE MICHAEL COWAN Associate Producer JULIA ROSENBERG a SERENDIPITY POINT FILMS ODESSA FILMS COMPANY PICTURES co-production in association with ASTRAL MEDIA in association with TELEFILM CANADA in association with CORUS ENTERTAINMENT in association with MOVISION in association with SONY PICTURES -
Barbara Weathers Barbara Weathers Mp3, Flac, Wma
Barbara Weathers Barbara Weathers mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop / Funk / Soul Album: Barbara Weathers Country: US Released: 1990 Style: New Jack Swing, Contemporary R&B MP3 version RAR size: 1376 mb FLAC version RAR size: 1943 mb WMA version RAR size: 1309 mb Rating: 4.1 Votes: 181 Other Formats: WMA AAC MPC FLAC DTS VQF MMF Tracklist Hide Credits Barbi Doll A1 Producer – Rex Salas A2 Our Love Will Last Forever A3 My Only Love A4 Where Can You Run The Master Key A5 Producer – David "Pic" Conley*, Derrick Culler Where Did Our Love Go B1 Saxophone – Gerald Albright B2 All I Know Anywhere B3 Saxophone – Gerald Albright B4 Our Love Runs Deep Companies, etc. Produced For – Isaac Wayne Productions Produced For – Kalimba Productions, Inc. Produced For – Pic-N-Choose Productions Produced For – Racer-Ex Productions Published By – Pecot Music Co. Published By – Virgin Music, Inc. Published By – Racer-Ex Music Published By – Christ In Charge Music Published By – Selesongs Music Published By – Too Sweet Muzik Published By – Maurice White Music Published By – Electric Bill Music Published By – Reyshell Music Published By – EMI April Music Inc. Published By – Is Hot Music Published By – Random Notes Music Published By – Colgems-EMI Music Inc. Published By – Multi-Culler Music Published By – CBS Music Inc. Published By – Jobete Music Co., Inc. Published By – Isaac Wayne Music Published By – WB Music Corp. Published By – DQ Music Record Company – Warner Communications Copyright (c) – Reprise Records Phonographic Copyright (p) -
Mark Summers Sunblock Sunburst Sundance
Key - $ = US Number One (1959-date), ✮ UK Million Seller, ➜ Still in Top 75 at this time. A line in red Total Hits : 1 Total Weeks : 11 indicates a Number 1, a line in blue indicate a Top 10 hit. SUNFREAKZ Belgian male producer (Tim Janssens) MARK SUMMERS 28 Jul 07 Counting Down The Days (Sunfreakz featuring Andrea Britton) 37 3 British male producer and record label executive. Formerly half of JT Playaz, he also had a hit a Souvlaki and recorded under numerous other pseudonyms Total Hits : 1 Total Weeks : 3 26 Jan 91 Summers Magic 27 6 SUNKIDS FEATURING CHANCE 15 Feb 97 Inferno (Souvlaki) 24 3 13 Nov 99 Rescue Me 50 2 08 Aug 98 My Time (Souvlaki) 63 1 Total Hits : 1 Total Weeks : 2 Total Hits : 3 Total Weeks : 10 SUNNY SUNBLOCK 30 Mar 74 Doctor's Orders 7 10 21 Jan 06 I'll Be Ready 4 11 Total Hits : 1 Total Weeks : 10 20 May 06 The First Time (Sunblock featuring Robin Beck) 9 9 28 Apr 07 Baby Baby (Sunblock featuring Sandy) 16 6 SUNSCREEM Total Hits : 3 Total Weeks : 26 29 Feb 92 Pressure 60 2 18 Jul 92 Love U More 23 6 SUNBURST See Matt Darey 17 Oct 92 Perfect Motion 18 5 09 Jan 93 Broken English 13 5 SUNDANCE 27 Mar 93 Pressure US 19 5 08 Nov 97 Sundance 33 2 A remake of "Pressure" 10 Jan 98 Welcome To The Future (Shimmon & Woolfson) 69 1 02 Sep 95 When 47 2 03 Oct 98 Sundance '98 37 2 18 Nov 95 Exodus 40 2 27 Feb 99 The Living Dream 56 1 20 Jan 96 White Skies 25 3 05 Feb 00 Won't Let This Feeling Go 40 2 23 Mar 96 Secrets 36 2 Total Hits : 5 Total Weeks : 8 06 Sep 97 Catch Me (I'm Falling) 55 1 20 Oct 01 Pleaase Save Me (Sunscreem -
Black Women's Contribution to the Little Magazines of the 1920S and 1930S
