Satellite to Provide Extensive Study of Earth's Ionosphere
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Gordon Camera – Revealed
PHOTOGRAPHIC CANADIANA Volume 35 Number 2 Sept.– Oct.– Nov. 2009 PHOTOGRAPH BY ROBERT LANSDALE PHOTOGRAPH BY ROBERT THE MYSTERY GORDON CAMERA – REVEALED THE PHOTOGRAPHIC HISTORICAL SOCIETY OF CANADA PHOTOGRAPHIC CANADIANA JOURNAL OF THE PHOTOGRAPHIC HISTORICAL SOCIETY OF CANADA Volume 35, Number 2 ISSN 0704-0024 Sept. – Oct. – Nov. 2009 Date of Issue – September 2009 Canada Post Canadian Publications Mail Sales Product Agreement No. 40050299 Postage Paid at Toronto Photographic Canadiana is published four times a year (except July and August) by The Photographic Historical Society of Canada, 6021 Yonge Street, Box 239, Toronto, Ontario, M2M IN THIS ISSUE 3W2 Photographic Canadiana does not pay 2 PC Index 17 Yes Virginia there is a for articles or photographs; all functions Our Cover Gordon Camera of the PHSC are based on voluntary 3 President’s Message –Robert Lansdale and participation. Manuscripts or articles The Society, Executive and Clint Hryhorijiw should be sent to the Editor and will be PC Editorial Board returned if requested. 4 Toronto Notes: April, May and PC Supplement Sheet Views expressed in this publication June 2009 meetings 1 Schedule for September solely reflect the opinions of the au- –Robert Carter thors, and do not necessarily reflect the 2009 views of the PHSC. 6 Browsing through our Exchanges 2 Coming Events & Want Ads –George Dunbar For Back Issues 8 The Melodrama Continues For back issues and single copies: or- as the Vitascope Travels to der directly from the Librarian, whose Toronto and Halifax name and address appear on page 3. –Robert Gutteridge Current copies are $5.00 each. A sub- scription is included in membership fee which is $35.00 a year. -
From the Editor Interstate Search Extended for Prof
Plans ior New Union's Construction • • •f,' Hp! •• From the Editor Hindered by Financial Requirements A day or more of protest... by Joel Siegfried Alfred's present student union er learned that the University is "I know there are many here 7 had no shoes and complained . was erected around 1945 and being retarded in its construction who take a personal Interest in known as Burdick Hall. After ... until I met a man with no feet.- efforts due to a lack of funds <*- Alfred," said Dr. Drake, "and I -anonymous World War n, two prefabricated one hundred and fifty thousand structures were obtained from the would like them to feel free to dollars to be exact. But I still bad no shoes.—bell government, and were attached at discuss their ideas with me." The financial situation is such the western end of the building. What has been done so far to •that the University now holds a The Student Senate has received a letter from the American The entire unit has served as the bring the new union closer to re- donbract for a loan of $300,000 totudejnt union (tor the past ten ality? Many alumni and friends of Committee on Africa asking that the students of Alfred help from the Federal Housing Author- years, and while It has undergone the school have been contacted. iupport their endeavor to stop apartheid in South Africa. The ity. This loan, to be paid by amort- many alterations and additions Groups have been offered, as an following is a paragraph from their letter: ization is at a discount rate of such as the construction of a inducement .to subscribe to the 2.78 per cent. -
KODACOLOR RDTG Series Inks Datasheet
KODACOLOR RDTG Series Inks High performance with mid/high viscosity inks KODACOLOR RDTG Series System Qualiied Piezo-electric Print Heads The KODACOLOR RDTG Series inks from Kodak FUJI STARFIRE, RICOH GEN 4, RICOH GEN 5 & were speciically developed for direct-to-fabric RICOH GH2220. Formulated with best in class printing on cotton, cotton blends, and polyester components selected to provide market leading, fabrics. They are equally at home when used industrial performance. for printing directly to inished garments or to roll fabrics. This water-based digital ink system is designed to work in printers that employ 14 piezo-electric print heads. Although designed RDTG Viscosity Proile for use in production printing, it is suitable for 12 high quality sampling and strike offs. 10 KODAK RDTG Series performs to the highest level of nozzle performance among Print Heads 8 requiring mid-high viscosity inks. 6 Fabric Pre-Treats The KODACOLOR Pre-Treats are formulated (mPas) Viscosity 4 exclusively for the KODACOLOR EDTG & RDTG Ink Sets to produce the highest quality image 2 and excellent durability in wash-fastness. The 0 three types of Pre-Treat cover the gamut of 22 24 26 28 30 32 34 36 38 40 garments available, from 100% Cotton Dark to Temperature (deg C) White Polyesters. RCDGT RMDGT RYDGT RKDGT RWDGT Powered by KODACOLOR Technology KODACOLOR RDTG Series Inks Micrographs of dot formation KODAK RDTG Series mid-high viscosity Ink set printed through a RICOH GEN 5 Print Head Cyan Black RDTG Viscosity Viscosity Viscosity Viscosity Viscosity Viscosity -
