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Section: Open Colour 2020/FIP/013/2020
List of Accepted Images Section: Open Colour 2020/FIP/013/2020 Author Club Image Title Award ABHIJEET KUMAR BANERJEE PHOTOGRAPHY CLUB OF ASSAM HOMEBOUND ABHIJEET KUMAR BANERJEE PHOTOGRAPHY CLUB OF ASSAM VICTORIA MEMORIAL ABHIJIT ADURKAR KAP ASSOCIATION MUDD RACE ABHIJIT ADURKAR KAP ASSOCIATION BAGAD FESTIVAL ABHIJIT BOSE PHOTOGRAPHY CLUB OF ASSAM STATUE OF AHOM WARRIOR (6) ABHIJIT DAS PLAAPA LOVING COUPLE ABHIJIT DE DUM DUM FOTO UNIT BUSY WOMAN ABHIJIT DE DUM DUM FOTO UNIT OLD MAN ABHIJIT PAL IRIS PHOTOGRAPHY FOUNDATION BLOSSOM ABHIJIT PAL IRIS PHOTOGRAPHY FOUNDATION VILLAGE LIFE ABHIJIT PAUL SERENITY ABHINANDAN BHADURI DUM DUM FOTO UNIT INDOOR1 ABHINANDAN BHADURI DUM DUM FOTO UNIT LUNCH TIME ABHISHEK BANERJEE LIGHT AND SHADOW END OF THE DAY ABHISHEK BANERJEE LIGHT AND SHADOW EYES OF FEAR ABHISHEK BANERJEE LIGHT AND SHADOW KUSTI ABHISHEK CHAUDHURY IRIS PHOTOGRAPHY FOUNDATION SAPIENCE ABHISHEK PUROHIT RED LINES ABHISHEK PUROHIT BLUE FREEDOM ABHISHEK PUROHIT FRAMES OF JODHPUR ABHISHEK SASMAL DUM DUM FOTO UNIT LOCKED DOWN ABHISHEK SASMAL DUM DUM FOTO UNIT BENARASA PEOPLE 2 ABHISHEK SASMAL DUM DUM FOTO UNIT CLOUD OF THINKING ABHISHEK SHAW DUM DUM FOTO UNIT PRAYER ABHISHEKH CHATTERJEE LPS DIVE FOR THE CATCH ABHISHEKH CHATTERJEE LPS JUMP FOR THE CATCH ABIR DAS ATTENTION ABIR DAS BANJARA GIRL 1 List of Accepted Images Section: Open Colour 2020/FIP/013/2020 Author Club Image Title Award ABIR DAS LEISURE TIME ABIR GHOSH RIYA 3924 ABIR GHOSH MOUMITA 7496 FU HMs ABIR GHOSH SHREYA 8376 ABIR GHOSH SHREYA 8511 ACHINTYA DAN PLAAPA FIGHT ACHINTYA DAN PLAAPA SELFIE ACHINTYA DAN PLAAPA MOTHER ACHINTYA SENGUPTA INSTITUTE OF PHOTO ART, DUM DUM HALDI UTSAV ACHINTYA SENGUPTA INSTITUTE OF PHOTO ART, DUM DUM HOLI AT NANDGAON ACHINTYA SENGUPTA INSTITUTE OF PHOTO ART, DUM DUM A LEISURE EVENING. -
The List of Applications for Which Payments Have Been Received from the Bank
The list of applications for which payments have been received from the Bank. Please note that the list is alphabetically sorted on name of the applicant. The corresponding department for which the admission is sought in the application is also mentioned in the list. In case you find that the list does not contain the application(s) for which you have made payments, please scan the counterpart of the pay-in slip (duly stamped/signed by the bank) and email the scanned copy as an attachment to [email protected] and [email protected] by 05:00 PM, June 11, 2013. ApplicationID UserName Name Department BESUME131711204 aniprit ANIRBAN NASKAR Department of Mechanical Engineering BESUME131711550 Diwakar121989 DIWAKAR KUMAR MISHRA Department of Mechanical Engineering BESUME131510828 sinha2012sinha SOURAV SINHA Department of Electronics and Telecommunication Engineering BESUME133310828 sinha2012sinha SOURAV SINHA School of Materials Science and Engineering BESUME133410828 sinha2012sinha SOURAV SINHA School of Mechatronics and Robotics BESUME133610828 sinha2012sinha SOURAV SINHA School of VLSI Technology BESUME131412043 abdulrahim0790 Abdul Rahim Department of Electrical Engineering BESUME131409187 ABHA ABHA Department of Electrical Engineering BESUME133413165 abhayraj abhay raj School of Mechatronics and Robotics BESUME131312165 abhigyan1 Abhigyan Chakraborty Department of Computer Science and Technology BESUME131512165 abhigyan1 Abhigyan Chakraborty Department of Electronics and Telecommunication Engineering BESUME131612165 abhigyan1 Abhigyan -
BA GENERAL DAY.Xlsx
