Research on the Crustumerium Road Trench1
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Research on the Crustumerium Road Trench1
The Journal of Fasti Online ● Published by the Associazione Internazionale di Archeologia Classica ● Piazza San Marco, 49 – I-00186 Roma Tel. / Fax: ++39.06.67.98.798 ● http://www.aiac.org; http://www.fastionline.org 1 Research on the Crustumerium Road Trench Antti Kuusisto - Juha Tuppi Introduction During 2004 - 2008 the University of Oulu (Finland) carried out a research project in collaboration with the Soprintendenza Speciale per i Beni Archeologici di Roma and Univer- sity of Cambridge at the location of an ancient Latial city called Crustumerium, about 17 kilo- metres north of Rome (fig. 1). The research done by the University of Oulu focused on the monumental Road Trench crossing the ancient settlement area (fig. 2-3). The authors worked on the project in 2005 - 2008, and the following article is mostly based on their Master’s The- ses, discussing the function and dating of the Road Trench, the two tombs discovered on the western side of the Trench, the development of the settlement at Crustu-merium and its role as a notable city at the borders of Latium and Etruria. Crustumerium Road Trench: function and dating The site of Crustumerium is located on hilltops that are nowadays covered with fields. The main road cutting, dubbed as the Road Trench, rises to the north towards the ancient settlement, and continues on the north side of the hill, descending and curving to the west, towards the Tiber. The research focused on the road cutting at the south side of the hill for Fig. 1. Ancient settlements of the Tiber valley. -
Roman Literature from Its Earliest Period to the Augustan Age
The Project Gutenberg EBook of History of Roman Literature from its Earliest Period to the Augustan Age. Volume I by John Dunlop This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license Title: History of Roman Literature from its Earliest Period to the Augustan Age. Volume I Author: John Dunlop Release Date: April 1, 2011 [Ebook 35750] Language: English ***START OF THE PROJECT GUTENBERG EBOOK HISTORY OF ROMAN LITERATURE FROM ITS EARLIEST PERIOD TO THE AUGUSTAN AGE. VOLUME I*** HISTORY OF ROMAN LITERATURE, FROM ITS EARLIEST PERIOD TO THE AUGUSTAN AGE. IN TWO VOLUMES. BY John Dunlop, AUTHOR OF THE HISTORY OF FICTION. ivHistory of Roman Literature from its Earliest Period to the Augustan Age. Volume I FROM THE LAST LONDON EDITION. VOL. I. PUBLISHED BY E. LITTELL, CHESTNUT STREET, PHILADELPHIA. G. & C. CARVILL, BROADWAY, NEW YORK. 1827 James Kay, Jun. Printer, S. E. Corner of Race & Sixth Streets, Philadelphia. Contents. Preface . ix Etruria . 11 Livius Andronicus . 49 Cneius Nævius . 55 Ennius . 63 Plautus . 108 Cæcilius . 202 Afranius . 204 Luscius Lavinius . 206 Trabea . 209 Terence . 211 Pacuvius . 256 Attius . 262 Satire . 286 Lucilius . 294 Titus Lucretius Carus . 311 Caius Valerius Catullus . 340 Valerius Ædituus . 411 Laberius . 418 Publius Syrus . 423 Index . 453 Transcriber's note . 457 [iii] PREFACE. There are few subjects on which a greater number of laborious volumes have been compiled, than the History and Antiquities of ROME. -
Etruscan Biophilia Viewed Through Magical Amber
University of Mississippi eGrove Honors College (Sally McDonnell Barksdale Honors Theses Honors College) Spring 5-9-2020 Etruscan Biophilia Viewed through Magical Amber Greta Rose Koshenina University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/hon_thesis Part of the Classical Archaeology and Art History Commons, and the Other Classics Commons Recommended Citation Koshenina, Greta Rose, "Etruscan Biophilia Viewed through Magical Amber" (2020). Honors Theses. 