Rooting out Historical Mythologies; William Dunlap's a Trip to Niagara and Its Sophisticated Nineteenth Century Audience
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In Nineteenth-Century American Theatre: the Image
Burlesquing “Otherness” 101 Burlesquing “Otherness” in Nineteenth-Century American Theatre: The Image of the Indian in John Brougham’s Met-a-mora; or, The Last of the Pollywogs (1847) and Po-Ca-Hon-Tas; or, The Gentle Savage (1855). Zoe Detsi-Diamanti When John Brougham’s Indian burlesque, Met-a-mora; or, The Last of the Pollywogs, opened in Boston at Brougham’s Adelphi Theatre on November 29, 1847, it won the lasting reputation of an exceptional satiric force in the American theatre for its author, while, at the same time, signaled the end of the serious Indian dramas that were so popular during the 1820s and 1830s. Eight years later, in 1855, Brougham made a most spectacular comeback with another Indian burlesque, Po-Ca-Hon-Tas; or, The Gentle Savage, an “Original, Aboriginal, Erratic, Operatic, Semi-Civilized, and Demi-savage Extravaganza,” which was produced at Wallack’s Lyceum Theatre in New York City.1 Both plays have been invariably cited as successful parodies of Augustus Stone’s Metamora; or, The Last of the Wampanoags (1829) and the stilted acting style of Edwin Forrest, and the Pocahontas plays of the first half of the nineteenth century. They are sig- nificant because they opened up new possibilities for the development of satiric comedy in America2 and substantially contributed to the transformation of the stage picture of the Indian from the romantic pattern of Arcadian innocence to a view far more satirical, even ridiculous. 0026-3079/2007/4803-101$2.50/0 American Studies, 48:3 (Fall 2007): 101-123 101 102 Zoe Detsi-Diamanti -
The Catskill Canister Volume 52 Number 1 January - March 2019
The Catskill Canister Volume 52 Number 1 January - March 2019 Blackhead Range from West Kill. Photo by Stash Rusin, #2829 In this issue: President's Column Trail Mix: News and Notes from the Club Winter weekend Pitch Perfect - Three Hikes Winter Hiking with Children Beyond the list - what comes after 35? 5th Annual Lighting of the Fire Tower Event Goose in the spruce Conservation Corner Trail Maintenance Update Stewardship Update Advice for the guide? Annual dinner announcement In Memoriam Hike Schedule Member lists Editor's Notes 1 Spathe and Spadix The President’s Column by Heather Rolland As I sit down to write my penultimate President’s column, the snow is piling up. I’m preparing for craft fairs, cooking, dressing the dogs in blaze orange finery, and anticipating the dreaded holiday family get-togethers. We’ve all been there, sitting around the table with Aunt Gertie and Uncle Jasper, and someone asks you about Your Hiking Thing. After all the requisite jokes about the Bataan Death March and how the only hiking Cousin Fred is doing this year is to the fridge and back to the couch… someone asks you the why question. Why do you do it? Why a list? Why in the winter? And especially why if there is no view at the top? I have said it before: the Catskill Forest Preserve is my temple and my gym. The oft repeated John Burroughs quote rings true for me: I too go to nature to be soothed and healed, and to have my senses put in order. -
19Th Century Playbills, 1803-1902 FLP.THC.PLAYBILLS Finding Aid Prepared by Megan Good and Forrest Wright
19th Century playbills, 1803-1902 FLP.THC.PLAYBILLS Finding aid prepared by Megan Good and Forrest Wright This finding aid was produced using the Archivists' Toolkit November 08, 2011 Describing Archives: A Content Standard Free Library of Philadelphia: Rare Book Department 2010.06.22 Philadelphia, PA, 19103 19th Century playbills, 1803-1902 FLP.THC.PLAYBILLS Table of Contents Summary Information ................................................................................................................................. 3 Biographical/Historical note.......................................................................................................................... 5 Scope and Contents note............................................................................................................................... 5 Arrangement note...........................................................................................................................................6 Administrative Information .........................................................................................................................6 Related Materials ........................................................................................................................................ 7 Controlled Access Headings..........................................................................................................................7 Collection Inventory..................................................................................................................................... -
HIGH ALLEGHENY PLATEAU ECOREGIONAL PLAN: FIRST ITERATION Conservation Science Support—Northeast and Caribbean
