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Howells and the Limits of Literary History Claudia Stokes Trinity University, [email protected]
Trinity University Digital Commons @ Trinity English Faculty Research English Department Spring 2008 In Defense of Genius: Howells and the Limits of Literary History Claudia Stokes Trinity University, [email protected] Follow this and additional works at: https://digitalcommons.trinity.edu/eng_faculty Part of the English Language and Literature Commons Repository Citation Stokes, C. (2008). In defense of genius: Howells and the limits of literary history. American Literary Realism, 40(3), 189-203. doi: 10.1353/alr.2008.0025 This Article is brought to you for free and open access by the English Department at Digital Commons @ Trinity. It has been accepted for inclusion in English Faculty Research by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. CLAUDIA STOKES In Defense of Genius: Howells and the Limits of Literary History In early 1886, William Dean Howells fell into an ugly public debate with the poet and critic Edmund Clarence Stedman. Carried out in the pages of Harper’s Monthly and the New Princeton Review, this dispute started as a disagreement about the origins of literary craftsmanship but quickly esca- lated into a heated epistemological squabble about the limits of historical knowledge. It began in March of that year, when Howells gave a mixed review to Stedman’s Poets of America (1885), a history of American poetry. Though Howells conceded the importance of Stedman’s contribution to the emerging discipline of American literary history, he openly mocked a few of Stedman’s claims: his prediction of an American poetry revival and his staunch belief in genius, a category of achievement Stedman used with great liberality. -
James Russell Lowell - Poems
Classic Poetry Series James Russell Lowell - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive James Russell Lowell(22 February 1819 – 12 August 1891) James Russell Lowell was an American Romantic poet, critic, editor, and diplomat. He is associated with the Fireside Poets, a group of New England writers who were among the first American poets who rivaled the popularity of British poets. These poets usually used conventional forms and meters in their poetry, making them suitable for families entertaining at their fireside. Lowell graduated from Harvard College in 1838, despite his reputation as a troublemaker, and went on to earn a law degree from Harvard Law School. He published his first collection of poetry in 1841 and married Maria White in 1844. He and his wife had several children, though only one survived past childhood. The couple soon became involved in the movement to abolish slavery, with Lowell using poetry to express his anti-slavery views and taking a job in Philadelphia, Pennsylvania as the editor of an abolitionist newspaper. After moving back to Cambridge, Lowell was one of the founders of a journal called The Pioneer, which lasted only three issues. He gained notoriety in 1848 with the publication of A Fable for Critics, a book-length poem satirizing contemporary critics and poets. The same year, he published The Biglow Papers, which increased his fame. He would publish several other poetry collections and essay collections throughout his literary career. Maria White died in 1853, and Lowell accepted a professorship of languages at Harvard in 1854. -
Henry Wadsworth Longfellow At
on fellow ous L g ulletinH e Volume No. A Newsletter of the Friends of the Longfellow House and the National Park Service December pecial nniversary ssue House SelectedB As Part of Underground Railroad Network to Freedom S Henry WadsworthA LongfellowI he Longfellow National Historic Site apply for grants dedicated to Underground Turns 200 Thas been awarded status as a research Railroad preservation and research. ebruary , , marks the th facility with the Na- This new national Fanniversary of the birth of America’s tional Park Service’s Network also seeks first renowned poet, Henry Wadsworth Underground Railroad to foster communi- Longfellow. Throughout the coming year, Network to Freedom cation between re- Longfellow NHS, Harvard University, (NTF) program. This searchers and inter- Mount Auburn Cemetery, and the Maine program serves to coor- ested parties, and to Historical Society will collaborate on dinate preservation and help develop state- exhibits and events to observe the occa- education efforts na- wide organizations sion. (See related articles on page .) tionwide and link a for preserving and On February the Longfellow House multitude of historic sites, museums, and researching Underground Railroad sites. and Mount Auburn Cemetery will hold interpretive programs connected to various Robert Fudge, the Chief of Interpreta- their annual birthday celebration, for the facets of the Underground Railroad. tion and Education for the Northeast first time with the theme of Henry Long- This honor will allow the LNHS to dis- Region of the NPS, announced the selec- fellow’s connections to abolitionism. Both play the Network sign with its logo, receive tion of the Longfellow NHS for the Un- historic places will announce their new technical assistance, and participate in pro- derground Railroad Network to Freedom status as part of the NTF. -