BLACK WOMEN’S CONTRIBUTION TO THE LITTLE MAGAZINES OF THE 1920S AND 1930S Thesis Submitted to . The College of Arts and Sciences University of Dayton In Partial Fulfillment of the Requirements for Master of Arts in English By Melissa Kathryn Fore University of Dayton Dayton, Ohio April, 2001 Il Approved By: (Faculty Advisor) (Faculty Reader) ■V (Faculty Reader) ABSTRACT: BLACK WOMEN’S CONTRIBUTION TO THE LITTLE MAGAZINES OF THE 1920S AND 1930S: PRESERVING CULTURAL HISTORY Fore, Melissa, Kathryn University of Dayton, 2001 Advisor: Dr. Joyce Durham This study of female participation in the little magazines such as The Crisis, Opportunity, Fire!!, and Challenge, attempts to expand the voices of the New Negro to include a variety of black women’s social, political, and literary concerns during the 1920s and 1930s. The leadership roles and promotional strategies of black female writers are also traced, revealing a previously ignored connection between patroness and artist, and often a discrepancy between propaganda and literature. iii TABLE OF CONTENTS SECTION I. Introduction.....................................................................1 Statement and Significance of the Problem II. Research and Findings................................................ 4 Black Women Editors and Promoters Literary Contributions to the Little Magazines III. Conclusion...................................................................32 VI. Works Cited.................................................................34 iv Section I The voices of the New Negro resounded during the early part of the Twentieth Century, and men like W.E.B. DuBois, James Weldon Johnson, Langston Hughes, and Alain Locke found outlets for their art and political views. This male dominated movement attempted to elevate the position of the New Negro in a society that devalued black Americans. Although modern scholars tend to study male writers, female voices of the 1920s and 1930s also deserve examination. -
Bedfordshire People Past and Present
Bedfordshire People Past and Present 1 Bedfordshire People Past and Present This is just a selection of some of the notable people associated with Bedfordshire. Bedfordshire Borough and Central Bedfordshire libraries offer a wealth of resources, for more detailed information see the Virtual Library: www.bedford.gov.uk or www.centralbedfordshire.gov.uk Click on Libraries Click on Local and Family History Click on People The Local Studies section at Bedford Central Library also holds an archive of newspaper cuttings, biography files, an obituary index, local periodicals and books, including A Bedfordshire Bibliography by L.R. Conisbee, which has a large biography section. 2 Bedfordshire People Past Offa (? -796 BC) King Offa, regarded as one of the most powerful kings in early Anglo-Saxon England, ruled for 39 years from 757 to his death in 796. It is traditionally believed that he was buried in Bedford, somewhere near Batts Ford. Falkes De Breaute (1180-1225) A French soldier and adventurer, Falkes's loyalty to King John was rewarded with a number of titles. The king also gave him Bedford Castle, which Falkes held until 1224 when it was besieged and demolished by King Henry III. Falkes escaped and fled to the continent but died on route from food poisoning. Queen Eleanor (1244-1290) The sad death of Queen Eleanor links her to Dunstable. She died in Lincolnshire and King Edward 1st – her husband – wanted her to be buried in Westminster, thus the body was taken back to London and passed through Dunstable. The king ordered memorial crosses to be erected at every place the funeral cortege stopped overnight. -
THE CHROMCLE Support for Their Respective Candidates
