The Yankee Problem in America
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“America” on Nineteenth-Century Stages; Or, Jonathan in England and Jonathan at Home
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by D-Scholarship@Pitt PLAYING “AMERICA” ON NINETEENTH-CENTURY STAGES; OR, JONATHAN IN ENGLAND AND JONATHAN AT HOME by Maura L. Jortner BA, Franciscan University, 1993 MA, Xavier University, 1998 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2005 UNIVERSITY OF PITTSBURGH ARTS AND SCIENCES This dissertation was presented by It was defended on December 6, 2005 and approved by Heather Nathans, Ph.D., University of Maryland Kathleen George, Ph.D., Theatre Arts Attilio Favorini, Ph.D., Theatre Arts Dissertation Advisor: Bruce McConachie, Ph.D., Theatre Arts ii Copyright © by Maura L. Jortner 2005 iii PLAYING “AMERICA” ON NINETEENTH-CENTURY STAGES; OR, JONATHAN IN ENGLAND AND JONATHAN AT HOME Maura L. Jortner, PhD University of Pittsburgh, 2005 This dissertation, prepared towards the completion of a Ph.D. in Theatre and Performance Studies at the University of Pittsburgh, examines “Yankee Theatre” in America and London through a post-colonial lens from 1787 to 1855. Actors under consideration include: Charles Mathews, James Hackett, George Hill, Danforth Marble and Joshua Silsbee. These actors were selected due to their status as iconic performers in “Yankee Theatre.” The Post-Revolutionary period in America was filled with questions of national identity. Much of American culture came directly from England. American citizens read English books, studied English texts in school, and watched English theatre. They were inundated with English culture and unsure of what their own civilization might look like. -
Good Evening Yankees. This Is Your Japanese Sister and the Voice of Truth That Reaches out to You from the Peacefulness of J
Military Terms, Abbreviations, Acronyms 1 Thorns of a Rose 1, 2, 4 Did You Know: Stories from Air America 2, 3 Meet the Military: Auschwitz Volunteer 2 The Ride of Your Life (part 2) 3 code for “Lima Sites” which WWII Recruitment Poster 3 were covert sites of the Laotian Civil War in which the US military This Day in Military History 4 conducted clandestine operations abbreviation used for the Rescue Combat Air Patrol, a fight- er force used to protect personnel On the evening of February 18, 1945, empty shelves as public clamors for more sailors and marines of Joint Expedi- on the ground and to conduct air merchandise; workers claim nightclub tionary Force (Task Force 51) are search and rescue operations curfew limits amusement spending. Does tuned in to the only radio program that sound like a people who want war? abbreviation for a series of that they are able to pick up easily so Who are supporting you as you carry on far out at sea. The music is American Soviet anti-aircraft guns used by your sacrificial attempts to carry on this and the most popular of that era. As useless war? Think it over Yankee broth- over 50 countries worldwide Connee Boswell finishes the last strains of “I Can’t Give You Anything ers - they do not want war and they are doing their best to let you know that they : This month’s terms came But Love,” another familiar voice are not behind you in this war. This is from the “Did You Know” article. -
Better Than White Trash": Work Ethic, Latinidad and Whiteness in Rural Arkansas
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Otterbein University Otterbein University Digital Commons @ Otterbein Sociology Faculty Scholarship Sociology 2012 "Better Than White Trash": Work Ethic, Latinidad and Whiteness in Rural Arkansas Miranda Cady Hallett Otterbein University Follow this and additional works at: https://digitalcommons.otterbein.edu/socio_fac Part of the Anthropology Commons, and the Sociology Commons Repository Citation Hallett, Miranda Cady, ""Better Than White Trash": Work Ethic, Latinidad and Whiteness in Rural Arkansas" (2012). Sociology Faculty Scholarship. 2. https://digitalcommons.otterbein.edu/socio_fac/2 This Article is brought to you for free and open access by the Sociology at Digital Commons @ Otterbein. It has been accepted for inclusion in Sociology Faculty Scholarship by an authorized administrator of Digital Commons @ Otterbein. For more information, please contact [email protected]. Original Article “Better than White trash”: Work ethic, Latinidad and Whiteness in rural Arkansas Miranda Cady Hallett Otterbein University, OH Abstract Diverse sites in the US South are being transformed by “new Latino immigration.” Rather than being a homogeneous process, experiences of migrant settlement are shaped by the racialized social worlds of particular historical social communities – and may in turn transform local racial formations (Winders, 2005). In one small town in rural Arkansas, Latina and Latino migrants perform boundary work (Lamont, 2000; Hartigan, 2010), constructing their identities as “good” workers and neighbors. Although migrants assert belonging and dignity by framing themselves as “better than White trash,” nonetheless this belonging is predicated on the reproduction of racial and class hierarchy as well as conformity to the structural demands of neoliberal capitalism. -