CHAKDAHA COLLEGE FINAL MERIT LIST BA GENERAL DAY (ALL CATEGORY) SL APP NO STUDENT NAME YOP SEX CASTE PH PH (%) SQ AGG REM 1 2096518 TUBAI BISWAS 2021 MALE SC NO NO 484 2 2095525 SARTHAK SAMADDER 2021 MALE GENERAL NO NO 471 3 2095719 SHIVAM SAHA 2020 MALE GENERAL NO NO 466.48 2% LESS 4 2096319 MANODEEP PAUL 2020 MALE OBC B NO NO 466.48 2% LESS 5 2088037 SAGAR SEN 2021 MALE GENERAL NO NO 462 6 2092733 PIYASHA CHANDA 2021 FEMALE OBC B NO NO 461 7 2089818 SHAMIMA KHATUN 2021 FEMALE OBC A NO NO 459 8 2092286 SUVAJIT GHOSH 2021 MALE OBC B NO NO 459 9 2086642 SHRABANI BISWAS 2021 FEMALE GENERAL NO NO 458 10 2096934 SWAGATA CHATTERJEE 2021 FEMALE GENERAL NO NO 458 11 2093559 SANGITA SARKAR 2021 FEMALE GENERAL NO NO 457 12 2098416 RUMA GHOSH 2020 FEMALE GENERAL NO NO 456.68 2% LESS 13 2094750 SAYAK GHOSH 2021 MALE OBC B NO NO 456 14 2093464 BISHAL BISWAS 2021 MALE SC NO NO 455 15 2093853 SUBHRA PRAMANIK 2021 FEMALE OBC B NO NO 454 16 2089452 JEET PAL 2020 MALE GENERAL NO NO 452.76 2% LESS 17 2087323 BARNALI DEBNATH 2021 FEMALE OBC B NO NO 452 18 2093735 TANMOY DAS 2021 MALE GENERAL NO NO 451 19 2095093 ARITRA BISWAS 2021 MALE SC NO NO 451 20 2086350 RAM RAHIM 2021 MALE GENERAL NO NO 450 21 2087059 RAJU DAS 2021 MALE GENERAL NO NO 450 22 2093604 SUDIPA NAG 2021 FEMALE GENERAL NO NO 450 23 2098429 TANMAY RANA 2020 MALE SC NO NO 449.82 2% LESS 24 2097485 SENJUTEE BISWAS 2021 FEMALE GENERAL NO NO 447 25 2097575 DISHA RAY 2021 FEMALE SC NO NO 446 26 2090755 SUPRIYA DUTTA 2021 FEMALE OBC B NO NO 445 27 2097276 NISHA GHOSH 2021 FEMALE GENERAL NO NO 445 -
P7 P16community
Community Community Staff ord Doha Sri Lankan Youth Choir P7School Doha P16 performs marks Sinhala at the opening and Tamil ceremony Of New Year Qatar National with fanfare. Library. Thursday, April 19, 2018 Sha’baan 3, 1439 AH DOHA 22°C—33°C TODAY LIFESTYLE/HOROSCOPE 11 PUZZLES 12 & 13 COVER Conned STORY How images — sometimes manipulated and altered — are shaping the seething world of our politics. P4-5 2 GULF TIMES Thursday, April 19, 2018 COMMUNITY ROUND & ABOUT PRAYER TIME Fajr 3.49am Shorooq (sunrise) 5.08am Zuhr (noon) 11.33am Asr (afternoon) 3.03pm Maghreb (sunset) 6.00pm Isha (night) 7.30pm October end of Dan’s audaciousness. Life goes on until a sudden turn DIRECTION: Shoojit Sircar of events smashes Dan and Shiuli’s lives together, into a bond USEFUL NUMBERS CAST: Varun Dhawan, Gitanjali Rao, Banita Sandhu that’s unlike any 21 year olds. The emotional connection SYNOPSIS: Dan (Varun DHawan) is living the life of any between them goes through a metamorphoses that brings out carefree 21-year-old, revolving around a bunch of friends a form of love that’s unlike any other eventually leading to an and fellow hotel interns who feed off each other’s everyday internal awakening. October is not a love story, but rather a moments, their ups and downs. Shiuli (Banita Sandhu) is one story about love. such intern at the same hotel, who at times is at a receiving THEATRES: The Mall, Royal Plaza Emergency 999 Worldwide Emergency Number 112 Kahramaa – Electricity and Water 991 Local Directory 180 International Calls Enquires 150 Hamad International -
Setting the Stage: a Materialist Semiotic Analysis Of
SETTING THE STAGE: A MATERIALIST SEMIOTIC ANALYSIS OF CONTEMPORARY BENGALI GROUP THEATRE FROM KOLKATA, INDIA by ARNAB BANERJI (Under the Direction of Farley Richmond) ABSTRACT This dissertation studies select performance examples from various group theatre companies in Kolkata, India during a fieldwork conducted in Kolkata between August 2012 and July 2013 using the materialist semiotic performance analysis. Research into Bengali group theatre has overlooked the effect of the conditions of production and reception on meaning making in theatre. Extant research focuses on the history of the group theatre, individuals, groups, and the socially conscious and political nature of this theatre. The unique nature of this theatre culture (or any other theatre culture) can only be understood fully if the conditions within which such theatre is produced and received studied along with the performance event itself. This dissertation is an attempt to fill this lacuna in Bengali group theatre scholarship. Materialist semiotic performance analysis serves as the theoretical framework for this study. The materialist semiotic performance analysis is a theoretical