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THE REAL CRISIS in Mental Health Today
THE REAL CRISIS In Mental Health Today CONTENTS Introduction: Psychiatry’s Lack of Science ................................. 2 Chapter One: The Drugging of Our Children ......... 5 Chapter Two: Harmful Psychiatric Labeling ......................... 11 Chapter Three: Coercive ‘Care’ in Psychiatry.......................... 15 Chapter Four: Psychiatry’s Destructive ‘Treatments’ ................ 21 Chapter Five: Better Solutions .............................. 29 Recommendations .......................... 31 Citizens Commission on Human Rights International ........... 32 ® INTRODUCTION Psychiatry’s Lack of Science ow concerned should we be Professor Edward Shorter, author of about reports that mental illness A History of Psychiatry, stated, “Rather than has become an epidemic striking heading off into the brave new world of science, one out of every four people in DSM-IV-style psychiatry seemed in some ways the world today? According to the to be heading out into the desert.”2 Hsource of these alarming reports — the psychiatric We formulated this report and its recommen- industry — mental illness threatens to engulf dations for those with responsibility in deciding us all and can only be checked by immediate the funding and fate of mental health programs and massive increases in funding. They warn and insurance coverage, including legislators and of the disastrous effects of withheld appropria- other decision makers charged with the task of ROHIT ADI, M.D.: MARY JO PAGEL, M.D.: Dr. Adi is a diplomate of the Dr. Pagel graduated from the American Board of Internal University of Texas Medical Branch Medicine. He has been with honors in cardiology. She is a practicing emergency medicine specialist in internal medicine and since 1993 and now serves as the preventative and industrial medicine, assistant director of a trauma cen- and is medical director of a medi- ter that handles 72,000 patients cal clinic. -
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Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air -
Funk Is Its Own Reward": an Analysis of Selected Lyrics In
ABSTRACT AFRICAN-AMERICAN STUDIES LACY, TRAVIS K. B.A. CALIFORNIA STATE UNIVERSITY DOMINGUEZ HILLS, 2000 "FUNK IS ITS OWN REWARD": AN ANALYSIS OF SELECTED LYRICS IN POPULAR FUNK MUSIC OF THE 1970s Advisor: Professor Daniel 0. Black Thesis dated July 2008 This research examined popular funk music as the social and political voice of African Americans during the era of the seventies. The objective of this research was to reveal the messages found in the lyrics as they commented on the climate of the times for African Americans of that era. A content analysis method was used to study the lyrics of popular funk music. This method allowed the researcher to scrutinize the lyrics in the context of their creation. When theories on the black vernacular and its historical roles found in African-American literature and music respectively were used in tandem with content analysis, it brought to light the voice of popular funk music of the seventies. This research will be useful in terms of using popular funk music as a tool to research the history of African Americans from the seventies to the present. The research herein concludes that popular funk music lyrics espoused the sentiments of the African-American community as it utilized a culturally familiar vernacular and prose to express the evolving sociopolitical themes amid the changing conditions of the seventies era. "FUNK IS ITS OWN REWARD": AN ANALYSIS OF SELECTED LYRICS IN POPULAR FUNK MUSIC OF THE 1970s A THESIS SUBMITTED TO THE FACULTY OF CLARK ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THEDEGREEOFMASTEROFARTS BY TRAVIS K. -
MK-ULTRA in Australia
