We l c o m e t o

Dear Friends — it’s good to have you here! Old friends are best, wouldn’t you agree? With so much activity in and around our theatres of late, with the red carpet out for the likes of Twyla Tharp, Chita Rivera, and Sandy Duncan, it’s good to know that we continue to be loyal to and support artists whose evolving careers have made such a contribution to our community, and who are largely responsible for the extraordinary level of accomplishment of these past decades. There is a small cavalcade of Associate Artists returning for this next round, and it’s worth noting that among them, with the presence of director Seret Scott, costume designer Lewis Brown, set designer Ralph Funicello, and the great Kandis Chappell of The Constant Wife, we are also delighted to welcome home to the Carter our beloved Jonathan McMurtry whose tenure here on our stages rivals Craig Noel’s for quality, consistency, and sheer endurance. Trying, directed by Rick Seer, could have been written for Jonathan, and that comfortable fit in no way diminishes our awareness of just how fortunate we are to provide a creative home for these men and women whose talents are so interwoven with the pleasure of our playgoing. We don’t forget nor neglect the men and women upon whose backs we’ve made our reputation, any more than we ever wish to overlook your importance to us in the planning and the sustaining of this Theatre. JACK O’BRIEN Artistic Director

Last summer The Old Globe celebrated its 70th Anniversary and its rich history as one of the most prominent theatres in North America. With more than a quarter million attendees visiting for performances and educational events each year, The Old Globe has become integral to the fabric of this community. Initially guided by San Diego legend and American theatre icon Craig Noel, the Globe continues to raise the bar of excellence in the theatre industry under the artistic direction of the incomparable Jack O’Brien. To secure its future and continue as a leader in the American theatre, The Old Globe has just launched a major fundraising campaign projected to raise $75 million by the Theatre’s 75th Anniversary in 2010. This campaign will enhance our endowment to ensure the long-term health of the organization; improve facilities to maintain our state-of-the-art theatres, as well as expand the Globe’s education and administrative spaces; and increase operating funds that will allow the Theatre to sustain its unparalleled level of production and artists on its stages while the endowment grows. We invite you to join us in this important campaign to preserve your San Diego cultural landmark for future generations at whatever gift level is possible for you. Your support will be greatly appreciated. LOUIS G. SPISTO Executive Director

2006 at The Old Globe began with two productions that defied categorization. Twyla Tharp’s surrealistic THE TIMES THEY ARE A-CHANGIN’ was its own unique event — a Fellini-esque dreamscape of movement scored with the songs of Bob Dylan. Lee Blessing’s A Body of Water presented a shifting, unknowable world where probabilities — never mind certainties — were as rare as Diogenes’ truth-teller. It may strike some as comforting, then, to return to the more traditional world of Shavian-style comedy as crafted by W. Somerset Maugham in The Constant Wife; or to the insightful, moving exploration of generational relationships recalled by Joanna McClelland Glass in Trying. Both explore values, mores and social customs, while they engage and entertain us in the manner of more traditional theatre. The four plays taken together offer an example of the richness of resident theatre: its diversity and breadth of view, its commitment to cover theatre’s existing canon and to search for new ground. Subscribers make this possible, providing a financial base for each production by agreeing to support a season of plays (and getting bargain ticket prices in return). We suspect every subscriber won’t love every play, even though we hope you do, but we do believe every play we bring before you has the art and dimension to be worth your consideration and time. We thank our subscribers for supporting both theatre that feels comfy and the kind that stretches you, too. We need both kinds to stay limber.

JERRY PATCH Resident Artistic Director

PERFORMANCES MAGAZINE P1 2 0 0 6 S e a s o n S p o n s o r s

The Old Globe is deeply grateful to its Season Sponsors, each of whom has made an annual donation of $50,000 or greater. These gifts are critical to maintaining the Theatre’s high quality of artistic programming, and award-winning work in the community. The Board, staff and artists of the Globe are honored by this endorsement of the Theatre’s work.

The Lipinsky Family Donald and Darlene Shiley Sheryl and Harvey P. White Karen and Donald Cohn Conrad Prebys Valerie and Harry Cooper Norma Jean “Jake” Yonchak and Todd Figi Supervisor Pam Slater-Price and the County of San Diego Anonymous

Season Sponsors receive the ultimate level of access, recognition, benefits and services. To join this most cherished group of friends, please contact Todd Schultz, Director of Development, at (619) 231-1941 x2310.

P2 PERFORMANCES MAGAZINE P R E S E N T S

THE CONSTANT WIFE

BY W. Somerset Maugham

SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN Ralph Funicello+ Lewis Brown+ Chris Parry

SOUND DESIGN VOICE AND DIALECT COACH STAGE MANAGER Paul Peterson Jan Gist Lurie Horns Pfeffer

DIRECTED BY Seret Scott+

+ Associate Artist of The Old Globe Casting by Samantha Barrie

Produced by special arrangement with Samuel French, Inc.

PERFORMANCES MAGAZINE P3 C a s t o f C h a r a c t e r s

IN ORDER OF APPEARANCE Mrs. Culver...... Kandis Chappell* Bentley...... Cris O’Bryon Martha Culver...... Heidi Fecht* Barbara Fawcett...... Amanda Naughton* Constance Middleton...... Henny Russell* Marie-Louise Durham...... Lara Phillips* John Middleton, F.R.C.S...... Wynn Harmon* Bernard Kersal...... J. Paul Boehmer* Mortimer Durham...... John Rosen

Stage Manager...... Lurie Horns Pfeffer* Assistant Stage Manager...... Moira Gleason* SETTING: ACT I — John’s house on Harley Street ACT II — A fortnight later ACT III — One year later There will be one 15-minute intermission. *Members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. Si desea una sinopsis de esta obra en Español, favor de pedírsela al acomodador que le entregó este programa. If you would like a synopsis of this production in Spanish, please request it from an usher.

The Old Globe Theatre now has new seats, thanks to the generosity of many of our community members, bringing your comfort level up to that of Globe performance quality. Installing these beautiful new seats and carpet- ing has been a major undertaking, and we hope you will help us defray the costs by naming one or more of the new seats. Sponsor a seat for $5,000, and we will inscribe your name on a brass arm-rest plaque, as a visible acknowledg- ment of your leadership in Globe support. The Old Globe begins the 21st Century with national and international artistic presence like never before. Reserve your place in the history of The Old Globe by calling our Development Office at (619) 231-1941 x2309 today.

P4 PERFORMANCES MAGAZINE 2 0 0 6 B o a r d o f D i r e c t o r s

We are pleased that you are joining us for another memorable production during our celebratory 70th Anniversary season. Our current plays include a revival of a classic 20th-century comedy of manners and marriage, W. Somerset Maugham’s The Constant Wife, and an innovative new drama, Trying, by Joanna McClelland Glass, which reflects the playwright’s own experience of the barriers of age and class between co-workers. To continue to support such a wide variety of plays each season, including works by Shakespeare and Broadway-bound musicals, The Old Globe has just announced a $75 million campaign to secure the Globe’s future by providing 1) an endowment sufficient to ensure long-term stability of The Old Globe; 2) much needed enhanced facilities; and 3) critical operating support. The Board encourages each of you, as patrons of the Globe, to contact our Development Office to learn more about this Campaign and to make your own personal commitment. I am honored to serve as Chair of The Old Globe’s Board of Directors and to help support an organization which is so highly regarded across our country. On behalf of the Board of Directors, I would like to thank you for making the Globe a part of your life. We hope you will continue to be involved as a patron and as a supporter. Enjoy the show!

Kathryn Hattox, Chair, Board of Directors

Board of DIRECTORS Timothy A. MacDonald EMERITUS DIRECTORS Directors Mary Beth Adderley Arthur Neumann Garet B. Clark Joseph Benoit Robin Nordhoff J. Dallas Clark (1913–2005) Charles Brazell John Rebelo OFFICERS Bernard Lipinsky (1914–2001) Trina Brown Mike Samson Delza Martin (1915–2005) Kathryn Hattox* Karen Cohn* Kelly Sanders Chair Patsy Shumway Valerie S. Cooper Tom Sayles Harvey P. White Tim K. Zinn* Darlene G. Davies Phyllis Schwartz Carolyn Yorston Treasurer Bruce M. Dunlap Nancy A. Spector Anthony S. Thornley* Sue Ebner Louis G. Spisto* HONORARY DIRECTORS Vice Chair – Development Bea Epsten Daniel L. Sullivan, Ph.D. Sandra Redman* Pam Farr Julie H. Sullivan, Ph.D. Mrs. Richard C. Adams Vice Chair – Nominating Sally Furray, R.S.C.J. Anne C. Taubman (1912–2005) Deni S. Carpenter* Victor P. Gálvez Dean Thorp Clair Burgener Secretary F. George Gilman Evelyn Mack Truitt Mrs. John H. Fox Robert H. Gleason* Debra Turner (1908–2003) Carol Hanson Patricia Weil Audrey Geisel Ronald Heller, M.D. Stewart J. Weissman Paul Harter Viviana Ibañez Sheryl White* Gordon Luce Joseph E. Jessop, Jr. Norma Jean “Jake” Yonchak Dolly Poet Deborah Szekely Katherine Kennedy *Executive Committee Member Sheila Lipinsky* Hon. Pete Wilson Carlos D. Malamud

The Old Globe is supported in part by grants from The City of San Diego Commission for Arts and Culture, Chairwoman Pam Slater-Price and The County of San Diego, The James Irvine Foundation, The Shubert Foundation, The National Endowment for the Arts, Weingart-Price Fund at The San Diego Foundation, Mandell Weiss Charitable Trust, and The San Diego Foundation’s Arts & Culture Grants Program. PERFORMANCES MAGAZINE P5 6 6 6SAV6E TH6E D6ATE6! 6 6 6 6 6 6 6 6 6 6 6 2006 Globe Gala 6 6 6 6 6 6 6 6 6 Saturday, September 16 5pm Cocktails and Silent Auction 6 6 66:306pm Perfo6rmance 6 6 6 6 9:30pm 6 6 6 6Dinn6er and Danc6ing 6 6 6 Spend an evening under the stars ... with the stars!

2006 GALA CO-CHAIRS 6 VALERIE6 COOPER 6 · ROBERT GLEASON6 · NORMA6 JEAN “JAKE”6 YONCHAK6 · CAROLYN6 YORSTON 6

6 6 For6 information6 contact Eileen6 Prisby at (619)6 238-00436 x2303. 6 6

JOIN US FOR A PRE-SHOW PARTY!

Now you have the opportunity to enjoy a pre-show wine-tasting reception in The Old Globe plaza garden! Each event includes a wine tasting of some of San Diego’s finest wines, light appetizers, and a ticket to see that evening’s performance. THE CONSTANT WIFE Friday, April 7 at 6:30pm THE VIOLET HOUR Friday, May 26 at 6:30pm

Join us for a pre-show mixer with live music, host bar, appetizers and ticket to see a performance. Kick off the weekend in style with friends at a pre-show bash!

THE CONSTANT WIFE Friday, April 14 at 6:30pm THE VIOLET HOUR Friday, June 2 at 6:30pm

CALL (619) 23-GLOBE (234-5623) FOR TICKETS AND MORE INFORMATION.

P6 PERFORMANCES MAGAZINE E x e c u t i v e P r o d u c e r s - L e a d e r s h i p G i f t s

The Executive Producers are a special group of friends who believe that The Old Globe plays an essential role in this community. Each has made a recent leadership gift of $1,000,000 or greater to significantly enhance The Old Globe today, paving a bright future for the Globe in years to come:

$10,000,000 or greater $1,000,000 or greater

Conrad Prebys Audrey S. Geisel/ San Diego Foundation Dr. Seuss Fund Kathryn Hattox $5,000,000 or greater Estate of Beatrice P. Lynds Sheryl and Harvey P. White Mr. and Mrs. Victor H. Ottenstein Estate of Dorothy Shorb Prough Donald and Darlene Shiley

We applaud the leadership and vision of these truly wonderful friends. To learn more about becoming an Executive Producer, please contact Todd Schultz, Director of Development, at (619) 231-1941 x2310. Listing represents gifts received after January 2000.