tool that examines the theatre event by locating it within definite material conditions of production and reception like organization, funding, training, availability of spaces and the public discourse on theatre. The data presented in this dissertation was gathered in Kolkata using: auto-ethnography, participant observation, sample survey, and archival research. The conditions of production and reception are each examined and presented in isolation followed by case studies. The case studies bring the elements studied in the preceding section together to demonstrate how they function together in a performance event. The studies represent the vast array of theatre in Kolkata and allow the findings from the second part of the dissertation to be tested across a variety of conditions of production and reception. -
42 Annual Report
42 nd ANNUAL REPORT 2014 – 15 Saroj Gupta Cancer Centre & Research Institute (Formerly Cancer Centre Welfare Home & Research Institute) Mahatma Gandhi Road. Thakurpukur. Kolkata 700 063 This Institute was originally registered as Cancer Centre and Welfare Home on February 29, 1973 as a Registered Society under West Bengal Societies Registration Act XXVI of 1961. Subsequently, to cope up with increasing activity of the Society, its name was further changed by re-registration on April 1, 1997 to Cancer Centre Welfare Home & Research Institute. After the sad demise of Dr Saroj Gupta, the founder Secretary and Director of this Institute, the name of the society was further changed and registered as Saroj Gupta Cancer Centre & Research Institute on December 20, 2011.The society is a non-profit philanthropic body that is engaged in catering to the needs of the people suffering from cancer. The organization is a Comprehensive Cancer Institute that is actively involved in Treatment, Control and Research on Cancer. Since its inception on 20th February 1973, it has received mass support and donations from people of this country and from abroad. It is the public support and aid that has transformed a 25-bed welfare home to one of the largest Comprehensive Cancer Institutes of the country. Donations to this Institute are exempted under section 80G of Income Tax Act, 1961. The Ministry of Science & Technology, Government of India has recognized this Institute as a SIRO (Scientific & Industrial Research Organization). As such, donations to this organization are also exempted under section 35(1)(ii) of Income Tax Act, 1961. -
Concert | Pangaea | 16 June | 7Pm
Bipannata The Play Bipannata is the story of the helplessness of Sulagna Dutta, a woman in her late 50s, a widow and a single parent. She represents the middle class, who wakes up to a daily routine expecting a more or less secured lifestyle. She is neither a political bigwig nor a celebrity, but one of those you wouldn’t even notice when passing by. She has raised her son Ujaan to be a responsible man and who is now a computer engineer. The only problem is that he has his own well defined opinions. He is sensitive and reacts like a normal human being to events happening around him…events of large scale state generated violence that permeate into our lives and induce a constant state of fear. Sulagna is worried for her son, who goes into bouts of depression and hides at home, refusing to go out and participate in a world he cannot question. She sets up an appointment with a renowned psychoanalyst Dr. Ahana Roy. What follows is a heartrending search into fear psychosis and the resulting helplessness. Are we all trying to hide in our cocoons? Are we afraid to question? How is an individual supposed to negotiate in these circumstances? Do we need help? And who can help? Director’s note Choice of Bipannata – a rationale: The play tries to address the feelings of fear and helplessness that we carry within us in these hard times. How is one supposed to react to the violence that one witnesses daily? To questions of state induced terrorism, rape, capital punishment…….? Is one expected merely to drink it in with his morning cup of coffee? Or can one exercise his basic right of speech and thought? Can one help himself? Is there someone who can help? Can he expect any help at all? The Director Sohini Sengupta is an upcoming director and a leading stage artist and trainer of Nandikar. -
