W Somerset Maugham (Estate) Writer

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W Somerset Maugham (Estate) Writer 25 January 1874 – 16 December 1965 Please enquire for availability of specific titles Agents Giles Smart Assistant Ellie Byrne [email protected] +44 (020 3214 0812 Nicki Stoddart [email protected] +44 (0) 20 3214 0869 Credits Film & Television Rights Production Company Notes NOVELS CATALINA 1948 THEN AND NOW 1946 THE RAZOR'S EDGE (1943/44) UP AT THE VILLA (AKA THE VILLA ON THE HILL) 1940 CHRISTMAS HOLIDAY 1939 THEATRE 1937 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes THE NARROW CORNER 1932 CAKES AND ALE 1930 THE PAINTED VEIL 1925 THE MOON AND SIXPENCE 1919 OF HUMAN BONDAGE 1915 THE MAGICIAN (1908/09) THE MERRY GO ROUND 1904 MRS CRADDOCK 1902 SHORT STORIES Please enquire for full list. Theatre Production Company Notes PLAYS JANE 1952 THEATRE (AKA LARGER THAN LIFE) 1941 THE LION AT BAY 1940 THE LION'S SKIN 1937 THE LOTUS EATER 1935 SHEPPEY 1933 FOR SERVICES RENDERED 1932 THE BREADWINNER 1930 THE SACRED FLAME 1928 THE LETTER 1927 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes THE CONSTANT WIFE 1926 GERMANY HARRY 1924 LOAVES AND FISHES 1924 THE LUNCHEON 1924 CAROLINE 1923 HOME AND BEAUTY 1923 OUR BETTERS 1923 THE UNATTAINABLE 1923 THE CAMEL'S BACK 1923 EAST OF SUEZ 1922 THE CIRCLE 1921 CAESAR'S WIFE 1922 THE ABLE 1921 THE UNKNOWN 1920 THE KEYS TO HEAVEN 1917 MRS BEAMISH 1917 THE TENTH (FAT) MAN 1913 GRACE (LANDED GENTRY) 1913 THE LAND OF PROMISE 1913 SMITH 1913 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes PENELOPE 1912 JACK STRAW 1912 THE EXPLORER 1912 LADY FREDERICK 1912 MRS DOT 1912 A MAN OF HONOUR 1903 MARRIAGES ARE MADE IN HEAVEN 1903 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected].

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Evolution of the Femme Fatale in of Human Bondage: from Temptation and Humiliation to Insanity and Death
1 Revista de Comunicación Vivat Academia ISSN: 1575-2844 Marzo 2015 Año XVIII Nº130 pp 121-140 INVESTIGACIÓN/RESEARCH Recibido: 24/01/2014---Aceptado: 23/02/2015---Publicado: 15/01/2015 EVOLUTION OF THE FEMME FATALE IN OF HUMAN BONDAGE: FROM TEMPTATION AND HUMILIATION TO INSANITY AND DEATH. Mariona Visa Barbosa: Universitat de Lleida. Spain. [email protected] ABSTRACT This article analyzes the evolution of the female character in the film Of Human Bondage (John Cromwell, 1934), starring Bette Davis and Leslie Howard. The protagonist of the story plays the role of a typical femme fatale who goes through different stages throughout the film, which are analyzed in detail in this article. She appears at first discreetly and positively to go slowly transforming into a cold woman who constantly humiliates the male lead. Finally, as in other ends of black films previous to World War II, her character is punished by the screenwriters, sheltering her into madness finally leading to death. By contrast, the male character embodies the archetype of an antihero who will be positively transformed at the end of the story. In this paper, the evolution of the two protagonists of the film and particularly how woman as a femme fatale is represented in the different phases of history is studied. The analysis draws upon a narrative methodology and applies the principles of anthropological structures of the imaginariness introduced by Gilbert Durand in the 1960s. KEYWORDS: Archetype -femme fatale- antihero-woman-genre-film EVOLUCIÓN DE LA FEMME FATALE EN CAUTIVO DEL DESEO: DE LA TENTACIÓN Y LA HUMILLACIÓN A LA LOCURA Y LA MUERTE RESUMEN En este artículo se analiza la evolución del personaje femenino en la película Cautivo del deseo (Of human boundage, John Cromwell, 1934), interpretada por Bette Davis y Leslie Howard.