Students on the run for office Campus organizations try to gain community THE CHROMCLE support for their respective candidates. ! UNIVERSITY DURHAM, NORTH ___HT!R_fiai_!l^ Publication acts as free newsletter By MICHAEL SAUL Merri Rolfe, chair ofthe Publi The first issue of the Guide A new campus publication cations Board, and Paul Hudson, provided free space for more than seeks to improve communication ASDU vice president for student 20 organizations to print notices between University-affiliated or affairs, are seeking alternative of general interest, she said. Al ganizations and the Duke com sources to fund the new publica though much of the Guide ap munity. tion. Hudson is scheduled to meet peared to be advertising rather The Duke Guide, which was with several administrators Fri than features on organizations, first distributed on campus Mon day to evaluate how resources Rolfe said she hopes to see more day, serves as a free calendar and could be pooled to finance the information conveyed in the form newsletter for organizations on Guide. In the meantime, Rolfe is of stories . campus. Under the auspices of trying to recruit students to act The genesis ofthe Guide stems the Undergraduate Publications as the publication's coordinators, from discussion among members Board, the Guide received $1,400 responsible for collecting stories of a student advisory committee from the Office of Student .Affairs and notices from different cam this summer. Different organiza to publish its first two issues. pus organizations. tions on campus including Auxil Although the second issue is "[The Guide] is in no way a iary Services, ASDU and Student scheduled to be published next newspaper," Rolfe said. -
The GAVIN REPORT the COUNTRY CLASS of 1992
the GAVIN REPORT THE COUNTRY CLASS OF 1992 _; Also featuring NEAL McCOY DIXIANA COLLIN RAYE MARTY BROWN LEE ROY PARNELL GREAT PLAINS MICHELLE WRIGHT McBRIDE AND THE RIDE LINDA DAVIS MICHAEL WHITE SAMMY KERSHAW GAVIN e A K.lLITES BLACK MUSIC MdfleekrTlW In the dictionary, next to the wo -d "summer,' is a picture of the Love Shack. The video for "Roam" changed the way you eat bagels and bananas forever. Cosmic Thing comes to nearly four million pieces of history. T{ -at about cover; the last lime tl-e B -52's made a reco-d.Thisigk, the first ry direction. s Produced by Don Was Direct Manage -rent Group -Stemmei Jensen & Martin Krkup 9 ®' 992 Reprise Recoris. ft s a sock hop it +our own private Idc óo the GAVIN REPORT GAVIN AT A * Indicates Tie it» 4rv URBAN MOST ADDED MOST ADDED THE CURE EN VOGUE YO YO Friday I'm In Love (Fiction/Elektra) Giving Him Something He Can Feel (Atco/EastWest Home Girl Don't Play Dat (Atco/EastWest America) DEF LEPPARD America) ERIC B & RAKIM Make Love Like A Man (Mercury) TLC Don't Sweat The Technique (MCA) TOAD THE WET SPROCKET Baby -Baby -Baby (LaFace/Arista) X -CLAN Xodus (Polydor/PLG) All I Want (Columbia) ALYSON WILLIAMS Just My Luck (RAL/OBR/Columbia) HEAVY D. & THE BOYZ RECORD TO WATCH RECORD TO WATCH RETAIL MERYN CADELL DAVID BLACK You Can't See What I Can See The Swea er (Sire/Reprise) Nobody But You (Bust It/Capitol) (MCA) itAe RADIO SHANTE RICHARD MARX MARIAN CAREY Big Mama (Livin' Large/ Take This Heart (Capitol) I'll Be There (Columbia) Tommy Boy) COUNTRY MOST ADDED MOST ADDED MOST ADDED RICHARD -
20Th Century Masters Press Release
1 SMOOTH FUNK SHINES BRIGHT ON THE BEST OF ATLANTIC STARR Atlantic Starr had the smooth funk thang down. One of funk-soul’s stellar acts, Atlantic Starr claimed Top 20 R&B hits in the ‘70s, ‘80s and ‘90s, and is still heard today at the funkiest gatherings. A cool dozen of those Top 20 hits, from 1978’s “Stand Up” to 1987’s #1 R&B/#1 pop “Always,” each digitally remastered, have now been brought together on The Best Of Atlantic Starr edition of 20th Century Masters/The Millennium Collection (A&M/UME), released July 17, 2001. Formed in upstate New York in 1976 by the brothers Lewis (guitarist-vocalist David, trombonist Jonathan and keyboardist-vocalist Wayne), Atlantic Starr soon headed west to Los Angeles. With singer Sharon Bryant, a surprisingly rare female lead vocalist for a