A d v i s o r y C o u n c i l M e m b e r s

Mr. Lawrence Alldredge Fifth & Hawthorn Restaurant/ Bob Martinet & Susan Parkin Ms. Jeanette Stevens Dr. Paul L. Black Dave Witt Dr. Marianne McDonald Dr. & Mrs. Jay Sweeney Clint Burdett Mr. & Mrs. Arnold Ginnow Paul I. Meyer Marc R. Tarasuck, AIA Dr. & Mrs. Edgar D. Canada Ms. Alexa Hirsch Mr. & Mrs. George Miller Dixie & Ken Unruh Mary Clark Mr. & Mrs. Leonard Hirsch Mrs. Harle Montgomery June Yoder Steven J. Cologne Mr. & Mrs. Alfred W. JaCoby David & Noreen Mulliken Mr. & Mrs. Robert D. Young R. Patrick & Sharon Connell Russell & Mary Johnson Bette Nagelberg Mr. & Mrs. J. Robert King Charles Noell For more information, Mrs. Susan B. Cowell please contact Brad Ballard Pat & Dan Derbes Ken & Sheryl King Mr. & Mrs. Victor H. at (619) 231-1941 x2309. Mrs. Philip H. Dickinson Rosalie Kostanzer & Ottenstein Michael Keefe Mr. & Mrs. Robert W. Doede Mr. & Mrs. Arthur Rivkin Bob & Laura Kyle Ms. Marion Eggertsen Donald & Darlene Shiley Terry & Mary Lehr Dr. Bernard Eggertsen & Ms. Roberta Simpson Ms. Florence Nemkov Ruth & Ron Leonardi Dorothy & Joel Sollender Mrs. Danah H. Fayman Peter & Inge Manes Gail Squires & Yaman Sencan

PERFORMANCES MAGAZINE P7 His signature was W. Somerset Maugham — “W” for William, a name he never used — yet all of his friends called him “Willie.” His life began literally at the British Embassy in Paris, a birth arranged by his English parents to ensure his British citizenship. Orphaned at ten and speaking only French, he was sent to England to live with his stern uncle, the Vicar of Whitefield. In struggling to learn English, he developed a stammer which was to burden him all his life. At boarding school the stammer and his short stature made him the victim of bullying and humiliation. Yet he cites these experiences as catalysts for his later success. It is said that he was the highest paid writer in the English speaking world in the 1930s. The sheer volume of his writing of plays, novels, short stories, trav- el writings and essays is staggering. At the age of eighteen he knew he wanted to be a writer, but this career was unacceptable to his family. So he studied medicine and practiced in the slums of London, writing constantly about those experiences which led to his first critical success, the novel Liza of Lambeth. Much of his writing was autobiographical and was inspired by his varied experiences: as a World War I ambulance driver and later British secret agent (Ashenden: or The British Agent, about a James Bond-like character); as a world traveler in the far East (British colonial intrigue in The Letter and others) and the South Sea Islands (The Moon and Sixpence – based on artist Paul Gaugin’s sojourn in Tahiti). In 1913 he began an affair with Syrie Wellcome, a married socialite and interior designer like Constance Middleton in The Constant Wife. Their daughter Elizabeth (Liza) Maugham was born in 1915 and they married in 1917. The marriage ended in 1927 shortly after the

CONSTANCE: “Have you ever considered what marriage is among well-to-do people? In the working classes a woman cooks her husband’s dinner, washes ❃ for him and darns his socks. She looks after the ❃ children and makes their clothes. She gives good value for the money she costs. But what is a wife in our class? Her house is managed by servants, nurses look after her children, if she has resigned herself to MARRIAGE having any, and as soon as they are old enough she “In every marriage more than a week old, there packs them off to school. Let us face it, she is no are grounds for divorce. The trick is to find, more than the mistress of a man of whose desire she and continue to find, grounds for marriage.” has taken advantage to insist on a legal ceremony — Robert Anderson, Solitaire and that will prevent him from discarding her when his Double Solitaire desire has ceased . . . My dear, any sensible man would sooner play bridge at his club than with his “More marriages might survive if the partners wife, and he’d always rather play golf with a man than realized that sometimes the better comes after with a woman. A paid secretary is a far better help- the worse.” mate than a loving spouse. When all is said and — Ruth Bell Graham done, the modern wife is nothing but a parasite.” “A happy marriage is the union of two good — The Constant Wife forgivers.” — Doug Larson FASHION PLATE 1929. SOURCE FOR ASSOCIATE ARTIST LEWIS BROWN’S DESIGN FOR CONSTANCE MIDDLETON IN THE CONSTANT WIFE. “There is no substitute for the comfort supplied by the utterly taken-for-granted FOR MORE INFORMATION ABOUT THIS relationship.” PRODUCTION, PLEASE VISIT OUR WEBSITE AT — Iris Murdoch www.TheOldGlobe.org.

P8 PERFORMANCES MAGAZINE London opening of The Constant Wife. During the war he also met and began a thirty- year relationship with a young American, Gerald Haxton. His best known works include: the novels Of Human Bondage (often named his masterpiece), The Moon and Sixpence, The Razor’s Edge (all later made into successful films); the plays The Circle, Our Betters and The Constant Wife. Recently, The Constant Wife has been frequently revived, possibly due to the contemporary issues depicted in the Middleton’s marriage. Maugham's home on the Riviera, bought in 1928, became an international salon of celebrities in art, literature and politics. He died there in December of 1965 at the age of 92. — Diane Sinor, Dramaturgy Associate

... ON MAUGHAM “I wrote a series of plays in quick succession. It began with Our Betters, which was written in 1915, and ended with The Constant Wife in 1927. They are written in the tradition which flourished so brightly in the Restoration Period, which was carried on by Goldsmith and Sheridan ... The people who do not like it describe it as artificial comedy ... It is drama not of action, but of conversation. It treats with indulgent cynicism the humours, follies and vices of the world. It is urbane, sentimental at times, for that is in the English character, and a trifle unreal. It does not preach: sometimes it draws a moral, but with a shrug of the shoulders ... — W. Somerset Maugham, from The Summing Up, 1938, Doubleday & Company (1945 Edition)

“Prose drama is one of the lesser arts, like wood carving or dancing, but so far as it is an art at all its purpose is to afford delight. If comedy castigates the follies of the moment, that is ... only when the process occasions laughter. The object is the entertainment rather than the improvement of the audience. I cannot persuade myself that the drama can usefully concern itself with the welfare of humanity or the saving of civilization. In the eighteenth century poets were didactic and wrote long poems on agriculture, astronomy, beekeeping and forestry. They were much praised for doing so. Now we are all agreed that they were in error. When we want to know about such things we consult a textbook. We do not want our poets to impart information or to inculcate the principles of morality. Similarly it may be that in a little while, as taste improves and knowledge spreads, people will reach the conclusion that drama does best to confine itself to what it can best do. That, in my opinion, is to give pleasure by telling a story, delineating character, and by stirring emotion or causing laughter.” —W. Somerset Maugham, Preface to Six Comedies, 1937 ... IN BRIEF “Tradition is a very good thing, but I think it’s a mistake to “Impropriety is the soul of wit.” make a habit of it.” “Like all weak men he laid an exaggerated stress on not “You are not angry with people when you laugh at them. changing one’s mind.” Humor teaches tolerance.” “It is a funny thing about life; if you refuse to accept anything “Only a mediocre person is always at his best.” but the best you very often get it.”

PERFORMANCES MAGAZINE P9 P r o f i l e s

The Actor’s Co-op; Once in a Lifetime, Theatre TheaterWorks; Dinner with Friends, Pittsburgh Kandis Chappell Associate Artist (Mrs. Culver) Neo; Philadelphia Story, Tartuffe, The Court Public Theatre; Proof, Virginia Stage Co; the world THE OLD GLOBE: Theatre; The Seven Year Itch, After the Fall, Circle premiere of The Smell of the Kill, Cleveland More than 25 produc- Theatre. FILM: Valiant, For Heaven’s Sake, Warm Playhouse; the American premiere of The Things tions including The Blooded Killers, Shteps, Three Days, The Picture of You. We Do for Love (Studio Arena); the world premiere Winter’s Tale, The Comedy TV: Strong Medicine, Angel, Port Charles, Jesse, Family of The Lake’s End, Adirondack Theatre Festival; It of Errors, Julius Caesar, Matters, What Should You Do?. EDUCATION: Ms. Pays To Advertise, Yale Rep; State of the Union, Henry V, Collected Stories, Fecht received a BFA in Theatre from Stephens Indiana Rep. TV: Law & Order, Hope and Faith, Intimate Exchanges, The College, Colombia, MO. Pensacola: Wings of Gold, Silk Stalkings. FILM: Loopy Dining Room, King Lear, (currently showing on the Independent Film The Merchant of Venice. BROADWAY: Rumors, Amanda Naughton Channel), Corn (recently released on DVD). Getting Away with Murder, Pride’s Crossing. (Barbara Fawcett) EDUCATION: Ms. Russell is a graduate of New REGIONAL: The Guardsman, Arcadia, THE OLD GLOBE: York University (BFA) and The Old Huntington Theatre; Woman in Mind, The Magic Loves & Hours, Paramour. Globe/University of San Diego MFA program. Fire, Milwaukee Rep; Intimate Exchanges, Three Tall BROADWAY: Into the Women, Intiman Theatre; San Jose Rep; ACT; Woods, The Secret Garden. Williamstown; Arizona Theatre Company; and OFF-BROADWAY: Lara Phillips more than 15 productions at South Coast Rep. Romance in Hard Times, EDUCATION: Ms. Chappell holds a BA from Public Theatre; SDSU. Hundreds of Hats, WPA Theatre; Three Postcards, Circle Rep.; Mr. President, Douglas Fairbanks Theatre. REGIONAL: Amour, Cris O’Bryon O. Henry’s Lovers, A Little Night Music, Goodspeed (Bentley) Musicals; The Betrayal of Nora Blake, Cuillo REGIONAL: Center; Off-Key, George Street Playhouse; The Tomfoolery, Renaissance Royal Family, Caldwell Theatre; Edith Stein, GeVa; (Marie-Louise Durham) Theatre Company; The On the Town, Pittsburgh CLO; Gypsy, Tartuffe, CHICAGO: As You Like It, All the Rage, Goodman Importance of Being Threepenny Opera, The Pajama Game, Misalliance, Theatre; The Treatment, The Physicists, The Earnest, Cherry Tree The Waves, Hangar Theatre; The Foreigner, Steel Removalists, A Red Orchid Theatre; Never Come Playhouse; Forever Plaid, Magnolias, Barefoot in the Park, Hello Dolly, Anything Morning (Joseph Jefferson Citation, Best Harris Goldman; Song Goes, Forestburgh Playhouse. TV: Betty Roberts Supporting Actress), The Prop Theatre. TV: on the Wind, New Life on Remember WENN, Law & Order: SVU, Law & Grey’s Anatomy, The West Wing (recurring), The Fine Arts; South Pacific, It’s Christmas and It’s Live, Order: CI, Payne, Chapelle’s Show. EDUCATION: Drew Carey Show. FILM: The Ice Harvest, The Road 1776, Northern Lights, Lamb’s Players Theatre; Ms. Naughton holds a BFA from Ithaca College. Nuonsense, Lawrence Welk Theatre; Beehive, Too to Perdition, Bullet on a Old for the Chorus, Das Barbecü, Miracle Theatre Wire, Kwik Stop. Productions; The Fantasticks, North Coast Henny Russell Repertory; Gianni Schicchi, SDSU Opera; The (Constance Middleton) Goodbye Girl, Moonlight Theatre; Sweeney Todd, THE OLD GLOBE: The Wynn Harmon Fritz Theatre; Dr. Seuss’ How the Grinch Stole Mask of Moriarty, Sylvia, (John Middleton, Christmas!, Old Globe Theatre. The Comedy of Errors, F.R.C.S.) Dracula, Macbeth, Taming THE OLD GLOBE: of the Shrew, Henry IV. Pericles, Macbeth, The Comedy of Errors, The Winter’s Heidi Fecht BROADWAY: Major Tale. BROADWAY: Porgy and Bess. OFF-BROAD- (Martha Culver) Barbara. OFF- WAY: As You Like It, The New Yorkers, Tibet Does Not REGIONAL: Amy’s BROADWAY: Boy Gets Exist. REGIONAL: A Moon for the Misbegotten, View, International City Girl, Moonlight and Magnolias, Fuddy Meers, Labor Long Wharf Theatre, Hartford Stage; The Way of Theatre; Crimes of the Day, Marion Bridge. REGIONAL: Frozen, Repertory the World, Huntington Theatre Co; Silent Edward, Heart, The Falcon Theatre of St. Louis; Something in the Air, La Jolla Playhouse; Sylvia, Travels with My Aunt, Theatre; Orange Flower Merrimack Rep; Abigail’s Party, Two River Theatre Syracuse Stage, Virginia Stage Co; Noises Off, Les Water, Tight & Shiny; Co; the world premiere of One, Cincinnati Trois Dumas, Indiana Repertory Theatre; The The Most Happy Fella, Playhouse; Spinning into Butter, Hartford Marriage of Figaro, American Repertory Theatre; A

