An Attempt at a Biography of William Somerset Maugham
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Evolution of the Femme Fatale in of Human Bondage: from Temptation and Humiliation to Insanity and Death
1 Revista de Comunicación Vivat Academia ISSN: 1575-2844 Marzo 2015 Año XVIII Nº130 pp 121-140 INVESTIGACIÓN/RESEARCH Recibido: 24/01/2014---Aceptado: 23/02/2015---Publicado: 15/01/2015 EVOLUTION OF THE FEMME FATALE IN OF HUMAN BONDAGE: FROM TEMPTATION AND HUMILIATION TO INSANITY AND DEATH. Mariona Visa Barbosa: Universitat de Lleida. Spain. [email protected] ABSTRACT This article analyzes the evolution of the female character in the film Of Human Bondage (John Cromwell, 1934), starring Bette Davis and Leslie Howard. The protagonist of the story plays the role of a typical femme fatale who goes through different stages throughout the film, which are analyzed in detail in this article. She appears at first discreetly and positively to go slowly transforming into a cold woman who constantly humiliates the male lead. Finally, as in other ends of black films previous to World War II, her character is punished by the screenwriters, sheltering her into madness finally leading to death. By contrast, the male character embodies the archetype of an antihero who will be positively transformed at the end of the story. In this paper, the evolution of the two protagonists of the film and particularly how woman as a femme fatale is represented in the different phases of history is studied. The analysis draws upon a narrative methodology and applies the principles of anthropological structures of the imaginariness introduced by Gilbert Durand in the 1960s. KEYWORDS: Archetype -femme fatale- antihero-woman-genre-film EVOLUCIÓN DE LA FEMME FATALE EN CAUTIVO DEL DESEO: DE LA TENTACIÓN Y LA HUMILLACIÓN A LA LOCURA Y LA MUERTE RESUMEN En este artículo se analiza la evolución del personaje femenino en la película Cautivo del deseo (Of human boundage, John Cromwell, 1934), interpretada por Bette Davis y Leslie Howard. -
ACTA UNI VERSITATIS LODZIENSIS Anna Gazdzinska a WOMAN
ACTA UNI VERSITATIS LODZIENSIS FOLIA LITTERARIA ANGLICA 5, 2002 Anna Gazdzinska A WOMAN IMPRISONED ANALYSIS OF FORMAL INFERIORITY OF WOMEN IN SELECTED NOVELS OF W. S. MAUGHAM If Maugham as a creator of characters is remembered chiefly for his heroines, he is also associated with misogyny and unfavourable treatment of his females. Their inferiority to men is often voiced openly by Maugham’s male characters who wish their wives in Hell,1 doubt their judgment, and despise their morals. For Maugham and his male characters “the usual effect of a man’s co-habitation with a woman . is to make him a little more petty, a little meaner than he would otherwise have been.”2 However, an analysis of selected novels of W. S. Maugham: O f Human Bondage, Cakes and Ale, The Painted Veil, The Moon and Sixpence, The Narrow Corner and The Razor’s Edge shows that contempt for the “other” sex is not only expressed verbally by Maugham’s male characters, often acting as his mouthpieces. The inferiority of Maugham’s females is deeply rooted in the structure of the novels as well: women find themselves in a variety of “prisons” on the level of plot, narration and linguistic form down to the layer of the subconscious - symbols, myths and stereotypes. The inferiority of women is discernible in the formal method of their portrayal in Maugham’s novels. Although his female characters play a variety of roles in his fiction - of literary lionesses, novelette writers or waitresses, their most important and immediately recognizable role is their relation to men. -
The 2012 Olympic Torch Arrives in the Medway Towns!