VMI Men Who Wore Yankee Blue, 1861-1865 by Edward A
VMI Men Who Wore Yankee Blue, 1861-1865 by Edward A. Miller, ]r. '50A The contributions of Virginia Military Institute alumni in Confed dent. His class standing after a year-and-a-half at the Institute was erate service during the Civil War are well known. Over 92 percent a respectable eighteenth of twenty-five. Sharp, however, resigned of the almost two thousand who wore the cadet uniform also wore from the corps in June 1841, but the Institute's records do not Confederate gray. What is not commonly remembered is that show the reason. He married in early November 1842, and he and thirteen alumni served in the Union army and navy-and two his wife, Sarah Elizabeth (Rebeck), left Jonesville for Missouri in others, loyal to the Union, died in Confederate hands. Why these the following year. They settled at Danville, Montgomery County, men did not follow the overwhelming majority of their cadet where Sharp read for the law and set up his practice. He was comrades and classmates who chose to support the Common possibly postmaster in Danville, where he was considered an wealth and the South is not difficult to explain. Several of them important citizen. An active mason, he was the Danville delegate lived in the remote counties west of the Alleghenies where to the grand lodge in St. Louis. In 1859-1860 he represented his citizens had long felt estranged from the rest of the state. Citizens area of the state in the Missouri Senate. Sharp's political, frater of the west sought to dismember Virginia and establish their own nal, and professional prominence as well as his VMI military mountain state. -
Exposing Minstrelsy and Racial Representation Within American Tap Dance Performances of The
UNIVERSITY OF CALIFORNIA Los Angeles Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Brynn Wein Shiovitz 2016 © Copyright by Brynn Wein Shiovitz 2016 ABSTRACT OF THE DISSERTATION Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 by Brynn Wein Shiovitz Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2016 Professor Susan Leigh Foster, Chair Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950, looks at the many forms of masking at play in three pivotal, yet untheorized, tap dance performances of the twentieth century in order to expose how minstrelsy operates through various forms of masking. The three performances that I examine are: George M. Cohan’s production of Little Johnny ii Jones (1904), Eleanor Powell’s “Tribute to Bill Robinson” in Honolulu (1939), and Terry- Toons’ cartoon, “The Dancing Shoes” (1949). These performances share an obvious move away from the use of blackface makeup within a minstrel context, and a move towards the masked enjoyment in “black culture” as it contributes to the development of a uniquely American form of entertainment. In bringing these three disparate performances into dialogue I illuminate the many ways in which American entertainment has been built upon an Africanist aesthetic at the same time it has generally disparaged the black body. -
The Tales of the Folio Club and the Humoristic Vocation of Edgar Allan Poe
Studies in English, New Series Volume 8 Article 19 1-1-1990 The Tales of The Folio Club and the Humoristic Vocation of Edgar Allan Poe Claude Richard Université Paul-Valéry, Montpellier III Mark L. Mitchell University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/studies_eng_new Part of the American Literature Commons Recommended Citation Richard, Claude and Mitchell, Mark L. (1990) "The Tales of The Folio Club and the Humoristic Vocation of Edgar Allan Poe," Studies in English, New Series: Vol. 8 , Article 19. Available at: https://egrove.olemiss.edu/studies_eng_new/vol8/iss1/19 This Article is brought to you for free and open access by the English at eGrove. It has been accepted for inclusion in Studies in English, New Series by an authorized editor of eGrove. For more information, please contact [email protected]. Richard and Mitchell: Poe's Tales of the Folio Club THE TALES OF THE FOLIO CLUB AND THE VOCATION OF EDGAR ALLAN POE AS HUMORIST Claude Richard* [Translated by Mark L. Mitchell] University of Mississippi On 2 September 1836, Edgar Allan Poe submitted to the Philadelphia editor Harrison Hall the plan of a work which never saw the light of day: At different times there has appeared in the Messenger a series of Tales, by myself—in all seventeen. They are of a bizarre and generally whimsical character, and were originally written to illustrate a large work “On the Imaginative Faculties.” I have prepared them for republication, in book form, in the following manner. I imagine a company of seventeen persons who call themselves the Folio Club. -
Book Reviews