P10 PERFORMANCES MAGAZINE Christmas Carol, Milwaukee Repertory Theatre; The Circle (1921), East of Suez (1922), The The Normal Heart, Edith Stein, She Loves Me, A Constant Wife (1926) and the anti-war piece, For Midsummer Night’s Dream, Pittsburgh Public John Rosen Services Rendered (1932). In his later years Theatre; The Three Sisters, Ring ‘Round the Moon, (Mortimer Durham) Maugham wrote his autobiography, Summing Up American Conservatory Theatre; Dr. Faustus, A THE OLD GLOBE: (1938) and works of fiction such as The Razor's Christmas Carol, Pure Poe, Capital Repertory Debut. SAN DIEGO: Edge (1945), Catalina (1948) and Quartet (1949). Theatre; The West End Horror, Bay Street Theatre; The Winslow Boy, He died in 1965. Much Ado About Nothing, Romeo and Juliet, Hudson Charlie’s Aunt, Lamb’s Valley Shakespeare Festival; As You Like It, Players Theatre; A Shakespeare Festival of St. Louis (winner of Funny Thing Happened on Seret Scott Associate Artist 2004 St. Louis Critics Award for Best the Way to the Forum, (Director) Supporting Actor, role of Jacques). FILM: Paper San Diego Rep; Musical Comedy Murders of 1940, THE OLD GLOBE: I Just Stopped By to See the Cranes (Mark). TV: Porgy and Bess Live from Lincoln To Forgive, Divine, North Coast Rep; Looking for Man, Knowing Cairo, Faith Healer, Crumbs from the Center, All My Children (Trevor Babcock). EDU- Normal, Diversionary Theatre; Action, Landscape of Table of Joy, The Trojan Women, Blues for an Alabama CATION: Mr. Harmon received a BFA from the Body, Sledgehammer Theatre; The Day Room, Sky, The Old Settler, Madame Mao’s Memories, From Boston University and an MFA from American Gaslamp Quarter Theatre; An Italian American the Mississippi Delta. OFF-BROADWAY: Second Conservatory Theatre. Reconciliation, Bowery Theatre. Stage Company, New Victory Theatre, Young Playwright’s Festival. REGIONAL: Credits at McCarter Theatre Company, Long Wharf J. Paul W. Somerset Maugham Theatre, Buffalo Studio Arena, South Coast Rep, Boehmer (Playwright) Oregon Shakespeare Festival, Yale Rep, (Bernard Kersal) William Somerset Maugham was born in 1874. Philadelphia Theatre Company, Crossroads Theatre, Center Stage in Baltimore, Studio THE OLD GLOBE: By the time he was ten, both of Maugham’s par- Theatre, ACT, Arena Stage, Woolly Mammoth 2005 Summer ents were dead and he was sent to live with his Theatre, Hartford Stage Company, Actors Shakespeare Festival. uncle, the Rev. Henry Maugham, in Whitstable, Theatre of Louisville, New Mexico Rep, Alley BROADWAY: Sir Peter Hall’s acclaimed produc- Kent. After an education at King's School, Theatre, Naked Angels, UBU Rep, National tion of An Ideal Husband. OFF-BROADWAY: Canterbury, and Heidelberg University in Black Theatre, Ford’s Theatre, Sundance Miss Evers’ Boys (NY premiere). NEW YORK: Germany, Maugham became a medical student Institute Playwright’s Lab, Pacific Playwright's New Yorrick, New Yorrick, End of Day. REGIONAL: at St. Thomas Hospital, London. While training Festival, NY Stage and Film, McCarter's Pioneer Theatre Company, Arena Stage, Seattle to be a doctor, Maugham worked as an obstetric Playwright's Retreat. As an actress, Ms. Scott Rep, Huntington Theatre, Cincinnati Playhouse, clerk in the slums of Lambeth. He used these won a Drama Desk Award on Broadway for her Cleveland Playhouse, Missouri Repertory experiences to help him write his first novel, Liza performance in My Sister, My Sister. She has been Theatre, Walnut Street Theatre, Syracuse Stage, of Lambeth (1897). The book sold well and he nominated for a Connecticut Critic’s Award, a Berkshire Theatre Festival and Theatre Works decided to abandon medicine and become a full- Beverly Hills NAACP Directing Award, and Palo Alto. FILM/TV: The Good German, The time writer. Maugham achieved fame with his D.C.’s Helen Hayes Award. She was also the Thomas Crown Affair, Star Trek: Enterprise, Voyager play Lady Frederick (1907), a comedy about recipient of a TCG/PEW National Artist and Deep Space Nine, Frasier, Judging Amy and money and marriage. By 1908 Maugham had Residency Grant at the Long Wharf Theatre. Guiding Light. Paul also narrates books on tape four plays running simultaneously in London. and is most proud of the award-winning In 1913 Maugham began an affair with the mar- ried Syrie Wellcome who bore him a daughter unabridged recording of Moby Dick. He holds a Ralph Funicello Associate Artist BFA from Southern Methodist University and Elizabeth “Liza” Mary Maugham. The two were (Scenic Design) an MFA from the Professional Theatre Training wed following Syrie’s divorce in 1917. Syrie was THE OLD GLOBE: 2004 & 2005 Summer Program at the University of Delaware. an interior designer like Constance Middleton Shakespeare Festivals, The Lady With All the and The Constant Wife is partially based on their Answers, Julius Caesar, Pericles, The Taming of the life together. At the outbreak of World War I, Shrew , The Trojan Women, Henry V, The Merry Maugham joined a Red Cross ambulance unit in Wives of Windsor, The Hostage, Paramour, Romeo and France. While serving on the Western Front he Juliet, Othello, The Comedy of Errors, Pride's Crossing, met the 22-year-old American, Gerald Haxton, Macbeth, American Buffalo, Private Lives, The Gate of and began a 30 year relationship which was one Heaven, Mister Roberts, Henry IV, Dancing at of the causes of his divorce from Syrie in 1927. Lughnasa, Hedda Gabbler, The Way of the World, During the war, Maugham's best-known novel, Twelfth Night, King Lear, Ghosts, Interior Decoration, Of Human Bondage (1915) was published. This From the Mississippi Delta, The Winter's Tale, Mr. was followed by another successful book, The Rickey..., Bargains, The Tempest, The Merchant of Moon and Sixpence (1919). Popular plays include PERFORMANCES MAGAZINE P11 Venice, The White Rose, Hamlet, Our Town, Driving Contemporary Theatre, Mark Taper Forum, Miss Daisy, Measure for Measure. ELSEWHERE: Alley Theatre (Associate Artist), Ahmanson Mr. Funicello has designed scenery on and off- Theatre, The Old Globe, La Jolla Playhouse and Jan Gist Broadway and for many theatres across the South Coast Rep. Awards include: The Who’s (Voice and Dialect Coach) country, including Lincoln Center, American Tommy (Tony, Olivier, Dora (Canada), NY Drama Jan Gist has been resident Voice, Speech, and Conservatory Theatre, A Contemporary Theatre, Desk, NY Outer Critics Circle, LA Drama Critics Dialect Coach for The Old Globe since 2002, Mark Taper Forum, Arizona Theatre Co, Seattle Awards); Not About Nightingales (Tony Award including: Summer Shakespeare Festivals, Dirty Rep, Berkeley Rep, Milwaukee Rep, Denver nomination, NY Drama Desk Award); Les Rotten Scoundrels, Pentecost, Himself and Nora, and Center Theatre Company, Guthrie Theatre, Liaisons Dangereuses (Tony Award nomination, ten Shakespeare productions. Previously she South Coast Rep, Oregon Shakespeare Festival, NY Drama Desk Award); Lighting Designer of was Head of Voice and Speech for the Alabama Williamstown Theatre Festival, Intiman the Year Award (1994) for Lighting Dimensions Shakespeare Festival for nine years and 140 pro- Theatre, Stratford Festival, New York City Opera International (trade publication). Professor of ductions. She has coached many productions at and Houston Grand Opera. He currently holds Lighting Design at UCSD for 17 years. Owner of theatres around the country including: Royal the position of Powell Chair in Set Design at his own company for entertainment and archi- Family, Ahmanson Theatre; The Country, La Jolla SDSU. tectural lighting designs, Axiom Lighting Inc. Playhouse; Continental Divide, Major Barbara, Oregon Shakespeare Festival; Hobson’s Choice, Season’s Greetings, Milwaukee Rep; A Perfect Lewis Brown Associate Artist Paul Peterson Ganesh, Arena Stage; The Taming of the Shrew, (Costume Design) (Sound Design) PlayMakers Rep; Pride and Prejudice, Indiana Rep; THE OLD GLOBE: As You Like It, Julius Caesar, THE OLD GLOBE: The Prince of L.A., The Lady and five full seasons at Utah Shakespeare Faith Healer, The Taming of the Shrew, Henry V, The With All the Answers, Moonight and Magnolias, Lobby Festival. Gist has been a guest on KPBS Radio’s Merry Wives of Windsor, Cymbeline, Paramour, The Hero, Misalliance, Vincent in Brixton, I Just Stopped A Way with Words and was the narrator for the Comedy of Errors, Henry IV, The Way of the World, By to See the Man, Fiction, Lucky Duck, The Intelligent San Diego Museum of Art’s documentaries on The Merchant of Venice, Hamlet, Our Town, And a Design of Jenny Chow, The Food Chain, Two Sisters Degas and Retratos exhibits. She coached Nightingale Sang..., Measure for Measure, Coriolanus, and a Piano, Resurrection Blues, Bus Stop, Rough dialects on the film The Rosa Parks Story and has Antony & Cleopatra, There’s One in Every Marriage, Crossing, Blue/Orange, Time Flies, Pentecost, Knowing recorded dozens of Books to Listen To. Gist is a Rashomon, Othello. BROADWAY: The Government Cairo, Loves & Hours, Splendour, All My Sons, Faith founding and published member of The Voice Inspector, Mulebone. REGIONAL: The School for Healer, Smash, An Infinite Ache, Compleat Female and Speech Trainers Association. She has also Scandal, Oregon Shakespeare Festival; The Stage Beauty, Betrayal, The SantaLand Diaries, Dr. presented many workshops internationally, such Tempest, The Caucasian Chalk Circle, Seattle Rep; Seuss’ How the Grinch Stole Christmas!, The Pavilion, as “Shakespeare’s Shapely Language” and Henry V, Richard III, The Caucasian Chalk Circle, A Enter the Guardsman, The Boswell Sisters, Vita and “Rotating Repertory” and for The Voice Streetcar Named Desire, Camille, Guthrie Theatre; Virginia, The Countess, Crumbs from the Table of Joy, Foundation Symposium: “Filling the House Kiss Me, Kate, My Fair Lady, Stratford Festival, Orson's Shadow, God's Man in Texas, Travels with My with Ease.” She teaches in The Old Globe/USD Canada; Candide, Cyrano de Bergerac, Dream on Aunt. ELSEWHERE: Milwaukee Rep, La Jolla Professional Actor Training Program. This year Monkey Mountain, Idiot’s Delight, Chemin de Fer, The Playhouse, Sledgehammer Theatre (Associate she was invited to participate in the Russian- Miser, Center Theatre Group; A Flea in Her Ear, Artist), Mo’olelo Performing Arts Company, The American Voice Teachers Exchange, with the ACT, San Francisco; The Matchmaker, Arizona Wilma Theatre, L.A. TheatreWorks, San Diego Moscow Art Theatre. Theatre Company. Opera designs include: Faust, Repertory Theatre, Florida Studio Theatre, Los Angeles Opera; Don Giovanni, Opera Theatre Lorraine Hansberry Theatre, North Coast Rep, of St. Louis; La Fanciulla del West, Deutsche Oper Diversionary Theatre, Cape Fear Regional Lurie Horns Pfeffer Berlin. Theatre, Hope Summer Repertory Theatre, (Stage Manager) Malashock Dance & Company, The University THE OLD GLOBE: Knowing Cairo, Splendour, of San Diego, San Diego State University, and Getting and Spending, Labor Day, The Mask of Chris Parry the Freud Theatre at UCLA. EDUCATION: BFA Moriarty, The Real Thing, Wonderful Tennessee, Much (Lighting Design) in Drama with an emphasis in Technical Design Ado About Nothing, Dancing at Lughnasa, Play On!, The THE OLD GLOBE: The Seagull, Love’s Labour’s from San Diego State University. Gate of Heaven, Cowgirls, Overtime, Damn Yankees, Lost, Rebel Armies ... Originally from England, Madame Mao’s Memories, Tintypes, Uncommon Players, Chris has 30 years design experience and has Mister Roberts. BROADWAY: Billy Crystal’s 700 won 24 industry awards and nominations. Over Sundays, Play On!. NATIONAL TOUR: Billy Crystal’s 150 designs worldwide, including several 700 Sundays. REGIONAL: Pasadena Playhouse, La designs on Broadway, for the Royal Shakespeare Jolla Playhouse, Arizona Theatre Company, Company and Royal National Theatre, UK; Los Hartford Stage Company. Lurie is delighted to be Angeles Opera, Welsh National Opera and back at the Globe, and to be working again with many regional theatres, including the Guthrie Seret Scott. Theatre, Hartford Stage, Seattle Repertory, A

