Bengali-Medium Students
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Section: Open Colour 2020/FIP/013/2020
List of Accepted Images Section: Open Colour 2020/FIP/013/2020 Author Club Image Title Award ABHIJEET KUMAR BANERJEE PHOTOGRAPHY CLUB OF ASSAM HOMEBOUND ABHIJEET KUMAR BANERJEE PHOTOGRAPHY CLUB OF ASSAM VICTORIA MEMORIAL ABHIJIT ADURKAR KAP ASSOCIATION MUDD RACE ABHIJIT ADURKAR KAP ASSOCIATION BAGAD FESTIVAL ABHIJIT BOSE PHOTOGRAPHY CLUB OF ASSAM STATUE OF AHOM WARRIOR (6) ABHIJIT DAS PLAAPA LOVING COUPLE ABHIJIT DE DUM DUM FOTO UNIT BUSY WOMAN ABHIJIT DE DUM DUM FOTO UNIT OLD MAN ABHIJIT PAL IRIS PHOTOGRAPHY FOUNDATION BLOSSOM ABHIJIT PAL IRIS PHOTOGRAPHY FOUNDATION VILLAGE LIFE ABHIJIT PAUL SERENITY ABHINANDAN BHADURI DUM DUM FOTO UNIT INDOOR1 ABHINANDAN BHADURI DUM DUM FOTO UNIT LUNCH TIME ABHISHEK BANERJEE LIGHT AND SHADOW END OF THE DAY ABHISHEK BANERJEE LIGHT AND SHADOW EYES OF FEAR ABHISHEK BANERJEE LIGHT AND SHADOW KUSTI ABHISHEK CHAUDHURY IRIS PHOTOGRAPHY FOUNDATION SAPIENCE ABHISHEK PUROHIT RED LINES ABHISHEK PUROHIT BLUE FREEDOM ABHISHEK PUROHIT FRAMES OF JODHPUR ABHISHEK SASMAL DUM DUM FOTO UNIT LOCKED DOWN ABHISHEK SASMAL DUM DUM FOTO UNIT BENARASA PEOPLE 2 ABHISHEK SASMAL DUM DUM FOTO UNIT CLOUD OF THINKING ABHISHEK SHAW DUM DUM FOTO UNIT PRAYER ABHISHEKH CHATTERJEE LPS DIVE FOR THE CATCH ABHISHEKH CHATTERJEE LPS JUMP FOR THE CATCH ABIR DAS ATTENTION ABIR DAS BANJARA GIRL 1 List of Accepted Images Section: Open Colour 2020/FIP/013/2020 Author Club Image Title Award ABIR DAS LEISURE TIME ABIR GHOSH RIYA 3924 ABIR GHOSH MOUMITA 7496 FU HMs ABIR GHOSH SHREYA 8376 ABIR GHOSH SHREYA 8511 ACHINTYA DAN PLAAPA FIGHT ACHINTYA DAN PLAAPA SELFIE ACHINTYA DAN PLAAPA MOTHER ACHINTYA SENGUPTA INSTITUTE OF PHOTO ART, DUM DUM HALDI UTSAV ACHINTYA SENGUPTA INSTITUTE OF PHOTO ART, DUM DUM HOLI AT NANDGAON ACHINTYA SENGUPTA INSTITUTE OF PHOTO ART, DUM DUM A LEISURE EVENING. -
List of Empanelled Artist
INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Last Cooling off Social Media Presence Birth Empanelment Category/ Sponsorsred Over Level by ICCR Yes/No 1 Ananda Shankar Jayant Telangana 27-09-1961 Bharatanatyam Tel: +91-40-23548384 2007 Outstanding Yes https://www.youtube.com/watch?v=vwH8YJH4iVY Cell: +91-9848016039 September 2004- https://www.youtube.com/watch?v=Vrts4yX0NOQ [email protected] San Jose, Panama, https://www.youtube.com/watch?v=YDwKHb4F4tk [email protected] Tegucigalpa, https://www.youtube.com/watch?v=SIh4lOqFa7o Guatemala City, https://www.youtube.com/watch?v=MiOhl5brqYc Quito & Argentina https://www.youtube.com/watch?v=COv7medCkW8 2 Bali Vyjayantimala Tamilnadu 13-08-1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No Yes https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 [email protected] https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ https://www.youtube.com/watch?v=WBPKiWdEtHI 3 Sucheta Bhide Maharashtra 06-12-1948 Bharatanatyam Cell: +91-8605953615 Outstanding 24 June – 18 July, Yes https://www.youtube.com/watch?v=WTj_D-q-oGM suchetachapekar@hotmail 2015 Brazil (TG) https://www.youtube.com/watch?v=UOhzx_npilY .com https://www.youtube.com/watch?v=SgXsRIOFIQ0 https://www.youtube.com/watch?v=lSepFLNVelI 4 C.V.Chandershekar Tamilnadu 12-05-1935 Bharatanatyam Tel: +91-44- 24522797 1998 Outstanding 13 – 17 July 2017- No https://www.youtube.com/watch?v=Ec4OrzIwnWQ -
BA GENERAL DAY.Xlsx
CHAKDAHA COLLEGE FINAL MERIT LIST BA GENERAL DAY (ALL CATEGORY) SL APP NO STUDENT NAME YOP SEX CASTE PH PH (%) SQ AGG REM 1 2096518 TUBAI BISWAS 2021 MALE SC NO NO 484 2 2095525 SARTHAK SAMADDER 2021 MALE GENERAL NO NO 471 3 2095719 SHIVAM SAHA 2020 MALE GENERAL NO NO 466.48 2% LESS 4 2096319 MANODEEP PAUL 2020 MALE OBC B NO NO 466.48 2% LESS 5 2088037 SAGAR SEN 2021 MALE GENERAL NO NO 462 6 2092733 PIYASHA CHANDA 2021 FEMALE OBC B NO NO 461 7 2089818 SHAMIMA KHATUN 2021 FEMALE OBC A NO NO 459 8 2092286 SUVAJIT GHOSH 2021 MALE OBC B NO NO 459 9 2086642 SHRABANI BISWAS 2021 FEMALE GENERAL NO NO 458 10 2096934 SWAGATA CHATTERJEE 2021 FEMALE GENERAL NO NO 458 11 2093559 SANGITA SARKAR 2021 FEMALE GENERAL NO NO 457 12 2098416 RUMA GHOSH 2020 FEMALE GENERAL NO NO 456.68 2% LESS 13 2094750 SAYAK GHOSH 2021 MALE OBC B NO NO 456 14 2093464 BISHAL BISWAS 2021 MALE SC NO NO 455 15 2093853 