1432. https://egrove.olemiss.edu/hon_thesis/1432 This Undergraduate Thesis is brought to you for free and open access by the Honors College (Sally McDonnell Barksdale Honors College) at eGrove. It has been accepted for inclusion in Honors Theses by an authorized administrator of eGrove. For more information, please contact [email protected]. ETRUSCAN BIOPHILIA VIEWED THROUGH MAGICAL AMBER by Greta Rose Koshenina A thesis submitted to the faculty of The University of Mississippi in partial fulfillment of the requirements of the Sally McDonnell Barksdale Honors College. Oxford May 2020 Approved by ___________________________________ Advisor: Dr. Jacqueline DiBiasie-Sammons ___________________________________ Reader: Dr. Molly Pasco-Pranger ___________________________________ Reader: Dr. John Samonds © 2020 Greta Rose Koshenina ALL RIGHTS RESERVED ii DEDICATION I dedicate this thesis with gratitude to my advisors in both America and Italy: to Dr. Jacqueline DiBiasie-Sammons who endured spotty skype meetings during my semester abroad and has been a tremendous help every step of the way, to Giampiero Bevagna who helped translate Italian books and articles and showed our archaeology class necropoleis of Etruria, and to Dr. Brooke Porter who helped me see my research through the eyes of a marine biologist. -
Cneve Tarchunies Rumach
Classica, Sao Paulo, 718: 101-1 10, 199411995 Cneve Tarchunies Rumach R.ROSS HOLLOWAY Center for Old World Archaeology and Art Brown University RESUMO: O objetivo do Autor neste artigo e realizar um leitura historica das pinturas da Tumba Francois em Vulci, detendo-se naquilo que elas podem elucidar a respeito da sequencia dos reis romanos do seculo VI a.C. PALAVRAS CHAVE: Tumba Francois; realeza romana; uintura mural. The earliest record in Roman history, if by history we mean the union of names with events, is preserved in the paintings of an Etruscan tomb: the Francois Tomb at Vulci. The discovery of the Francois Tomb took place in 1857. The paintings were subsequently removed from the walls and became part of the Torlonia Collection in Villa Albani where they remain to this day. The decoration of the tomb, like much Etruscan funeral art, draws on Greek heroic mythology. It also included a portrait of the owner, Vel Saties, and beside him the figure of a woman named Tanaquil, presumably his wife (this figure has become almost completely illegible). In view of the group of historical personages among the tomb paintings, this name has decided resonance with better known Tanaquil, in Roman tradition the wife of Tarquinius Priscus. The historical scene of the tomb consists of five pairs of figures drawn from Etruscan and Roman history. These begin with the scene (A) Mastarna (Macstma) freeing Caeles Vibenna (Caile Vipinas) from his bonds (fig.l). There follow four scenes in three of which an armed figure dispatches an unarmed man with his sword. -
A Near Eastern Ethnic Element Among the Etruscan Elite? Jodi Magness University of North Carolina at Chapel Hill
Etruscan Studies Journal of the Etruscan Foundation Volume 8 Article 4 2001 A Near Eastern Ethnic Element Among the Etruscan Elite? Jodi Magness University of North Carolina at Chapel Hill Follow this and additional works at: https://scholarworks.umass.edu/etruscan_studies Recommended Citation Magness, Jodi (2001) "A Near Eastern Ethnic Element Among the Etruscan Elite?," Etruscan Studies: Vol. 8 , Article 4. Available at: https://scholarworks.umass.edu/etruscan_studies/vol8/iss1/4 This Article is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Etruscan Studies by an authorized editor of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. A Near EasTern EThnic ElemenT Among The ETruscan EliTe? by Jodi Magness INTRODUCTION:THEPROBLEMOFETRUSCANORIGINS 1 “Virtually all archaeologists now agree that the evidence is overwhelmingly in favour of the “indigenous” theory of Etruscan origins: the development of Etruscan culture has to be understood within an evolutionary sequence of social elaboration in Etruria.” 2 “The archaeological evidence now available shows no sign of any invasion, migra- Tion, or colonisaTion in The eighTh cenTury... The formaTion of ETruscan civilisaTion occurred in ITaly by a gradual process, The final sTages of which can be documenTed in The archaeo- logical record from The ninTh To The sevenTh cenTuries BC... For This reason The problem of ETruscan origins is nowadays (righTly) relegaTed To a fooTnoTe in scholarly accounTs.” 3 he origins of the Etruscans have been the subject of debate since classical antiqui- Tty. There have traditionally been three schools of thought (or “models” or “the- ories”) regarding Etruscan origins, based on a combination of textual, archaeo- logical, and linguistic evidence.4 According to the first school of thought, the Etruscans (or Tyrrhenians = Tyrsenoi, Tyrrhenoi) originated in the eastern Mediterranean. -