P12 PERFORMANCES MAGAZINE Moira Gleason (Assistant Stage Manager) THE OLD GLOBE: As Assistant Stage Manager: Dr. Seuss’ How the Grinch Stole Christmas! (‘05), 2005 Summer Shakespeare Festival; as Production Assistant: Vincent in Brixton, I Just Stopped By to See the Man, Fiction, The Full Monty; as Douglas Pagliotti Stage Managment Intern: Old Wicked Songs. Ms. Gleason has held many differ- ent positions at the Globe from House Manager to Carpenter, Master Sound Technician to Education Coordinator. Mr. Gleason holds a BA from Southern Oregon University.

FOR THIS PRODUCTION Additional Staff Assistant Director...... Suzanne Karpinski Casting Consultant...... Mele Nagler Stage Management Intern...... Amanda Kaplan

Understudies Mrs. Culver...... Cara Greene Bentley...... Aaron Misakian Martha Culver...... Summer Shirey Barbara Fawcett...... Cara Greene Constance Middleton...... Kate Turnbull Marie-Louise Durham...... Summer Shirey John Middleton, F.R.C.S...... Chip Brookes Bernard Kersal...... Rhett Henckell Mortimer Durham...... Chris Bresky

This theatre operates under an agreement between the League of Resident Theatres and Actors’ Equity Association, the union of professional actors and stage managers in the United States.

The Directors are members of the Society of Stage Directors and Choreographers, an independent national labor union.

The Scenic, Costume, Lighting and Sound Designers in LORT Theatres are represented by United Scenic Artists Local USA-829, IATSE.

This theatre operates under an Agreement with the International Alliance of Theatrical Stage Employees Local No. 122.

PERFORMANCES MAGAZINE P13 T h e C r a i g N o e l L e a g u e

We hope you’ll consider joining the Craig Noel League, the planned giving society of The Old Globe. The time has come to secure the future of the Globe — which has enriched our lives and nourished us for nearly 70 years — so that it will do the same for generations to come. Many thoughtful friends are ensuring The Old Globe’s future by leaving gifts in their wills and estate plans to help us in this effort. The League honors today these thoughtful friends whose generosity will sustain the excellence of The Old Globe for generations. Craig Noel League Co-chairs Carolyn Yorston (left) and Sally Furay (right) with Examples of ways friends are helping include making Artistic Director Craig Noel Photo: Melissa Jacobs simple bequests, gifts of life insurance, gifts of real estate, and charitable trusts. For more information, please contact Planned Giving Officer Brad Ballard at (619) 231-1941 x2309 or via e-mail at [email protected]. Thank you.

David and Debbie Hawkins Alice B. Nesnow Nancy A. Spector Craig Noel League and Alan R. Spector Craig and Mary Hunter Arthur and Marilyn Neumann Members Jeanette Stevens Barbara Iredale* Craig Noel Eric Leighton Swenson Securing the future through Bob Jacobs Greg and Polly Noel Anne C. Taubman planned gifts. Joseph E. Jessop PACEM (Pacific Academy of Cherie Halladay Tirschwell J. Robert and Gladys H. King Ecclesiastical Music) Robert S. Albritton Marian Trevor (Mrs. Walter M.)* Marilyn Kneeland Mrs. Margaret F. Peninger* Nancine Belfiore Evelyn Mack Truitt Jean and David Laing Velda Pirtle* Dr. and Mrs. Edgar D. Canada Ginny Unanue Jerry Lester Foundation Florence Borgeson Plunkert* Garet and Wendy Clark Carol and Lawrence Veit Dr. Bernard Lipinsky* Dolly and Jim Poet J. Dallas* and Mary H. Clark Harvey and Jordine Heather Manion Dorothy Shorb Prough* Patricia W. Crigler, Ph.D., Von Wantoch Calvin Manning Brenda Marsh-Rebelo CAPT/USN/Ret. and John Rebelo Merle and Phil Wahl Paul I. and Margaret W. Meyer Patricia* and Donn DeMarce Donald and Darlene Shiley Sheryl and Harvey P. White Judy and George Miller Mrs. Philip H. Dickinson Patsy and Forrest Shumway Mrs. Jack Galen Whitney Steve Miller Dr. and Mrs. Robert Epsten B. Sy and Ruth Ann Silver Stanley E. Willis II* Dr. Robert W. Miner Frank A. Frye, III Roberta Simpson Julie Meier Wright Shirley Mulcahy Robert Gleason and Marc Matys Dolores and Rod Smith Carolyn Yorston Laurie Dale Munday Marcy Goldstone John and Cindy Sorensen *Deceased Kathryn Crippen Hattox Stanley Nadel and Cecilia Carrick Marje Spear

CRAIG NOEL, Founding Director During Craig Noel's distinguished 67-year career with The Old Globe, the much-honored director has staged over 225 productions of all styles and periods. Craig has been associated with The Old Globe since its community-theatre inception in 1937 when he made his debut as an actor. Two years later he accepted his first directorial assignments, staging four of the season's seven productions. Since then, Craig has guided the organization through its metamorphosis from a community theatre of the highest standards to one of the nation's most successful not-for profit theatres. In doing so, he has enriched the quality of life in San Diego for generations of citizens who have become today's theatre-goers and arts supporters.

P14 PERFORMANCES MAGAZINE ENHANCE YOUR THEATRE…

…AND YOUR THEATRE

The cast of Chita Rivera: The Dancer’s Life, photo by Craig Schwartz. All Lipinsky Family Suite photos by Sandy Huffacker.

To you – and to thousands of other theatre lovers – The Old Globe is an integral part of your lives, providing some of the best Broadway musicals, classics and new plays in the country. SUPPORT By supporting this great theatre with a Circle Patron gift of $1,500 or more, you not only add to the artistic THE GLOBE AS A quality of Globe productions but you also can take advantage of the many benefits enjoyed by Old Globe Circle Patrons, such as… CIRCLE PATRON

*Unlimited access to the Lipinsky Family Suite, AND ENJOY BENE- the Globe’s VIP Lounge *VIP ticketing and personal service FITS INCLUDING *Invitations to Meet the Artist events and Opening Night celebrations THE LIPINSKY *Backstage Tour opportunities *And much, much more… FAMILY SUITE. Open prior to and during each evening performance, the Lipinsky Family Suite offers a fully-hosted bar, a pre-show dinner menu and private restrooms. One more way we can say thank you for your support.

FOR MORE INFORMATION CALL ASSOCIATE DIRECTOR OF DEVELOPMENT BRAD BALLARD AT (619) 231-1941 x2309. A n n u a l F u n d D o n o r s