University Microfiims 300 North Zeeb Road Ann Artwr
INFORMATION TO USERS This dissertation was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or “target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
Interfacing Cable Television and Broadcast Subscripi'ion Television
INTERFACING CABLE TELEVISION AND BROADCAST SUBSCRIPI'ION TELEVISION Early D. Monroe, Jr. Federal Communications Commission Cable Television Bureau Policy Revie\.J and Development Division One of the primary technical advantages with History coaxial cable television for telecommunication purposes is the cable system's technical com On February 10, 1955,the Commission adopted a patibility \-lith most of the newly developed Notice of Proposed Rule Making in Docket 11279, communication systems in addition to existing FCC , FCC 2d , in response to a communication systems now being given renewed petitio~iled by Zeni~Radio Corporation and priority consideration as a result of the public Teco, Inc. (proponents of the "Phonevision" demand for premium subscription programs. subscription television system); Skiatron TV, Inc. (proponent of the "Subscriber-Vision" sub Cable television systems may be confronted with scription television system); and other tele some technical compatibility problems if re vision licensees and permittees. While no quired to car~J both the Broadcast Subscrip specific proposals for rules were contained in tion Television (BSTV) station's premium and the Notice, it did include questions of law "free" programs. While there may not be a and facts designed to ascertain whether the channel capacity problem in offering more than Commission should adopt rules to authorize one type of premium program, there are compati television stations to transmit programs paid bility problems involving the delivery of BSTV for on a subscription basis. This Notice and cable premium programs over the same cable defined BSTV simply as the transmission of system. programs intended to be viewed only by those who pay a charge. -
La Fotografía Como Fenómeno De Masas
La fotografía como fenómeno de masas Del daguerrotipo al instagram Leonardo Alejandro Rodríguez 21/12/18 Licenciatura en Fotografía Investigación Historia y Tendencias 1 Agradecimientos Expreso en éstas líneas mis sinceros agradecimientos a todas las personas que han hecho posible la realización de este trabajo de investigación. Un agradecimiento a las profesoras Silvia Mónica Incorvaia y Alejandra Niedermaier, quienes me guiaron en ésta segunda etapa de desarrollo, aconsejándome fuentes de información certeras y aportándome datos que provenían de la realidad, más allá de las fuentes bibliográficas. Un agradecimiento muy especial a la profesora Marisa Elsa Cuervo, por brindarme su tiempo leyendo lo que escribía, siempre con dedicación y paciencia. A todos los profesores que a lo largo de mi carrera fueron pilares fundamentales en mi proceso de aprendizaje. Por último, no quiero olvidarme de mis amigos y familiares que fueron un sostén incondicional a lo largo de estos últimos años. Muchas gracias 2 Índice Índice de figuras 5 Introducción 6 Capítulo 1. La fotografía, un invento popular. 12 1.1. La necesidad de representación 14 1.2. Los inicios de la fotografía 18 1.2.1. La cámara oscura 18 1.2.2. El material fotosensible 19 1.2.3. El daguerrotipo 19 1.2.4. El calotipo 21 1.2.5. El colodión húmedo 22 1.2.6. El negativo fotográfico en seco 23 1.2.7. Primera película en carrete fotográfico 24 1.2.8. La fotografía color 25 1.2.9. Primera cámara 35 mm 25 1.2.10. Primeros objetivos por Zeuss 26 1.3. La fotografía en Latinoamérica 26 Capítulo 2. -
LESS KODAK * 1 0 O X P T 17 O 5 H Kodak Cm Ur P Lab-Quality Colo Prints That Last a Lifetime2
