Orphaned at a Young Age
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“America” on Nineteenth-Century Stages; Or, Jonathan in England and Jonathan at Home
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by D-Scholarship@Pitt PLAYING “AMERICA” ON NINETEENTH-CENTURY STAGES; OR, JONATHAN IN ENGLAND AND JONATHAN AT HOME by Maura L. Jortner BA, Franciscan University, 1993 MA, Xavier University, 1998 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2005 UNIVERSITY OF PITTSBURGH ARTS AND SCIENCES This dissertation was presented by It was defended on December 6, 2005 and approved by Heather Nathans, Ph.D., University of Maryland Kathleen George, Ph.D., Theatre Arts Attilio Favorini, Ph.D., Theatre Arts Dissertation Advisor: Bruce McConachie, Ph.D., Theatre Arts ii Copyright © by Maura L. Jortner 2005 iii PLAYING “AMERICA” ON NINETEENTH-CENTURY STAGES; OR, JONATHAN IN ENGLAND AND JONATHAN AT HOME Maura L. Jortner, PhD University of Pittsburgh, 2005 This dissertation, prepared towards the completion of a Ph.D. in Theatre and Performance Studies at the University of Pittsburgh, examines “Yankee Theatre” in America and London through a post-colonial lens from 1787 to 1855. Actors under consideration include: Charles Mathews, James Hackett, George Hill, Danforth Marble and Joshua Silsbee. These actors were selected due to their status as iconic performers in “Yankee Theatre.” The Post-Revolutionary period in America was filled with questions of national identity. Much of American culture came directly from England. American citizens read English books, studied English texts in school, and watched English theatre. They were inundated with English culture and unsure of what their own civilization might look like. -
203 N. Amity Street
http://knowingpoe.thinkport.org/ 203 N. Amity Street Content Overview In this interactive. students will take a virtual tour of the Edgar Allan Poe House and Museum located at 29 Amity Street, Baltimore. This outline includes all text on the tour. The activity also includes images. A special thanks to the Edgar Allan Poe House and Museum for authorizing this interactive tour. You might consider taking your class on a field trip to the “Poe House”. For more information: http://www.eapoe.org/balt/poehse.htm Intro Poe’s House at 203 N. Amity Street. Click on any of the highlighted rooms of the house (shown at left) to bring up a floorplan of the room. Then click on highlights in the room views shown below to see details. You may also see a larger version of any image by clicking on it at right. The Garret The About the According to most authorities, Poe lived in the garret, or attic, of the Garret Garret house on Amity Street. We don’t have any direct evidence of what kind of furniture Poe had in his room. However, scholars of the Edgar Allan Poe Society of Baltimore have recreated what the room probably looked like from records of other homes at the time. Though all the Poe house furniture has been long lost, the items in the room date to the 1830’s and are typical examples of what a poor family could have afforded. Roll over parts of the floor plan below to explore Poe’s bedroom at 3 Amity Street. -
The Tales of the Folio Club and the Humoristic Vocation of Edgar Allan Poe
Studies in English, New Series Volume 8 Article 19 1-1-1990 The Tales of The Folio Club and the Humoristic Vocation of Edgar Allan Poe Claude Richard Université Paul-Valéry, Montpellier III Mark L. Mitchell University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/studies_eng_new Part of the American Literature Commons Recommended Citation Richard, Claude and Mitchell, Mark L. (1990) "The Tales of The Folio Club and the Humoristic Vocation of Edgar Allan Poe," Studies in English, New Series: Vol. 8 , Article 19. Available at: https://egrove.olemiss.edu/studies_eng_new/vol8/iss1/19 This Article is brought to you for free and open access by the English at eGrove. It has been accepted for inclusion in Studies in English, New Series by an authorized editor of eGrove. For more information, please contact [email protected]. Richard and Mitchell: Poe's Tales of the Folio Club THE TALES OF THE FOLIO CLUB AND THE VOCATION OF EDGAR ALLAN POE AS HUMORIST Claude Richard* [Translated by Mark L. Mitchell] University of Mississippi On 2 September 1836, Edgar Allan Poe submitted to the Philadelphia editor Harrison Hall the plan of a work which never saw the light of day: At different times there has appeared in the Messenger a series of Tales, by myself—in all seventeen. They are of a bizarre and generally whimsical character, and were originally written to illustrate a large work “On the Imaginative Faculties.” I have prepared them for republication, in book form, in the following manner. I imagine a company of seventeen persons who call themselves the Folio Club. -
Book Reviews