MK-ULTRA in Australia By Steve McMurray, 12/12/2015 The CIA’s mind control program in Australia: brought to our shores by The University of Sydney, Leonard Huxley and the Chairman of the Australian Psychological Society*. In August of 1960, at The University of Sydney, MKULTRA psychiatrist Martin Theodore Orne, performed an experiment titled ‘Antisocial Behavior and Hypnosis’. This experiment was financed by the Human Ecology Fund, (A CIA cutout for financing MKULTRA activities) and the US Air Force Office of Scientific Research. Orne’s visit to Sydney University was made possible by the United States Educational Foundation in Australia (USEFA), which was the Australian body of the Fulbright Scholarship and Lectureship Program. The experiment was given permission to be performed in the facilities belonging to the Faculty of Psychology by Alfred Gordon Hammer, the head of the department, who was also the Chairman of the Australian Branch of the British Psychological Society in 1960 (later the Australian Psychological Society*). Hammer would spendtwo sabbaticals in Orne’s laboratories in the United States during the 60’s and 70’s. G.H. Estabrooks, the father of the Manchurian Candidate was once quoted as saying, “The key to creating an effective spy or assassin rests in splitting a man’s personality, or creating multipersonality, with the aid of hypnotism…. This is not science fiction. …I have done it.” In April of 1960, four months before Orne was in Sydney, G.H. Estabrooks invited Orne to speak at a symposium at Colgate College. The paper presented by Orne at this symposium was later titled ‘Antisocial Behavior and Hypnosis’. -
WDAM Radio's History of Dionne Warwick
WDAM Radio's Hit Singles History Of Dionne Warwick # Artist Title Chart Position/Year Label Comments 001 Drifters “Mexican Divorce” –/1962 Atlantic Dionne Warwick’s back-up vocals on this recording are what caught the attention of Hal David & Burt Bacharach, who signed her to their production company. Recorded in 1961, but released as the B-side of When My Little Girl Is Smiling (#28-Rock-U.S. + #31- U.K./1962). Composers – Burt Bacharach & Bob Hilliard. 002 Burt & The Backbeats “Move It On The Backbeat” –/1961 Big Top Burt Bacharach, Dionne Warwick & Dee Dee Warwick. Composers – Hal David & Burt Bacharach. 003 Dionne Warwick “It’s Love That Really Counts” –/1962 Scepter Demo for song that was presented to the Shirelles. It also was a cut on Dionne’s debut LP – Presenting Dionne Warwick – released in 1963. Composers – Hal David & Burt Bacharach. 003A Shirelles “It’s Love That Really Counts” #102/1962 Scepter 004 Dionne Warwick “I Smiled Yesterday” –/1962 Scepter A-Side. Composers – Hal David & Burt Bacharach. 005 Dionne Warwick “Don’t Make Me Over” #21-Rock & #5-R&B- Scepter B-side. Song title inspired by Dionne’s angry U.S. + #38-Rock- statement to Hal David & Burt Bacharach Canada/1962 gave Make It Easy On Yourself to Jerry Butler first instead of her. Composers – Hal David & Burt Bacharach. 005A Swinging Blue Jeans “Don’t Make Me Over” #116-Rock-U.S. + #31- Imperial U.K./1966 005B Brenda & The “Don’t Make Me Over” #77-Rock & #15-R&B- Top And Bottom Co-producer – Van McCoy. Tabulations U.S./1970 005C Jennifer Warnes “Don’t Make Me Over” #67-Rock, #14-AC & Arista #84-C&W-U.S./1980 005D Sybil “Don’t Make Me Over” #20-Rock, #2-R&B & Next Plateau #4-Dance-U.S. -
Gonzo Weekly #163