Issue Number 27: August 2012 £2.00 ; free to members The 2012 Olympic Torch Arrives in the Medway Towns! On Friday 20 July 2012, exactly a week before the opening ceremony of the Olympic Games in London, the Olympic Torch arrived in the Medway Towns. In the main picture the torch arrives at The Vines in Rochester (photo Rob Flood) and to the left, the torch progresses up Strood Hill (photo Tessa Towner). More pictures inside. The torch handover at The Vines Photo by Rob Flood. FOMA Chairman Tessa Towner's great grandson Levi flies the flag! Photo by Tessa Towner. Strood residents (or Stroodites) wait just below the Coach and Horses pub on Strood Hill for the Olympic Torch to arrive. Photo by Tessa Towner. The torch arrives at the Rede Court Road Junction of Gravesend Road, Strood. Photo by Ken New. 2 From the Chairman Tessa Towner, Chairman. What a fantastic couple of months we have had! The Diamond Jubilee celebrations (despite the rain) were fantastic, the river pageant in all its glory, the wonderful concert in front of the palace and the firework finale, and then the solemn thanksgiving service at St Paul's and the fly past over the palace. What a wonderful tribute to our Royal Family and especially the Queen for 60 glorious years. Then there was the Trooping of the Colour carried out with the usual military precision for which the British soldier is renowned throughout the world. No other country does this like ours. And then the Olympics! The opening ceremony was quintessentially British and celebrated our history in such a vivid and spectacular way. -
Directed by Michael Donald Edwards, OUR BETTERS Opens March 13 at Asolo Rep
Directed by Michael Donald Edwards, OUR BETTERS Opens March 13 at Asolo Rep "A more devious Downton Abbey." – NowToronto.com (SARASOTA, February 5, 2015) — Before there was Downton Abbey, there was Our Betters, W. Somerset Maugham's fiery romantic dramedy about the invasion of sly social-climbing American heiresses into British society. The fifth play in the third season of Asolo Rep's five-year American Character Project illuminates a sect of wealthy, early 20th-century American women who yearned for the pomp and circumstance – and parties – of the British nobility. Directed by Asolo Rep's producing artistic director Michael Donald Edwards, Our Betters opens Friday, March 13, 2015 at 8pm and runs through Sunday, April 19 at Asolo Rep, with previews Wednesday, March 11 and Thursday, March 12 at 8pm. In early 20th-century England, broke British aristocrats desperately needed money to maintain their ornate estates, and wealthy American women desperately wanted -more- Our Betters Page 2 of 7 the prestige of marrying well. After marrying a baronet, American hardware heiress Lady Pearl Grayston appears to have everything a girl could want – a posh title, a throng of adoring lovers, and the crème de la crème of British society, including a princess and a duchesse, at her beck and call – but she wants more. When Pearl's little sister, Bessie, crosses the pond to join her sister's enviably glamorous life and find a noble husband of her own, she is unprepared for the scandal that is about to erupt behind closed manor doors. “Brimming with dynamic and passionate women of position, prestige and wealth, Our Betters reveals how they prevailed in a society with limited options for women," said Michael Donald Edwards. -
A Study of Ws Maugham
A STUDY OF W.S. MAUGHAM HARUMA OKADA W.S.モーム研究 岡田春馬 William Somerset Maugham was born in Paris in 1874. As the family name shows, he may come from the Celtic lineage originally. From the family many great persons concerned with jurisprudence appeared from generation to generation. His grandfather was the founder of the Society of Jurisprudence, and wrote many essays. His father was also the famous lawyer, who was a counsellor of English Embassy to France, and practised in Paris. According to what Maugham writes in Summing Up, his father was a man of very singular inclination, and travelled much to Turkey, Greece and Morocco ; such places where many persons do not often visit. I feel his father's romantic vein of blood in Maugham's inclination of vagabond and adventurous spirit seeking for new experiences. He studied at the University of Heidelberg before taking up