more for LESS KODAK * 1 0 o x p t 17 o 5 h KODAK cm ur p Lab-quality colo prints that last a lifetime2 All-in-One Printer print copy scan KODAK welcomes you to an easier way to print, copy and scan photos and documents for less. With the KODAK ESP5 All-in-One Printer you can print significantly more photos, documents and colour graphics pages for your money, compared to comparable consumer inkjet printers.* The low cost premium ink cartridges are just £6.99 RRP for black and £9.99 RRP for the 5-ink colour cartridge. And the KODAK ESP5 All-in-One Printer features a large 7.6cm (3”) colour LCD display, plus memory card and USB slots, so you can view, edit and print with or without a PC. No matter how you choose to use it, now you can print, copy and scan even more for less – while compromising nothing. Key Features Consumables • Make significant savings on everything you print • Convenient two cartridge system with low cost, premium inks • No need to compromise! With KODACOLOR Technology, • KODAK Premium Photo Value Pack. Delivers KODAK you get it all – exceptional image quality, fast print speed Lab-quality 10 x 15cm (4” x 6”) pictures that will last a lifetime2 and long lasting photos every time you print at just 10p per print.4 Includes a 5-ink colour cartridge and 135 • Affordable and convenient too, this two-cartridge system – 10 x 15cm (4” x 6”) sheets of KODAK Premium Photo Paper £6.99 RRP black and £9.99 RRP 5-ink colour – saves you up to • The KODAK Photo Value Pack. -
KODAK MILESTONES 1879 - Eastman Invented an Emulsion-Coating Machine Which Enabled Him to Mass- Produce Photographic Dry Plates
KODAK MILESTONES 1879 - Eastman invented an emulsion-coating machine which enabled him to mass- produce photographic dry plates. 1880 - Eastman began commercial production of dry plates in a rented loft of a building in Rochester, N.Y. 1881 - In January, Eastman and Henry A. Strong (a family friend and buggy-whip manufacturer) formed a partnership known as the Eastman Dry Plate Company. ♦ In September, Eastman quit his job as a bank clerk to devote his full time to the business. 1883 - The Eastman Dry Plate Company completed transfer of operations to a four- story building at what is now 343 State Street, Rochester, NY, the company's worldwide headquarters. 1884 - The business was changed from a partnership to a $200,000 corporation with 14 shareowners when the Eastman Dry Plate and Film Company was formed. ♦ EASTMAN Negative Paper was introduced. ♦ Eastman and William H. Walker, an associate, invented a roll holder for negative papers. 1885 - EASTMAN American Film was introduced - the first transparent photographic "film" as we know it today. ♦ The company opened a wholesale office in London, England. 1886 - George Eastman became one of the first American industrialists to employ a full- time research scientist to aid in the commercialization of a flexible, transparent film base. 1888 - The name "Kodak" was born and the KODAK camera was placed on the market, with the slogan, "You press the button - we do the rest." This was the birth of snapshot photography, as millions of amateur picture-takers know it today. 1889 - The first commercial transparent roll film, perfected by Eastman and his research chemist, was put on the market. -
Films' New Prosperity — Via TV HIGHER HOPES
. O.C. TELEPHONE MICHIGAN • I JBLISHEO WEEKLY BY RADIO NEWS BUREAU, 1519 CONNECTICUT AVE. N.W., WASHINGTON 6. 2020 VOL. 7, NO. 27 July 7, 1951 /Film Trend to TV Dominates Trade News, page 1. Output Way Down But Factory Stocks Up, page 7. Higher Hopes for Faster Freeze Thaw, page 1. After Korean Cease-Fire, What? page 7. ) ' Mssue:\ This gQcial and Economic Effects of TV, page 2. Electronics—Fastest Growing Industry, page 8. (.All Eyes Focus on RCA Color Pictures, page 3. Trade, Financial, Mobilization Notes, pages 9-11. FILM TREND TO TV DOMINATES TRADE NEWS: Pointing up TV's ever-increasing affinity with motion picture industry was announcement this week that The March of Time is dropping its theatrical motion picture series, popular in movie houses since 1935, in favor of concentrating on producing TV and special theatrical films. Only 5 more issues of March of Time are in works, plus certain documentaries — also " Crusade in the Pacific " now being put together as sequel to "Crusade in Europe" for TV release . Said Time Inc. president Roy E. Larsen ; "Our company has been increasingly active in recent years in developing and producing programs for TV and our facilities are admirably suited for the new medium." Theatrical trade press is so replete with TV items these days that news of stage and movies is often overshadowed. Getting big play are subscription- TV proj- ects, notably Skiatron and Paramount's Telemeter . These will doubtless be subject of FCC hearings, as yet unscheduled, along with Zenith's Phonevision . Meanwhile, they're riding high tide of free publicity , despite the fact FCC must yet rule on pay-as-you-look principle — and approval is by no means assured . -
A Chronicle of the Motion Picture Industry a Chronicle of the Motion Picture Industry
