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The Cutting Edge of French Cinema
BACKWASH: THE CUTTING EDGE OF FRENCH CINEMA J’IRAI AU PARADIS CAR L’ENFER EST ICI , Xavier Durringer ( France, 1997 ) MA 6T VA CRACK-ER , Jean-Francois Richet ( France, 1997 ) LE PETIT VOLEUR , Érick Zonca ( France, 1998 ) L’HUMANITÉ , Bruno Dumont ( France, 1999 ) POLA X , Leos Carax ( France, 1999 ) RESSOURCES HUMAINES (Human Resources), Laurent Cantet ( France, 1999 ) À MA SOEUR! , Catherine Breillat ( France-Italy, 2000 ) PARIA , Nicolas Klotz ( France, 2000 ) SAINT-CYR , Patricia Mazuy ( France-Belgium, 2000 ) SELON MATTHIEU , Xavier Beauvois ( France, 2000 ) SOUS LE SABLE , François Ozon ( France-Belgium-Italy-Japan, 2000 ) ÊTRE ET AVOIR , Nicolas Philibert ( France, 2001 ) IRRÉVERSIBLE (Irreversible), Gaspar Noé ( France, 2001 ) LA CHATTE À DEUX TÊTES , Jacques Nolot ( France, 2001 ) LA VIE NOUVELLE , Philippe Grandrieux ( France, 2001 ) LE PACTE DES LOUPS , Christophe Gans ( France, 2001 ) LE STADE DE WIMBLEDON , Mathieu Amalric ( France, 2001 ) ROBERTO SUCCO , Cédric Kahn ( France-Switzerland, 2001 ) TROUBLE EVERY DAY , Claire Denis ( France-Japan, 2001 ) DANS MA PEAU , Marina De Van ( France, 2002 ) UN HOMME, UN VRAI , Jean-Marie Larrieu, Arnaud Larrieu ( France, 2002 ) CLEAN , Olivier Assayas ( France-UK-Canada, 2003 ) INNOCENCE , Lucile Hadzihalilovic ( France-UK-Belgium, 2003 ) L’ESQUIVE , Abdellatif Kechiche ( France, 2003 ) LE CONVOYEUR , Nicolas Boukhrief ( France, 2003 ) LES CORPS IMPATIENTS , Xavier Giannoli ( France, 2003 ) ROIS ET REINE , Arnaud Desplechin ( France-Belgium, 2003 ) TIRESIA , Bertrand Bonello ( France, 2003 ) DE BATTRE MON COEUR S’EST ARRÊTÉ (The Beat That My Heart Skipped), Jacques Audiard ( France, 2004 ) LES REVENANTS , Robin Campillo ( France, 2004 ) LES ANGES EXTERMINATEURS , Jean-Claude Brisseau ( France, 2005 ) VOICI VENU LE TEMPS , Alain Guiraudie ( France, 2005 ) À L’INTERIEUR , Alexandre Bustillo, Julien Maury ( France, 2006 ) AVIDA , Benoît Delépine, Gustave Kervern ( France, 2006 ) LES CHANSONS D’AMOUR , Christophe Honoré ( France, 2006 ) 24 MESURES , Jalil Lespert ( France-Canada, 2007 ) L’HISTOIRE DE RICHARD O. -
Film Lives Heresm
TITANUS Two Women BERTRAND BONELLO NEW YORK AFRICAN FILM FESTIVAL MARTÍN REJTMAN TITANUS OPEN ROADS: NEW ITALIAN CINEMA HUMAN RIGHTS WATCH FILM FESTIVAL NEW YORK ASIAN FILM FESTIVAL SPECIAL PROGRAMS NEW RELEASES EMBASSY / THE KOBAL COLLECTION / THE KOBAL EMBASSY MAY/JUN 2015SM FILM LIVES HERE Elinor Bunin Munroe Film Center 144 W 65th St | Walter Reade Theater 165 W 65th St | filmlinc.com | @filmlinc HERE STARTS PROGRAMMING SPOTLIGHT TABLE OF CONTENTS I PUT A SPELL ON YOU: THE FILMS OF BERTRAND BONELLO Festivals & Series 2 I Put a Spell on You: The Films of Bertrand Bonello (Through May 4) 2 PROVOKES PROVOKES Each new Bertrand Bonello film is an event in and of itself.Part of what makes Bonello’s work so thrilling is that, with some exceptions, world cinema has yet to catch up with his New York African Film Festival (May 6 – 12) 4 unique combination of artistic rigor and ability to distill emotion from the often extravagantly Sounds Like Music: The Films of Martín Rejtman (May 13 – 19) 7 stylish, almost baroque figures, places, and events that he portrays. He already occupies Titanus (May 22 – 31) 8 HERE FILM a singular place in French cinema, and we’re excited that our audiences now have the Open Roads: New Italian Cinema (June 4 – 11) 12 opportunity to discover a body of work that is unlike any other. –Dennis Lim, Director of Programming Human Rights Watch Film Festval (June 12 – 20) 16 New York Asian Film Festival (June 26 – July 8) 17 HERE FILM Special Programs 18 INSPIRES TITANUS Sound + Vision Live (May 28, June 25) 18 We have selected 23 cinematic gems from the Locarno Film Festival’s tribute to Titanus. -
FY2013/2014 Consolidated Results: the Group Maintains a High Level of Operating Margin (€57.7 Millions)