Ovid at Falerii
University of Pennsylvania ScholarlyCommons Departmental Papers (Classical Studies) Classical Studies at Penn 2014 The Poet in an Artificial Landscape: Ovid at Falerii Joseph Farrell University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/classics_papers Part of the Classics Commons Recommended Citation (OVERRIDE) Farrell, Joseph. (2014). “The Poet in an Artificial Landscape: Ovid at alerii.F ” In D. P. Nelis and Manuel Royo (Eds.), Lire la Ville: fragments d’une archéologie littéraire de Rome antique (pp. 215–236). Bordeaux: Éditions Ausonius. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/classics_papers/128 For more information, please contact [email protected]. The Poet in an Artificial Landscape: Ovid at Falerii Abstract For Ovid, erotic elegy is a quintessentially urban genre. In the Amores, excursions outside the city are infrequent. Distance from the city generally equals distance from the beloved, and so from the life of the lover. This is peculiarly true of Amores, 3.13, a poem that seems to signal the end of Ovid’s career as a literary lover and to predict his future as a poet of rituals and antiquities. For a student of poetry, it is tempting to read the landscape of such a poem as purely symbolic; and I will begin by sketching such a reading. But, as we will see, testing this reading against what can be known about the actual landscape in which the poem is set forces a revision of the results. And this revision is twofold. In the first instance, taking into account certain specific eaturf es of the landscape makes possible the correction of the particular, somewhat limited interpretive hypothesis that a purely literary reading would most probably recommend, and this is valuable in itself. -
Etruscan Winged “Demons”
First in Flight: Etruscan Winged “Demons” Marvin Morris University of California, Berkeley Classical Civilizations Class of 2016 Abstract: Etruscan winged Underworld figures (commonly referred to as winged “demons”) represent one of the most fascinating and least understood aspects of funerary iconography in ancient Etruria. Their function, along with their origin, has long been the subject of scholarly debates. However, over the last two decades, scholars have begun to take a closer look at these chthonic figures. Recent scholarship has begun to provide answers to many of the most fundamental questions concerning their role, even if disagreements remain over their murky origins. Expanding on interpretations that have cast new light on how these winged (and non winged) Underworld figures functioned, questions concerning Etruscan religious beliefs and funerary ideology can now be reconsidered. Introduction: Iconography and Ideology Etruscan winged Underworld figures (commonly referred to as winged “demons”) represent one of the most fascinating and least understood aspects of funerary iconography in ancient Etruria. Their function, along with their origin, has long been the subject of scholarly debates. However, over the last two decades, scholars1 have begun to take a closer look at these chthonic figures. Recent scholarship has begun to provide answers to many of the most fundamental questions concerning their role, even if disagreements remain over their murky origins2. Expanding on interpretations that have cast new light on how these winged (and non winged) Underworld figures functioned, questions concerning Etruscan religious beliefs and funerary ideology can now be reconsidered. One such question concerns the sudden increase in the appearance of winged “demons” that begins to occur around the end of the fifth century BCE. -
Cultural Transmission and Semantic Change of Ceramic Forms in Grave Goods of Hellenistic Etruria