A CHRONICLE OF THE MOTION PICTURE INDUSTRY A CHRONICLE OF THE MOTION PICTURE INDUSTRY INTRODUCTION If you’ve ever taken a still photograph, you’re already acquainted with the essentials of shooting a motion picture image. The biggest diMerence between the two is that the movie camera typically captures twenty-four images each second. Well into the late Nineteenth Century, most images were captured on sensitized glass plates, metal, or heavy paper. Shortly after the invention of 1951 KODAK BROWNIE photography, attempts were already underway to capture and reproduce a Movie Camera moving image. Typically, an array of individual cameras, triggered in rapid succession, captured a series of single exposures on glass plates. These experiments relied on a persistence of vision concept—the eye-brain combination is capable of melding a series of sequential images into a movie. A more practical photographic system had yet to be created. It was George Eastman’s invention of the KODAK Camera, and the flexible film it exposed, that made the movie camera possible. A HISTORY OF CINEMATOGRAPHY Human fascination with the concept of communicating with light and shadows has its roots in antiquity. Aristotle supplied the earliest reference to the camera obscura—sunlight, passing through a small hole, projected an inverted image on the wall of a darkened room. Renaissance artists traced that projected image to create accurate drawings. Gemma Frisius published a drawing of a camera obscura in 1545. Thirteen years later Giovanni Battista della Porta wrote "Magia Naturalis," a book describing the use of a camera obscura with lenses and concave mirrors to project a tableau in a darkened room. -
The Mark of Television Experience
1962-63 EDITION Including Contour Maps of of Commercial Stations as elevision Filed With The FCC.. Area Coverage and ARB Circulation USED BY THE ADVERTISINGoo AND TELEVISION INDUSTRIES at a HE AUTHORITATIVEact REFERENCE Glance... 1ForeignTV Stations & Sets Community Antenna Systems U.S. & Canada EquipmentMan- ifacturers Station Sales, Transfers, Brokers TV Networks Educational Stations Pro - Table of Contents 1ram Sources TV Set Makers IndustryStatistics TV Tape Producers FCC Personnel * Station Applications TV Color Stations Advertising Agencies Station Representatives Page 6-a PUBLISHED BY TELEVISION DIGEST, INC., WASHINGTON,D. C. $15.00 The Mark of Television Experience The" Who's Who" of Equipment Experts Broadcast Field Salo smen Atlanta 3, Ga. JA 4-7703 Cleveland 15, OhioCH 1-3450 Indianapolis, Ind. ME 6-5321 Portland 12, Ore. 234-7297 134 Peach Tree St., N.W. 1600 Keith Bldg. 501 N. LaSalle St. 1841 N.E. Couch St. P. G. Walters W. C. Wiseman D. Allen C. Raasch R. Smith Austin 3, Texas GL 3-8233 Dallas 35, Texas ME 1-3050 Kansas City 15, Mo. EM 1-6770 San Francisco 2, Cal. OR 3-8027 4605 Laurel Canyon Drive 7901 Carpenter Freeway 7711 State Line Rd. 420 Taylor St. J. N. Barclay E. H. Hoff D. Crawford E. E. Gloystein G. W. Bricker R. J. Newman Camden 2, N. J. WO 3-8000 Dedham, Mass. DA 6-8850 Memphis 12, Tenn. FA 4-4434 Seattle 4, Wash. MA 2-8350 Front & Cooper Sts. 336 Washington St. 3189 Summer Ave. 2250 First Ave., S. J. Gimbel J. R. Sims J. P. Ulasewicz B. -
"Was Anyone out There Watching Last Night?": the Creation And
Southern Illinois University Carbondale OpenSIUC Dissertations Theses and Dissertations 8-1-2012 "Was Anyone Out There Watching Last Night?": The rC eation and Early History of New England Sport Network, 1980-1989 Tanya Lee Lovejoy Southern Illinois University Carbondale, [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/dissertations Recommended Citation Lovejoy, Tanya Lee, ""Was Anyone Out There Watching Last Night?": The rC eation and Early History of New England Sport Network, 1980-1989" (2012). Dissertations. Paper 546. This Open Access Dissertation is brought to you for free and open access by the Theses and Dissertations at OpenSIUC. It has been accepted for inclusion in Dissertations by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. “WAS ANYONE OUT THERE WATCHING LAST NIGHT?”: THE CREATION AND EARLY HISTORY OF NEW ENGLAND SPORTS NETWORK, 1980-1989 by Tanya L. Lovejoy B.A., University of Southern Maine, 2001 M.A, San Francisco State University, 2006 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Doctor of Philosophy degree Department of Mass Communication and Media Arts in the Graduate School Southern Illinois University Carbondale August 2012 Copyright by Tanya L. Lovejoy, 2012 All Rights Reserved DISSERTATION APPROVAL “WAS ANYONE OUT THERE WATCHING LAST NIGHT?”: THE CREATION AND EARLY HISTORY OF NEW ENGLAND SPORTS NETWORK, 1980-1989 by Tanya L. Lovejoy A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the field of Mass Communication and Media Arts Approved by: Dr. William Babcock, Chair Dr.