medicine in London. Since then, his travels have been frequent and extensive. He had been to India, Burma, Siam, Malaya, China, the South Seas, Russia, and the Americas, but his homes are made in London, Paris, and New York, and on the French Riviera which forms a kind of seasonable annexe to those three capitals. In my opinion, his travels nourished his writings. A cosmopolitan society supplied the background for most of his fiction and his plays, but he is as much at ease with the outpost life of British and French colonies and with remote mission stations. There must be a huge number of people whose only knowledge of missionaries is derived from the most famous story of all Maugham's short stories, Rain. -
A Civil Rights Mission to the Deep South
A Civil Rights Mission To the Deep South A civil rights mission with the Jewish Council of Public Affairs took me last week to the places where the struggle for civil rights was fought in the 1950’s and ‘60’s. When we hear Pittsburgh, Poway, or New Zealand we immediately think of the incidents that recently occurred in those places. When we hear the names Montgomery, Selma or Birmingham our association is not just with a geographic locale, but with what transpired there. When we hear of Montgomery, we think of Rosa Parks and the bus boycott because blacks were not allowed to sit in the front of the bus and were required to give up their seats for whites. Selma evokes the imagery of Bloody Sunday and the Edmund Pettus Bridge, which we walked across. Birmingham reminds us of Bull Connor, the sheriff who unleashed dogs and water hoses to deny blacks their rights, while doing nothing to protect blacks and black churches from being bombed. Our mission began at the Museum of Civil and Human Rights in Atlanta and toured all these places in the Deep South exposing us to the harsh reality of a time when our nation violated and contradicted its promise of equality for all, and the ensuing struggle to force us to live up to our ideals and founding principles. We learned about the cruelty of human bondage which separated families, where human beings were bought, sold and treated not like human beings, but like property. We bore witness to the way blacks were degraded and humiliated, and the discrimination and suffering they endured after slavery ended. -
Cabinet Member Report William Somerset Maugham PDF 182 KB
Cabinet Member Report Decision Maker: Cabinet Member for the Built Environment Date: 8 June 2016 Classification: For General Release Title: Commemorative Green Plaque for William Somerset Maugham at 2 Wyndham Place, W1 Wards Affected: Bryanston and Dorset Square Key Decision: An entry has been included in the Forward Plan of Key Decisions Financial Summary: The Green Plaque Scheme depends on sponsorship. Sponsorship has been secured for this plaque Report of: Director of Policy, Performance & Communications 1. Executive Summary William Somerset Maugham was a British playwright, novelist and short story writer. He was among the most popular writers of his era and reputedly the highest paid author during the 1930’s. 2. Recommendations That the nomination for a Westminster Commemorative Green Plaque for William Somerset Maugham at his London home at 2 Wyndham Place, be approved, subject to Listed Building Consent being granted for the Plaque and for sponsorship in full . 3. Reasons for decision William Somerset Maugham was a complex and interesting character and master of the short, concise novel. The last years of the British Empire offered him magnificent canvasses on which to write his stories and plays, evoking the feelings and emotions that allow the reader to understand and identify with the characters. 4. Policy Context The commemorative Green Plaques scheme complements a number of Council strategies: to improve the legibility and understanding of Westminster’s heritage and social history; to provide information for Westminster’s visitors; to provide imaginative and accessible educational tools to raise awareness and understanding of local areas, particularly for young people; to celebrate the richness and diversity of Westminster’s former residents. -
Stylistic Use of Phraseological Units in Discourse