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ACTA UNI VERSITATIS LODZIENSIS Anna Gazdzinska a WOMAN
ACTA UNI VERSITATIS LODZIENSIS FOLIA LITTERARIA ANGLICA 5, 2002 Anna Gazdzinska A WOMAN IMPRISONED ANALYSIS OF FORMAL INFERIORITY OF WOMEN IN SELECTED NOVELS OF W. S. MAUGHAM If Maugham as a creator of characters is remembered chiefly for his heroines, he is also associated with misogyny and unfavourable treatment of his females. Their inferiority to men is often voiced openly by Maugham’s male characters who wish their wives in Hell,1 doubt their judgment, and despise their morals. For Maugham and his male characters “the usual effect of a man’s co-habitation with a woman . is to make him a little more petty, a little meaner than he would otherwise have been.”2 However, an analysis of selected novels of W. S. Maugham: O f Human Bondage, Cakes and Ale, The Painted Veil, The Moon and Sixpence, The Narrow Corner and The Razor’s Edge shows that contempt for the “other” sex is not only expressed verbally by Maugham’s male characters, often acting as his mouthpieces. The inferiority of Maugham’s females is deeply rooted in the structure of the novels as well: women find themselves in a variety of “prisons” on the level of plot, narration and linguistic form down to the layer of the subconscious - symbols, myths and stereotypes. The inferiority of women is discernible in the formal method of their portrayal in Maugham’s novels. Although his female characters play a variety of roles in his fiction - of literary lionesses, novelette writers or waitresses, their most important and immediately recognizable role is their relation to men.
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CHAPTER 1 INTRODUCTION A. Background of the Study up at The
CHAPTER 1 INTRODUCTION A. Background of the Study Up at the Villa is a classical romance story that tells how a young beautiful widow is caught between three men. It is a fictional novel that was written by William Sommerset Maugham and published for the first time in 1941 by Doubleday Publishers in England. Up at the Villa was also later published by Vintage Publishers. Currently, Up at the Villa is uploaded on many blogs and can be downloaded in various file formats from websites like http//www.mymaughamcollection.blogspot.com. The novelette Up at the Villa was written by William Sommerset Maugham during his journey across Europe because of the outbreak of World War I. William Sommerset Maugham was born on 25th January 1874 in the British Embassy in Paris. His father, Robert Ormond Maugham, worked for the Embassy in France. He died when William was ten years old. After his father’s death, he went to live with his uncle in Whitstable, Kent. Maugham became a medical student after an education at King’s School, Canterbury and Heildelberg University in Germany. He wrote his first novel Liza of Lambeth in 1897. It was sold well and he decided to leave medicine and dedicated himself to being a writer full time. He continued to write Lady Frederick in 1907 and achieved fame. In 1908, he had four plays running simultaneously in London. 1 2 He became an even more renowned novelist when he successfully published Human Bondage in 1915, followed by another successful book, The Moon and Sixpence (1919).
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Directed by Michael Donald Edwards, OUR BETTERS Opens March 13 at Asolo Rep
Directed by Michael Donald Edwards, OUR BETTERS Opens March 13 at Asolo Rep "A more devious Downton Abbey." – NowToronto.com (SARASOTA, February 5, 2015) — Before there was Downton Abbey, there was Our Betters, W. Somerset Maugham's fiery romantic dramedy about the invasion of sly social-climbing American heiresses into British society. The fifth play in the third season of Asolo Rep's five-year American Character Project illuminates a sect of wealthy, early 20th-century American women who yearned for the pomp and circumstance – and parties – of the British nobility. Directed by Asolo Rep's producing artistic director Michael Donald Edwards, Our Betters opens Friday, March 13, 2015 at 8pm and runs through Sunday, April 19 at Asolo Rep, with previews Wednesday, March 11 and Thursday, March 12 at 8pm. In early 20th-century England, broke British aristocrats desperately needed money to maintain their ornate estates, and wealthy American women desperately wanted -more- Our Betters Page 2 of 7 the prestige of marrying well. After marrying a baronet, American hardware heiress Lady Pearl Grayston appears to have everything a girl could want – a posh title, a throng of adoring lovers, and the crème de la crème of British society, including a princess and a duchesse, at her beck and call – but she wants more. When Pearl's little sister, Bessie, crosses the pond to join her sister's enviably glamorous life and find a noble husband of her own, she is unprepared for the scandal that is about to erupt behind closed manor doors. “Brimming with dynamic and passionate women of position, prestige and wealth, Our Betters reveals how they prevailed in a society with limited options for women," said Michael Donald Edwards.
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A STUDY OF W.S. MAUGHAM HARUMA OKADA W．S．モーム研究岡田春馬 William Somerset Maugham was born in Paris in 1874. As the family name shows, he may come from the Celtic lineage originally. From the family many great persons concerned with jurisprudence appeared from generation to generation. His grandfather was the founder of the Society of Jurisprudence, and wrote many essays. His father was also the famous lawyer, who was a counsellor of English Embassy to France, and practised in Paris. According to what Maugham writes in Summing Up, his father was a man of very singular inclination, and travelled much to Turkey, Greece and Morocco ; such places where many persons do not often visit. I feel his father's romantic vein of blood in Maugham's inclination of vagabond and adventurous spirit seeking for new experiences. He studied at the University of Heidelberg before taking up medicine in London. Since then, his travels have been frequent and extensive. He had been to India, Burma, Siam, Malaya, China, the South Seas, Russia, and the Americas, but his homes are made in London, Paris, and New York, and on the French Riviera which forms a kind of seasonable annexe to those three capitals. In my opinion, his travels nourished his writings. A cosmopolitan society supplied the background for most of his fiction and his plays, but he is as much at ease with the outpost life of British and French colonies and with remote mission stations. There must be a huge number of people whose only knowledge of missionaries is derived from the most famous story of all Maugham's short stories, Rain.