The Old Globe’s ability to maintain the highest standard of excellence,while keeping ticket prices affordable, is due in large part to the annual financial support of nearly 3,500 individuals, businesses, foundations and government agencies. Please join us in giving a warm thanks and recognition to these leaders who have made tonight and many other perfor- mances possible. The Old Globe appreciates the support of those who have stepped into the spotlight: Benefactors Neiman Marcus Founder Circle ($100,000 and above) Saks Fifth Avenue ($5,000 to $9,999) Shakespeare in American Communities: City of San Diego, Shakespeare for a New Generation, The Thomas C. Ackerman Foundation Commission for Arts & Culture sponsored by the National Endowment Lawrence G. Alldredge & Dawn Moore Audrey S. Geisel/The San Diego for the Arts in cooperation with Arts Dr. Bob & Jill Andres Foundation Dr. Seuss Fund Midwest Anonymous (1) William Randolph Hearst Foundation Sheraton San Diego Hotel & Marina Ken & Ginger Baldwin The James Irvine Foundation Target Stores Mr. & Mrs. James W. Bastien The San Diego Union-Tribune Tucker Sadler Architects, Inc. Blachford-Cooper Foundation, Inc. Chairwoman Pam Slater-Price Union Bank of California Nina & Robert Doede and the County of San Diego Mandell Weiss Charitable Trust Mary Ann & Arnold Ginnow The Shubert Foundation Robert Gleason & Marc Matys Director Circle Grosvenor Family Foundation Season Sponsors ($10,000 to $24,999) Leo S. Guthman Fund ($50,000 to $99,999) Anonymous (2) Melissa & James Hoffmann American Express Charles & Molly Brazell Carol & George Lattimer Anonymous (1) The Louis Yager Cantwell Bob Martinet & Susan Parkin AT&T Private Foundation Dr. Marianne McDonald J. Dallas & Mary H. Clark Fund at Ken & Deni Carpenter Paul I. & Margaret W. Meyer The San Diego Foundation Supervisor Greg Cox Money/Arenz Foundation, Inc. Karen & Donald Cohn and the County of San Diego Drs. Francis & Patricia Montalbano Darlene G. Davies Valerie & Harry Cooper in memory of Lowell Davies Arthur & Marilyn Neumann Globe Guilders The Kenneth T. & Mr. & Mrs. Brian Devine Eileen L. Norris Foundation The Lipinsky Family Bea & Dr. Robert M. Epsten The Parker Foundation Allison & Robert Price (Gerald & Inez Grant Parker) Pam & Chuck Farr Dr. Mike & Patti Rabbitt Conrad Prebys Lee & Frank Goldberg Ellen C. Revelle Qualcomm, Inc. Susan & Dr. Ronald Heller Jeannie & Arthur Rivkin Sempra Energy Dr. & Mrs. Harry F. Hixson, Jr. The Ariel W. Coggeshall Fund Supervisor Bill Horn at The San Diego Foundation Donald & Darlene Shiley and the County of San Diego Wells Fargo Boyd S. Smith Deni & Jeff Jacobs Ms. Jeanette Stevens Sheryl & Harvey P. White Joseph E. Jessop, Jr. Norma Jean “Jake” Yonchak Katie & Dan Sullivan & Todd Figi Mr. & Mrs. Neil Kjos Deborah Szekely Sue & John Major The Thursday Club Foundation Production Sponsors Robert L. Noble, AIA Erna & Andrew Viterbi ($25,000 to $49,999) Robin & Hank Nordhoff Pam & Martin Wygod Mary Beth Adderley & Richard Wright Patsy & Forrest Shumway June E. Yoder American Airlines Nancy & Alan Spector and Family Bank of America Anne Taubman & David Boyle Alan Benaroya Gillian & Tony Thornley W. Somerset Maugham John A. Berol Evelyn Mack Truitt wrote as many as 43 California Bank & Trust Christopher & Patricia Weil Weingart-Price Fund at Cohn Restaurant Group/Prado Restaurant The San Diego Foundation novels, 25 plays and 123 Continental Airlines Stewart & Brenda Weissman short stories. Over 50 film County of San Diego Brent V. Woods & Laurie C. Mitchell Mrs. Danah H. Fayman Carolyn W. Yorston versions of his work have Kathryn & John Hattox Ellen & Tim Zinn HM Electronics, Inc. Joan & Irwin Jacobs National Endowment for the Arts

For more information on becoming a donor to The Old Globe, please contact Brad Ballard at (619) 231-1941 x2309 or visit us online at www.TheOldGlobe.org.

P16 PERFORMANCES MAGAZINE Playwright Circle Carol & Rudy Cesena Barbara J. Malk ($2,500 to $4,999) Carol & Jeff Chang Merriel Mandell Dr. & Mrs. Wayne Akeson Roger Cornell, M.D. Charlie & Jackie Mann Richard & Stephanie Coutts R.J. Maus, Architects Gail, John & Jennifer Andrade Nancy McCune Mr. & Mrs. Richard Baldwin Susan B. Cowell Sally & Pat Crahan Bill & Jeri McGaw Melissa Garfield Bartell & Michael Bartell Mrs. Gigi Cramer Josie Rios McGuffey & A.T. McGuffey Joan & Jeremy Berg Mrs. Willard T. Cudney Elizabeth & Edward McIntyre Arthur & Sophie Brody Fund of the Jewish Community Foundation Dr. & Mrs. Francis C. Cushing, Jr. Ethel Merriman Realtor Mrs. Gail Powell Davis Elizabeth Meyer Judy & Tom Carter Joel & Deirdre Mick City of Chula Vista Office of Cultural Arts Pat & Dan Derbes Dean & Mrs. M.H. Dessent Estelle & Jim Milch Garet & Wendy Clark Mrs. Philip H. Dickinson Rena Minisi & Rich Paul The Colwell Family Fund at The San Diego Foundation Noddy & Ira Epstein Judith & Neil Morgan Ms. Heidi Conlan/ Carol Fink James & Nancy Mullen The Sahan Daywi Foundation Dieter & Susan Fischer/ Ruth & Jim Mulvaney R. Patrick & Sharon Connell Dieter’s Mercedes Service Bette Nagelberg John & Ann Davies Mary & David Fitz Josiah & Rita Neeper Bernard J. Eggertsen & Florence Nemkov Susanna & Michael Flaster Charles Noell & Barbara Voss Marion Eggertsen Dr. & Mrs. George Flint Lisa & Tom Pierce Karen & Orrin Gabsch Marcia & Jim Piper Samuel I. & John Henry Fox Foundation Mrs. Deede Gales Millicent & Charles Froehlich Martha Meade Pitzer Galison Family Foundation Mo & Bill Popp Martha & George Gafford of the Jewish Community Foundation Dr. & Mrs. Daniel Porte Madeline L. & Milton D. Goldberg Barbara & Albert Garlinghouse Joanne Powers Family Foundation Bill & Judy Garrett Geraldo & Scarrain Gomes Drs. Thomas H. & Jane D. Gawronski Dr. & Mrs. William Gott Mr. & Mrs. Daniel Genis Fred & Alicia Hallett Teresa C. George The Constant Wife was Tish & Jere Horsley Martin & Enid Gleich first produced in the U.S. Richard & Janet Hunter Ms. Cheryl Haimsohn Mary & Russell Johnson Jay & Mary Hanson at the Ohio Theatre in Dr. & Mrs. Richard L. Kahler Drs. Patrick Harrison & Eleanor Lynch Bob & Gladys King Dr. & Mrs. Peter K. Hellwig Loudonville, Ohio on Dr. Ronald & Mrs. Ruth Leonardi Stephanie & Scott Herman Peter & Inge Manes Rhonda Heth & Tom Mabie November 1, 1926. Judy & George Miller Alexa Kirkwood Hirsch Jim & Claudia Prescott Harle Garth Montgomery Leonard & Elaine Hirsch RAdm. Arthur & Peggy Price, Jr. David & Noreen Mulliken Dr. David K. Hostetler Nancy J. Robertson Dolly & Jim Poet Gary & Carrie Huckell Warren & Beverly Sanborn Mr. & Mrs. Matthew Pollack Roberta Hussey Susan & Edward Sanderson Pratt Memorial Fund Doug & Gail Hutcheson Margery P. Schneider Brenda Marsh-Rebelo & John Rebelo Alfred & Pat JaCoby Drs. Joseph & Gloria Shurman Jay & Diane Sweeney William W. Karatz Dotti & Joel Sollender Marilyn Elizabeth Thompson Katleman Family Fund Nancy Steinhart & Rebecca Goodpasture Dixie & Ken Unruh of the Jewish Community Foundation Eugene L. & Hannah Step William & Edythe Kenton Marc R. Tarasuck, AIA Craig Noel Circle Mr. & Mrs. Irving J. Kern The Tarlov Family ($1,500 to $2,499) Jo Ann Kilty Mr. & Mrs. Charles Taubman Richard Addesso Dr. Fritz Klein Cherie Halladay Tirschwell Anonymous (1) James Klein Insurance Mr. & Mrs. Gene Trepte Mr. & Mrs. John E. Barbey, Jr. Kerri Klein & Mark Weiser Carol Vassiliadis Diana Barliant & Nowell Wisch Dr. & Mrs. Ara S. Klijian, M.D. Doris & Lou Vettese Dr. C. K. Barta & Inge Lehman Brooke & Dan Koehler Jordine & Harvey Von Wantoch Lanie Bernhard in memory of Phyllis & Martin Kornfeld Pamela J. Wagner Lazare F. Bernhard Rosalie Kostanzer Merle & Phil Wahl Sally & John Berry Bob & Laura Kyle John* & Christy Walton Charles & Charlotte Bird William Ladd & Anita Busquets WD-40 Company Paul Black Mr. & Mrs. Richard S. Ledford Jan Harden Webster & Raul Ortega Cynthia Bolker & Greg Rizzi Terry & Mary Lehr Shirli Fabbri Weiss Terry & Bill Burd James & Pamela Lester Michael & Penny Wilkes Clint & Susie Burdett Jerry Lester, M.D./Rosarito, Mexico Mr. & Mrs. Harold B. Williams Dr. & Mrs. Robert M. Callicott Mr. & Mrs. Paul Levin Omar & Carol Winter Ruth Mary Campbell Sandy & Arthur Levinson Brad Young Dr. & Mrs. Edgar D. Canada Jerry & Elsa Lewis Helene & Allan Ziman Pamela & Jerry Cesak Kitty Lombardo Allan & Bev Zukor

PERFORMANCES MAGAZINE P17 A n n u a l F u n d D o n o r s CONTINUED

*Deceased Richard & Linda Basinger Curt & Nancy Koch Platinum Judy & Larry Belinsky Marvin Krichman & Francy Starr ($1,000 to $1,499) Lee & Amnon Ben-Yehuda John Q. Lalas, Jr. In Memory of Charles R. Allen Nicholas B. Binkley Janet & Dan La Marche Mary Ann Blair Drs. Gary & Barbara Blake Dr. Eric Lasley Ronda & Stanley Breitbard Robert & Nancy Blayney Richard C. Levi Mr. & Mrs. Blaine A. Briggs Joyce & Robert Blumberg Dr. & Mrs. Leeland M. Lovaas Sandra & Harry Carter In Memory of Eleanore Boaz-Lopez Dr. David Lynn Sue K. & Charles C. Edwards, M.D. Bockoff Family Foundation Fund Ed & Nancy Lyon Richard & Donna Ferrier at The San Diego Foundation Dr. Carl Maguire & Margaret Sheehan Hal & Pam Fuson Mrs. Suzanne I. Bond Dr. Robert & Marcia Malkus William C. Gabrielson H.L. & Irene Boschken F. Dale & Lois Marriott Mark & Hanna Gleiberman Mrs. Henri Brandais Harold & Beverly Martyn Sandra Gulden & Leon J. Goldberger Bob Buchner/Marie Buckey Valorie McClelland Gulden Private Foundation Dr. Cynthia Cartwright Jonathan McCue Drs. Barbara & Leonard Gosink Loretta Cass Dr. & Mrs. M. Joseph McGreevy Salah M. Hassanein Dr. Lynne Champagne & Mr. & Mrs. William McKenzie Dr. Wilfred Kearse Harold O. McNeil, Esq. Doug & Elisabeth Clark Drs. John Meyers & Betty Joan Maly Did you know ticket sales Jack & Carol Clark Dr. Ronald H. Miller cover only 55% of Arthur J. Collingsworth Akiko Charlene Morimoto Mike Conley & Sue Steele Susan & Charles Muha the Globe’s costs to Steve & Carolyn Conner Katherine Newton Jane Cowgill Willene D. Nichols present live theatre? Dr. & Mrs. William Davidson Jack & Virginia Oliver DO or DICE Rod & Barbara Orth In Memory of Edith Dolnick Susan Parker Dr. & Mrs. James E. Lasry Silvia Dreyfuss/LABS, Inc. William & Sandra Peavey Matthew R. Lehman Ron & Devora Eisenberg — Great News! Deborah Brooks Pettry Mr. & Mrs. James Lim Dr. Susan Fee Dr. Ken Pischel & Dr. Katherine Ozanich Don & Mary Jane Lincoln Esther & Robert Feier Dr. Julie Prazich & Dr. Sara Rosenthal Donald Lipkis, M.D. & Arlene Pollard Richard & Beverly Fink Family Foundation Don & Marie Prisby Barbara & Mathew Loonin Eileen Prisby Ms. Jo Bobbie MacConnell Fred & Joy Frye Sally Fuller Mary & Kedar Pyatt Christopher Maxin & David Rickert Stephanie Buttell-Maxin Arthur & Judy Getis The Golemb Family Stuart & Linda Robinson Dick & Rosemary Pinney Dr. H. Warren Ross John & Marcia Price Family Foundation Louise & Doug Goodman Mr. Joseph Rusche Don & Darlene Russell Robert & Edry Goot Cheryl & Frank Ruyak Dee E. Silver, M.D. Grady & Associates Attorneys at Law Dr. Joseph & Carol Sabatini Lewis & Alice Silverberg Carol & Don Green Phoebe & David Sackett In Memory of Edward Silverstein Ed & Frances Grimes Marilies Schoepflin, Ph.D. Gloria Penner Snyder & Bill Snyder Alex & Mary Hart Mr. & Mrs. John Seiber Robert H. Stickel Mr. & Mrs. Thomas M. Henry Richard Shapiro & Marsha Janger Mrs. John R. Stitt Arnie & Barbara Hess Dr. Charles & Brita Tesar Alex V. Sher Suzanne & Lawrence Hess Alan & Esther Siman Eileen Tiel Mr. & Mrs. Thomas O. Hippie U.S. Consulate, Tijuana Susan Sincoff & Dr. Joseph Yedid Terry & Peter Holt Rodney & Dolores Smith Fund Ellen & James Weil Mr. Stephen Hopkins at The San Diego Foundation The Grey White Family Fund Margot Reinke Humphreys Herbert & Elene Solomon Christy Hawes Zatkin Susan D. Inot Gwen Stoughton Drs. Andrew & Sonia Israel Margo Thomas Gold Gary & Jerri-Ann Jacobs ($500 to $999) Janet & Bernard Trabin Neil & Sonya Johnson William & Cynthia Tuckerman Anonymous (2) Kathy & Rob Jones Will & Vanessa Van Loben Sels Rhoda & Mike Auer Kenneth & Marilyn Jones Kenneth & Lorelei Warburton Charles & Susan Avery Judge Anthony C. & Joyce Joseph Zona Weekly John Randolph Backman, M.D. Miriam & Jerome Katzin & Carolyn Darrow Mr. & Mrs. David Weinrieb Drs. Irvin & Nancy Kaufman Dennis & Carol Wilson Mr. & Mrs. David A. Baer Joanna & Lloyd Kendall Mrs. Ina S. Bartell Keith J. Wong Joan & Lee Knutson Mr. & Mrs. C.E. Wylie/