SUBHRA PRAMANIK 2021 FEMALE OBC B NO NO 454 16 2089452 JEET PAL 2020 MALE GENERAL NO NO 452.76 2% LESS 17 2087323 BARNALI DEBNATH 2021 FEMALE OBC B NO NO 452 18 2093735 TANMOY DAS 2021 MALE GENERAL NO NO 451 19 2095093 ARITRA BISWAS 2021 MALE SC NO NO 451 20 2086350 RAM RAHIM 2021 MALE GENERAL NO NO 450 21 2087059 RAJU DAS 2021 MALE GENERAL NO NO 450 22 2093604 SUDIPA NAG 2021 FEMALE GENERAL NO NO 450 23 2098429 TANMAY RANA 2020 MALE SC NO NO 449.82 2% LESS 24 2097485 SENJUTEE BISWAS 2021 FEMALE GENERAL NO NO 447 25 2097575 DISHA RAY 2021 FEMALE SC NO NO 446 26 2090755 SUPRIYA DUTTA 2021 FEMALE OBC B NO NO 445 27 2097276 NISHA GHOSH 2021 FEMALE GENERAL NO NO 445 -
About Delhi: Delhi Is the Capital of India and Is the Home of the Administrative Center for the Country
Destinations Choice of Destinations: In our endeavor to offer the best possible solution to your medical needs, our team has explored the various destinations which offer benefits on any of the following parameters, needless to mention that the quality standards remain the same at all the selected locations. We offer a wide choice of destinations The selection of the places has been done on the basis of cost benefit in terms of affordability and availabity of accommodation, transport and environment for recuperation. Needless to mention, the standard of quality of treatment remains the same. About Delhi: Delhi is the Capital of India and is the home of the administrative center for the country. It also has a rich history that extends all the way back to the 6th century BC. Apart from its historical heritage the city is well known for all the historical sites worth visiting and the food. The city was born out of a complex past that defines the present state of its dynamism, beauty and ramifications. It is amazing to witness the coexistence of both the ancient and modern world in one city that showcases a diverse culture as well as traditional values and yet absorbing modern interventions making it worth exploring, be it the city in itself or the people enriched with variant characteristics. It is these diverse aspects that make Delhi what it is today and worth every bit of time that you spend scouting the by-lanes or the ancient monumental delights leaving you with a worthwhile acquaintance and memorable graffiti etched in your mind and heart forever. -
Minutes of the Meeting of the Expert Committee Held on 14Th, 15Th,17Th and 18Th October, 2013 Under the Performing Arts Grants Scheme (PAGS)
No.F.10-01/2012-P.Arts (Pt.) Ministry of Culture P. Arts Section Minutes of the Meeting of the Expert Committee held on 14th, 15th,17th and 18th October, 2013 under the Performing Arts Grants Scheme (PAGS). The Expert Committee for the Performing Arts Grants Scheme (PAGS) met on 14th, 15th ,17thand 18th October, 2013 to consider renewal of salary grants to existing grantees and decide on the fresh applications received for salary and production grants under the Scheme, including review of certain past cases, as recommended in the earlier meeting. The meeting was chaired by Smt. Arvind Manjit Singh, Joint Secretary (Culture). A list of Expert members present in the meeting is annexed. 2. On the opening day of the meeting ie. 14th October, inaugurating the meeting, Sh. Sanjeev Mittal, Joint Secretary, introduced himself to the members of Expert Committee and while welcoming the members of the committee informed that the Ministry was putting its best efforts to promote, develop and protect culture of the country. As regards the Performing Arts Grants Scheme(earlier known as the Scheme of Financial Assistance to Professional Groups and Individuals Engaged for Specified Performing Arts Projects; Salary & Production Grants), it was apprised that despite severe financial constraints invoked by the Deptt. Of Expenditure the Ministry had ensured a provision of Rs.48 crores for the Repertory/Production Grants during the current financial year which was in fact higher than the last year’s budgetary provision. 3. Smt. Meena Balimane Sharma, Director, in her capacity as the Member-Secretary of the Expert Committee, thereafter, briefed the members about the salient features of various provisions of the relevant Scheme under which the proposals in question were required to be examined by them before giving their recommendations. -