FY2013/2014 consolidated results: the Group maintains a high level of operating margin (€57.7 millions) The operating margin remains high (€57.7 million, an operating margin ratio of 27.3% at 31 March 2014) International sales increased and performance of the TV series segment continued to improve The Group has continued its external growth operations, in particular through the launch of the Multiplex business line and the founding of a distribution joint venture in the USA, which lead to a reduced operating income for the financial year The statutory auditors have stated that they will issue a qualified opinion due to a divergence between their technical analysis and that of the Company over the recognition timing for the $45 million of revenue related to a buy-out agreement with Fox. The net income is impacted by a non-recurring expense (primarily non-cash) of €10.1 million, which is due to the partial cancellation of the free share plan Saint-Denis, 26 June 2014 – EuropaCorp, the producer and distributor of feature films and one of the leading independent film studios in Europe, today announces its consolidated annual results at 31 March 2014, which the Board of Directors approved on 25 June 2014, for FY2013/2014. Consolidated results adjusted for the impact of Consolidated results the cancelled part of the free share plan ** Consolidated financial FY FY Change FY statements (€m) 2013/14* 2012/13 2013/2014 2013/14 Revenue 211.8 185.8 26.0 211,8 Cost of sales -154.1 -129.7 -24.4 -154.1 Operating margin 57.7 56.1 1.6 57.7 % of revenue -
Bertrand Bonello « Il a Fallu Que Je Trouve Mon Chemin De Manière Relativement Solitaire » Sami Gnaba
Document generated on 09/26/2021 12:12 p.m. Séquences : la revue de cinéma Bertrand Bonello « Il a fallu que je trouve mon chemin de manière relativement solitaire » Sami Gnaba On the beach At night Alone Number 308, June 2017 URI: https://id.erudit.org/iderudit/86039ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this article Gnaba, S. (2017). Bertrand Bonello : « Il a fallu que je trouve mon chemin de manière relativement solitaire ». Séquences : la revue de cinéma, (308), 38–43. Tous droits réservés © La revue Séquences Inc., 2017 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ 38 | ARRÊT SUR IMAGE | ENTREVUE Bertrand Bonello « Il a fallu que je trouve mon chemin de manière relativement solitaire » Dans ce long entretien, Bertrand Bonello revient sur l'origine, la fabrication et la réception de Nocturama, son plus récent film. Mais aussi, plus largement, sur sa filmographie, que nous avons revisitée avec lui au cours de notre échange, l'interrogeant notamment sur sa méthode de travail, l’importance de la musique dans ses films, son attachement au court métrage ou encore son rapport au cinéma français. -
NATO Oct 06 Color.Indd
NATO of California/Nevada October 2006 October 2006 NATO of California/Nevada Information for the California and Nevada Motion Picture Theatre Industry CALENDAR Film Product Seminars of EVENTS & To Include Tour HOLIDAYS of World-Famous Site Columbus Day The 2006 NATO of California/Nevada Fall/Winter Observed Film Product Seminar already promises to be one of the October 9 most anticipated events as product reels and advance Sexual Harassment film clips will be shown, in many cases, for the very first Prevention Training time as a record 120 films are scheduled to be released Seminar from Thanksgiving through the first week in April. October 10 This seasons’ event will be held at two exciting new Northern California - venues as attendance for NATO of California/Nevada’s Century Walnut Creek 14 Theatre semi-annual product seminars continues to grow. The Northern California seminar, on November 9th, will be October 12 Lobby of the Mann’s Chinese 6 Theatre Southern California - at Brenden Theatres Concord 14 followed by the South- REG Edwards South Gate Theatre ern California seminar on November 14th at Mann’s Chinese 6 Theatre in Hollywood. As in the past, studio SHOWEAST marketing representatives from all the major film com- October 23-26 panies will treat all to early previews of the holiday and Daylight Saving Time winter line-ups and an overview of the promotion and ends marketing plans for their respective releases. Because October 29 of the venue for the Southern California location, our host Mann Theatres is making arrangements to provide Halloween a behind the scenes tour of their flagship, Grauman’s October 31 Chinese Theatre, (see separate story) prior to the start Film Product Seminar of the product seminar. -