University Microfilms International 300 N
INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1.The sign or "target” for pages apparently lacking from the document photographed is “ Missing Page(s)” . If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. If copyrighted materials were deleted you will find a target note listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo graphed the photographer has followed a definite method in “sectioning” the material. It is customary to begin filming at the upper left hand corner of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. -
THE HUMBUG Page 1 of 12 Ebscohost 8/12/2020
EBSCOhost Page 1 of 12 Record: 1 Title: THE HUMBUG. Authors: Lepore, Jill Source: New Yorker. 4/27/2009, Vol. 85 Issue 11, p65-71. 7p. 1 Color Photograph. Document Type: Article Subject Terms: *AMERICAN authors *AMERICAN horror tales *19TH century American literature *AMERICAN literature -- History & criticism *BIOGRAPHY (Literary form) 19TH century Geographic Terms: UNITED States People: POE, Edgar Allan, 1809-1849 Abstract: The article discusses the approach to writing of 19th-century American author Edgar Allan Poe. Poe's publishing career is discussed, as is the critical reception of his stories and poems of horror and mystery. The relation of his tales to the U.S. politics and economics of his time is also discussed, along with Poe's financial and mental instability. Full Text Word Count: 6040 ISSN: 0028-792X Accession Number: 37839147 Database: Academic Search Premier Section: A CRITIC AT LARGE THE HUMBUG Edgar Allan Poe and the economy of horror Edgar Allan Poe once wrote an essay called "The Philosophy of Composition," to explain why he wrote "The Raven" backward. The poem tells the story of a man who, "once upon a midnight dreary," while mourning his dead love, Lenore, answers a tapping at his chamber door, to find "darkness there and nothing more." He peers into the darkness, "dreaming dreams no mortal ever dared to dream before," and meets a silence broken only by his whispered word, "Lenore?" He closes the door. The tapping starts again. He flings open his shutter and, "with many a flirt and flutter," in flies a raven, "grim, ungainly, ghastly, gaunt, and ominous bird of yore." The bird speaks just one word: "Nevermore." That word is the poem's last, but it's where Poe began. -
The Representation of Women in the Works of Edgar Allan Poe
Faculteit Letteren & Wijsbegeerte Elien Martens The Representation of Women in the Works of Edgar Allan Poe Masterproef voorgelegd tot het behalen van de graad van Master in de Taal- en Letterkunde Engels - Spaans Academiejaar 2012-2013 Promotor Prof. Dr. Gert Buelens Vakgroep Letterkunde 2 ACKNOWLEDGEMENTS First and foremost, I would like to express my sincere gratitude to Prof. Dr. Gert Buelens, without whom this dissertation would not have been possible. His insightful remarks, useful advice and continuous guidance and support helped me in writing and completing this work. I could not have imagined a better mentor. I would also like to thank my friends, family and partner for supporting me these past months and for enduring my numerous references to Poe and his works – which I made in every possible situation. Thank you for being there and for offering much-needed breaks with talk, coffee, cake and laughter. Last but not least, I am indebted to one more person: Edgar Allan Poe. His amazing – although admittedly sometimes rather macabre – stories have fascinated me for years and have sparked my desire to investigate them more profoundly. To all of you: thank you. 3 TABLE OF CONTENTS Chapter 1: Introduction ................................................................................................................................ 6 1. The number of women in Poe’s poems and prose ..................................................................... 7 2. The categorization of Poe’s women ................................................................................................ 9 2.1 The classification of Poe’s real women – BBC’s Edgar Allan Poe: Love, Death and Women......................................................................................................................................................... 9 2.2 The classification of Poe’s fictional women – Floyd Stovall’s “The Women of Poe’s Poems and Tales” ................................................................................................................................. 11 3. -
'Spirit Verse' Apocryphal Poems and Marketing in Composing Lizzie