HIGH ALLEGHENY PLATEAU ECOREGIONAL PLAN: FIRST ITERATION Conservation Science Support—Northeast and Caribbean The High Allegheny Plan is a first iteration, a scientific assessment of the ecoregion. As part of the planning process, other aspects of the plan will be developed in future iterations, along with updates to the ecological assessment itself. These include fuller evaluations of threats to the ecoregion, constraints on conservation activities, and implementation strategies. CSS is now developing a standard template for ecoregional plans, which we have applied to the HAL first iteration draft report, distributed in 2002. Some of the HAL results have been edited or updated for this version. Click on the navigation pane to browse the report sections. What is the purpose of the report template? The purpose of creating a standard template for ecoregional plans in the Northeast is twofold: — to compile concise descriptions of methodologies developed and used for ecoregional assessment in the Northeast. These descriptions are meant to meet the needs of planning team members who need authoritative text to include in future plan documents, of science staff who need to respond to questions of methodology, and of program and state directors looking for material for general audience publications. — to create a modular resource whose pieces can be selected, incorporated in various formats, linked to in other documents, and updated easily. How does the template work? Methods are separated from results in this format, and the bulk of our work has gone into the standard methods sections. We have tried to make each methods section stand alone. Every section includes its own citation on the first page. -
Day Hikes.Pages
DAY HIKES in the Saugerties Area ESOPUS BEND NATURE PRESERVE Highlights: Esopus Creek, Stony Point Near: Barclay Heights in Saugerties, NY Distance: 1.2 mile loop Difficulty: Easy Trail Condition: Maintained trail Hike Type: Loop Summary: The 156-acre preserve is located partially within both the village and town of Saugerties along a dramatic bend in the Esopus Creek. The Schroeder Trail (1.2 mile loop) follows an old farm road and footpath down to and along Esopus Creek, looping back over a historic Carriage Road, which was once used to gain access to a scow ferry that crossed Esopus Creek at Stony Point. Spur trails lead to viewpoints of the creek and Stony Point. Trailhead: From 9W take Overbaugh Street. Make a left onto Simmons Drive, a Right onto Appletree Drive and a Left onto Shady Lane. There is a parking lot that can accommodate a few cars. FALLING WATERS PRESERVE Highlights: Hudson River views, waterfalls Near: Glasco, NY Distance: roughly two miles of trails Difficulty: Easy Trail Condition: maintained trail Hike Type: Loop Summary: Falling Waters Preserve is an excellent place to explore the rugged beauty of the Hudson River, hiking atop rock ledges that slant precipitously into the water while occasionally descending to the shoreline. On your way to (or from) the mile-long trail hugging the river, you'll pass other scenic treasures, including a meadow affording outstanding views of the Catskills and a picturesque waterfall. Trailhead: From Saugerties, drive south on Route 9W; turn left onto Joseph's Drive, then turn right at the T intersection onto York Street. -
Supercell Tornadogenesis Over Complex Terrain: the Great Barrington, Massachusetts, Tornado on 29 May 1995
VOLUME 21 WEATHER AND FORECASTING DECEMBER 2006 Supercell Tornadogenesis over Complex Terrain: The Great Barrington, Massachusetts, Tornado on 29 May 1995 LANCE F. BOSART Department of Earth and Atmospheric Sciences, University at Albany, State University of New York, Albany, New York ANTON SEIMON Earth Institute of Columbia University, Lamont-Doherty Earth Observatory, Palisades, New York KENNETH D. LAPENTA National Weather Service Forecast Office, and Center for Environmental Sciences and Technology Management, University at Albany, State University of New York, Albany, New York MICHAEL J. DICKINSON* Department of Earth and Atmospheric Sciences, University at Albany, State University of New York, Albany, New York (Manuscript received 13 December 2005, in final form 6 April 2006) ABSTRACT The process of tornadogenesis in complex terrain environments has received relatively little research attention to date. Here, an analysis is presented of a long-lived supercell that became tornadic over com- plex terrain in association with the Great Barrington, Massachusetts (GBR), F3 tornado of 29 May 1995. The GBR tornado left an almost continuous 50–1000-m-wide damage path that stretched for ϳ50 km. The apparent rarity of significant tornadogenesis in rough terrain from a supercell well documented in operational Doppler radar motivated this case study. Doppler radar observations showed that the GBR supercell possessed a midlevel mesocyclone well prior to tornadogenesis and that the mesocyclone inten- sified as it crossed the eastern edge of New York’s Catskill Mountains and entered the Hudson Valley. Tornadogenesis occurred as the GBR mesocyclone crossed the Hudson Valley and ascended the highlands to the east. Subsequently, the mesocyclone weakened as it approached the Taconic Range in western Massachusetts before it intensified again as it moved downslope into the Housatonic Valley where it was associated with the GBR tornado. -