Subscribe to Gonzo Weekly http://eepurl.com/r-VTD Subscribe to Gonzo Daily http://eepurl.com/OvPez Gonzo Facebook Group https://www.facebook.com/groups/287744711294595/ Gonzo Weekly on Twitter https://twitter.com/gonzoweekly Gonzo Multimedia (UK) http://www.gonzomultimedia.co.uk/ Gonzo Multimedia (USA) http://www.gonzomultimedia.com/ As my late Mother would have no doubt said, the Devil makes work for idle hands, and with most of the Gonzo scribes being at home with their loved ones, and presumably with their creative juices flowing, it soon became obvious that my planned issue for next weekend was going to be superseded by something else. I was always impressed by Penny Rimbaud’s statement that the later Crass singles were issued as “tactical responses” to given situations. I started off writing and editing Fanzines, and it is only for reasons of my own that I decided to issue this magazine like Dear Friends, clockwork every Saturday, more recently every Friday. And so, what was planned to be an ordinary “ring in the old, ring out the new” (or is it But I think that the job of a magazine is a the other way round?) type issue has complex one, and I wouldn’t really like to completely gone out the window. Because clarify it into words, but it seems right that Lemmy dying has completely let the cat we document such an important event, amongst the cultural pigeons in a way that (which does appear to be lifechanging for one suspects the old bugger would have some people) into a special edition of Gonzo enjoyed. -
Troubled Ethnicities in American Popular Music from Elvis Presley to Eminem
TROUBLED ETHNICITIES IN AMERICAN POPULAR MUSIC FROM ELVIS PRESLEY TO EMINEM Stefan L. Brandt (University of Siegen, Germany / Harvard University) With the commodification of African American culture, Blackness has become an accessory that can be put on like burnt cork and hog fat: baggy pants, overpriced athletic shoes, corn rows or dread locks, gaudy jewelry, swiveling necks, snapping fingers, absent consonants.1 Introduction: Blackface, White Negritude, and Ethnic Identity On July 18, 1953, an 18-year old trucker named Elvis Presley decided to go to the Sun Record Company in Memphis and paid $3.98 to record a demo – a procedure that he repeated in January of 1954. It took another four months until Sun Records founder Sam Phillips, eager to capitalize upon the popularity of African American songs, accidentally discovered one of the tapes and took Presley under contract. Presley’s music, a combination of Rhythm & Blues, hillbilly, gospel, and boogie-woogie, dominated by an uptempo, backbeat-driven rhythm, was an instant success. Some forty years later, American popular music saw another successful ‘hybrid’ artist in the shape of Missouri-born white rapper Marshall Bruce Mathers III, better known as “Eminem” or “Slim Shady.” Like Elvis before him, Eminem cleverly took advantage of the appeal of a ‘black’ music style, in his case HipHop, integrating it into a mass-compatible crossover product. Eminem’s video clips are masterstrokes of ethnic marketing, deploying elements of ‘white trash’ imagery as well as of ‘black’ language and art. My essay is interested in those strategies of representation within American popular music that are designed to market what Harry J. -
The Electroshock Quotationary®
The Electroshock Quotationary® Leonard Roy Frank, Editor Publication date: June 2006 Copyright © 2006 by Leonard Roy Frank. All Rights Reserved. Dedicated to everyone committed to ending the use of electroshock everywhere and forever The Campaign for the Abolition of Electroshock in Texas (CAEST) was founded in Austin during the summer of 2005. The Electroshock Quotationary (ECTQ) was created to support the organization’s opposition to electroshock by informing the public, through CAEST’s website, about the nature of electroshock, its history, why and how it’s used, its effects on people, and the efforts to promote and stop its use. The editor plans to regularly update ECTQ with suitable materials when he finds them or when they are brought to his attention. In this regard he invites readers to submit original and/or published materials for consideration (e-mail address: [email protected]). CONTENTS Acknowledgements Introduction: The Essentials (7 