Finite Rants” from 25 June 2020
FONDAZIONE PRADA PRESENTS THE ONLINE PROJECT “FINITE RANTS” FROM 25 JUNE 2020 Milan, 17 July 2020 – Fondazione Prada presents the online project “Finite Rants”, curated by Luigi Alberto Cippini and Niccolò Gravina, on its website and social platforms from 25 June 2020. Commissioned by Fondazione Prada to filmmakers, artists, intellectuals and scholars, the 8 visual essays comprised in “Finite Rants” will be published on a monthly basis. The first authors include German director and writer Alexander Kluge, Japanese photographer Satoshi Fujiwara, French director Bertrand Bonello, and Swiss economist Christian Marazzi. As stated by avant-garde director Hans Richter in 1940, the film or video essay is a form of expression capable of creating “images for mental notions” and of portraying concepts. Starting from Richter's ideas, some later theorists identify specific traits in the video essay, such as creative freedom, complexity, reflexivity, the crossing of film genres and the transgression of linguistic conventions. “Finite Rants” aims to test the versatility of the visual essay in expressing thought images and demonstrate its relevance in contemporary visual production. According to the two curators, “this project further develops Richter's intuitions starting from the assumption that, due to the natural evolutionary condition of the cinematographic fact and its contamination with forms of information, visual material and capillary distribution of Image Capture supports, today more than ever it is necessary to search for what can be defined as ‘Formatless Dogma’, in support of a visual production without restrictions". The aesthetic and theoretical roots of “Finite Rants” can be traced back to the experimental work La Jetée (1962) by French author Chris Marker. -
Saint Laurent
presents SAINT LAURENT A Film by Bertrand Bonello Official Selection Cannes Film Festival 2014 New York Film Festival 2014 (150 min., France, Belgium, 2014) Language: English, Franch Distribution Publicity Bonne Smith Star PR 1028 Queen Street West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1H6 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com SYNOPSIS 1967-1976 As one of history’s greatest fashion designers entered a decade of freedom, neither came out of it in one piece. 2 CREDITS CAST Yves Saint Laurent GASPARD ULLIEL Pierre Berge JEREMIE RENIER Jacques De Bascher LOUIS GARREL Loulou De Falaise LEA SEYDOUX Anne Marie Munoz AMIRA CASAR Betty Catroux AYMELINE VALADE Monsieur Jean-Pierre MICHA LESCOT Yves Saint Laurent 1989 HELMUT BERGER Mme Duzer VALERIA BRUNI-TEDESCHI Renee VALERIE DONZELLI Talitha ASMINE TRINCA Lucienne DOMINIQUE SANDA FILMMAKERS Director Bertrand Bonello Screenplay Thomas Bidegain and Bertrand Bonello Director of Photography Josee Deshaies Production Designer Katia Wyszkop Costume Designer Anais Romand Casting Richard Rousseau First Assistant Director Elsa Amiel Script Supervisor Elodie Van Beuren Original Score Bertrand Bonello Sound Nicolas Cantin, Nicolas Moreau, Jean-Pierre Laforce Editing Fabrice Rouaud Production Manager Pascal Roussel Post-Production Supervisor Patricia Colombat Produced by Eric Altmayer, Nicolas Altmayer 3 An Interview with Bertrand Bonello How did this project begin? In November 2011, shortly after the release of L’Apollonide, Eric and Nicolas Altmayer asked me if I’d be interested in making a film about Saint Laurent. -
BERTRAND BONELLO RÉSONANCES 26 OCTOBRE 2014 BERTRANDBE BONELLOBON Bertrand Bonello 1
