Mustang Band Wind Orchestra Wind Ensemble

Nov. 23, 2013 Saturday at 8 p.m. Performing Arts Center

Sponsored by Cal Poly’s College of Liberal Arts, Music Department, and Instructionally Related Activities program. Program

WIND ORCHESTRA Folk Dances ...... Dmitri Shostakovich (1906-1975) Christopher J. Woodruff Edited by H. Robert Reynolds conductor Lux Aurumque...... Eric Whitacre (b. 1970)

Scenes from ‘The Louvre’...... Norman Dello Joio (1913-2008) I. The Portals II. Children’s Gallery III. The Kings of France IV. The Nativity Paintings V. Finale

Paper Cut...... Alex Shapiro (b. 1962)

WIND ENSEMBLE Bum’s Rush...... Donald Grantham (b. 1947) Andrew McMahan conductor Aurora Awakes...... John Mackey (b. 1973)

With Heart and Voice...... David Gillingham (b. 1947)

— intermission —

MUSTANG BAND Mike Moreno Theme from ‘Shaft’...... Isaac Hayes (1942-2008), Arr. Larry Kerchner announcer Legend of the One-Eyed Sailor...... Chuck Mangione (b. 1940), Arr. Paul Lavender

Malagueña ...... Ernesto Lecuona (1895-1963), Arr. Jay Bocook

Attitude Dance...... Emilio Castillo (b. 1950) and Stephen Kupka (b. 1946), Arr. Bocook

What is Hip?...... David Garibaldi (b. 1946), Castillo, and Kupka, Arr. Lavender

Hip Replacement (Drumline Feature)...... Scott Charvet (b. 1988) and Matthew Rice (b. 1992)

The Impression That I Get.....Richard Barrett (b. 1959) and Joseph Gittleman (b. 1968), Arr. Michael Sweeney

Stars and Stripes Forever...... John Philip Sousa (1854-1932)

Yea Poly!...... Harold P. Davidson (1908-1977), Arr. John Higgins

All Hail, Green and Gold...... Davidson

Ride High, You Mustangs...... Davidson, Arr. Eric Schmidt

COMBINED ENSEMBLES Andrew McMahan Music from Movies of the 21st Century...... Michael Giacchino (b. 1967), Paul Epworth (b. 1974) Howard Shore (b. 1946), and Hans Zimmer (b. 1957) conductor