pages) Text: Chronologically Arranged Quotations (146 pages) About the Editor ACKNOWLEDGEMENTS For their many kindnesses, contributions and suggestions to The Electroshock Quotationary, I am most grateful to Linda Andre, Ronald Bassman, Margo Bouer, John Breeding, Doug Cameron, Ted Chabasinski, Lee Coleman, Alan Davisson, Dorothy Washburn Dundas, Sherry Everett, John Friedberg, Janet Gotkin, Ben Hansen, Wade Hudson, Juli Lawrence, Peter Lehmann, Diann’a Loper, Rosalie Maggio, Jeffrey Moussaieff Masson, Carla McKague, Jim Moore, Bob Morgan, David Oaks, Una Parker, Marc Rufer, Sherri Schultz, Eileen Walkenstein, Ann Weinstock, Don Weitz, and Rich Winkel. INTRODUCTION: THE ESSENTIALS I. THE CONTROVERSY Electroshock (also known as shock therapy, electroconvulsive treatment, convulsive therapy, ECT, EST, and ECS) is a psychiatric procedure involving the induction of a grand mal seizure, or convulsion, by passing electricity through the brain. -
Vinyls-Collection.Com Page 1/64 - Total : 2469 Vinyls Au 23/09/2021 Collection "Pop/Rock International" De Lolivejazz
Collection "Pop/Rock international" de lolivejazz Artiste Titre Format Ref Pays de pressage 220 Volt Mind Over Muscle LP 26254 Pays-Bas 50 Cent Power Of The Dollar Maxi 33T 44 79479 Etats Unis Amerique A-ha The Singles 1984-2004 LP Inconnu Aardvark Aardvark LP SDN 17 Royaume-Uni Ac/dc T.n.t. LP APLPA. 016 Australie Ac/dc Rock Or Bust LP 88875 03484 1 EU Ac/dc Let There Be Rock LP ALT 50366 Allemagne Ac/dc If You Want Blood You've Got I...LP ATL 50532 Allemagne Ac/dc Highway To Hell LP ATL 50628 Allemagne Ac/dc High Voltage LP ATL 50257 Allemagne Ac/dc High Voltage LP 50257 France Ac/dc For Those About To Rock We Sal...LP ATL 50851 Allemagne Ac/dc Fly On The Wall LP 781 263-1 Allemagne Ac/dc Flick Of The Switch LP 78-0100-1 Allemagne Ac/dc Dirty Deeds Done Dirt Cheap LP ATL 50 323 Allemagne Ac/dc Blow Up Your Video LP Inconnu Ac/dc Back In Black LP ALT 50735 Allemagne Accept Restless & Wild LP 810987-1 France Accept Metal Heart LP 825 393-1 France Accept Balls To The Walls LP 815 731-1 France Adam And The Ants Kings Of The Wild Frontier LP 84549 Pays-Bas Adam Ant Friend Or Foe LP 25040 Pays-Bas Adams Bryan Into The Fire LP 393907-1 Inconnu Adams Bryan Cuts Like A Knife LP 394 919-1 Allemagne Aerosmith Rocks LP 81379 Pays-Bas Aerosmith Live ! Bootleg 2LP 88325 Pays-Bas Aerosmith Get Your Wings LP S 80015 Pays-Bas Aerosmith Classics Live! LP 26901 Pays-Bas Aerosmith Aerosmith's Greatest Hits LP 84704 Pays-Bas Afrika Bambaataa & Soulsonic F.. -
WEDDING RECEPTION RECOMMENDATION MUSIC BRIDAL PARTY INTRODUCTIONS You Shook Me All Night Long – AC/DC Space Age Love Song S
WEDDING RECEPTION RECOMMENDATION MUSIC BRIDAL PARTY INTRODUCTIONS You Shook Me All Night Long – AC/DC I’m A Believer – The Monkees Space Age Love Song – A Flock Of Seagulls L.O.V.E – Nat King Cole Sirius (Chicago Bulls Theme) – Alan Parsons The Godfather Theme -- Nougat Project No One (Instrumental) – Alicia Keys Across The Field – Ohio State University Bandstand Boogie – Barry Manilow Two Hearts – Phill Collins All You Need Is Love – The Beatles Get The Party Started – Pink Crazy In Love – Beyonce You’re My Best Friend – Queen I Gotta Feeling – Black Eyed Peas Another One Bites The Dust – Queen Let’s Get It Started – Black Eyed Peas Soul Bossa Nova (Austin Powers Theme) – Boom Boom Pow – Black Eyed Peas Quincy Jones Carmina Burana, It’s The End Of The World As We Know It (And O Fortuna – Boston Symphony Orchestra I Feel Fine) – R.E.M Get Ready To Bounce – Brooklyn Bounce The Cup Of Life – Ricky Martin Clocks – Coldplay Viva La Vida Living La Vida Loca (Instrumental) – Ricky (Instrumental) – Coldplay Martin One More Time – Daft Punk She Bangs – (Instrumental) – Ricky Martin Two Step – Dave Matthew Band Umbrella - Rihanna Groove Is In The Heart – Dee Lite Misirlou – Salsa Rosso (Pulp Fiction Chapel Of Love – Dixie Cups Boogie Soundtrack) Wonderland – Earth, Wind, & Fire From This Moment – Shania Twain Circle Of Life – Elton John Party Like A Rock Star (Clean) – Shop Boyz Unbelievable -- EMF We Are Family – Sister At Last – Etta James Sledge 2001: A Space Odyssey – Slovak The Final Countdown -- Europe Philharmonic Orchestra Welcome To The -