CINÉMA ET MUSIQUE EXPOSITION CRÉATIONS RÉTROSPECTIVE 19 SEPTEMBRE - BERTRAND BONELLO RÉSONANCES 26 OCTOBRE 2014 BERTRANDBE BONELLOBON Bertrand BONELLO 1 SOMMAIRE Musicien de formation, Bertrand Bonello a réalisé depuis le milieu des années 1990 douze films très différents, qui sont autant de prototypes. Son cinéma ne cesse de rechercher et d’expérimenter • Avant-propos, par Alain Seban, p. 1 de nouvelles formes tout en restant délibérément fidèle à un certain classicisme. Ainsi s’adresse-t-il au plus grand nombre tout en l’amenant ailleurs, et autrement. Cet équilibre rare répond • Présentation, par Bertrand Bonello, p. 3 à des questions qui sont au cœur de la création contemporaine et qui s’inscrivent en même temps • Ouverture, par Bertrand Bonello, p. 4 dans la grande tradition de la fiction : que faire du romanesque et du genre (au cinéma) ? Comment, aujourd’hui, donner à éprouver un récit, un espace, un personnage, une émotion ? • Masterclass, p. 5 Aux prises résolument avec notre époque, faisant du temps, passé et présent, à la fois • Exposition, par Bertrand Bonello, p. 6 une matière, un instrument et une expérience, Le Pornographe, Tiresia, L’Apollonide et ses autres films travaillent le double et le genre, l’enfermement et la folie, l’engagement et le plaisir. • Livre, p. 10 Plus encore peut-être que la facture musicale et sonore de ses films, c’est probablement • Radio, p. 11 l’intelligence et le raffinement de leur construction, visant toujours la sensation et l’affect purs, • Bandes-son, par Bertrand Bonello, p. 12 qui donnent le mieux à percevoir le compositeur et musicien qu’est Bertrand Bonello. -
Paris Region at the 72 Cannes Film Festival
Paris Regionnd at the 72 Cannes PRESS PACK - MAYFilm 2019 Festival Paris Region Press contacts [email protected] +33 (0)1 53 85 63 14 [email protected] “Expanding our efforts to bolster creativity” gnès Varda described cinema as “a pas- Given that passion for cinema is passed on from sionate and dangerous experience”. a very early age, we have supplemented this The talented filmmakers nominated in strategy by bolstering art and culture education nd the official selections of the 72 Cannes for young people in Paris Region, by increasing the Film Festival certainly won’t be contradicting level of contact between these youth and the someone who was the first woman to receive a world of cinema – largely through film clubs in Palme d’honneur award. The passion is clear to see upper secondary schools and apprenticeship Aon every screen along the Croisette. But what a training centres, or by taking a mobile theatre to journey it is to finally feature on these famous our recreation parks over summer. screens! Recognising this, Paris Region stands The result of this strong, clear and genuine com- alongside the professionals involved throughout mitment of Paris Region to the cinema and audio- their perilous adventure of film-making. More than visual sector can be seen at events such as the ever before! It is the leading French region when it nd Cannes Film Festival. For this 72 edition, we are comes to supporting the cinema and audiovisual proud to once again be present via the high- sector and playing host to film shoots. -
House of Tolerance English Subtitles
House of tolerance english subtitles click here to download English www.doorway.ru, 1, amam. not perfect but tried to bring it close enough!!! English www.doorway.runceDVDRip, 1. English subtitle for House of Tolerance (House of Pleasures / L'Apollonide / Souvenirs de la maison close). Download House of Tolerance English YIFY YTS Subtitles. 0, English, Subtitle House of Tolerance AKA House of Pleasures dvdrip lpd, YTS. Download the popular multi language subtitles for House Of Tolerance Dvdrip. www.doorway.ru English. English subtitle (English subtitles). · www.doorway.ru English subtitle (English subtitles). L'Apollonide (Souvenirs. House Of Tolerance: {3} english (en) subtitles. Download and convert House of Tolerance movie subtitle in one of the following formats SRT. Download L'Apollonide (Souvenirs de la maison close) {(House of Tolerance AKA House of Pleasures)} subtitles. english subtitles. Watch online House of Tolerance full with English subtitle. Watch online free House of Tolerance, Hafsia Herzi, Jasmine Trinca, Noémie Lvovsky, Adèle. Download HOUSE OF TOLERANCE English Download subtitles. House of Pleasures - L'Apollonide: Souvenirs de la maison close Bertrand Bonello; ; France; French with English subtitles; 35mm; Life in an elegant Parisian brothel in the early twentieth century. The madam essentially owns the women: their. Full MOVIE Legit Link:: (www.doorway.ru) ▷▷ House of Tolerance FULL MOVIE House of Tolerance FULL MOVIE | House of. House of Tolerance (Souvenirs de la maison close) Duration: 2h5m; Country: France; Format: Digital; Year: ; Language: French with English subtitles. Find House of Tolerance [Region 2] [UK Import] at www.doorway.ru Movies & TV, Digital Stereo), English (Subtitles), ANAMORPHIC WIDESCREEN (). WITH ENGLISH SUBTITLES. -