Mustang Band cover photo courtesy of Ian Billings. Program notes Folk Songs This popular wind band work by the Soviet-era composer Dmitri the trumpets. We clearly hear the bartender seeking out, discovering Shostakovich was originally composed in 1943 as the third movement, and then tussling with the offender as we reach the conclusion, with the “Dance of Youth,” of My Beloved Country, Op. 63. It was first arranged bum hitting the street with the effect of the last note accentuated by a for Russian bands by Mark Vakhutinskii in 1970 and edited for American big bass drum hit. bands by H. Robert Reynolds nine years later. Aurora Awakes Lux Aurumque Aurora now had left her saffron bed, Commissioned by the Texas Music Educators Association for their 2005 And beams of early light the heav’ns o’erspread, All-State Band, Lux Aurumque is a lush and poignant adaptation of one When, from a tow’r, the queen, with wakeful eyes, of Eric Whitacre’s most popular choral works. Simple triads melt from Saw day point upward from the rosy skies. one chord to the next, creating a slowly evolving wash of aural color. For - Virgil, The Aeneid, Book IV, Lines 584-587 his chorale setting, Whitacre had the original poem by Edward Esch (b. 1970) translated into Latin by Charles Anthony Silvestri. Here is Esch’s Aurora, the Roman goddess of the dawn, is a mythological figure original poem: frequently associated with beauty and light. Also known as Eos (her Greek analogue), Aurora would rise each morning and stream across Light, the sky, heralding the coming of her brother Sol, the sun. Though she is warm and heavy as pure gold herself among the lesser deities of Roman and Greek mythologies, her and the angels sing softly cultural influence has persevered, most notably in the naming of the to the new-born baby. vibrant flashes of light that occur in Arctic and Antarctic regions — the Aurora Borealis and Aurora Australis. Scenes from “The Louvre” John Mackey’s Aurora Awakes is, thus, a piece about the heralding Norman Dello Joio was a regular composer and conductor for NBC of the coming of light. Built in two substantial sections, the piece moves studios in the 1950s and 60s. He received the Emmy Award for best over the course of eleven minutes from a place of remarkable stillness to music written for the 1964-65 television season for his work on the an unbridled explosion of energy: from darkness to light, placid grey to documentary “A Golden Prison: The Louvre.” The special related the startling rainbows of color. The work is almost entirely in the key of E-flat history of the palace’s construction and its evolution from the 12th to major (a choice made to create a unique effect at the work’s conclusion, the 20th centuries. Each musical cue was drawn from a stylistic period as mentioned below), although it journeys through G-flat and F as the appropriate to each stage of the museum’s construction. His own setting work progresses. Despite the harmonic shifts, however, the piece always for concert wind band performance was commissioned in 1966 by the maintains a — pun intended — bright optimism. symphonic band at Baldwin-Wallace College. Though Mackey is known to use stylistic imitation, it is less common for him to utilize outright quotation. As such, the presence of two more- or-less direct quotations of other musical compositions is particularly Paper Cut noteworthy in Aurora Awakes. The first, which appears at the beginning Alex Shapiro composes acoustic and electroacoustic pieces known for of the second section, is an ostinato based on the familiar guitar their lyricism and drama. Educated at The Juilliard School and Manhattan introduction to U2’s “Where The Streets Have No Name.” Though the School of Music as a student of Ursula Mamlok and John Corigliano, strains of The Edge’s guitar have been metamorphosed into the insistent Shapiro’s honors and awards include those from The American Music repetitions of keyboard percussion, the aesthetic is similar — a distant Center, ASCAP, the American Composers Forum, Mu Phi Epsilon, Meet proclamation that grows steadily in fervor. The difference between U2’s the Composer, The California Arts Council, and The MacDowell Colony. presentation and Mackey’s, however, is that the guitar riff disappears for An enthusiastic leader in the new music community, Shapiro is a strong the majority of the song, while in Aurora Awakes, the motive persists for advocate for other artists through her speaking appearances, published nearly the entirety of the remainder of the piece. articles and volunteerism. She says this of Paper Cut: The other quotation is a sly reference to Gustav Holst’s First Music isn’t just melody, it’s rhythm and texture as well. The Suite in E-flat for Military Band. The brilliant E-flat chord that closes unusual element of paper and the myriad sounds that can the Chaconne of that work is orchestrated (nearly) identically as the emerge from something so simple, offer a fresh view of what final sonority of Aurora Awakes — producing an unmistakably vibrant music-making can be and opens everyone’s ears to the sonic timbre that won’t be missed by aficionados of the repertoire. This same possibilities found among everyday objects. effect was, somewhat ironically, suggested by Mackey for the ending of composer Jonathan Newman’s My Hands Are a City. Mackey adds an Bum’s Rush even brighter element, however, by including instruments not in Holst’s The term “bum’s rush” dates back to the 1940s, and it literally means to original: “That has always been one of my favorite chords because it’s forcibly eject a person — usually from a night club or tavern. In context, just so bright. In a piece that’s about the awaking of the goddess of it often referred to a person of somewhat dubious character, as in “He’s dawn, you need a damn bright ending — and there was no topping nothing but a bum’s rush.” Grantham selected the intriguing title for this Holst. Well … except to add crotales.” piece to match the music, which creates a dark, menacing and morally ambivalent atmosphere, the kind likely to attract a bum’s rush. With Heart and Voice Bum’s Rush opens with a mysterious tone, featuring an alto With Heart and Voice was commissioned by Apple Valley High School saxophone solo with the low reeds giving us a jazzy underbelly to (Apple Valley, Minn.) to commemorate the 25-year anniversary of the allow us to “feel the swing” of patrons walking into a tavern, followed school. Thematically, the work is based on the school’s alma mater, an by a more relaxed portion where the patrons are peaceably enjoying old Spanish hymn which has made its way into most church hymnals their libation of choice. As in all places where alcohol and loose law under the name of “Come, Christians, Join to Sing.” Christian Bateman enforcement were present, the music depicts the growing crowd and wrote the words for the hymn in 1843 from which the title of this work is bustle of the establishment. We can hear the piano of the tavern player found: “Let all, with heart and voice, before his throne rejoice.” as well as the some of the raucous behavior of the patrons displayed by Directors

Andrew McMahan, Director of Bands Christopher J. Woodruff, Associate Director of Bands