P18 PERFORMANCES MAGAZINE C.E. Wylie Construction Company Dr. Gregory J. Del Zoppo Kendyl & Merri Houdyshell Kaye I. Wynne Janice DeMund Steven & Nancy Howard Silver Dutch & Dawn Dershem Stephanie & Carl Hurst ($250 to $499) Eugene Diskin Joseph & Donna Hynes Mr. Gale Acker & Dr. Nancy Acker Dr. & Mrs. Donald B. Dose Mr. & Mrs. Joseph & Eileen Innecken Sybil & B.J. Adelson Patricia & Glen Doughty Mr. & Mrs. David Ives Michael Albo Sean & Kellie Doyle Mr. & Mrs. Bill James George Amerault Stephen & Sandra Drew Anonymous (6) Lizbeth Ecke & David Meyer Drs. Michael & Gabriela Antos Patricia Eichelberger Did you know that The Charles Arthur Judge & Mrs. Harry Elias Old Globe has produced Roswell & Patricia Austin Peggy Elliott Mark & Tina Bachman Peter & Doris Ellsworth 17 shows that have made their John & Elizabeth Bagby James & Mary Ann Emerson Shawn & Jennifer Baker Barbara & Dick Enberg way to Broadway? Sharon & Bill Beamer Dan & Phyllis Epstein Karlene Knieps Bergold Donald & Patricia Falkner Nancy & David James Mr. & Mrs. Stanley Birstein Richard & Donna Ferrier Edward & Linda Janon Drs. Gordon & Karen Bishop Drs. Lawrence & Irene Fine Richard & Katherine Jarvis Robert D. Blanton & Ann Clark Ms. Donna J. Flor & Mr. R. Kirk Keel In Memory of Donald Jenkins Ms. Sheila M. Bobenhouse & Foley & Associates Kenneth & Catherine Jones Mr. Jeffrey C. Truesdell Mr. & Mrs. Rob Foley Andrew & Denise Kaplan Dr. James Lewis Bowers Larry & Jan Ford Pete & Terry Katz Todd & Margaret Bradley Larry Forsyth Patricia & Alexander Kelley Marge & Hugh Bradner Lee Forte/J. Narvid Charles & Gail Kendall Mrs. Wyloma Bradshaw Dr. & Mrs. Paul Friedman David C. & Betty J. Kennedy In Honor of Deem Bristow Dr. Richard & Randee Friedman Jennifer Kent Ed Brookins Natacha Furlan Kathleen Kim & Zachary Rattner Sarah Blakely Brown Charles & Jeanne Gahagan Mr. & Mrs. Webster B. Kinnaird Dr. & Mrs. Simon C. Brumbaugh, Jr. Kathleen Garcia Mark & Kelly Kjos Beth Bruton Mr. David N. Garrison & Thomas & Dianne Klauda Linda Burgum-Sunkel Mr. David M. Pierce Mr. & Mrs. John & Carmen Kline David & Diane Burns Gaspare Trust Louis J. Knobbe John & Kirk Butler Thomas Gass, D.D.S. Bill & Linda Kolb Stuart & Joanne Butler Norman & Patricia Gillespie Mr. & Mrs. Jay Kranzler Helen M. Caldwell Dr. & Mrs. Michael Goldbaum Marvin M. Kripps, M.D. Beth & Tim Cann Carole & Howard Goldfeder Lou Krueger Jane Carrigan Marilyn & Mel Goldzband Betty & Richard Kuhn William & Shirley Carrington Deni D. Goodman Adrian & Elaine Kuyper Ellen Casey Ms. Cindy Gordon Vic & Mary Landa Shlomo & Leslie Caspi Mr. John C. Gray & Jillana Lashmet Luc & Ann Marie Cayet-Pleska Mrs. AnneMarie Kaiser Elizabeth Lasley Charlene Chatham & Wm. Price Euvoughn L. Greenan Dixon & Pat Lee Andy & Kay Chisel Arthur A. Greenberg Tom & Terry Lewis Mr. George Guerra The Linkery Dr. A.T. Hagler & Mrs. Martha Obermeier Mr. & Mrs. Stanley London Did you know that Margaret Hall Sally & Bill Luster nearly 40,000 people Virgil & Jean Hamblin Jerry & Beverly Lynn Deborah A. Hammond Brian C. Malk & Nancy H. Heitel Fund at participate in Globe Education Robert W. & Helen M. Hammond The San Diego Foundation Robert M. & Helen M. Hansen Jeanne Maltese & Outreach Linda Hanson Judge & Mrs. Frederick Mandabach C. Harbordt Mr. & Mrs. Norman Mann programs each year? Mr. & Mrs. James Harris Cathie Marsh Elizabeth Raines Harrop Joanne D. Marugg Elaine & Peter Chortek Cdr. Rodney & Michele Hearns Susan B. Mason Mr. & Mrs. Henry B. Clark, Jr. Dr. Charles & Joan Henkelmann Cdr. & Mrs. John C. Mathews III Mr. & Mrs. Owen Clinton Donald J. Hickey Ronald McCaskill & Robyn Rogers Alan L. & Frances E. Cornell Paul & Anne Hofflund Valli & Tom McDougle Ronald D. Culbertson John & Jean Hoffner Teresa McEuen Kevin & Christine Dahlke John & Peggy Holl Steve McIntee Dewey & Cindy Dasher Paul & Barbara Holz Dan McLeod John Wm. Davis & William M. Hughes Nancy & Bill Homeyer Mr. & Mrs. David McNair Mr. & Mrs. William Deatrick Bonnie & Cecil Hornbeck Mr. & Mrs. Jim Melcher

PERFORMANCES MAGAZINE P19 A n n u a l F u n d D o n o r s CONTINUED Special Thanks to Our Corporate Sponsors

Dr. & Mrs. Robert Meredith Linda J. Seifert Janice L. Weinrick Christine Mersten Bernard R. Senick Jean & Tim Weiss Dr. & Mrs. Paul Michelson Lori Severson & Eric Longstreet Ms. Margaret Wells James & Dorothy Mildice Prof. K. Barry & Jan Sharpless Mr. & Mrs. James D. Welterlen Mr. & Mrs. James Milligan Ross & Barbara White Joel, Annette & Arianna Millman Patrick & Phyllis Whitney Stan & Phyllis Minick Did you know that Loreen & Roland Wilhelmy Margaret Mitchell The Old Globe is currently Carol & Martin Wilson Dr. & Mrs. Izaac Mizrahi Ron & Beverly Wilson Mark Morel celebrating its 7oth The Wine Lover Michael Morris Cass Witkowski Family Amy & Kent Moser Anniversary Season? Mr. & Mrs. John W. Witt Charlotte Moskovitz Dr. Perri L. Wittgrove Mary Jo Murphy Sandy & Stella Shvil Dr. Dolores Wozniak Maggie & Wayne Myers Hano & Charlotte Siegel Sandra Zarcades Richa Nand Kevin & Diane Silke Zensei Sushi Dr. & Mrs. James H. Nelson Jerry & Beth Silverman Mr. & Mrs. David Zimmerman, Jr. Tom & Doris Neuman Eunice M. Simmons, M.D. Vicky Zollweg & Michael Dunteman Charlotte Nielsen Anne & Ronald Simon Josef B. Zwass Floyd T. Olson Terrence & Kathryn Slavin David & Jeanette Osias Tom Sowers This list is current as of March 1, 2006 Carolann Pagliuso Steven & Carol Stachwick Mr. & Mrs. Jean-Louis Paroz Mr. & Mrs. Fred C. Stalder To learn more about supporting In Memory of Margaret Peninger Susan I. Steele The Old Globe’s artistic excellence Dennis Pennell Ann & Robert Steiner and community outreach programs, Clifford T. Pentrack & Deborah & Hilton Stemwedel please visit our website at Mary E. Giovaniello James K. Stenderup www.TheOldGlobe.org or call Marion D. Perlman Mickey Stern Drs. Mark & Darcey Perlman Dr. Craig & Debbie Stevenson (619) 231-1941 x2305. Lawrence Roy Perrin Richard Stevenson Peterson & Associates Edward Stickgold & Steven Cande Mr. & Mrs. David J. Pettitt Mr. & Mrs. Avery Stone Barbara Pricola Karen & Michael Stone Mr. & Mrs. Merlin Puck Helga & Sam Strong Dr. Alex & Eileen Pue John P. Studarus Martha Susan Quinn Abbe Wolfsheimer Stutz Anne Ratner Fund of the Ron & Susan Styn Jewish Community Foundation John & Margery Swanson Shirley & Emanuel Ravet Mrs. J.B. Swedelius Mr. & Mrs. Leslie D. Reed Clifford & Kay Sweet Henry & Deborah Rieger Drs. Paul Sylvan & Ellen Heyneman Andrew Ries, M.D. & Vivian Reznik, M.D. Diana P. Syvertson Mr. & Mrs. Brent Robinson Franklin & Phyllis Tabor Isabella & Jody Rogers Dr. Blake S. & Mrs. Peggy Jean Talbot Lois S. Roon Dr. Terry & Naomi Tanaka Gerald & Ruth Rosenbaum Dr. Marshall & Leila Taylor Ursula R. Roth Steven & Anoush Tencati Dr. Norman & Barbara Rozansky Judge & Mrs. David R. Thompson Peter & Donna Russell Mr. & Mrs. John Torell Fran & Tom Ryan Robert C. & Melesse W. Traylor George & Karen Sachs Iwona A. Trybus Ms. C. Anne Turhollow & Dr. Peter & Arlene Sacks Mr. Michael Perkins Joan & Jack Salb Jack Tygett & Joyce Shoemaker Samiljan Family Fund of the Jewish Community Foundation Mr. & Mrs. Stan Ulrich Barbara A. Sawrey Ginny Unanue Simon & Ruth Sayre Hobart & Violet Wagener Dr. & Mrs. Roger H. Schmitt Donald & Ann Walker RAdm. & Mrs. H. James T. Sears Kathy & Jim Waring Kathy A. Seger Pat & Allen Weckerly