Applicant.Pdf
Government of West Bengal Directorate of Medical Education Swasthya Bhawan Salt Lake Kolkata Name of the Applicants for Direct Recruitment 2009 for post of Assistant Professors/Demonstrator/RMO cum Clinical Tutors under WBMES are enlisted. Eligible candidates are informed to contact with Deputy Director or Assistant Director of Medical Education for any confusion. Contact numbers: (033) 23330-503 (033) 23330-504 (033) 23330-621 Candidates must present to the Auditorium Ground Floor N.R.S Medical College, Kolkata as given schedule dated 11.11.2009 (Published in www.wbhealth.gov.in) with all original documents for verification. Without original documents on the day of interview candidature may be cancelled. I. Assistant Professor: Sl No Name Reg. No Discipline Post applied Degree for 1 Dr. Avanish Gupta 58087 Anatomy Assistant MD(Anatomy) professor 2 Dr. Purnendu Datta 56743 Anatomy Assistant MD(Anatomy) professor 3 Dr. Suvalagna 55404 Anatomy Assistant MD(Anatomy) Chatterjee professor 4 Dr. Sudipa Biawas 56360 Anatomy Assistant MD(Anatomy) professor 5 Dr. Anirban Dasgupta 60047 Anatomy Assistant MD(Anatomy) professor 6 Dr. Arindam Banerjee 58973 Anatomy Assistant MD(Anatomy) professor 7 Dr. Ramen Sinha Ray 61566 Anatomy Assistant MBBS professor 8 Dr. Tapati 38820 Anatomy Assistant MD(Anatomy) Bhattacharyya(Das) professor 9 Dr. Anubha Saha 53181 Anatomy Assistant MBBS Professor 10 Dr. Rajarsri Chunder 56172 Anatomy Assistant MD(Anatomy) Professor 11 Dr. Amrita Gupta 62128 Anatomy Assistant MBBS professor 12 Dr. Minakshi Verma 65211 Anatomy Assistant MD(Anatomy) Professor 13 Dr. Anirban Sadhu 58071 Anatomy Assistant MD(Anatomy) Professor 14 Dr Susmita Ghosh 57709 Anatomy Assistant MBBS Professor 15 Dr. -
Setting the Stage: a Materialist Semiotic Analysis Of
SETTING THE STAGE: A MATERIALIST SEMIOTIC ANALYSIS OF CONTEMPORARY BENGALI GROUP THEATRE FROM KOLKATA, INDIA by ARNAB BANERJI (Under the Direction of Farley Richmond) ABSTRACT This dissertation studies select performance examples from various group theatre companies in Kolkata, India during a fieldwork conducted in Kolkata between August 2012 and July 2013 using the materialist semiotic performance analysis. Research into Bengali group theatre has overlooked the effect of the conditions of production and reception on meaning making in theatre. Extant research focuses on the history of the group theatre, individuals, groups, and the socially conscious and political nature of this theatre. The unique nature of this theatre culture (or any other theatre culture) can only be understood fully if the conditions within which such theatre is produced and received studied along with the performance event itself. This dissertation is an attempt to fill this lacuna in Bengali group theatre scholarship. Materialist semiotic performance analysis serves as the theoretical framework for this study. The materialist semiotic performance analysis is a theoretical tool that examines the theatre event by locating it within definite material conditions of production and reception like organization, funding, training, availability of spaces and the public discourse on theatre. The data presented in this dissertation was gathered in Kolkata using: auto-ethnography, participant observation, sample survey, and archival research. The conditions of production and reception are each examined and presented in isolation followed by case studies. The case studies bring the elements studied in the preceding section together to demonstrate how they function together in a performance event. The studies represent the vast array of theatre in Kolkata and allow the findings from the second part of the dissertation to be tested across a variety of conditions of production and reception. -
Concert | Pangaea | 16 June | 7Pm