Andrew McMahan joined the Christopher Woodruff joined faculty as an assistant professor the faculty at Cal Poly, San Luis and director of bands in the fall Obispo, as associate director of 2010. He teaches courses in of bands in the fall of 2006. In music theory and conducting, as addition to his responsibilities well as instrumental literature with the Wind Orchestra and and rehearsal techniques. Mustang Band, he teaches Dr. McMahan also serves as courses in music theory and administrator, artistic director music appreciation. As instructor and conductor for all ensembles of trumpet he also coaches under the purview of the Cal Poly the Cal Poly Brass Choir and Band Program. teaches methods courses in brass pedagogy. Prior to his appointment at Cal Poly, McMahan served as the Woodruff earned a bachelor’s coordinator of instrumental studies at California State University degree in music education at Louisiana State University and taught Stanislaus. At CSU Stanislaus he directed the Wind Ensemble, and high school band for several years in Florida. He continued studies taught courses in conducting, brass pedagogy, and instrumental in conducting at Northwestern University, where he received the literature. Although in this position for only two years, McMahan Eckstein Band Conducting Grant and completed a master’s degree organized two successful band/orchestra festivals, assisted with in music. While in Chicago, he served as music director of the Spring promoting the school through community outreach and high school Valley Concert Band and was a guest conductor for the Northshore student recruitment, and took the Wind Ensemble on a 10-day Concert Band and the Northshore Chamber Orchestra. performance tour of Germany, Austria and Switzerland. Prior to his arrival on the Central Coast, he served as director of Before moving to California, McMahan spent time at the University symphonic and marching bands at University of Northern Iowa and of Minnesota both as a teacher and as a doctoral student. While director of bands at Lycoming College in Pennsylvania. His guest there, he was the director and principal conductor of the university’s conducting appearances have included concerts with the Penn Campus Orchestra, and was a frequent guest conductor with the Central Wind Band, Williamsport Symphony chamber players as well Wind Ensemble, Symphonic and University Bands. He also became as the Northshore Concert Band and Northshore Chamber Orchestra, well known as the announcer and master of ceremonies for the both in Chicago. As a trumpet player, he has played with the Baton 320 member strong “Pride of Minnesota” Marching Band. Before Rouge Symphony, Billtown Brass Band and Williamsport Symphony arriving in Minneapolis, McMahan spent four years as the director Orchestra. of instrumental studies, studio trumpet teacher, and instructor of secondary music education at Simpson College, a liberal arts He maintains a full schedule of guest conducting and coaching, institution outside of Des Moines, Iowa. He also served as the working with school bands and honor bands in Iowa, Pennsylvania, executive director and founder of the Simpson College Big Band Jazz and California. He has presented courses on conducting, rehearsal Camp, a week-long festival of jazz studies held each June. methods and brass pedagogy. His most recent appearances include serving as guest conductor for the Merced Mariposa Counties Honor A native of North Carolina, McMahan earned his Bachelor of Science Band Association and for the Western Band Association near Palo in Music Education degree from Western Carolina University, Master Alto, Calif. As a performer, he regularly guest conducts the San Luis of Music degree from the University of Wisconsin-Milwaukee, and Obispo Wind Orchestra and is a founding member of the Pacific Coast Doctor of Musical Arts degree from the University of Minnesota. His Brass Ensemble. He has performed solo works for trumpet with the previous teaching experience includes three years as a high school Symphony of the Vines, San Luis Obispo Wind Orchestra and the San music teacher in both parochial and public high schools in the metro Luis Obispo Chamber Orchestra. Milwaukee, Wis., area. Woodruff holds professional memberships with the Music Educators McMahan maintains professional memberships with the College Band National Conference, California Band Directors Association, College Directors National Association, California Band Directors Association, Music Educators Association, World Association of Symphonic Bands and the World Association of Symphonic Bands and Ensembles. He is and Ensembles, and the International Trumpet Guild. He is also also an honorary member, advisor and chapter co-sponsor of the Iota a member of Phi Mu Alpha Sinfonia, and Pi Kappa Lambda and is Pi chapter of Kappa Kappa Psi. chapter co-sponsor of the Iota Pi chapter of Kappa Kappa Psi. mustang band staff assistant Len Kawamoto, Assistant Director, Mustang Band Scott Charvet, Staff Assistant, Mustang Band

Len Kawamoto has been serving Scott Charvet is from Gilroy, Calif. as the assistant director of the He is an alumnus of Cal Poly and the Mustang Band since the fall of Mustang Band. He holds a Bachelor 1998. Born in New Hyde Park, of Arts degree in music and has N.Y., and raised in Torrance, Calif., had the privilege of performing he is an alumnus of Cal Poly and with several ensembles at Cal the Mustang Band. As a student, Poly and in the San Luis Obispo Kawamoto studied computer area, including Cal Poly’s Wind science while playing horn in the Ensemble, Symphony, Marching Mustang Band, Wind Orchestra, Band, Percussion Ensemble; plus and the Chamber Orchestra. the San Luis Obispo Wind Orchestra. In addition, he participated in Charvet was also a member of the musical organizations such as the Santa Clara Vanguard Cadets Drum SLO County Band, SLO Chamber and Bugle Corps from 2008-10 and Orchestra and the Sacramento Vanguard Winter Percussion in 2011, Freelancers Drum and Bugle Corps. His student leadership positions having earned gold medals from DCI in 2008 and WGI in 2011. He was included equipment manager, executive officer, and Mustang Band also a member of the 2012 Vanguard Winter Percussion instructional president. Kawamoto is also a founding father of the Iota Pi chapter staff as a front ensemble technician. In addition to performing at of Kappa Kappa Psi National Honorary Band Fraternity. Cal Poly, he held several student leadership positions in the Music Department, including Mustang Band librarian from 2007-11, After earning his Bachelor of Science degree in computer science, symphony president from 2009-10, and Wind Ensemble promotions Kawamoto accepted his current position as assistant director for the manager from 2010-11. Mustang Band. Kawamoto is a member of the College Band Directors National Association, the International Horn Society, and the IEEE Currently, Charvet is enjoying his third year as staff assistant for Computer Society. He also performs regularly with the San Luis the Mustang Band, and second year as head percussion instructor. Obispo Wind Orchestra, Core-tete, and Pacific Coast Brass Ensemble. While coaching the drum line, he also provides input on field show He has previously performed with the Cuesta Wind Ensemble, the design, drill instruction, and writes custom percussion arrangements San Francisco Renegades Senior Drum and Bugle Corps, and the for show music, helping Assistant Director Len Kawamoto with any Renegades Mini-Corps. administrative duties along the way. When not working with the Mustang Band, Charvet is the front ensemble technician and music In addition to his responsibilities with the Mustang Band, Kawamoto arranger for the Arroyo Grande High School Marching Band and maintains his professional alter ego as a software engineer for a local Winter Percussion Ensemble. engineering company.