Maine History Volume 13 Number 1 Article 5 7-1-1973 Book Reviews Robert B. Rettig Massachusetts Historical Commission Robin McNallie Madison College Follow this and additional works at: https://digitalcommons.library.umaine.edu/mainehistoryjournal Part of the United States History Commons Recommended Citation Rettig, Robert B., and Robin McNallie. "Book Reviews." Maine History 13, 1 (1973): 52-60. https://digitalcommons.library.umaine.edu/mainehistoryjournal/vol13/iss1/5 This Book Reviews is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Maine History by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. WRITINGS IN MAINE HISTORY Books Portland: A publication of Greater Portland Landmarks, Inc. Text by Josephine H. Detmer and Patricia M. Pancoast; Photographs by Nicholas Dean; Designer and editor, Martin Dibner; Project director, Jane Smith Moody. Portland, Greater Portland Landmarks, Inc., 1972. 236 p. $6.95 softbound, $15.00 hardbound. Portland has long been taken for granted by its resi dents and overlooked by visitors to Maine. This hand some new publication on the city’s history and architec ture should do much to right the balance. Those who have known Portland all their lives will find much here to interest them, and those who are unfamiliar with the city will find reason to leave the turnpike for a first-hand look. Greater Portland Landmarks undertook this project as a means of helping the public understand and appreciate the value of Portland’s historic architecture. The ulti mate goal is recognition and protection of the city’s architecturally important buildings and neighborhoods, so many of which have been destroyed or defaced in re cent years. -
The Yankee Comic Character: Its Origins
THE YANKEE COMIC CHARACTER: ITS ORIGINS AND DEVELOP:MENT IN AMERICAN LITERATURE THROUGH 1830 By ALECIA A CRAMER Bachelor ofArts Oklahoma State University StiUwater, Oklahoma 1991 Submitted to the Faculty ofthe Graduate College ofthe Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF ARTS July, ]995 OKLAHOMA STATE UNIVERSITY THE YANKEE COMIC CHARACTER: ITS ORIGINS AND DEVELOP:MENT IN AMERICAN LITERATURE THROUGH 1830 Thesis Approved: a-L C. ii PREFACE This study attempts to address why the Yankee comic character became the butt of early American humor and how the character developed into an enduring comic figure in American literature. The Yankee comic character has developed into one ofthe most enduring comic characters in American Literature, appearing many times in Mark Twain's fiction and in various works ofcomedy in the twentieth century. Many scholars have addressed the development ofthe Yankee in American literature after the 1830s, but little attention is paid to the origins ofthis character type and the development ofthe Yankee character into the mature, weU-developed type ofthe 1830s. The Yankee character was at once both a simple, naive rustic with a uruque dialect and a shrewd, practical manipulator full ofambition and greed. As he changes and develops, the Yankee comic character :embodies the complexities and incongruities ofa democratic society struggling to fuse the ideal with the real, the language ofculture with the language ofthe ordinary man. I wish to express my sincere gratitude to my thesis adviser, Dr. Jeffrey Walker, for his unlimited help, patience and encouragement of my research and writing efforts. -
Book Reviews
Maine History Volume 20 Number 1 Article 5 7-1-1980 Book Reviews William David Barry Maine Historical Society Peter Vickery Roger L. Grindle University of Maine Fort Kent Follow this and additional works at: https://digitalcommons.library.umaine.edu/mainehistoryjournal Part of the United States History Commons Recommended Citation Barry, William David, Peter Vickery, and Roger L. Grindle. "Book Reviews." Maine History 20, 1 (1980): 66-74. https://digitalcommons.library.umaine.edu/mainehistoryjournal/vol20/iss1/5 This Book Reviews is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Maine History by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. BOOK REVIEWS John Neal. By Donald A. Sears. (Boston: Twayne Publishers, 1978. Pp. 154. Hardcover. $9.95). This is the second serious biography of John Neal (1793-1876) to be published in recent years. The first was Benjamin Lease’s That Wild Fellow John Neal and the American Literary Revolution (University of Chicago Press, 1972) . In the preface to the new study, Dr. Sears writes: . it is [Lease’s] purpose to focus on Neal’s role as a literary nationalist, and therefore relatively slight treatment is given to Neal’s activities as a reformer, art and theater critic, and patron of budding talent. The present study has the advantage of previous scholarship and may accordingly attempt a fuller and more balanced assessment of Neal’s long and immensely varied career. No nineteenth-century Mainer more deserves a full and balanced biography than does Neal, and it has long seemed that Dr. -
The Yankee Soldier's Might: the District of Maine and the Reputation