Bipannata The Play Bipannata is the story of the helplessness of Sulagna Dutta, a woman in her late 50s, a widow and a single parent. She represents the middle class, who wakes up to a daily routine expecting a more or less secured lifestyle. She is neither a political bigwig nor a celebrity, but one of those you wouldn’t even notice when passing by. She has raised her son Ujaan to be a responsible man and who is now a computer engineer. The only problem is that he has his own well defined opinions. He is sensitive and reacts like a normal human being to events happening around him…events of large scale state generated violence that permeate into our lives and induce a constant state of fear. Sulagna is worried for her son, who goes into bouts of depression and hides at home, refusing to go out and participate in a world he cannot question. She sets up an appointment with a renowned psychoanalyst Dr. Ahana Roy. What follows is a heartrending search into fear psychosis and the resulting helplessness. Are we all trying to hide in our cocoons? Are we afraid to question? How is an individual supposed to negotiate in these circumstances? Do we need help? And who can help? Director’s note Choice of Bipannata – a rationale: The play tries to address the feelings of fear and helplessness that we carry within us in these hard times. How is one supposed to react to the violence that one witnesses daily? To questions of state induced terrorism, rape, capital punishment…….? Is one expected merely to drink it in with his morning cup of coffee? Or can one exercise his basic right of speech and thought? Can one help himself? Is there someone who can help? Can he expect any help at all? The Director Sohini Sengupta is an upcoming director and a leading stage artist and trainer of Nandikar. -
Press Release 1
Press Release 1. We, the undersigned, strongly protest and denounce the arrest of a Shramik Sangram Committee activist and Krishak Committee organiser Mr. Mithu Ghosh from Gangra area of village Sonachura, Nandigram, in the wee hours of 12th February, 2008, the subsequent arrests of Bhumi Uchched Protirodh Committee organiser Mr. Sudhanshu Das and his son, too, who provided shelter to Mithu on the fateful night, relating them with the same case, implicating them in the same FIR, etc., and the hue and cry raised by the police about what they call the ‘Arrest of a Maoist Organiser from Nandigram (!)’, in spite of the fact in the grasp of any knowledgeable person that Mithu and the aforesaid organisations for which Mithu worked are unrelated to the CPI (Maoist). But, anyway, we would like to add here a separate fact – that the police has perhaps forgotten that having relations with CPI (Maoist) or carrying a copy of the allegedly Maoist literature “Peoples March” was neither ‘illegal’ nor ‘prohibited’ when Mithu was arrested. 2. We find that the police surreptitiously added several documents later in the ‘seizure list’ which Mithu never distributed at any time during his regular visits to Nandigram over almost a year. Rather, Mithu had with him several copies of regular, open and legal publications, like “Sandhikshan” (in publication since 1972), “Shramik Istahaar” (in publication since 1974), “Krishak Path” (in publication since 1978) and Frontline etc.! 3. But the most shocking part of the police game is yet untold — both the FIR and the police report that were later submitted to the SDJM (Haldia) court contain names of some of the editors of the abovementioned publications, almost all being senior-most leaders of Shramik Sangram Committee and Krishak Committee – and not only that, they contain the name of a well-known cultural activist Ms. -
Evolving Humanity, Emerging Worlds IUAES2013, University of Manchester, 5Th-10Th August 2013 Sponsors
The 17th World Congress of the IUAES2013 Evolving Humanity, Emerging Worlds Evolving Humanity, IUAES2013, University of Manchester, 5th-10th August 2013 Sponsors: Evolving Humanity, Emerging Worlds Monday 5th August, Bridgewater Hall (Monday only) 12.00-14.00 Registration 14.00-15.00 Opening Ceremony 15.00-16.30 Inaugural Lecture by Leslie Aiello 16.30-17.00 Coffe/Tea Break 17.00-19.00 Plenary Debate: “Humans have no nature, what they have is history” 19.00-21.00 Reception Tuesday 6th August, University Conference Centre Complex (all remaining days) 09.00-10.30 Panel Sessions 10.30-11.00 Coffee/Tea Break 11.00-12.30 Panel Sessions 12.30-14.00 Lunch (also ASA AOB meeting and ICSU presentation) 14.00-15.30 Panel Sessions 15.30-16.00 Coffee/Tea Break 16.00-17.30 Firth Lecture by Lourdes Arizpe 18.00-19.00 IUAES Commission Business Meetings and Other meetings 19.00-21.00 Presentation of bids to host future congesses and inter-congresses Wednesday 7th August 09.00-10.30 Panel Sessions 10.30-11.00 Coffee/Tea Break Hallsworth Plenary Debate: 11.00-13.00 “Justice for people must come before justice for the environment”. 