Mike Moreno, ‘The Voice’ of the Mustang Band

Born in Santa Barbara, Mike Moreno has been involved in Central Coast radio since 1988, first with the iconic K-OTTER 94.9. Moreno now holds the evening shift at Q104.5. Moreno has been the play-by-play voice of Arroyo Grande High School Football and is currently the play- by-play voice of Paso Robles High School Bearcat Football. Moreno has served as Cal Poly’s public address announcer since 1996. Wind Orchestra

Piccolo Bass Clarinet Trombone ΚΚΨ Nicole Cooper, Danville, ME Brian Jones, Betheseda, MD, MATH Rebecca McKinley, Sunnyvale, CPE Nicole Slagle, Poway, ME Ellen Fabini, El Cerrito, ART Jennifer Campbell, Gurnee, IL, CE Ian Bewley, Bakersfield, MU Flute Alto Saxophone ΚΚΨ Max Fishman, Grass Valley, ECON Hope Mergerdichian, Fresno, BIO Gabriella Vakili, Burlingame, MU Emily Woo, Fremont, CSC ΚΚΨ Nicole Cooper, Danville, ME Leo Bañuelos, Lancaster, BMED Brian Kung, Torrance, CPE Allison Nai, Walnut Creek, BIO Randy Sterbentz, Henderson, NV, PHYS Alyse Fisse, San Francisco, BIO Nicole Slagle, Poway, ME ΚΚΨ Aidan Thurling, Simi Valley, BIO Erik Albrecht, Yuba City, FSN Christina Boeryd, Rancho Santa Margarita, IE Bailee DeCair, Van Nuys, CD Tenor Saxophone Bass Trombone Ron Yorita, Monterey, CSC Ethan Cantrell, Bakersfield, MU ΚΚΨ Chris Emmet, Camas, WA, BIO Karina Reynolds, Highlands Ranch, CO, CHEM Emma Gracyk, Granite Bay, ARCH Michelle Johnson, Palo Cedro, FDSC Baritone Saxophone Deborah Newberry, Antelope, CSC ΚΚΨ Roxanne Windover, Castaic, MATH Euphonium Christopher Schutter, San Juan Capistrano, EE Kyle Young, Napa, ASCI Dennis Wong, Alhambra, CSC Trefor Szabo, Berkeley, EE Jordan Dosker, Vacaville, ASCI Horn ΚΚΨ Kenneth Alcazar, Baldwin Park, ARCE Oboe Nina Levine, Millbrae, CE James Tillman, Rancho Santa Margarita, MATE Kyle Boucher, Concord, PHYS Tuba Karolina Dohnalkova, Richland, ARCH Julia Stone, San Diego ME Christopher Ng, El Monte, EE Liam Campbell, Woodland, CE Erin Beane, Cameron Park, CSC Sandy Babich, Thousand Oaks, MATE Sara Mason, Paso Robles, CE Stephen Marshall, Los Angeles, ME Bassoon ΚΚΨ Andrew Parker, Salinas, PHYS Madeleine Bordofsky, Santa Barbara, LS Trumpet Douglas Bretney, Chico, ENGL ΚΚΨ Bryan Rodriguez, Sunnyvale, ME Percussion ΚΚΨ Nigel Pell, Auburn, MATH Ian Washburne, Lake Oswego, OR, CSC E-flat Clarinet David Ritter, St. Louis, MO, EE Michael Schuster, Woodland Hills, ME ΚΚΨ Ryan Tait, Fountain Valley, MLL ΚΚΨ Kate Vanderslice, Sacramento, BIO Daniel Diaz, Oxnard, MU ΚΚΨ Scott Warnert, Clovis, MATH Matthew Teare, Encinitas, AERO Clarinet Drew Gallatin, San Jose, MATH ΚΚΨ Morgan Johnson, Bow, NH, PSY Travis Low, El Dorado Hills, CE ΚΚΨ Enoch Tsui, Arcadia, BMED ΚΚΨ Nicole Liu, Goleta, FNR Serena Brown, San Jose, COMS Jared Olson, Bakersfield, CE ΚΚΨ Eric Mitchell, Hollister, PHYS ΚΚΨ Jordan Adams, Pasadena, PHYS Electric Bass Austin Johnson, Agoura Hills, MU Tim Latuno, Valencia, CPE ΚΚΨ Andrew Parker, Salinas, PHYS Denzel Ayala, Arleta, CHEM Gavin Scott, Goleta, SE ΚΚΨ Michelle Crispen, Placentia, SE Brandon Hayes, Cupertino, BIO Kayla Pedrani, Clayton, FNR Max Rosenberg, Seattle, WA, AERO Hannah Lancaster, Orange, CE Nicole Pifer, La Verne, KINE Cyrus Oliver, Portland, OR, BMED Wind ensemble