Stylistic Use of Phraseological Units in Discourse Anita Naciscione John Benjamins Publishing Company Stylistic Use of Phraseological Units in Discourse Stylistic Use of Phraseological Units in Discourse Anita Naciscione John Benjamins Publishing Company Amsterdam / Philadelphia TM The paper used in this publication meets the minimum requirements of 8 American National Standard for Information Sciences – Permanence of Paper for Printed Library Materials, ansi z39.48-1984. doi: 10.1075/z.159 Library of Congress Cataloging-in-Publication Data Naciscione, Anita. Stylistic use of phraseological units in discourse / Anita Naciscione. p. cm. Includes bibliographical references and index. 1. English language--Rhetoric. 2. English language--Style. 3. English language--Terms and phrases. 4. Discourse analysis. I. Title. PE1442.N35 2010 808'.0014--dc22 2010028218 isbn 978 90 272 1176 7 (hb; alk. paper) isbn 978 90 272 8769 4 (Eb) An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access for the public good. The Open Access isbn for this book is 978 90 272 8769 4. © 2010 – John Benjamins B.V. This e-book is licensed under a Creative Commons CC BY-NC-ND license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc-nd/4.0/. For any use beyond this license, please contact the publisher. John Benjamins Publishing Co. • P.O. Box 36224 • 1033 me Amsterdam • The Netherlands https://benjamins.com TM The paper used in this publication meets the minimum requirements of 8 American National Standard for Information Sciences – Permanence of Paper for Printed Library Materials, ansi z39.48-1984. -
The Unknown, a Play in Three Acts
THE UNKNOWN BY THE SAME AUTHOR. PLAYS (Uniform with this Volume) : THE EXPLORER MRS. DOT A MAN OF HONOUR PENELOPE JACK STRAW LADY FREDERICK THE TENTH MAN SMITH LANDED GENTRY NOVELS : THE EXPLORER THE MAGICIAN THE MERRY-GO-ROUND THE MOON AND SIXPENCE MRS. CRADDOCK OF HUMAN BONDAGE 7*HE UNKNOWN A PLAY In Three Acts BY W. 5. MAUGHAM LONDON : WILLIAM HEINEMANN MC.MXX PR Copyright : London William Heinemann 1920 To VIOLA TEEE. , This play was produced on Monday, August 9, 1920, at the Aldwych Theatre with the following cast : COLONEL WHARTON MB. CHARLES V. FRANCE MAJOR WHARTON (JOHN) MR. BASIL RATHBONE MRS WHARTON LADY TREE MRS. LITTLEWOOD Miss HAIDEE WRIGHT REV. NORMAN POOLE MR. H. R. HIGNETT MRS. POOLE Miss LENA HALLIDAY SYLVIA BULLOUGH Miss ELLEN O'MALLEY DR. MACFARLANE MR. CLARENCE BLAKISTON KATE Miss GWENDOLEN FFLOYD vfl THE UNKNOWN CHARACTERS COLONEL WHABTON MAJOR WHABTON (JOHN) MBS. WHABTON MBS. LITTLEWOOD REV. NOBMAN POOLE MBS. POOLE SYLVIA BULLOUGH DR. MACFARLANE KATE COOK The action of the play takes place at the Manor House, Stour, in the County of Kent. The author ventures to suggest to the readers of this play that he makes no pretensions to throw a new light on any of the questions which are discussed in it, nor has he attempted to offer a solution of problems which, judging from the diversity of opinion which they have occasioned, may be regarded as insoluble. He has tried to put into dramatic form some of the thoughts and emotions which have recently agitated many, and for this purpose he has chosen the most ordinary characters in the circle with which, owing to his own circumstances, he is best acquainted. -
Revolutionary Hedonism in W.S. Maugham's Cakes And
9ROXPH,,,,VVXH,9-XQH,661 Revolutionary hedonism in W.S. Maugham’s Cakes and Ale Dr. Girish Chandra Pant Assistant Professor Seemant Institute of Technology Pithoragarh Uttarakhand India Abstract In Cakes and Ale Maugham puts up strong defense of sex as a source of pleasure.His heroine defies traditional stepping on the old Victorian morality. She emerges as the model of hedonism and she has been examined without mercy, the manner in which exaggerated literary reputation are artificially stimulated. The novel gives us a great character, a sweet harlot whose worth survives the corrosion of the author’s skepticism. What we love in her is her unadorned beauty and boldness for frequent physical relations. Rosie the heroine is untamed but human goodness, delicious honest kindliness are the inseparable part of her personality. The charming extravagance and falsehood does not exist in the novel. There is adventure and it is romantic indeed. Rosie’s life is romantically adventurous and it is based on hedonism. It is contradictory