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Cabinet Member Report William Somerset Maugham PDF 182 KB
Cabinet Member Report Decision Maker: Cabinet Member for the Built Environment Date: 8 June 2016 Classification: For General Release Title: Commemorative Green Plaque for William Somerset Maugham at 2 Wyndham Place, W1 Wards Affected: Bryanston and Dorset Square Key Decision: An entry has been included in the Forward Plan of Key Decisions Financial Summary: The Green Plaque Scheme depends on sponsorship. Sponsorship has been secured for this plaque Report of: Director of Policy, Performance & Communications 1. Executive Summary William Somerset Maugham was a British playwright, novelist and short story writer. He was among the most popular writers of his era and reputedly the highest paid author during the 1930’s. 2. Recommendations That the nomination for a Westminster Commemorative Green Plaque for William Somerset Maugham at his London home at 2 Wyndham Place, be approved, subject to Listed Building Consent being granted for the Plaque and for sponsorship in full . 3. Reasons for decision William Somerset Maugham was a complex and interesting character and master of the short, concise novel. The last years of the British Empire offered him magnificent canvasses on which to write his stories and plays, evoking the feelings and emotions that allow the reader to understand and identify with the characters. 4. Policy Context The commemorative Green Plaques scheme complements a number of Council strategies: to improve the legibility and understanding of Westminster’s heritage and social history; to provide information for Westminster’s visitors; to provide imaginative and accessible educational tools to raise awareness and understanding of local areas, particularly for young people; to celebrate the richness and diversity of Westminster’s former residents.
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Of Human Bondage
Of Human Bondage W. Somerset Maugham This eBook is designed and published by Planet PDF. For more free eBooks visit our Web site at http://www.planetpdf.com Livros Grátis http://www.livrosgratis.com.br Milhares de livros grátis para download. Of Human Bondage I The day broke gray and dull. The clouds hung heavily, and there was a rawness in the air that suggested snow. A woman servant came into a room in which a child was sleeping and drew the curtains. She glanced mechanically at the house opposite, a stucco house with a portico, and went to the child’s bed. ‘Wake up, Philip,’ she said. She pulled down the bed-clothes, took him in her arms, and carried him downstairs. He was only half awake. ‘Your mother wants you,’ she said. She opened the door of a room on the floor below and took the child over to a bed in which a woman was lying. It was his mother. She stretched out her arms, and the child nestled by her side. He did not ask why he had been awakened. The woman kissed his eyes, and with thin, small hands felt the warm body through his white flannel nightgown. She pressed him closer to herself. ‘Are you sleepy, darling?’ she said. Her voice was so weak that it seemed to come already from a great distance. The child did not answer, but smiled comfortably. He was very happy in the large, warm bed, with those soft arms about him. He tried to make 2 of 1241 Of Human Bondage himself smaller still as he cuddled up against his mother, and he kissed her sleepily.
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The Circle.’ Back Row, Left to Right, Travis Vaden, Dou- Glas Weston, Nancy Bell, John Hines, Rebecca Dines and John-David Keller
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The Razor's Edge by W. Somerset Maugham
The Razor’s Edge by W. Somerset Maugham About the author W. Somerset Maugham was born in 1874 and lived in Paris until he was ten. He was educated at King's School, Canterbury, and at Heidelberg University. He afterwards walked the wards of St. Thomas's Hospital with a view to practice in medicine, but the success of his first novel, Liza of Lambeth (1897), won him over to letters. Something of his hospital experience is reflected, however, in the first of his masterpieces, Of Human Bondage (1915), and with The Moon and Sixpence (1919) his reputation as a novelist was assured. His position as one of the most successful playwrights on the London stage was being consolidated simultaneously. His first play, A Man of Honour (1903), was followed by a procession of successes just before and after the First World War. (At one point only Bernard Shaw had more plays running at the same time in London.) His theatre career ended with Sheppey (1933). His fame as a short-story writer began with The Trembling of a Leaf, sub-titled Little Stories of the South Sea Islands, in 1921, after which he published more than ten collections. W. Somerset Maugham's general books are fewer in number. They include travel books, such as On a Chinese Screen (1922) and Don Fernando (1935), essays, criticism, and the self-revealing The Summing Up (1938) and A Writer's Notebook (1949). W. Somerset Maugham became a Companion of Honour in 1954. He died in 1965. About the book The Razor's Edge, by British novelist W.
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Stylistic Use of Phraseological Units in Discourse
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