Roots and Branches Handout SESSIONS Revnov20
THE LIVING, BREATHING ART OF MUSIC HISTORY: THE ROOTS AND BRANCHES COURTESY OF WWW.THESESSIONS.ORG COUNTRY: THE ROOTS: The Carter Family/Roy Acuff/Kitty Wells/Hank Williams/Bob Wills & His Texas Playboys BRANCHES: Men: Johnny Cash/George Jones/Waylon Jennings/Conway Twitty/Charlie Pride/The Everly Brothers (see also Rock n’ Roll) WOMEN: Patsy Cline/Loretta Lynn/June Carter/Tammy Wynette/ Dolly Parton INFLUENCED: Jack White, Zac Brown TRIBUTARY: BLUEGRASS : Bill Monroe/Ralph & Carter Stanley/Ricky Scaggs/Allison Krauss TRIBUTARY: COUNTRY ROCK: The Byrds (“Sweetheart Of The Rodeo”)/Poco/early Eagles/Graham Parsons/Emmylou Harris THE BLUES: THE ROOTS (Men): (Delta) Robert Johnson /Son House /Charlie Patton/Mississippi John Hurt/WC Handy/Lonnie Johnson (Chicago) Muddy Waters/Howlin’ Wolf/Little Walter /Buddy Guy/Otis Rush/Elmore James/Jimmy Reed - (Detroit) John Lee Hooker - (Mississippi) BB King/Albert King - (Texas) Freddie King BRANCHES: Stevie Ray Vaughn/Jimi Hendrix/Led Zepplin/ The Fabulous Thunderbirds/Cream/Eric Clapton/early Fleetwood Mac/Allman Brothers/Santana/Paul Butterfield Blues Band MODERN: Robert Cray/Joe Bonamassa/ Warren Haynes/Keb Mo TRIBUTARY- TRANCE BLUES-Oxford MS -Black Possum Records—RL Burnside, Junior Kimbrough (The Black Keys are their disciples) THE BLUES: THE ROOTS (Women): Ma Rainey/Bessie Smith/Sister Rosetta Tharpe (see also “Rock and Roll”) Memphis Minnie (influenced Led Zepplin) BRANCHES (including Jazz) : Billie Holiday/ Dinah Washington/Peggy Lee/Lena Horne/Janis Joplin/Paul Butterfield Blues Band/Michael -
WDAM Radio's History of the Animals
Listener’s Guide To “WDAM Radio’s History Of James Bond” You have security clearance to enjoy “WDAM Radio’s History Of James Bond.” Classified – until now, this is the most comprehensive top secret dossier of ditties from James Bond television and film productions ever assembled. WDAM Radio’s undercover record researchers have uncovered all the opening title themes, as well as “secondary songs” and various end title themes worth having. Our secret musicology agents also have gathered intelligence on virtually every known and verifiable* song that was submitted to and rejected by the various James Bond movie producers as proposed theme music. All of us at the station hope you will enjoy this musical license to thrill.** Rock on. Radio Dave *There is a significant amount of dubious data on Wikipedia and YouTube with respect to songs that were proposed, but not accepted, for various James Bond films. Using proprietary alga rhythms (a/k/a Radio Dave’s memory and WDAM Radio’s Groove Yard archives), as well as identifying obvious inconsistencies on several postings purporting to present such claims, we have revoked the license of such songs to be included in this collection. (For instance, two sites claim Elvis Presley songs that were included in two of his movies were originally proposed to the James Bond producers – not true.) **Watch for updates to this dossier as future James Bond films are issued, as well as additional “rejected songs” to existing films are identified and obtained via our ongoing overt and covert musicology surveillance activities. WDAM Radio's History Of James Bond # Film/Title (+ Year) Artist & (Composer) James Bond Chart Comments Position/ Year* 01 Casino Royale (1954) Barry Nelson 1954 Episode of Climax! Mystery Theater broadcast live on 10/21/1954 starring Barry Nelson.