Maine History Volume 13 Number 1 Article 5 7-1-1973 Book Reviews Robert B. Rettig Massachusetts Historical Commission Robin McNallie Madison College Follow this and additional works at: https://digitalcommons.library.umaine.edu/mainehistoryjournal Part of the United States History Commons Recommended Citation Rettig, Robert B., and Robin McNallie. "Book Reviews." Maine History 13, 1 (1973): 52-60. https://digitalcommons.library.umaine.edu/mainehistoryjournal/vol13/iss1/5 This Book Reviews is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Maine History by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. WRITINGS IN MAINE HISTORY Books Portland: A publication of Greater Portland Landmarks, Inc. Text by Josephine H. Detmer and Patricia M. Pancoast; Photographs by Nicholas Dean; Designer and editor, Martin Dibner; Project director, Jane Smith Moody. Portland, Greater Portland Landmarks, Inc., 1972. 236 p. $6.95 softbound, $15.00 hardbound. Portland has long been taken for granted by its resi dents and overlooked by visitors to Maine. This hand some new publication on the city’s history and architec ture should do much to right the balance. Those who have known Portland all their lives will find much here to interest them, and those who are unfamiliar with the city will find reason to leave the turnpike for a first-hand look. Greater Portland Landmarks undertook this project as a means of helping the public understand and appreciate the value of Portland’s historic architecture. The ulti mate goal is recognition and protection of the city’s architecturally important buildings and neighborhoods, so many of which have been destroyed or defaced in re cent years. -
THE HUMBUG Page 1 of 12 Ebscohost 8/12/2020
EBSCOhost Page 1 of 12 Record: 1 Title: THE HUMBUG. Authors: Lepore, Jill Source: New Yorker. 4/27/2009, Vol. 85 Issue 11, p65-71. 7p. 1 Color Photograph. Document Type: Article Subject Terms: *AMERICAN authors *AMERICAN horror tales *19TH century American literature *AMERICAN literature -- History & criticism *BIOGRAPHY (Literary form) 19TH century Geographic Terms: UNITED States People: POE, Edgar Allan, 1809-1849 Abstract: The article discusses the approach to writing of 19th-century American author Edgar Allan Poe. Poe's publishing career is discussed, as is the critical reception of his stories and poems of horror and mystery. The relation of his tales to the U.S. politics and economics of his time is also discussed, along with Poe's financial and mental instability. Full Text Word Count: 6040 ISSN: 0028-792X Accession Number: 37839147 Database: Academic Search Premier Section: A CRITIC AT LARGE THE HUMBUG Edgar Allan Poe and the economy of horror Edgar Allan Poe once wrote an essay called "The Philosophy of Composition," to explain why he wrote "The Raven" backward. The poem tells the story of a man who, "once upon a midnight dreary," while mourning his dead love, Lenore, answers a tapping at his chamber door, to find "darkness there and nothing more." He peers into the darkness, "dreaming dreams no mortal ever dared to dream before," and meets a silence broken only by his whispered word, "Lenore?" He closes the door. The tapping starts again. He flings open his shutter and, "with many a flirt and flutter," in flies a raven, "grim, ungainly, ghastly, gaunt, and ominous bird of yore." The bird speaks just one word: "Nevermore." That word is the poem's last, but it's where Poe began. -
The Yankee Comic Character: Its Origins
THE YANKEE COMIC CHARACTER: ITS ORIGINS AND DEVELOP:MENT IN AMERICAN LITERATURE THROUGH 1830 By ALECIA A CRAMER Bachelor ofArts Oklahoma State University StiUwater, Oklahoma 1991 Submitted to the Faculty ofthe Graduate College ofthe Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF ARTS July, ]995 OKLAHOMA STATE UNIVERSITY THE YANKEE COMIC CHARACTER: ITS ORIGINS AND DEVELOP:MENT IN AMERICAN LITERATURE THROUGH 1830 Thesis Approved: a-L C. ii PREFACE This study attempts to address why the Yankee comic character became the butt of early American humor and how the character developed into an enduring comic figure in American literature. The Yankee comic character has developed into one ofthe most enduring comic characters in American Literature, appearing many times in Mark Twain's fiction and in various works ofcomedy in the twentieth century. Many scholars have addressed the development ofthe Yankee in American literature after the 1830s, but little attention is paid to the origins ofthis character type and the development ofthe Yankee character into the mature, weU-developed type ofthe 1830s. The Yankee character was at once both a simple, naive rustic with a uruque dialect and a shrewd, practical manipulator full ofambition and greed. As he changes and develops, the Yankee comic character :embodies the complexities and incongruities ofa democratic society struggling to fuse the ideal with the real, the language ofculture with the language ofthe ordinary man. I wish to express my sincere gratitude to my thesis adviser, Dr. Jeffrey Walker, for his unlimited help, patience and encouragement of my research and writing efforts. -
Book Reviews