13.00-14.30 Lunch (also ERCEA presentation, EASA Mobilities and AMCE meetings) 14.30-16.00 Panel Sessions 16.00-16.30 Coffee/Tea Break 16.30-18.00 Panel Sessions 18.30-19.30 WCAA Ethics Taskforce and WCAA IntDels meetings 19.30-21.00 Open Commissions Meeting Thursday 8th August 09.00-10.30 Panel Sessions 10.30-11.00 Coffee/Tea Break 11.00-12.30 Panel Sessions 12.30-14.00 Lunch (also ASA Apply meeting) 14.00-15.30 Panel Sessions 15.30-16.00 Coffee/Tea Break 16.00-17.30 Huxley Lecture by Howard Morphy 18.00-19.00 ALA, VANEASA and WCAA AOA meetings 19.00-21.00 Council of IUAES Commissions Friday 9th August 09.00-10.30 Panel Sessions 10.30-11.00 Coffee/Tea Break Plenary Debate: 11.00-13.00 “The free movement of people around the world would be utopian”. -
Introduction to a Film on Female Genital Circumcision by It’S Lead Meenal Kapoor
Introduction to a Film on Female Genital Circumcision by it’s lead Meenal Kapoor [ratings] The film is based on an important issue which has been overlooked because of ignorance about the subject. This film fills that void. It creates awareness about the urgency for banning the horrid medieval practice. Meenal’s performance holds the film together. The intensity with which she has delineated her character reflects on a conviction in the actor about the theme of the film. One must also congratulate the Director for communicating about the practice in such a short film. – Editor Female Genital Circumcision or FGC as it is commonly known is India’s best kept secret. This tradition is practiced in 21st century India within a small and conservative community of Dawoodi Bohras. This is a curse to any women and must be banished. We have made this film to bring awareness to our fellow citizens to abolish this draconian era act which has no place in our society. This short film ‘Female Khatna’, directed by Shashank Upadhyay, is on Female Genital Mutilation (FGM) or also known as Female Genital Circumcision (FGC). Similar to circumcision of boy’s FGM, it’s a reality that is still practiced in our country albeit by a small minority community. Our team received threats from several people demanding to drop the film, they infact have vowed to cut the young director’s throat. However, he is determined to release this movie which focuses on the draconian era practice of circumcision of little girls often between the age of 6 to 12 years. -
Ruddhasangeet by Shri Bratya Basu,Kinu Kaharer Thetar by Manoj
Kartik The Play & Director’s Note This play has a storyline that could have been based on tomorrow morning's newspaper headlines. Using the wonderful theatrical device of three actors playing the central character of Kartik, we are able to enter his fractured world. We simultaneously see him as he was before the accident that changed his life; we also see him as he is immediately after the accident, recovering in hospital, at home and in school; as well as when he is an adult. The play brings together the present, past and uture in a seamless whole. It has been a fascinating journey with the actors and my own team. We have interviewed teenagers, their parents and teachers; watched their interactions in school, home and on the metro; created improvisations; spent hours mastering the intricate choreography; enjoyed the shopping for clothes that capture today's Delhi; and worked hard at creating over 36 characters, played by just 14 actors! The Director Educationist, theatre director and activist, Feisal Alkazi lives and works in New Delhi. Over the past forty years he has carved his own niche with his group, Ruchika. He has directed over 200 plays with adults in Hindi, English and Urdu. Most recently, two plays, Noor and A Quiet Desire, written by him have been produced. In addition, he has directed over 100 productions for schools all over India. Ruchika also runs a training program in theatre for children since 1997. Feisal has written 24 books as well and is a counsellor with Sanjivani. In the field of disability, he has directed 30 films and produced several plays.