Piccolo Bass Clarinet Trombone Emily O’Hanlon, San Ramon, LAES Justin Satnick, San Diego, ME ΚΚΨ Alex Jacobius, Santa Monica, CRP/MU ◆ John Osumi, San Luis Obispo Paul Gilles, Menlo Park, AERO Flute Eric Magill, Harwinton, CT, BMED Doug Gallatin, San Jose, CSC Contra Bass Clarinet ΚΚΨ Patrick Fedigan, Benicia, SE Kelsey Beisecker, Santa Barbara, ECON Stacey Fishman, Glastonbury, CT, BMED Christy Jardetzky, Los Gatos, ASCI Shawna Sherwood, Tacoma, WA, AERO Emily O’Hanlon, San Ramon, LAES Bass Trombone Amy Hypnarowski, Valley Center, ASCI Alto Saxophone ΚΚΨ Rose Doylemason, Pleasanton, MU Araceli Yepez-Acosta, Ventura, BIO ΚΚΨ Daniel Henry, Goleta, AERO Andy Adams, Poway, CPE ΚΚΨ Chloe Cruz, Daly City, POLS Euphonium ΚΚΨ Maggie Maratsos, Fallbrook, MAGD Ryan Walker, Clovis, CM Tenor Saxophone Max Bendick, Orange, CPE Oboe ΚΚΨ Nikole Knak, Redding, GRC Kelsey Morton, Ventura, PSY Tuba Allison Wagner, Davis, BIO Baritone Saxophone Leah Anderson, Chula Vista, MU Laura Borovilos, Grand Junction, FDSC ΚΚΨ Michael Czabaranek, Pleasant Hill, ME ΚΚΨ Aaron Gragg, San Diego, CPE ΚΚΨ Aaron Jacobs, Escondido, CSC Bassoon Horn Eric Belfield, Irvine, AERO Andrew Arensman, Castaic, MU String Bass Emelia Banninger, Santa Clarita, MU Steven Warnert, Clovis, ME Daniel Stone, Irvine, ARCE Daniel Estes, Pasadena, ECON Clarinet Stuart Slavin, Sacramento, PHYS Percussion Jason Lu, Mountain View, LAES Lawrence Downs, Granite Bay, ENVE Ryan Waczek, San Diego, MU Troy Kawahara, Corona, CE +Garrett Klunk, Virginia Beach, VA, AERO ΚΚΨ Karissa Finn, Pleasanton, IE Trumpet +ΚΚΨLuis Manjarrez, Santa Barbara, EE Jimmy Winne, Roseville, ME Dylan Weddle, Turlock, MU Taylor Hutchinson, Rosemount, MN, CPE Taylor Bateman, Bakersfield, ME Anthony Pultz, Scripps Ranch, MU Baheej Saoud, West Hills, AERO Hannah Giorgi, Santa Barbara, GRC ΚΚΨ Kaylinn Roseman, Long Beach, CE Michael Schuster, Woodland Hills, ME Kendyl Cohn, Upland, GENE ΚΚΨ Liliana Moore, Davis, PSY ΚΚΨ Morgan Johnson, Bow, NH, PSY Andrew Sorensen, San Diego, CPE Kenneth Schmutz, Atascadero, EE Rachel Smith, Danville, BMED Katie Love, Los Altos, ENVM Piano Amy Poehlitz, Sherwood, ARCE Garrett Gudgel, Lemoore, ME Alessandra Shanus, Burlingame, MU Shelby Orland, West Hills, ASCI Andreas Apitz, Yorba Linda, EE ◆ Jeffrey Brown, San Luis Obispo Mustang Band