Broadway Theatre
Broadway theatre This article is about the type of theatre called “Broad- The Broadway Theater District is a popular tourist at- way”. For the street for which it is named, see Broadway traction in New York City. According to The Broadway (Manhattan). League, Broadway shows sold a record US$1.36 billion For the individual theatre of this name, see Broadway worth of tickets in 2014, an increase of 14% over the pre- Theatre (53rd Street). vious year. Attendance in 2014 stood at 13.13 million, a 13% increase over 2013.[2] Coordinates: 40°45′21″N 73°59′11″W / 40.75583°N The great majority of Broadway shows are musicals. His- 73.98639°W torian Martin Shefter argues, "'Broadway musicals,' cul- minating in the productions of Richard Rodgers and Os- car Hammerstein, became enormously influential forms of American popular culture” and helped make New York City the cultural capital of the nation.[3] 1 History 1.1 Early theatre in New York Interior of the Park Theatre, built in 1798 New York did not have a significant theatre presence un- til about 1750, when actor-managers Walter Murray and Thomas Kean established a resident theatre company at the Theatre on Nassau Street, which held about 280 peo- ple. They presented Shakespeare plays and ballad op- eras such as The Beggar’s Opera.[4] In 1752, William The Lion King at the New Amsterdam Theatre in 2003, in the Hallam sent a company of twelve actors from Britain background is Madame Tussauds New York to the colonies with his brother Lewis as their manager. -
The New-York Historical Society Library Department of Prints, Photographs, and Architectural Collections
Guide to the Geographic File ca 1800-present (Bulk 1850-1950) PR20 The New-York Historical Society 170 Central Park West New York, NY 10024 Descriptive Summary Title: Geographic File Dates: ca 1800-present (bulk 1850-1950) Abstract: The Geographic File includes prints, photographs, and newspaper clippings of street views and buildings in the five boroughs (Series III and IV), arranged by location or by type of structure. Series I and II contain foreign views and United States views outside of New York City. Quantity: 135 linear feet (160 boxes; 124 drawers of flat files) Call Phrase: PR 20 Note: This is a PDF version of a legacy finding aid that has not been updated recently and is provided “as is.” It is key-word searchable and can be used to identify and request materials through our online request system (AEON). PR 000 2 The New-York Historical Society Library Department of Prints, Photographs, and Architectural Collections PR 020 GEOGRAPHIC FILE Series I. Foreign Views Series II. American Views Series III. New York City Views (Manhattan) Series IV. New York City Views (Other Boroughs) Processed by Committee Current as of May 25, 2006 PR 020 3 Provenance Material is a combination of gifts and purchases. Individual dates or information can be found on the verso of most items. Access The collection is open to qualified researchers. Portions of the collection that have been photocopied or microfilmed will be brought to the researcher in that format; microfilm can be made available through Interlibrary Loan. Photocopying Photocopying will be undertaken by staff only, and is limited to twenty exposures of stable, unbound material per day. -
Index of Place Names
Index of Place Names 1 Arden-Surebridge Trail · 50-1 Arden Valley Road · 49, 51 1776 House · 26 Arizona plateau · 142-3 Artist Rock · 141 A Ash Street · 28 Ashland Pinnacle · 162 A-SB Trail, See Arden-Surebridge Trail view of · 201 Abrams Road · 57 Ashland State Forest · 161-2 Adirondack Park, See Adirondacks Ashokan High Point Adirondacks, 5-7, 9, 123,197, 200 view of · 110 view of · 145, 148, 157-8, 203, 205, Ashokan Reservoir 207 view of · 108-10, 126-8 Airport Avenue of the Pines · 200 gliderport · 75, 242 Sha-Wan-Gun ·75 Wurtsboro · 76, 79, 234, 242 B Albany · 7, 15, 236 Badman’s Cave · 141 view of · 128, 141-3, 148, 162, Baker Road · 95 213 Balanced Rock · 29, 128 Albany County · 4, 7, 182, 187, 191, Baldwin Memorial Lean-to · 115, 117, 193-4, 250 245, 252 Albany County Route, See Route Baldwin Road · 171 Albany Doppler Radar Tower · 190, Bangle Hill · 99-100 197, 201 Barlow Notch · 151-2 Albany Militia · 171 Barrett Road · 240 Albert Slater Road · 164 Barton Swamp Trail · 60-2 Allegheny State Park · 104 Basha Kill · 76, 87, 227, 229-31 Allison Park · 18-20 view of · 81-2 Allison, William O. · 19-20 Basha Kill Rail Trail · 227, 229-30 Alpine . 18 Basha Kill Wildlife Management Area · Alpine Approach Trail · 22 76, 87, 227, 229-31 Alpine Boat Basin · 18, 20, 22 Bashakill · 227 Alpine Lookout · 18, 21 Basher Kill · 227 Altamont · 5, 7, 209, 213, 251 Batavia Kill · 4, 139, 246-7 Amalfi Batavia Kill Lean-to · 141, 143, 146, garden · 23 247, 252 Anderson, Maxwell · 41 Batavia Kill Trail · 139, 141, 143, Appalachian Trail · 3, 6-7, 37, -