P20 PERFORMANCES MAGAZINE Special Thanks to Our Corporate Sponsors

CORPORATE LEADERS $25,000 AND ABOVE

S A K S F I F T H A V E N U E

CORPORATE DONORS KPMG, LLP Science Applications International ($2,500 to $24,999) Mercer Health & Benefits Corporation Ashworth, Blanchet, Christenson, Mission Federal Credit Union Seltzer Caplan McMahon Vitek Kalemkiarian Nokia Showtime Break-Away Tours Nordstrom Skyy Vodka Citigroup Foundation/Smith Barney Northern Trust Bank Starbucks Classic Party Rentals OVATION - The Arts Network Stewart Title of California Evans Hotels Pfizer Sycuan Resort & Casino Fleishman-Hillard Relocation Coordinates Time Warner Cable Wayne Foster Entertainment ResMed Foundation TK&A Custom Catering Goldman Ferguson Partners San Diego Chargers U.S. Bank Higgs, Fletcher & Mack, LLP San Diego National Bank The Westgate Hotel Home Bank of California XLNC1

Corporate Partners enjoy exclusive benefits and recognition, especially the opportunity to entertain clients and employees with exclusive receptions in our Patron and Lipinsky Family Suites, behind-the-scenes tours, and preferred seating at our shows. For information, please contact Todd Schultz at (619) 231-1941 x2310.

National Corporate Theatre Fund is a non-profit corporation created to increase and strengthen support from the business community for eleven of this country’s most distinguished professional theatres. The following foundations, individuals and corporations support these theatres through their contributions of $10,000 or more to National Corporate Theatre Fund:

Benefactors ($20,000 & Above) Pacesetters ($15,000 to $19,999) Donors ($10,000 to $14,999) Altria Group, Inc. Bank of America Baruch College American Express Company Cisco Systems Bingham McCutchen Broad Street, Inc. Estee Lauder Companies, Inc. Credit Suisse First Boston Citigroup Goldman, Sachs & Company Deloitte & Touche Ernst & Young JP Morgan Chase Dorsey & Whitney LLP KPMG Merrill Lynch & Co. Mayer, Brown, Rowe & Maw LLP Marsh & McLennan Companies, Inc. Morgan Stanley Metlife Foundation Praxis Media/Palace Production UBS Pfizer, Inc. Center/Rabbit Ears Entertainment Sidley Austin Brown and Wood LLP Verizon Skadden, Arps, Slate, Meagher & Flom LLP Wilke, Farr & Gallagher LLP

PERFORMANCES MAGAZINE P21 A s s o c i a t e A r t i s t s OF THE OLD GLOBE

In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and pleasure in acknowledging as ASSOCIATE ARTISTS OF THE OLD GLOBE, the following who have repeatedly demonstrated by their active presence on our stages and in our shops, that wherever else they may work, they remain the heart and soul of this theatre.

Louis G. Spisto, Executive Director Jack O’Brien, Artistic Director Jerry Patch, Resident Artistic Director Craig Noel, Founding Director William Anton Tovah Feldshuh Mark Harelik John McLain Steven Rubin Conrad Susa Jacqueline Brookes Monique Fowler Bob James Jonathan McMurtry Ken Ruta Deborah Taylor Lewis Brown Ralph Funicello Tom Lacy Stephen Metcalfe Douglas W. Schmidt Sada Thompson Kandis Chappell Lillian Garrett-Groag Diana Maddox Robert Morgan Seret Scott Paxton Whitehead George Deloy Harry Groener Dakin Matthews Steve Rankin David F. Segal James R. Winker Tim Donoghue A.R. Gurney Deborah May Robin Pearson Rose Don Sparks Robert Wojewodski Richard Easton Joseph Hardy Katherine McGrath Marion Ross David Ogden Stiers

PATRON INFORMATION RESTROOMS AND TELEPHONES TICKET SERVICES Restrooms are located in the lower lobby of the Old Globe Theatre and adjacent to the Festival Theatre; pay phones may be found in the lower HOURS Globe Theatre lobby and next to the Gift Shop. Monday: noon – 6pm Tuesday through Sunday: noon – last curtain SEATING OF LATECOMERS Hours subject to change. Please call ahead. Although we understand parking is often at a premium, the seating of PHONE (619) 23-GLOBE or (619) 234-5623 latecomers is extremely disruptive. Latecomers may be given alternative FAX (619) 231-6752 seating and will be seated at an appropriate interval. EMAIL [email protected] YOUNG CHILDREN ADMINISTRATION Children five years of age and under will not be permitted to performances. HOURS Monday – Friday : 9am – 5pm PHONE (619) 231-1941 ELECTRONIC DEVICES AND CAMERAS WEBSITE www.TheOldGlobe.org Use of recording devices and cameras is not permitted. If you are ADDRESS The Old Globe wearing a digital watch or pager, or if you are carrying a cellular phone, P.O. Box 122171 please silence it prior to entering the theatre. San Diego, CA 92112-2171 SENNHEISER® LISTENING SYSTEM ORDERING TICKETS / CHANGE OF ADDRESS For the convenience of the hearing impaired, the Sennheiser® Listening The Old Globe accepts Visa, Discover, MasterCard , or American Express. System is available in the Old Globe Theatre. Lightweight headsets may be Phone orders for non-subscibers are subject to a $3 per ticket service charge, obtained from the house manager prior to performances, free of charge. not to exceed $12. Ticket exchanges are subject to a service charge for non-sub- scribers. If you have moved, please notify the Ticket Services Office to update PUBLIC TOURS our records. Call (619) 234-5623 during Ticket Services hours, mail your Go behind the scenes at The Old Globe to learn about the history, three change of address to the Ticket Services Office, or email us at stages, shop and craft areas. Open tours: most Saturdays and Sundays [email protected]. at 10:30am. Groups by reservation. $5 adults; $3 seniors and students. Phone (619) 231-1941 x2142 for information/reservations. UNABLE TO ATTEND? If you find you are unable to use your tickets, please give them to a friend, or LOST AND FOUND turn them in to the Ticket Serivces Office and receive a tax receipt for your If you have misplaced a personal item while at the theatre, please contact donation. Tickets must be received by show time. the Ticket Services Office or Security as soon as possible. If we are unable to locate your item, we’ll happily take down your contact information as Ricola Natural Herb Cough Drops are available upon request. well as a description of the item and contact you if it is found. The Old Please ask an usher. Courtesy of Ricola USA, Inc. Globe does not assume liability for items left behind on premises.

SPEARKER’S BUREAU As part of The Old Globe’s educational outreach to the community, the Theatre offers a Speakers’ Bureau program that will provide a speaker for your club, civic, or church group to talk about the Globe’s productions and programs, free of charge. The Old Globe engages several knowledgeable docents, who are available year-round to share the institution’s fascinating history and exciting infor- mation about the current season of plays. Subject to their availability, several key members of the artistic and production team are also available to speak with your group. For more information on docent speakers’ bureau representatives please contact Carol Green at (619) 582-1079. To find out about our artistic and production speakers please contact Erin Anderson at (619) 231-1941 x2355.

P22 PERFORMANCES MAGAZINE DIRECTOR P r o f i l e s

Louis G. Spisto Jerry Patch Jack O’Brien Executive Director Resident Artistic Director Artistic Director Louis G. Spisto has been Executive Director of The Jerry Patch was appointed Resident Artistic Mr. O’Brien has been the Artistic Director of The Old Globe since October, 2002. During his Director of The Old Globe in February 2005. Old Globe in San Diego since 1981. Recent tenure, Spisto spearheaded the return of the Globe’s He most recently served as the Dramaturg and a Globe productions: Dirty Rotten Scoundrels, acclaimed Shakespeare Repertory Season and pro- member of the long standing artistic team at Imaginary Friends, Twelfth Night, The Full Monty, The duced several world-premiere plays and musicals, Southern California’s Tony Award®-winning Seagull, The Magic Fire, Dr. Seuss’ How the Grinch including the current Broadway musical Dirty Rotten South Coast Repertory (SCR), where he coordi- Stole Christmas!, the world premieres of Associate Scoundrels. During the past two seasons, the organi- nated the development of 150 new plays, includ- Artist A.R. Gurney’s Labor Day and Tina Howe’s zation has grown its subscription audience an ing three Pulitzer Prize winners and numerous Pride’s Crossing, as well as Time and Again, The unprecedented amount, countering a trend in the other finalists. Patch became the top choice for Doctor Is Out (Getting Away With Murder) by non-profit theatre industry and resulting in the this new role at the Globe due to his many years Stephen Sondheim and George Furth, plus pro- highest level of attendance in over a decade. Prior to of artistic accomplishments, his exceptional ductions of Henry IV, Much Ado About Nothing, coming to the Globe, Spisto served as the Executive relationships with the nation’s leading directors Oleanna, Damn Yankees, King Lear, Ghosts, Hamlet, Director of American Ballet Theatre in New York and playwrights, and his enthusiastic commit- Uncle Vanya, and world premieres of Terrence City. While there, he increased ticket income and ment to new work. While at SCR, Patch worked McNally’s Up in Saratoga, A.R. Gurney’s The Snow annual contributions for the organization by nearly as Dramaturg on numerous new works, includ- Ball and The Cocktail Hour, Tom Dulack’s Breaking 20 percent. He also tripled the Ballet’s touring ing Donald Margulies’ Sight Unseen and Brooklyn Legs, Stephen Metcalfe’s Emily. Elsewhere: Dirty weeks and the resources devoted to education and Boy, which just opened to critical acclaim on Rotten Scoundrels (Tony nominations, best director training programs. Spisto has also served as the Broadway, Margaret Edson’s Pulitzer Prize-win- and musical), Henry IV (Tony Award®); Hairspray President of the Detroit Symphony Orchestra, ning Wit, Howard Korder’s Search and Destroy, (Tony Award®); The Invention of Love (Tony nomi- where he provided fundraising leadership and cre- Amy Freed’s The Beard of Avon, as well as Intimate nations, best director and play), Lincoln Center ative direction for the orchestra’s $60 million reno- Apparel, Freedomland and several world-premieres Theater; The Full Monty (Tony nominations, best vation project, and helped dramatically increase plays by Richard Greenberg, including Three director and musical), Eugene O’Neill Theatre; ticket sales while initiating several new series for Days of Rain and A Naked Girl on the Appian Way. More to Love, Labor Day, Manhattan Theatre Club; the orchestra. Spisto established a reputation as a In addition, he co-conceived The Education of St. Louis Woman, City Center Encores!; Pride’s superb arts executive here in California, where he Randy Newman with Michael Roth and Mr. Crossing, The Little Foxes, Hapgood (Lucille Lortel spent over ten years as the Executive Director of the Newman. Patch also served as the project direc- Award for Direction, 1995), Lincoln Center; Damn Pacific Symphony Orchestra in Orange County. tor of SCR’s renowned Pacific Playwrights Yankees (Tony nomination, best musical revival); During his tenure there, he tripled the orchestra’s Festival, which annually introduces seven new Two Shakespearean Actors (Tony nominations, best annual budget, all while eliminating a prior deficit plays to an audience of national theatre leaders. director and play) on Broadway; Porgy and Bess for and successfully completing the orchestra’s first Typically, more than 75% of the plays presented Houston Grand Opera and Broadway (Tony endowment campaign. In addition, he established a receive multiple productions in theatres across Award), as well as Radio City Music Hall; The series of innovative recording projects with Sony the country. During his tenure at SCR, Patch Magic Flute, San Francisco Opera; Tosca, Santa Fe Classical and oversaw a number of nationally rec- also held the position of Artistic Director Opera; Così fan Tutte, Aida, Houston Grand Opera; ognized commissioning projects. A strong advocate (1990-1997) of The Sundance Theatre Program, The Most Happy Fella, Michigan Opera and of arts education, Spisto built one of the largest and which included the Sundance Playwrights Broadway. TV: An Enemy of the People, All My Sons, I most respected music training and outreach efforts. Laboratory, one of the nation’s leading new play Never Sang for My Father, Painting Churches, and The During his career, Spisto has also served as development programs. Additionally, he ran the Skin of Our Teeth, all for PBS’s American Director of Marketing for the Pittsburgh Symphony Sundance Summer Theatre, a repertory of 2-3 Playhouse. Recent awards: 2004 Thomas Orchestra and Director of Operations and productions staged outdoors for Utah audiences Degaetani Award (USITT), 2002 “Mr. Abbott” Development for the Performing Arts Center, UC and The Sundance Children’s Theatre, which Award (SDCF), 2001 Joan Cullman Award for Berkeley. He holds a Masters degree from the was dedicated to the development and presenta- Extraordinary Creativity, 2001 Joe A. Callaway University of Wisconsin in Arts Administration tion of new works for family audiences by lead- Award (SDCF), the Drama League’s Julia Hansen and a Bachelors of Business Administration from ing American playwrights. He has also served as Award for Excellence in Directing, 2001. the University of Notre Dame, and spent many a consulting Dramaturg for New York’s Member, College of Fellows of the American years acting, directing and producing plays and renowned Roundabout Theatre Company, one of Theatre; Honorary Doctor of Humane Letters, musicals throughout his student days, as well as in two of the largest theatre companies in the University of San Diego. Mr. O’Brien is a mem- professional summer theatre. country. ber of the College of Fellows of the American Theatre. PERFORMANCES MAGAZINE P23 Louis G. Spisto Jack O’Brien Jerry Patch Craig Noel S t a f f Executive Director Artistic Director Resident Artistic Director Founding Director