Piccolo Clarinet Trumpet ΚΚΨ Nicole Cooper, Danville, ME ΚΚΨ Ryan Tait, Fountain Valley, MLL ΚΚΨ Jordan Adams, Pasadena, PHYS Emily O’Hanlon, San Ramon, LAES Catie Witthans, Bakersfield, ASCI Andreas Apitz, Yorba Linda, EE Michelle Johnson, Palo Cedro, FDSC Jennifer Batryn, Sunnyvale, ME •Alessandra Shanus, Burlingame, MU Alto Saxophone Duc Dao, Oxnard, CSC Amy Hypnarowski, Valley Center, ASCI Leo Banuelos, Lancaster, BMED Cory Davis, Renton, WA, ME Nicole Slagle, Poway, ME ΚΚΨ Brooke Bradshaw, Holtville, AGB Kurt Ebert, Thousand Oaks, ME Evan Cooper, Torrance, EE Daniel Elting, Belmont, BIO Flute Cara Fischer, Los Angeles, BUS Melisa Esquivias, San Bruno, IE Andy Adams, Poway, CPE •ΚΚΨ Daniel Henry, Goleta, AERO Burlie Fisher, Pine Grove, MATH Emelia Banninger, Valencia, MU Ariana Jensen, Auburn, BIO Justin Fukada, San Mateo, AERO •Jenna Becker, Goleta, ME Ashley Kim, Irvine, CE Isaac Good, Oakland, SE Mattea Cavagnaro, Seattle, WA, GENE •ΚΚΨ Nikole Knak, Redding, GRC Corina Harvey, Truckee, AERO Molly Coyne, San Jose, BIO Carl LaRiccia, Columbus, Ohio, BIO Benjamin Hull, San Diego, WVIT Ryleigh Lorimer, Peterborough, NH, ENVE Zak Lazar, Issaquah, WA, ME Rebecca Idoine, Anaheim, BCHM Christina Monji, San Diego, CD Spencer Lewson, Huntington Beach, CSC Timothy Lee, Valencia, ME Deborah Newberry, Antelope, CSC Nicholas Loey, Danville, ME Jacob Maddox, Hemet, BUS Alyson Telford, Orange, BMED Cory Mayer, Eugene, OR, EE Bruce Mitchener, Brentwood, MATH Rianna Uppal, Santa Rosa, PHYS Nicholas Palmer, Hilo, HI, EE Jared Olson, Bakersfield, CE Conor Whatley, Orinda, CSC Michael Rouse, Lodi, MATE Stephen Oltrogge, Colorado Springs, ME Cassidy Williams, Wasilla, AK, ENVM Allen Scozzari, Fresno, EE ΚΚΨ Chris Opperwall, Pleasanton, CSC ΚΚΨ Aidan Thurling, Simi Valley, BIO Alex Peelle, Mercer Island, WA, ME Clarinet Kayla White, Riverside, KINE ΚΚΨ Nigel Pell, Auburn, MATH •ΚΚΨ Samantha Andres, Rancho Santa Margarita, MATH Andrew Pimentel, Shafter, ME Kim Arre, Bakersfield, CPE Tenor Saxophone Justin Postigo, Hollister, CSC Alex Bartlett, San Diego, CPE Allen Bailey, Atascadero, EE • Anthony Pultz, San Diego, MU Audrey Bruscia, Newport Beach, EE Isaac Becker, San Diego, ME Jordan Rabold, Sammamish, WA, AERO ΚΚΨ Shelli Crispen, Placentia, SE Edward Bicknell, Seal Beach, MATE Nick Ramos, Newbury Park, CSC ΚΚΨ Karissa Finn, Pleasanton, IE •ΚΚΨ Chloe Cruz, Daly City, POLS Jason Reiter, Camas, WA, AERO Elani Goodhart, Atwater, ASCI •ΚΚΨ Michael Czabaranek, Pleasant Hill, ME ΚΚΨ Bryan Rodriguez, Sunnyvale, ME Nicholas Hardy, Huntington Beach, FNR Matthew Dockery, Los Altos, ENGL Jeff Rollins, Paso Robles, BUS Lauren Hennefarth, Portola Valley, BCHM Jacob Hardi, Camarillo, SE •ΚΚΨ Kaylinn Roseman, Long Beach, CE Travis Low, El Dorado Hills, CE Harrison King, Merced Island, WA, AERO Christian Sanchez, Milpitas, BUS Brittany Marnin, Omaha, NE, ASCI Sean O’Neill, Pleasanton, POLS Kenny Schmutz, Atascadero, EE Tyler Mau, Yorba Linda, CPE Tad Steiner, Walnut Creek, CE Cameron Thibodeaux, Sherman Oaks, CPE •ΚΚΨ Eric Mitchell, Hollister, PHYS Kevin Troutt, Irvine, BUS Stacey Olson, Rescue, ANG Horn ΚΚΨ Enoch Tsui, Arcadia, BMED Kayla Pedrani, Clayton, FNR Ryan Caldera, Irvine, CE Erik Wolken, Seattle, WA, BMED Amy Poehlitz, Scholls, OR, ARCE Jair Herrera, Santa Barbara, EE David