in the novel that whether realism is pure or not but we have the sufficiently recognizable feature of life. The type of sex incorporated in it belongs to real life which in civilized states suppressed as a guilty secret. Keywords: morality, boldness, instinct, nymphomania, conjugal life, inner world, ultra modern, adultery 1. INTRODUCTION: In 1930 W. Somerset Maugham was the highest paid British author when his next masterpiece of middle phase Cakes andAle published and in the opinion of critics this novel was very closer to Of Human Bondage. The appreciation and evaluation of Cakes and Ale not only accorded to it the fame of being a masterpiece but it also became the most controversial novel of W.S. -
Constant Wife Program:Constant Wife Program
We l c o m e t o Dear Friends — it’s good to have you here! Old friends are best, wouldn’t you agree? With so much activity in and around our theatres of late, with the red carpet out for the likes of Twyla Tharp, Chita Rivera, and Sandy Duncan, it’s good to know that we continue to be loyal to and support artists whose evolving careers have made such a contribution to our community, and who are largely responsible for the extraordinary level of accomplishment of these past decades. There is a small cavalcade of Associate Artists returning for this next round, and it’s worth noting that among them, with the presence of director Seret Scott, costume designer Lewis Brown, set designer Ralph Funicello, and the great Kandis Chappell of The Constant Wife, we are also delighted to welcome home to the Carter our beloved Jonathan McMurtry whose tenure here on our stages rivals Craig Noel’s for quality, consistency, and sheer endurance. Trying, directed by Rick Seer, could have been written for Jonathan, and that comfortable fit in no way diminishes our awareness of just how fortunate we are to provide a creative home for these men and women whose talents are so interwoven with the pleasure of our playgoing. We don’t forget nor neglect the men and women upon whose backs we’ve made our reputation, any more than we ever wish to overlook your importance to us in the planning and the sustaining of this Theatre. JACK O’BRIEN Artistic Director Last summer The Old Globe celebrated its 70th Anniversary and its rich history as one of the most prominent theatres in North America. -
THEATRE to Learn English to Use Classic Literature
W. S. Maugham W. S. Maugham English to learn to THEATRE classic literature classic literature Use Методична і філологічна обробка тексту, комплекс вправ, тестів і завдань, довідкові матеріали і комертар В. В. Євченко, С. І. Сидоренко Міністерство освіти і науки України Житомирський державний університет імені Івана Франка William Somerset Maugham THEATRE Книга для читання англійською мовою Технологія роботи з текстом і філологічний коментар В. В. Євченко і С. І. Сидоренко 3-тє видання, виправлене та доповнене Вінниця Нова Книга 2019 УДК 811.111-26(07) Є13 Рекомендовано вченою радою Житомирського державного університету імені Івана Франка як навчальний посібник (протокол № 5 від 31 травня 2019 року) Рецензенти: Л. Л. Славова, доктор філологічних наук, професор, завідувач кафедри тео- рії та практики перекладу з англійської мови Інституту філології Київського національного університету імені Тараса Шевченка. А. В. Головня, кандидат філологічних наук, доцент, доцент кафедри англій- ської філології і перекладу факультету лінгвістики та соціальних комуніка- цій Національного авіаційного університету. Євченко В. В. Є13 Моем В. С. Театр : книга для читання англійською мовою : технологія роботи з текстом і філологічний коментар В. В Євчен- ко і С. І. Сидоренко : навчальний посібник / Євченко В. В., Си- доренко С. І. – 3-тє вид., випр. та допов. – Вінниця : Нова Книга, 2019. – 364 с. ISBN 978-966-382-759-9 Навчальний посібник призначений для студентів спеціальності 035 «Філоло- гія» та усіх, хто бажає розвинути власну англомовну компетентність. Він пред- ставляє відомий роман В. С. Моема «Театр» в оригіналі і комплекс вправ, завдань і довідкових матеріалів для роботи з ним. Запропонована авторами навчально- го посібника технологія роботи з художнім текстом спрямована на формування усіх основних компонентів комунікативної компетенції: мовного, мовленнєвого, соціокультурного.