Press Release 1
Press Release 1. We, the undersigned, strongly protest and denounce the arrest of a Shramik Sangram Committee activist and Krishak Committee organiser Mr. Mithu Ghosh from Gangra area of village Sonachura, Nandigram, in the wee hours of 12th February, 2008, the subsequent arrests of Bhumi Uchched Protirodh Committee organiser Mr. Sudhanshu Das and his son, too, who provided shelter to Mithu on the fateful night, relating them with the same case, implicating them in the same FIR, etc., and the hue and cry raised by the police about what they call the ‘Arrest of a Maoist Organiser from Nandigram (!)’, in spite of the fact in the grasp of any knowledgeable person that Mithu and the aforesaid organisations for which Mithu worked are unrelated to the CPI (Maoist). But, anyway, we would like to add here a separate fact – that the police has perhaps forgotten that having relations with CPI (Maoist) or carrying a copy of the allegedly Maoist literature “Peoples March” was neither ‘illegal’ nor ‘prohibited’ when Mithu was arrested. 2. We find that the police surreptitiously added several documents later in the ‘seizure list’ which Mithu never distributed at any time during his regular visits to Nandigram over almost a year. Rather, Mithu had with him several copies of regular, open and legal publications, like “Sandhikshan” (in publication since 1972), “Shramik Istahaar” (in publication since 1974), “Krishak Path” (in publication since 1978) and Frontline etc.! 3. But the most shocking part of the police game is yet untold — both the FIR and the police report that were later submitted to the SDJM (Haldia) court contain names of some of the editors of the abovementioned publications, almost all being senior-most leaders of Shramik Sangram Committee and Krishak Committee – and not only that, they contain the name of a well-known cultural activist Ms. -
Evolving Humanity, Emerging Worlds IUAES2013, University of Manchester, 5Th-10Th August 2013 Sponsors
The 17th World Congress of the IUAES2013 Evolving Humanity, Emerging Worlds Evolving Humanity, IUAES2013, University of Manchester, 5th-10th August 2013 Sponsors: Evolving Humanity, Emerging Worlds Monday 5th August, Bridgewater Hall (Monday only) 12.00-14.00 Registration 14.00-15.00 Opening Ceremony 15.00-16.30 Inaugural Lecture by Leslie Aiello 16.30-17.00 Coffe/Tea Break 17.00-19.00 Plenary Debate: “Humans have no nature, what they have is history” 19.00-21.00 Reception Tuesday 6th August, University Conference Centre Complex (all remaining days) 09.00-10.30 Panel Sessions 10.30-11.00 Coffee/Tea Break 11.00-12.30 Panel Sessions 12.30-14.00 Lunch (also ASA AOB meeting and ICSU presentation) 14.00-15.30 Panel Sessions 15.30-16.00 Coffee/Tea Break 16.00-17.30 Firth Lecture by Lourdes Arizpe 18.00-19.00 IUAES Commission Business Meetings and Other meetings 19.00-21.00 Presentation of bids to host future congesses and inter-congresses Wednesday 7th August 09.00-10.30 Panel Sessions 10.30-11.00 Coffee/Tea Break Hallsworth Plenary Debate: 11.00-13.00 “Justice for people must come before justice for the environment”. 13.00-14.30 Lunch (also ERCEA presentation, EASA Mobilities and AMCE meetings) 14.30-16.00 Panel Sessions 16.00-16.30 Coffee/Tea Break 16.30-18.00 Panel Sessions 18.30-19.30 WCAA Ethics Taskforce and WCAA IntDels meetings 19.30-21.00 Open Commissions Meeting Thursday 8th August 09.00-10.30 Panel Sessions 10.30-11.00 Coffee/Tea Break 11.00-12.30 Panel Sessions 12.30-14.00 Lunch (also ASA Apply meeting) 14.00-15.30 Panel Sessions 15.30-16.00 Coffee/Tea Break 16.00-17.30 Huxley Lecture by Howard Morphy 18.00-19.00 ALA, VANEASA and WCAA AOA meetings 19.00-21.00 Council of IUAES Commissions Friday 9th August 09.00-10.30 Panel Sessions 10.30-11.00 Coffee/Tea Break Plenary Debate: 11.00-13.00 “The free movement of people around the world would be utopian”. -