Cultural Transmission and Semantic Change of Ceramic Forms in Grave Goods of Hellenistic Etruria Raffaella Da Vela Abstract: This contribution addresses semantic change in ceramics as connected to identity con- struction. With three case studies from Hellenistic Etruria, beaked situlae, lagynoi and amphorae, I aim to answer the following research question: How can a change of vessel functions in funerary contexts express the changing cultural identities of the deceased and their family? The choice of fu- nerary contexts allows an approximation of the change of meaning through the analysis of the dis- tance between daily life and ritual function of the objects. Each case study presents a different rela- tionship between changing meaning and identity construction: the beaked situlae, related to the so- cial identity of new social layers; the amphorae, related to local cultural identities during the process of Romanisation; and the lagynoi, related to the construction of multicultural identities in new- founded agricultural settlements. The distinct patterns of the three forms suggest the possibility of analysing stratified and complex societies by the study of changing meaning. This article approaches the semantic change terranean represent a breaking point in the of some grave goods in funerary contexts of social structure of many Etruscan communi- Hellenistic Etruria as a consequence of a ties. This break effected a change which global process of cultural transmission involved many aspects of the material cul- which affected Etruscan and Italic cultures1 ture. Three case studies are selected and during the Hellenistic period. The process of isolated to analyse specific research ques- adopting the Latin language and roman insti- tions which are stated at the beginning of tutions in Etruria, especially in the inland each paragraph and relate to the construction and northern part of the region, engaged a of local identities and their transformation complexity of layers. -
Fulminante-2012-Ethnicity-Chapter
- LANDSCAPE, ETHNICITY AND IDENTITY LANDSCAPE, ETHNICITY AND IDENTITY IN THE ARCHAIC MEDITERRANEAN AREA LANDSCAPE, ETHNICITY AND IDENTITY The main concern of this volume is the multi-layered IN THE ARCHAIC MEDITERRANEAN AREA concept of ethnicity. Contributors examine and contextualise contrasting definitions of ethnicity and identity as implicit in two perspectives, one from the classical tradition and another from the prehistoric and anthropological tradition. They look at the role of textual sources in reconstructing ethnicity and introduce fresh and innovative archaeological data, either from fieldwork or from new combinations of old data. Finally, in contrast to many traditional approaches to this subject, they examine the relative and interacting AREA MEDITERRANEAN ARCHAIC THE IN role of natural and cultural features in the landscape in the construction of ethnicity. The volume is headed by the contribution of Andrea Carandini whose work challenges the conceptions of many in the combination of text and archaeology. He begins by examining the mythology surrounding the founding of Rome, taking into consideration the recent archaeological evidence from the Palatine and the Forum. Here primacy is given to construction of place and mythological descent. Anthony Snodgrass, Robin Osborne, Tim Cornell and Christopher Smith offer replies to his arguments. Overall, the nineteen papers presented here show that a modern interdisciplinary and international archaeology that combines material data and textual evidence – critically – can provide a powerful lesson for the full understanding of the ideologies of ancient and modern societies G. G. C IFANI AND S. S TODDART EDITED BY ABRIELE IFANI AND IMON TODDART s G C S S Oxbow Books WITH THE SUPPORT OF SKYLAR NEIL www.oxbowbooks.com This pdf of your paper in Landscape, Ethnicity and Identity belongs to the publishers Oxbow Books and it is their copyright. -
Livy's Early History of Rome: the Horatii & Curiatii