NATO of CA/NV Hosted Record Attendance Membership Meeting
July/August 2007 NANATOTO of California/NevadaCalifornia/Nevada Information for the California and Nevada Motion Picture Theatre Industry CALENDAR NATO of CA/NV Hosted Record of EVENTS & Attendance Membership Meeting HOLIDAYS The National The featured guest speaker of the Association of The- day was Jeffrey Katzenberg, Chief Labor Day ater Owners of Cali- Executive Offi cer of DreamWorks September 3 fornia/Nevada held Animation, SKG. Mr. Katzenberg ▼ its annual member- discussed a new technology he consid- Rosh Hashanah ship meeting on ers “the single biggest opportunity” September 12-13 June 27th at The for growth and expansion in the mov- ▼ Landmark in West National NATO ie business in decades. He believes Los Angeles with a 3-D will “create an extra dimension Meeting September 18-19 record attendance of that allows movie watchers to enter ▼ 300 members. The into the fi lm,” something they cannot YomYom Kippur event, hosted by achieve in their home theatre systems. September 22 Landmark Theatre’s Mr. Katzenberg has been encouraging ▼ Chief Operating Of- the creative community to participate Autumn Begins Jeffrey Katzenberg, CEO, fi cer, Ted Mundorff in this technology. He is working September 23 DreamWorks Animation SKG treated members to with box-offi ce record breaking di- ▼ a behind the scenes rectors like James Cameron, Steven Columbus Day tour of this newly opened facility. Thanks go to General Spielberg, Robert Zemekis, and Peter October 8 Manager Rita Gattegno who guided associates through the Jackson. After his presentation, he ▼ theatre that of- Sexual Harassment opened up the fers such mod- floor to a ques- Prevention TrainingTraining So. -
Save Our Screens Missouri
SAVE OUR SCREENS MISSOURI Missouri movie theater owners and operators thank our lawmakers for their leadership throughout the COVID-19 crisis. The state’s movie theaters are among the hardest-hit industries and need help to ensure they will continue operations, rehire workers, and return to profitability (and pay taxes on those profits) after the public health crisis abates. Please support financial relief for struggling movie theaters of all sizes in Missouri. With your help, our cinemas will play an important role in rebuilding the state’s economy and continue to bring the shared cultural experience of moviegoing to our communities. ___________________ Economic and Cultural Engines. From Main Street to the state’s urban centers, cinemas are business anchors and economic multipliers in the communities they serve. Cinemas (1) invigorate and revitalize neighborhoods, (2) drive foot traffic to local small businesses, (3) foster cultural vibrancy, and (4) create employment opportunities in communities across Missouri where jobs can be few and far between. Unprecedented Industry Disruption. Prior to the pandemic, Missouri had a robust movie theater market that generated more than $230 million in revenue in 2019. Capacity limitations combined with a lack of new movie releases, however, have caused cinema revenues to plunge by 80 percent industrywide. Cinemas Need Help. There are approximately 65 cinema companies operating more than 810 screens at over 125 locations across the state. Each passing day without help, however, is another day closer to more cinema owners in Missouri reaching their breaking point. Grant and Tax Relief Programs. A grant program of up to $8.5 million and tax relief would provide critical lifelines to help movie theaters bridge the pandemic and contribute to the state’s broader economic recovery when new movies return to our screens later this year.