Central Catskills23
144 C E N T R A L C A T S K I L L S 23. Batavia Kill to NY Route 23 Features: Northern Catskill Escarpment, Windham High Peak Distance: 8.55 miles USGS Map Quads: Freehold, Hensonville Trail Conference Maps: Map 41, Northeastern Catskill Trails General Description The Long Path continues along the blue-blazed Escarpment Trail to NY Route 23 in East Windham. The trail crosses several 3,000-foot peaks before making the final climb over Windham High Peak. There are many views along the way over the Blackhead Range to the south and the Catskill and Mohawk valleys to the north. On a clear day, one can see all the way to the southern Adirondacks. From Windham High Peak, the trail descends to NY Route 23, at the north- ern edge of the Catskill Park, passing through two groves of Norway spruce planted by the CCC in the 1930s. For the entire length of this section, the Long Path follows the Escarpment Trail, blazed with blue DEC trail markers. Access Take the New York State Thruway to Exit 21 (Catskill). Continue on Route 23 west about 22 miles to Brooksburg. At a sign for Hensonville, turn left and proceed south on Greene County Route 65. In Hensonville, turn left onto Greene County Route 40 and follow it to Maplecrest. In Maplecrest, bear left onto Big Hollow Road, passing the Sugar Maples Resort, and continue about 5 miles to a parking area at the end of the road. To reach the beginning of this section of the Long Path, follow the red-blazed Black Dome Range Trail straight ahead for 0.5 miles to the intersection with the yellow-blazed Batavia Kill Trail. -
Constant Wife Program:Constant Wife Program
We l c o m e t o Dear Friends — it’s good to have you here! Old friends are best, wouldn’t you agree? With so much activity in and around our theatres of late, with the red carpet out for the likes of Twyla Tharp, Chita Rivera, and Sandy Duncan, it’s good to know that we continue to be loyal to and support artists whose evolving careers have made such a contribution to our community, and who are largely responsible for the extraordinary level of accomplishment of these past decades. There is a small cavalcade of Associate Artists returning for this next round, and it’s worth noting that among them, with the presence of director Seret Scott, costume designer Lewis Brown, set designer Ralph Funicello, and the great Kandis Chappell of The Constant Wife, we are also delighted to welcome home to the Carter our beloved Jonathan McMurtry whose tenure here on our stages rivals Craig Noel’s for quality, consistency, and sheer endurance. Trying, directed by Rick Seer, could have been written for Jonathan, and that comfortable fit in no way diminishes our awareness of just how fortunate we are to provide a creative home for these men and women whose talents are so interwoven with the pleasure of our playgoing. We don’t forget nor neglect the men and women upon whose backs we’ve made our reputation, any more than we ever wish to overlook your importance to us in the planning and the sustaining of this Theatre. JACK O’BRIEN Artistic Director Last summer The Old Globe celebrated its 70th Anniversary and its rich history as one of the most prominent theatres in North America. -
The Astor Place Riot: Anti-Aristocratism Voiced with a Cobblestone Jackson Loop and Dr
The Astor Place Riot: Anti-Aristocratism Voiced with a Cobblestone Jackson Loop and Dr. Sean Adams College of Liberal Arts and Sciences, University of Florida The first half of the nineteenth century in America witnessed several economic and political changes. Andrew Jackson's election corresponded with a rise of the "common man," a name given to lower classes who obtained new clout at the polls through more inclusive suffrage laws. However, there were some discrepancies in this trend, which this project aims to explore. Artisans were ousted in favor of unskilled labor centered in metropolitan areas, and income inequality ran rampant. This project aims to contextualize the Astor Place Riot as an event steeped in class, vigilantism and identity. INTRODUCTION The Astor Place Opera House represented this desire for international recognition, and catered mostly to the The city and its presses were well aware of the rising "uppertens," the richest ten thousand citizens of New York. tensions in the days before New York's Astor Place Riot of A dress code was enforced, intent on preventing the 1849. A feud between American actor Edwin Forrest and admission of any ill-mannered New Yorkers. However, his British rival William Charles Macready had already just a short walk away was the less elite Bowery Theatre, a achieved as much publicity as nineteenth century hall emblematic of "lowbrow" entertainment, whose technology allowed. Macready was scheduled to perform performances reduced the importance of acknowledgement Macbeth, and on May 10th a crowd of 10,000 besieged the from the Old World, and instead sought to establish a more Astor Place Opera House.