International Journal of Linguistics, Literature and Culture (Linqua- LLC) June 2016 edition Vol.3 No.2 ISSN 2410-6577 ‘Spirit Verse’ Apocryphal Poems and Marketing in Composing Lizzie Doten’s Poems from the Inner Life Mashael Alhammad, MA in American Literature Prince Sattam University, Saudi Arabia Abstract This paper discusses Lizzie Doten’s book Poems from the Inner Life in which she had claimed that the spirits of dead famous poets, majorly Edgar Allen Poe, wrote most of the poems. I argue that Doten was successful in selling her book. She was able to accomplish this by taking advantage of the public interest of spiritualism during the 19th century and Edgar Allen Poe’s fan base. Keywords: Fandom, fan culture, literature, marketing, 19th century poetry. Introduction In 1909, New York Times newspaper published an article in its November issue under the name Laureate of Spookland: Strange Case of Lizzie Doten, Writer of ‘Spirit Verse.’ They acknowledged Lizzie Doten’s ability of communicating with dead poets and publishing their poems in her book titled Poems from the Inner Life (New York Times, 1909). Even though forty-five years had passed since the publication of her book, Doten still received notice from one of the leading newspapers. However, her popularity derived from communicating with spirits was not uncommon. Along with being seen as a movement that has helped in promoting radical political and cultural beliefs such as women’s rights and abolitionism, spiritualism, the belief in the possibility in communicating with the dead, has provided a profession and fame through many mediums. -
Colonel John A. Joyce Author of a Checkered Life. Peculiar Poems
EDGAR ALLAN POE ! FROM TH E LAST DAGUERREOTYPE KEN TA ) . ” OLO OH JOY C N EL J N A . CE “ “ uthor of A Checkered Life Peculiar Poem s A . “ ! “ ! “ Z igzag. Jewel s of Memory. Com p lete ! Poems. Oliver G old smith. and Many Popu lar Songs. — Speak nothing of the living or the dead but TRUTH l j oyce. NNYSON NEELY F. TE NEW Y ORK LONDON CONTE S NT . HAP E C T R I . e B i rth an d Li neag . CHAP ER T II . Precocity an d Early School D ay s CHAP TE R III . Col lege Days and Wan deri ngs AP CH TER I V. e t oi n Ex eri ence and B reak h Al l W s P t p , wi t an AP CH TER V. — Driftin g About B al tim or e Li terary S u c cess AP CH TER VI . CHAP TER VI I . “ ”— Writing for Literary Messenger Remor se an d CHAPTER VI II . — — Marriage Magazine Writings M igration to New o n . e e e e e e e e e o o o o Q Q Q O Q Q - q qqi C ontents. I . CHAPTER X m ar: — Life in Phi l adelphi a Cri ti ci sm s of Authors CHAPTER X. — H ome at Spring Garden Family F elicity “ ’ ” Graham s M agazi n e E CHAP T R XI . — Remo val to New York Work on the D ail y Mi r ror —E rrati c N ature AP E CH T R XII . -
Science and Edgar Allan Poe's Pathway to Cosmic Truth
SCIENCE AND EDGAR ALLAN POE’S PATHWAY TO COSMIC TRUTH by Mo Li A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English Middle Tennessee State University May 2017 Dissertation Committee: Dr. Philip Edward Phillips, Chair Dr. Maria K. Bachman Dr. Harry Lee Poe I dedicate this study to my mother and grandmother. They taught me persistence and bravery. !ii ACKNOWLEDGEMENTS I must express my immense gratitude to Dr. Philip Edward Phillips for opening up Edgar Allan Poe’s starry worlds to me. Without Dr. Phillips’s generous guidance and inestimable patience, I could not have completed this study. I would also like to thank Dr. Maria K. Bachman and Dr. Harry Lee Poe. Their invaluable insights and suggestions led me to new discoveries in Poe. !iii ABSTRACT Poe’s early grievance in “Sonnet—To Science” (1829) against science’s epistemological authority transitioned into a lifelong journey of increasingly fruitful maneuvering. Poe’s engagement with science reached its apogee in Eureka: A Prose Poem (1848), his cosmological and aesthetic treatise published near the end of his life. While exalting intuition and poetic imagination as the pathway to Truth, Eureka builds upon, questions, and revises a wealth of scientific authorities and astronomical works. Many classic and recent studies, however, appreciate the poetic value but overlook or reject the scientific significance of the treatise. In contrast, some scholars assess Eureka by its response and contribution to specific theories and methods of nineteenth-century or contemporary science. Although some scholars have defended Eureka’s scientific achievements, they rarely investigate the role of science in Poe’s other works, especially his early or enigmatic ones. -
Margaret Fuller: an Exhibition University Libraries--University of South Carolina