The Yankee Soldier’s Might: The District of Maine and the Reputation of the Massachusetts Militia, 1800–1812 joshua m. smith N the spring of 1806, the residents of Portland, Maine, I were treated to an unusual display of street theater when militiaman Noah Harding reported for his scheduled muster. Harding wore three waistcoats of various colors and trousers hanging obscenely low, both adorned with bows and ribbons; on his face were outrageously large spectacles and on his feet boots covered in mold; a large dried codfish protruded from his knapsack, its tail extending well over his shoulder. It was widely agreed that he looked like a “deserter from a mad house.” Word had preceded Harding’s arrival, and a crowd had gathered. But his officers had also heard about Harding’s plan to embarrass them, and they had prepared a surprise of their own. They arrested him and, at the head of Fish Street, mounted him on an eight-foot-high “horse,” where he was forced to sit for an hour with his hands tied behind his back. Unrepentant, Harding pretended to canter on the “horse,” and he called out mock toasts to his officers. After the event passed, Harding sued his lieutenant. He was apparently unsuccessful, however, I thank Brigadier General Leonid Kondratiuk, Director, Historical Services, the Adjutant General’s Office of Massachusetts; Larry Glatz of Harrison, Maine; Lincoln Paine of Portland, Maine; and Alan Taylor of the University of California, Davis, for their support and assistance. I also acknowledge the Massachusetts Historical Society, which administers the New England Regional Fellowship Consortium grant program, which helped fund the research for this essay, and the staff of the Maine Historical Society for their kind assistance. -
The Semantic Structure of Pejoratives Nenad Mišćević (Maribor/Budapest)
The semantic structure of Pejoratives Nenad Mišćević (Maribor/Budapest) Abstract Pejoratives find their place in the context of linguistic violence and offensive speech, and a theory of pejoratives thus should be connected to the (im-)politeness research. Here, they are put on the map of generic expressions, and characterized as negative evaluative generic terms. The parallel between pejoratives and laudatory expressions is noted. Pejoratives have a rich semantics: causal-descriptive securing of reference, and several layers of non-descriptive mean- ing, mainly negative-evaluative and prescriptive (the expressive meaning might be part of prag- matics). They are hybrid negative social kind terms. Therefore, a pejorative generic sentence normally expresses several propositions, some of them true, some false, each to be selected by relevant context. Pejoratives stand at the intersection of three areas of research: generics, se- mantics of pejoratives (and of laudatory expressions) and the (im-)politeness theory in social pragmatics, and the three need to be brought together. 1 Introduction The topic of the conference has been “Language and violence”.1 Linguistic violence is an ex- treme form of impoliteness-rudeness and addressed in the literature belonging to politeness theory.2 Jonathan Culpeper who has been, in his Impoliteness: Using Language to Cause Of- fence (2011), placing pejoratives on the list of “impoliteness formulae”, conventionally associ- ated with offense. He talks about impoliteness strategies and connects them with insults (which he sees as “producing or perceiving a display of low values for some target” (2011: 56), and then lists some corresponding impoliteness formulae. Here, we shall be dealing with a promi- nent class of words that are specialized for use in the context of impoliteness-rudeness (but not limited to it), namely pejoratives-slurs. -
The Chinese Coolie Trade
The Chinese Coolie Trade M. FOSTER FARLEY Newberry College, South Carolina, U.S.A. By THE TERMS of the Treaty of Ghent of December, 1814, the United States and Great Britain bound themselves to do all in their power to extinguish the African slave trade. In the 1830's England entered into agree ments with the French for the mutual right of search within certain se.as - which most of the major powers acceded. By the terms of the Webster-Ashburton Treaty of 1842, Great Britain and the United States agreed to maintain joint squadrons off the west coast of Africa. By these measures the slave trade, so far as it was carried on under the flags of European nations, or for the supply of their colonies, ceased to exist. So it was that the more unscrupulous shipowners and masters including Americans as well as Englishmen, turned to a more lucrative source of profit - the transportation of Chinese coolies to North America, the West Indies and South America. The Chinese had prohibited by Imperial decree their subjects from emi grating. But for "ages past Chinese had migrated for a season to the East Indies and Malaya," but this movement was voluntary - as it continued to be to the United States. However, with western shipping abundent in South China "it now enabled the teeming population to go further afield" the result was the coolie traffic.1 The term coolie belonged to the tribe living near the Gulf of Cutch in Africa - but as applied to the trade, it was merely a European title for the lowest class oflaborers in most Eastern countries.