Maine History Volume 20 Number 1 Article 5 7-1-1980 Book Reviews William David Barry Maine Historical Society Peter Vickery Roger L. Grindle University of Maine Fort Kent Follow this and additional works at: https://digitalcommons.library.umaine.edu/mainehistoryjournal Part of the United States History Commons Recommended Citation Barry, William David, Peter Vickery, and Roger L. Grindle. "Book Reviews." Maine History 20, 1 (1980): 66-74. https://digitalcommons.library.umaine.edu/mainehistoryjournal/vol20/iss1/5 This Book Reviews is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Maine History by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. BOOK REVIEWS John Neal. By Donald A. Sears. (Boston: Twayne Publishers, 1978. Pp. 154. Hardcover. $9.95). This is the second serious biography of John Neal (1793-1876) to be published in recent years. The first was Benjamin Lease’s That Wild Fellow John Neal and the American Literary Revolution (University of Chicago Press, 1972) . In the preface to the new study, Dr. Sears writes: . it is [Lease’s] purpose to focus on Neal’s role as a literary nationalist, and therefore relatively slight treatment is given to Neal’s activities as a reformer, art and theater critic, and patron of budding talent. The present study has the advantage of previous scholarship and may accordingly attempt a fuller and more balanced assessment of Neal’s long and immensely varied career. No nineteenth-century Mainer more deserves a full and balanced biography than does Neal, and it has long seemed that Dr. -
The Representation of Women in the Works of Edgar Allan Poe
Faculteit Letteren & Wijsbegeerte Elien Martens The Representation of Women in the Works of Edgar Allan Poe Masterproef voorgelegd tot het behalen van de graad van Master in de Taal- en Letterkunde Engels - Spaans Academiejaar 2012-2013 Promotor Prof. Dr. Gert Buelens Vakgroep Letterkunde 2 ACKNOWLEDGEMENTS First and foremost, I would like to express my sincere gratitude to Prof. Dr. Gert Buelens, without whom this dissertation would not have been possible. His insightful remarks, useful advice and continuous guidance and support helped me in writing and completing this work. I could not have imagined a better mentor. I would also like to thank my friends, family and partner for supporting me these past months and for enduring my numerous references to Poe and his works – which I made in every possible situation. Thank you for being there and for offering much-needed breaks with talk, coffee, cake and laughter. Last but not least, I am indebted to one more person: Edgar Allan Poe. His amazing – although admittedly sometimes rather macabre – stories have fascinated me for years and have sparked my desire to investigate them more profoundly. To all of you: thank you. 3 TABLE OF CONTENTS Chapter 1: Introduction ................................................................................................................................ 6 1. The number of women in Poe’s poems and prose ..................................................................... 7 2. The categorization of Poe’s women ................................................................................................ 9 2.1 The classification of Poe’s real women – BBC’s Edgar Allan Poe: Love, Death and Women......................................................................................................................................................... 9 2.2 The classification of Poe’s fictional women – Floyd Stovall’s “The Women of Poe’s Poems and Tales” ................................................................................................................................. 11 3. -
The Yankee Soldier's Might: the District of Maine and the Reputation
The Yankee Soldier’s Might: The District of Maine and the Reputation of the Massachusetts Militia, 1800–1812 joshua m. smith N the spring of 1806, the residents of Portland, Maine, I were treated to an unusual display of street theater when militiaman Noah Harding reported for his scheduled muster. Harding wore three waistcoats of various colors and trousers hanging obscenely low, both adorned with bows and ribbons; on his face were outrageously large spectacles and on his feet boots covered in mold; a large dried codfish protruded from his knapsack, its tail extending well over his shoulder. It was widely agreed that he looked like a “deserter from a mad house.” Word had preceded Harding’s arrival, and a crowd had gathered. But his officers had also heard about Harding’s plan to embarrass them, and they had prepared a surprise of their own. They arrested him and, at the head of Fish Street, mounted him on an eight-foot-high “horse,” where he was forced to sit for an hour with his hands tied behind his back. Unrepentant, Harding pretended to canter on the “horse,” and he called out mock toasts to his officers. After the event passed, Harding sued his lieutenant. He was apparently unsuccessful, however, I thank Brigadier General Leonid Kondratiuk, Director, Historical Services, the Adjutant General’s Office of Massachusetts; Larry Glatz of Harrison, Maine; Lincoln Paine of Portland, Maine; and Alan Taylor of the University of California, Davis, for their support and assistance. I also acknowledge the Massachusetts Historical Society, which administers the New England Regional Fellowship Consortium grant program, which helped fund the research for this essay, and the staff of the Maine Historical Society for their kind assistance. -