Michael G. Murphy Costumes Lighting James Feinberg, Alysha Subscription Sales GENERAL MANAGER Stacy Sutton Chris Rynne Haran, Corey Johnston, Scott Cooke Dave Henson COSTUME DIRECTOR LIGHTING DIRECTOR Robin Sanford Roberts SUBSCRIPTION SALES MANAGER DIRECTOR OF MARKETING Charlotte Devaux Megan Fonseca MFA PRODUCTION STAFF Russ Allen, Anna Bowen-Davies, AND COMMUNICATIONS RESIDENT DESIGN ASSISTANT LIGHTING ASSISTANT EDUCATION Efrain Cornejo, Stanley Einhorn, Todd Schultz Maureen MacNiallais Tonnie Ficken Estrella Esparza, Arthur Faro, DIRECTOR OF DEVELOPMENT ASSISTANT TO THE DIRECTOR MASTER ELECTRICIAN, GLOBE Raúl Moncada EDUCATION ASSOCIATE Andrew Fink, Allan Given, Mark Somers Shelly Williams Jim Dodd Jessica Morrow, Ken Seper, DESIGN ASSISTANT/SHOPPER MASTER ELECTRICIAN, CARTER Holly Ward DIRECTOR OF FINANCE TOUR COORDINATOR Grant Walpole Gwen Dunham, Louise M. Kevin Liddell SUBSCRIPTION SALES REPS. Richard Seer MASTER ELECTRICIAN, FESTIVAL Carol Green DIRECTOR OF Herman, Marsha Kuligowski, SPEAKERS BUREAU COORD. PROFESSIONAL TRAINING Randal Sumabat Sarah Cohen, Kristen Flores, Ticket Services DRAPERS Sandra Ruiz Robert Drake Lacy Flores, Ross Glanc, TEACHING ARTIST Shari Ressel DIRECTOR OF PRODUCTION Babs Behling, Gloria Bradford, Allyson Guertin, Matt Hibbs, TICKET SERVICES MANAGER Bonnie Johnston Susan Linnet Cox, Anne Tricia Lesinski, Andy Lowe, FINANCE Marsi Roche DIRECTOR OF EDUCATION Glidden Grace, Shirley Pierson Leah Nellman, Omar Ramos, Jannet I. Wise TICKET OPERATIONS MANAGER ASSISTANT CUTTERS Stacey Schrom, Chad Stanner ASSOCIATE DIRECTOR OF Tim Cole Joan Mathison, Mary Miller ELECTRICIANS FINANCE ASSISTANT MANAGER ARTISTIC COSTUME ASSISTANTS Sound J. Adam Latham Lyle Wilson PAYROLL CLERK/ TICKET SERVICES SUPERVSIOR Samantha Barrie Erin Cass, Suzanne Clements, Paul Peterson ACCOUNTING ASSISTANT ARTISTIC COORDINATOR Kelly Falvella, Nancy Liu, April Labine-Katko, SOUND DIRECTOR Diane Jenkins Diane Sinor Mercedes Moore, Erik Carstensen ACCOUNTING ASSISTANT Shouna Shoemake DRAMATURGY ASSOCIATE Margo Selensky MASTER SOUND LEAD TICKET SERVICES REPS. STITCHERS TECHNICIAN, GLOBE Lynn Dougherty Kim Montelibano Heil RECEPTIONIST Randy Acosta, John Boaz, LITERARY ASSOCIATE Linda Black Jeremy Nelson Melanie Galati, Dru Garcia, CRAFTS SUPERVISOR/ MASTER SOUND Jan Gist DYER-PAINTER TECHNICIAN, CARTER DEVELOPMENT Mame Gile, Brittany Hauselmann, VOICE AND SPEECH COACH Brad Ballard Erika Harkonen, Bernadette Svi Roussanoff Hobson, John Houghton, Stage Management CRAFTS ARTISAN ASSOCIATE DIRECTOR, ADMINISTRATION MAJOR & PLANNED GIFTS Michael Knudsen, Martin Malinis, Leila Knox Molly O’Connor Brian Ulery PRODUCTION STAGE MANAGER Annamarie Maricle Grace Manuel, Kendra McCall, WIG & MAKEUP SUPERVISOR ASSISTANT TO THE ASSOCIATE DIRECTOR, GENERAL MANAGER INSTITUTIONAL GRANTS Caryn Morgan, Carlos Quezada, Tracy Skoczelas Melyssa Swensen Josh Rowland, Jessica Seaman, ASSISTANT STAGE MANAGER ASSISTANT TO WIG & MAKEUP Information Technology Eileen A. Prisby SUPERVISOR Brandon Smithey Amanda L. Kaplan Dean Yager EVENTS MANAGER TICKET SERVICES REPS. DOUGLAS PAGLIOTTI Erin Schindler INFORMATION TECHNOLOGY STAGE MANAGEMENT INTERN Diane Addis WARDROBE ASSISTANT MANAGER MEMBERSHIP ADMINISTRATOR PATRON SERVICES Cisco Morales, Kim Parker, ThadSteffen Erin McKown PRODUCTION INFORMATION TECHNOLOGY Mike Callaway Lesha Sand, Molly Yoder- DEVELOPMENT ASSISTANT THEATRE MANAGER Debra Pratt Ballard Williams ASSISTANT ASSOCIATE DIRECTOR Diana Steffen Grace Farinas OF PRODUCTION GLOBE WARDROBE CREW James Lawrence DEVELOPMENT ASSISTANT CONVERSION SUPPORT FRONT OF HOUSE ASSISTANT Ellen Dieter Angela Miller ASSISTANT DRESSER, CARTER Donor Services Merlin D. “Tommy” Thompson COMPANY MANAGER PATRON SERVICES REP. Human Resources Babs Behling, Eve Childs, Carol Donahue Marie Jezbera Teresa McGee, Rob Novak, PRODUCTION COORDINATOR RENTAL AGENT Sandra Parde Barbara Lekes, Landin Rice, HUMAN RESOURCES Steven Serieka, Ashley Roberts Technical Properties ADMINISTRATOR Judy Zimmerman HOUSE MANAGERS Benjamin Thoron Neil A. Holmes Jenny Kazan-Mills SUITE CONCIERGES Dana Juhl TECHNICAL DIRECTOR PROPERTIES DIRECTOR CONSULTANT FOOD & BEVERAGE MANAGER M.H. Schrenkeisen MARKETING Liz Eisele, Wendy Stymerski Maintenance Kristin Dishman, Ashley Gregory, ASSISTANT TECHNICAL SHOP FOREMAN Becky Biegelsen Brandi Mahan, Roland Roberge, DIRECTORS Rory Murphy Chad Oakley PUBLIC RELATIONS DIRECTOR Brock Roser, Anne-Marie Shafer, FACILITIES MANAGER Amanda Stephens LEAD CRAFTSMAN Frank Teplin Kim Thurston, Felicia Tobias RESIDENT DESIGN ASSISTANT Shannon Dedman Violanda Corona, Ismael AUDIENCE DEVELOPMENT PUB STAFF Curt Carlsteen PROPERTIES BUYER Delgado, Humberto Elvira, MANAGER Babs Behling, Rose Espiritu, SHOP FOREMAN/ David Gaspar, Miguel Gaspar, Cate Burke MASTER CARPENTER Ryan Buckalew, David Buess, Stephanie Rakowski Kristin Steva Campbell Roberto Gonzalez, Reyna GROUP SALES MANAGER GIFT SHOP SUPERVISORS Christian Thorsen CRAFTSPERSONS Huerta, Margarita Meza, Jose Elisha Solmes STAGE CARPENTER/ PUBLICATIONS COORDINATOR Security/Parking Services FLYMAN, GLOBE Pat Cain Morales, Alfredo Rios, PROPERTY MASTER, GLOBE Maria Rios Erin Anderson Rachel “Beahr” Garcia Bob Dougherty BUILDING STAFF PUBLIC RELATIONS ASSISTANT SECURITY/PARKING SHOP FOREMAN/ Marcus Polk SERVICES SUPERVISOR MASTER CARPENTER, FESTIVAL PROPERTY MASTER, CARTER PROFESSIONAL Peggy Ryan Sherisa Eselin, Irene Herrig, Carole Payette TRAINING MARKETING ASSISTANT Janet Larson, Brandi Mahan, CHARGE SCENIC ARTIST Judy Zimmerman David Nguyen Llance Bower MARKETING/EVENTS SECURITY OFFICERS Adam Bernard, Suzanne Reyes PROGRAM COORDINATOR ASSISTANT SCENIC ARTISTS Chanel Boxx, Kirstin Dishman, Maria Carrera, Cynthia Erica Dei Deborah Elliot, Joel Garcia, Matthew Clark, Kevin Fain, Caywood, Sabin Epstein, GRAPHIC DESIGNER Jim Hopper, Liza Korshin, Janet Larson, Michael Mackey, Robert Berry Fleming, Craig Schwartz, J.T. MacMillan Wayne Marshall, Sonia Paul, Ryan Meinhart Gerhard Gessner, Jan Gist, PRODUCTION PHOTOGRAPHERS CARPENTERS Brittnee Woodard Peter Kanelos, Fred Robinson, PARKING LOT ATTENDANTS Stephan Aldrich-Lutz Liz Shipman CHARGE CARPENTER, CARTER MFA FACULTY Ryan Barsotti, Mark Brickman, David Nguyen V.I.P. VALET ATTENDANTS