University of South Carolina Scholar Commons Irvin Department of Rare Books & Special Rare Books & Special Collections Publications Collections 10-1973 Margaret Fuller: An Exhibition University Libraries--University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/rbsc_pubs Part of the Library and Information Science Commons Recommended Citation University of South Carolina, "University of South Carolina Libraries - Margaret Fuller: An Exhibition, Novemberber 1973". http://scholarcommons.sc.edu/rbsc_pubs/42/ This Catalog is brought to you by the Irvin Department of Rare Books & Special Collections at Scholar Commons. It has been accepted for inclusion in Rare Books & Special Collections Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. MARGARET FULLER: AN EXHIBITION FROM THE COLLECTION OF JOEL MYERSON DEPARTMENT OF ENGLISH UNIVERSITY OF SOUTH CAROLINA BIBLIOGRAPHICAL SERIES No.8 1973 UNIVERSITY' OF SOUTH CAROLINA Department of English Bibliographical Series G. ROSS ROY, GENERAL EDITOR No.1 G. Ross Roy. ROBERT BURNS. 1966 No. -2 WILLIAM S. KABLE. ROBERT BRIDGES. 1967 No.3 GOORGE M. REEVES. GUSTAVE FLAUBERT: POESIES DE jEUNESSE INEDITES. 1968 No.4 JOHN R. WELSH. JOHN ESTEN COOKE'S AUTOBIOGRAPHICAL MEMO. 1969 No.5 JOSEPH KATZ. A FRANK NORRIS COLLECTION. 1970 No.6 MATTHEW j. BRUCCOLI. STEPHEN CRANE 1871.1971. 1971 No.7 RODGER L. TARR. A BIBLIOGRAPHY OF ENGLISH LANGUAGE ARTICLES ON THOMAS CARLYLE: 1900·1965. 1972 MARGARET FULLER: AN EXHIBITION FROM THE COLLECTION OF JOEL MYERSON Held at the McKissick Library of the University of South Carolina 1·30 November 1973 DEPARTMENT OF ENGLISH UNlVEUITY OF SoUTH CAROLINA BIBLIOGRAPHICAL SEtUES No. -
The Republican Court: Or, American Society in the Days of Washington
THE REPUBLICAN COURT OR AMERICAN SOCIETY IN THE DAYS OF WASHINGTON. BY RUFUS WILMOT GRISWOLD. D9RAVED FROM ORI9INAL PICTURES BY WOOLASTON, COPLEY. 9AINSBOROU9B, STUART, TRUMBULL, PINK, MALBONB, AND OTHER CONTEMPORARY PAINTERS. / NEW YORK: D. APPLETON· AND COMPANY, 346 AND 348 BROADWAY. LONDON: 18 LITTLE BRITAIN. ILDCCC.LV. Entered, according to Act of Congress, in the year 18114, by D. APPLETON'" COMPANY, In the Clerk's Office of the District Court of the United States for the Southern District of New York. .... ~. ... ". .. .. .: ... -... ::.- ... ... ..• p : :-:: .• .. • . ........... .. .. .. ':. ...... -.-: ..... ; .. :. ! . .. ..... ! .: CONTENTS • ... PAO.. PEACE THE CONVENTION 37 THE YEAR OF SUSPENSE . 77 THE TRIUMPHAL PROGRESS. 113 THE INAUGGRATION . • 137 NEW YORK METROPOLITAN. 147 THE EASTERN TOUR . • 183 THE SEASON OF EIGHTY-NINE AND NINETY. 203 REMOVAL OF THE GOVERNMENT . • 231 SOCIETY IN PHILADELPHIA. 253 THE SOUTHERN TOUR • 273 DISCONTENT AND SEDITION 285 LIFE IN THE CAPITAL .309 THE CONCLUSION 357 APPENDIX .371 THE CONVENTION. I. AND now it becomes necessary to ask, What was the political condition of the colonies when the struggle for independence at last was over ~ In the language of Washington, success had but afforded the United States "tho opportunity of becoming a respect ahle natiun." Feeble indeed had been the chain which had bound them together as united states during the conflict; its strongest links were an innate hatred of tyranny, and the external pressure which forced them to coalesce. Not the least marvellous feature in the story of the Revolution, is its ultimate triumph under a sys tem so weak and inadequate as that furnished by the old articles of confederation. In other hands than those of Washington as commander, and Morris as financier, it may well be doubted whe ther the hour of triumph would then have come. -
The Universal
David Faflik BOARDINGHOUSE LiFE, BOARDINGHOUSE LETTERS In 1842, journalist-poet Walt Whitman could pronounce "the universal Yankee nation" "a hoarding people." He went on to explain that ' |m]arried men and single men, old women and pretty girls; milliners and masons; cohhiers, colonels, and counter-jumpers; tailors and teachers; lieuten- ants, loafers, ladies, lackbrains, and lawyers; printers and parsons—'hlack spirits and white, hiue spirits and gay'—all 'go out to hoard'" ("New York" 22-23). Today his pronouncement mystifies. Not only has urhan hoarding as a social fact all hut vanished, hut the boardinghouse as a cultural phe- nomenon, as the kind of conspicuous ohject-image that invited commen- tary to hegin with, likewise has faded from view. Yet Americans of Whitmans day truly were "a hoarding people," drawn as they were to hoardinghouses in astonishing numhers. While the majority of United States residents still favored the stand-alone dwelling (Martin 148), Whitmans later claim that three-quarters of Manhattan's adult population had boarded or was boarding as of 1856 hints at the central place the hoardinghouse held not just in New York hut in nine- teenth-century American life generally ("Wicked" 95; Benedict 101).' But what Whitman's remarks most suggest is this: that the antehellum hoard- inghtjuse was otice glaringly worth writing about and that boarding car- ried discursive consequences for a people pressed hy urhan necessity into the improvised living arrangement that once upon a titne was boarding. Simply put, the process hy which hoardinghouse life was translated into a boardinghouse-oriented print tradition, and so hecame a legitimate literary genre in its own right, reveals much ahout the period.