funk band, Atlantic Starr hit the ground running after signing to A&M. It was Wayne, however, who sang lead on the group’s first R&B Top 20, the showtime anthem “Stand Up” from its self-titled 1978 debut album. From 1980’s Radiant, its third album, Bryant’s dusky-to-gutsy lead on the cautionary “When Love Calls” sent the song to #5 R&B while Wayne sang lead for the Top 20 R&B “Send For Me.” With Bryant up front, the sunny “Circles” (#2 R&B, Top 40 pop) and come hither “Love Me Down” (Top 20 R&B) rocketed 1982’s Brilliance to #1 Soul for three weeks. Bryant also led the coy, teasing “Touch A Four Leaf Clover” (#4 R&B) and joined Wayne for the love duet “More, More, More” (#11 R&B), both from 1983’s Yours Forever. -
1 Giant Leap Dreadlock Holiday -- 10Cc I'm Not in Love
Dumb -- 411 Chocolate -- 1975 My Culture -- 1 Giant Leap Dreadlock Holiday -- 10cc I'm Not In Love -- 10cc Simon Says -- 1910 Fruitgum Company The Sound -- 1975 Wiggle It -- 2 In A Room California Love -- 2 Pac feat. Dr Dre Ghetto Gospel -- 2 Pac feat. Elton John So Confused -- 2 Play feat. Raghav & Jucxi It Can't Be Right -- 2 Play feat. Raghav & Naila Boss Get Ready For This -- 2 Unlimited Here I Go -- 2 Unlimited Let The Beat Control Your Body -- 2 Unlimited Maximum Overdrive -- 2 Unlimited No Limit -- 2 Unlimited The Real Thing -- 2 Unlimited Tribal Dance -- 2 Unlimited Twilight Zone -- 2 Unlimited Short Short Man -- 20 Fingers feat. Gillette I Want The World -- 2Wo Third3 Baby Cakes -- 3 Of A Kind Don't Trust Me -- 3Oh!3 Starstrukk -- 3Oh!3 ft Katy Perry Take It Easy -- 3SL Touch Me, Tease Me -- 3SL feat. Est'elle 24/7 -- 3T What's Up? -- 4 Non Blondes Take Me Away Into The Night -- 4 Strings Dumb -- 411 On My Knees -- 411 feat. Ghostface Killah The 900 Number -- 45 King Don't You Love Me -- 49ers Amnesia -- 5 Seconds Of Summer Don't Stop -- 5 Seconds Of Summer She Looks So Perfect -- 5 Seconds Of Summer She's Kinda Hot -- 5 Seconds Of Summer Stay Out Of My Life -- 5 Star System Addict -- 5 Star In Da Club -- 50 Cent 21 Questions -- 50 Cent feat. Nate Dogg I'm On Fire -- 5000 Volts In Yer Face -- 808 State A Little Bit More -- 911 Don't Make Me Wait -- 911 More Than A Woman -- 911 Party People.. -
Contested Boundaries : Race, Class and Gender in the Writings of Four
CONTESTED BOUNDARIES: RACE, CLASS AND GENDER IN THE WRITINGS OF FOUR HARLEM RENAISSANCE WOMEN By LILLIAN TEMU OSAKI A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2000 Copyright 2000 by LILLIAN TEMU OSAKI To K.M.O ACKNOWLEDGMENTS By its very nature the task of writing a doctoral dissertation is seldom exclusively the effort of a single individual. I benefitted from the support and assistance of several institutions and many individuals. I gratefully thank them all. I acknowledge, with grateful appreciation, the four-year financial sponsorship I received from the Fulbright Scholarship Board. It was this support that enabled me to complete course work and begin research for this dissertation. I also wish to thank the University of Florida for granting me both academic affiliation and hospitality. The academic and social environment at UF made my stay memorable and fruitful. I also owe a debt of gratitude to the Center for African Studies, University of Florida, for the partial financial support they extended me in the final year of my studies. I especially wish to thank the center's director. Dr. Michael Chege, and the assistant director. Dr. Maria Grosz-Ngate, for their sympathetic understanding of my situation. Finally I wish to register my thanks to the University of Dar es Salaam for granting me a iv five-year study leave that enabled me pursue graduate studies at the University of Florida. Dr. Debra King, my supervisory chair, tops the list of those individuals who have greatly sharpened my critical awareness.