Xenakis, Pleasanton, CSC Adrian Quezada, Oxnard, BCHM Mary Iwai, Mountain View, ENGL Daniel Yao, Thousand Oaks, SE Max Rosenberg, Seattle, WA, AERO • Matthew Nestle, San Jose, POLS Andrew Sorensen, San Diego, CPE Justin Satnick, San Diego, ME Theresa Stewart, Santa Monica, MATE Julia Stone, San Diego, ME Paul Sullivan, Mukilteo, WA, CPE ΚΚΨ Kate Vanderslice, Sacramento, BIO Trombone Sousaphone Guard Brent Astrosky, Santa Maria, IE Juan Arambula, Irvine, EE Brynn Castle, Sunnyvale, GRC ΚΚΨ Nicole Bergelin, San Diego, AEPS Sandy Babich, Thousand Oaks, MATE ◆ Alicia Clark, Atascadero Ian Bewley, Bakersfield, MU Kevin Carstens, Rocklin, CE Samantha Clements, Red Bluff, CE Hannah Carpenter, San Marcos, LS ΚΚΨ Clincy Cheung, Arcadia, MATE Jazmine David, Camarillo, BIO ΚΚΨ Rose Doylemason, Pleasanton, MU Cary Dobeck, Santa Monica, CPE • Katie Keim, Mountain View, SE ΚΚΨ Max Fishman, Grass Valley, ECON Lawrence Downs, Granite Bay, ENVE Lizz Kolokowsky, San Diego, CPE Elliot Fiske, Campbell, CSC ΚΚΨ Chris Emmet, Camas, WA, BIO Francisco León, San Gabriel, EE Alyse Fisse, San Francisco, BIO •ΚΚΨ Aaron Gragg, San Diego, CPE • Emily Lopez, Sacramento, EE •ΚΚΨ Ryan Flatland, San Mateo, ME ΚΚΨ Aaron Jacobs, Escondido, CSC Ashlyn Reth, Sunnyvale, CD Joel Garrison, Redding, CE Stephen Marshall, Los Angeles, ME Kristy Sanchez, Mission Viejo, ARCE Matthew Gunther, Redding, AERO Zachary Phillips, Henderson, ME Jill Thetford, Cathedral City, CPE Mark Heisinger, Tahoe City, CE Michael Schuster, Woodland Hills, ME Nathaniel Homan, Glendale, ENVE Alison Wendt, Santa Barbara, BMED Feature Twirler Garrett Jordan, Auburn, FNR Christian Young, Orange, ME Ashley Long, Escondido, FSN Brian Kung, Torrance, CPE Tasha Taylor, Hesperia, ASCI ΚΚΨ Max Linsenbard, San Diego, CSC Drumline Samuel Macy, Pleasant Hill, MATE ΚΚΨ Scott Anderson, Napa, AGSC Drum Major Rebecca McKinley, Sunnyvale, CPE ΚΚΨ Christopher Barth, Stockton, EE ΚΚΨ• Andrew Parker, Salinas, PHYS Kate Miles, Tehachapi, PHYS TJ Bordoshuk, Naperville, IL, BUS ΚΚΨ Patrick Fedigan, Benicia, SE Erik Miller, Los Gatos, CPE Michael Boulos, Elk Grove, MATH Nicholas Moretto, Lemon Grove, BCHM Teyvon Brooks, Paso Robles, ME Mikkel Sandberg, Nipomo, GRC ΚΚΨ Leslie Cushing, Oxnard, CD ΚΚΨ Bryan Schmidt, Diablo, AERO Michael Dooley, Carlsbad, CPE Thomas Steinke, San Jose, CSC ΚΚΨ Nicholas Greer, Lake Forest, CPE •ΚΚΨ Eric Strohm, Irvine, BMED ΚΚΨ Morgan Johnson, Bow, NH, PSY Ian Tyler, Petaluma, FDSC Garrett Klunk, Virginia Beach, VA, AERO Brett Young, Van Nuys, PHYS Chase Kragenbrink, Traverse City, MI, CSC ΚΚΨ Nicole Liu, Goleta, FNR Baritone Jacob Llewellyn, Placentia, AERO Eric Belfield, Irvine, AERO Kyle Lonczak, Park City, UT, AERO Max Bendick, Orange, CPE ΚΚΨ Luis Manjarrez, Santa Barbara, EE Chris Casil, Santa Clara, CPE Sara Mason, Paso Robles, CE Jordan Dosker, Vacaville, ASCI Akshay Narasimhan, Santa Clarita, BUS Jacob Garcia, San Jose, CSC Matthew O’Neil, Pleasanton, CSC Emma Gracyk, Granite Bay, ARCH Tristan Paul, Costa Mesa, PHYS Donavan Lawrence, Rocklin, EE Cody Rhoads, Lemoore, CSC Michael Nichols, San Ramon, SE • Matthew Rice, Oxnard, GRC Neil Nordhof, San Diego, CSC Valerie Rose, Goleta, CD • Daniel Stone, Irvine, ARCE Jason Ward, San Diego, ENGL Rene Velazquez, Delano, AERO Noah Weitz, Buellton, SE Ryan Walker, Clovis, CM Grant Webster, San