Livy’s Early History of Rome: The Horatii & Curiatii (Book 1.24-26) Mary Sarah Schmidt University of Georgia Summer Institute 2016 [1] The Horatii and Curiatii This project is meant to highlight the story of the Horatii and Curiatii in Rome’s early history as told by Livy. It is intended for use with a Latin class that has learned the majority of their Latin grammar and has knowledge of Rome’s history surrounding Julius Caesar, the civil wars, and the rise of Augustus. The Latin text may be used alone or with the English text of preceding chapters in order to introduce and/or review the early history of Rome. This project can be used in many ways. It may be an opportunity to introduce a new Latin author to students or as a supplement to a history unit. The Latin text may be used on its own with an historical introduction provided by the instructor or the students may read and study the events leading up to the battle of the Horatii and Curiatii as told by Livy. Ideally, the students will read the preceding chapters, noting Livy’s intention of highlighting historical figures whose actions merit imitation or avoidance. This will allow students to develop an understanding of what, according to Livy and his contemporaries, constituted a morally good or bad Roman. Upon reaching the story of the Horatii and Curiatii, not only will students gain practice and understanding of Livy’s Latin literary style, but they will also be faced with the morally confusing Horatius. -
Ancient Roman Civilization
ANCIENT ROMAN CIVILIZATION HANDOUT PACKAGE FALL 2009 HISTORY 4322/6322 Dr. Peter J. Brand 1 MOST ANCIENT ROME: ORIGINS AND BEGINNINGS Legend of Trojan origins: dates back at least to 5th century BCE, when Greek historian Hellanicus refers to it. Trojan hero Aeneas, in flight from Troy, lands on Italian coast and intermarries with Latin ruling family. His descendants are Romulus and Remus. Aeneas himself was worshipped in Rome under the label Iuppiter Indiges (“native Jupiter”). She-Wolf Legend: current in Italy by late 5th or earlier 4th century, though not clearly with reference to Rome. A statue of babies Romulus and Remus with she-wolf is known to have been set up in Rome as early as 296 BCE. “Latial”/ “Villanovan” settlement on Palatine Hill, which Romans regarded as site of Romulus’ original settlement Sabine component of Roman population: (1) early inhabitants of Quirinal Hill (2) Term for people “Quirites,” originally referring to Sabines, later used for Romans as group. (3) Legend of Sabine women probably is ex-post-facto explanation of Sabine component in Roman makeup. Foundation of Rome: traditionally agreed as being April 21, 753; Roman time-reckoning was generally in terms of so many years “since the founding of the city” (ab urbe condita, abbreviated AUC) Etruscan kings of Rome: Tarquinius Priscus (# 5) and Tarquin the Proud (# 7). The traditional date of his expulsion is 509 BCE. The Republic was believed to have begun immediately afterwards, but this is complicated by Lars Porsenna (of Clusium): attacked, and probably took Rome after Tarquin the Proud was expelled, but did not reinstall him. -
Archaeological and Literary Etruscans: Constructions of Etruscan Identity in the First Century Bce
ARCHAEOLOGICAL AND LITERARY ETRUSCANS: CONSTRUCTIONS OF ETRUSCAN IDENTITY IN THE FIRST CENTURY BCE John B. Beeby A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Classics in the College of Arts and Sciences. Chapel Hill 2019 Approved by: James B. Rives Jennifer Gates-Foster Luca Grillo Carrie Murray James O’Hara © 2019 John B. Beeby ALL RIGHTS RESERVED ii ABSTRACT John B. Beeby: Archaeological and Literary Etruscans: Constructions of Etruscan Identity in the First Century BCE (Under the direction of James B. Rives) This dissertation examines the construction and negotiation of Etruscan ethnic identity in the first century BCE using both archaeological and literary evidence. Earlier scholars maintained that the first century BCE witnessed the final decline of Etruscan civilization, the demise of their language, the end of Etruscan history, and the disappearance of true Etruscan identity. They saw these changes as the result of Romanization, a one-sided and therefore simple process. This dissertation shows that the changes occurring in Etruria during the first century BCE were instead complex and non-linear. Detailed analyses of both literary and archaeological evidence for Etruscans in the first century BCE show that there was a lively, ongoing discourse between and among Etruscans and non-Etruscans about the place of Etruscans in ancient society. My method musters evidence from Late Etruscan family tombs of Perugia, Vergil’s Aeneid, and Books 1-5 of Livy’s history. Chapter 1 introduces the topic of ethnicity in general and as it relates specifically to the study of material remains and literary criticism.