Science and Edgar Allan Poe's Pathway to Cosmic Truth
SCIENCE AND EDGAR ALLAN POE’S PATHWAY TO COSMIC TRUTH by Mo Li A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English Middle Tennessee State University May 2017 Dissertation Committee: Dr. Philip Edward Phillips, Chair Dr. Maria K. Bachman Dr. Harry Lee Poe I dedicate this study to my mother and grandmother. They taught me persistence and bravery. !ii ACKNOWLEDGEMENTS I must express my immense gratitude to Dr. Philip Edward Phillips for opening up Edgar Allan Poe’s starry worlds to me. Without Dr. Phillips’s generous guidance and inestimable patience, I could not have completed this study. I would also like to thank Dr. Maria K. Bachman and Dr. Harry Lee Poe. Their invaluable insights and suggestions led me to new discoveries in Poe. !iii ABSTRACT Poe’s early grievance in “Sonnet—To Science” (1829) against science’s epistemological authority transitioned into a lifelong journey of increasingly fruitful maneuvering. Poe’s engagement with science reached its apogee in Eureka: A Prose Poem (1848), his cosmological and aesthetic treatise published near the end of his life. While exalting intuition and poetic imagination as the pathway to Truth, Eureka builds upon, questions, and revises a wealth of scientific authorities and astronomical works. Many classic and recent studies, however, appreciate the poetic value but overlook or reject the scientific significance of the treatise. In contrast, some scholars assess Eureka by its response and contribution to specific theories and methods of nineteenth-century or contemporary science. Although some scholars have defended Eureka’s scientific achievements, they rarely investigate the role of science in Poe’s other works, especially his early or enigmatic ones. -
The Complete Poems of Edgar Allan Poe Collected, Edited
Edgar Allan Poe (1809-1849) Biographical Timeline 1809: Poe is born in Boston, where his parents, traveling actors Eliza and David Poe, who are performing there. 1811: Eliza Poe dies from an illness. David Poe apparently died soon thereafter, and he had probably already abandoned the family at the time of Eliza’s death. Poe and his two siblings are taken into different foster homes. Poe is taken into the home of John and Frances Allan, a wealthy family in Richmond Virginia; they never adopted Poe. 1815: Allans move to London, where Poe attended school for several years. 1820: Allans return to the States. 1826: Poe enters the University of Virginia. He studies ancient and modern languages. He gambles, gets into debt, and falls out of favor with his foster father, in part because of his chronic need for money. John Allan refuses to honor debts and Poe leaves school in December and returns to Richmond. 1827: Poe and foster father cannot get along; Poe moves to Boston and publishes his first collection of poetry, Tamerlane and Other Poems. Poe enlists in the army under an assumed name and is ordered to Fort Moultrie, South Carolina. 1828: Poe rises to rank of sergeant major and gains appointment at West Point Military Academy with the help of foster father. Foster mother dies. 1830: Poe enters West Point Military Academy. 1831: Poe dislikes military life, disobeys orders deliberately, and is expelled. Before leaving he asks fellow cadets for subscriptions to publish a book of poetry. Poems is published in New York City, dedicated to “The US Corps of Cadets.” Poe moves to Baltimore. -
Bringing Poe to Life Eric Stange (COM’79) Makes a Clear-Eyed Film About a Complicated Man | by CORINNE STEINBRENNER
Film Bringing Poe to Life Eric Stange (COM’79) makes a clear-eyed film about a complicated man | BY CORINNE STEINBRENNER EDGAR ALLAN POE IS OFTEN PERCEIVED AS Filmmaker Eric Stange dark horror writer on the edges of things.” an eccentric loner, scribbling tales of murder- (right) with actor Denis Stange’s documentary Edgar Allan Poe: O’Hare on location at Fort Buried Alive ous madmen who hide bodies in catacombs and Independence, on Boston’s will air nationally this fall as part under floorboards. But documentary filmmaker Castle Island. of the PBS series American Masters. The film Eric Stange wants to present a fuller picture of opens with Poe’s mysterious death at 40 in Bal- Poe, who—in addition to writing sensational fic- timore in 1849 and then recounts his life—from tion to pay his bills—sought to shape literary tastes in 19th- his birth in Boston to actress Eliza Poe, to his upbringing in century America as a serious poet, editor, and critic. Virginia by foster parents Fanny and John Allan and through “He was a tastemaker. He was part of the glitterati of his frequent moves between Richmond, Boston, Baltimore, the time,” says Stange (COM’79). “It was important to me New York, and Philadelphia as he chased literary fame and to get people to see him in that light, as opposed to just this an end to the poverty that plagued him. LIANE BRANDON 52 BOSTONIA Fall 2017 Alumni Books One of the challenges Stange faced was describing a figure as contradic- tory as Poe.