Diego, AERO Dennis Wong, Alhambra, CSC Key Wind Ensemble/Wind Orchestra ◆ Guest Board of Officers • Principal/Section Leader + Percussion Manager Kaylinn Roseman, Chief Executive Officer ΚΚΨ Kappa Kappa Psi Member Aaron Gragg, Equipment Manager Emily O’Hanlon, Librarian Nina Levine, Librarian Music Department Garrett Klunk, Percussion Manager California Polytechnic State University Key to Majors Luis Manjarrez, Percussion Manager AEPS Agricultural and Environmental Plant San Luis Obispo, CA 93407-0326 Sciences Kate Vanderslice, Facilities Coordinator Phone Main Office: 756-2406 AERO Aerospace Engineering Karissa Finn, Band Office Manager AGB Agricultural Business Band Office: 756-2556 AGSC Agricultural Science ANG Anthropology and Geography Mustang Band Web Music Department music.calpoly.edu ARCE Architectural Engineering Board of Officers ARCH Architecture Karissa Finn, Chief Executive Officer ART Art Wind Orchestra/Wind Ensemble ASCI Animal Science Bryan Schmidt, Associate Executive Officer windorchestra.calpoly.edu BCHM Biochemistry Sam Andres, Uniform Manager BIO Biology Mustang Band Shelli Crispen, Assistant Uniform Manager BMED Biomedical Engineering band.calpoly.edu BUS Business Kayla Pedrani, Assistant Uniform Manager Facebook CD Child Development Hillary Tung, Librarian CE Civil Engineering facebook.com/cpmusic Aaron Jacobs, Assistant Librarian CHEM Chemistry CM Construction Management Aaron Gragg, Equipment Manager Donations music.calpoly.edu/support COMS Communication Studies Brett Malta, Equipment Manager CPE Computer Engineering Your support is greatly appreciated! Bryan Rodriguez, Facilities Manager CRP City & Regional Planning CSC Computer Science Clincy Cheung, Personnel Manager ECON Economics Max Linsenbard, Personnel Manager EE Electrical Engineering Aidan Thurling, Historian ENGL English ENVE Environmental Engineering Andrew Parker, Drum Major ENVM Environmental Management Patrick Fedigan, Drum Major FDSC Food Science FNR Forestry & Natural Resources GENE General Engineering Instrumental Faculty GRC Graphic Communication IE Industrial Engineering Suzanne Duffy, Flute KINE Kineseology Gabrielle Castriotta, Oboe LAES Liberal Arts & Engineering Studies Lisa Nauful, Bassoon LS Liberal Studies MAGD Master of Ag Education Keith Waibel, Clarinet MATE Materials Engineering Laura Kramer, Saxophone MATH Math Aaron Wolf, Jazz Saxophone ME Mechanical Engineering MLL Modern Languages & Literatures Christopher Woodruff, Trumpet MU Music Jennifer Dodson, Horn PHYS Physics Sonny Galvan, Low Brass POLS Political Science PSY Psychology Ken Hustad, String Bass SE Software Engineering John Astaire, Percussion WVIT Wine and Viticulture Jennifer Sayre, Harp Terry Spiller, Piano Paul Rinzler, Jazz Piano Thank you to our generous donors who helped make the British Isles tour possible:

Sponsor $1000+ Mike and Barbara Belfield Jesse E. and Delia Norris Juniper Networks

Conductor’s Circle $200+ Charles B. and Karen Adamson Edison International Antonio G. Barata Norman H. and Connie A. Pillsbury The Charles Schwab Corporation Jon M. and Amy K. Ericson Patricia C. Wyse Gary E. and Sharen L. Tait

Benefactor $100+ Anne M. Brown and Family David and Susan Brown Linda H. Halisky Diane M. and Richard A. Webb

Friend $25+ Kimberly C. Marsalek Emil A. and Virginia R. Yappert