REPORT Part - C Vol
Visva-Bharati Santiniketan 731235 INDIA SELF-STUDY REPORT Part - C Vol. 1 Evaluative Report of the Departments Submitted to National Assessment and Accreditation Council 2014 C O N T E N T S SANGIT BHAVANA (INSTITUTE OF MUSIC, DANCE & DRAMA) Rabindra Sangit, Dance and Drama 1 Hindustani Classical Music 44 KALA BHAVANA (INSTITUTE OF FINE ARTS ) Painting 70 Sculpture 96 Graphic Art 114 History of Art 136 Design 156 Evaluative Report of the Department of Rabindra Sangit, Dance and Drama, 1 Sangit Bhavana Evaluative Report of the Department of Rabindra Sangit, Dance and Drama 1. Name of the Department: Rabindra Sangit, Dance and Drama, Sangit-Bhavana (Institute of Music, Dance and Drama), Visva-Bharati, Santiniketan 2. Year of establishment: 1933 3. Is the Department part of a School/Faculty of the University? Yes. 4. Names of programmes offered (UG, PG, M.Phil., Ph.D., integrated Masters; Integrated Ph.D., D.Sc., D.Litt., etc.) : a) B.Mus b) M.Mus c) M.Phil d) Ph.D e) D.Litt f) One Year Course for Foreign Students in all subjects under Sangit Bhavana, g) Two Year Certificate Course. 5. Interdisciplinary programmes and departments involved: The faculty and students regularly perform programmes with the different departments of the Bhavanas at the University level. The Sangit Bhavana constantly is keeping in touch with Rabindra Bhavana towards organizing seminars, conferences, programmes at the National level. The Bhavana also undertakes collaborative research programmes. Students are offered courses like Tagore Studies, Environmental Studies with the other departments of Visva-Bharati at the UG level. At the PG level, the subject Acoustics is being offered by the Physics department. -
Dario Fo & Franca Rame’S the OPEN COUPLE
Dario Fo & Franca Rame’s THE OPEN COUPLE Director: Sara Zaker Playwright: Dario Fo & Franca Rame Director: Sara Zaker Group: Nagorik Natya Sampradaya, Bangladesh Language: Bengali Duration: 1 hr The Play The Open Couple, written by Dario Fo and Franca Rame, and adapted by Sara Zaker, is the story of a couple where the husband is having multiple affairs. The wife is going crazy and wants to kill herself each time she discovers her husband’s latest affair with yet another woman. As the play proceeds the husband convinces his wife to accept the concept of an ‘open relationship’. As the story moves on the husband discovers that the wife too has fallen in love with another man. Seeing the wife so happy and in control, makes him very angry and jealous. Now, the husband behaves in the same manner as his wife earlier did i.e. trying to jump off the window of a four-storied building, attempting to shoot himself with a revolver etc. The wife, in turn, now pacifies him and urges him to have a dialogue in exactly the same way he had urged her when she was going crazy. Director’s Note I adapted The Open Couple when my family was going through a crisis. My husband was detected with stomach cancer and was treated for more than six months in a foreign land. I took my mind away from all the side effects he had due to chemotherapy by working on this play. Adapting this play gave me relief from stress. I am primarily a performer so writing feeds the actor in me. -
R S Software (India) Limited
R S SOFTWARE (INDIA) LIMITED INTERIM DIVIDEND FOR THE ENDED 31/03/2012 NET_AMO ADD PINCOD FOLIO_NO NAME SHARES ADD1 ADD2 ADD3 ADD4 UNT 5 E 17 COMMISSARI TECHNOLOGY AT ROAD D DEVELOPMENT & IV FLOOR SOUZA 000032 INFORMATION CO. OF 768.00 768 RAHEJA PLAZA CIRCLE BANGALORE 560025 IFCI VENTURE CAPITAL E 216 3RD EAST OF 000035 FUNDS LIMITED (IVCF) 640.00 640 FLOOR KAILSH NEW DELHI 110065 STOCK B WING 2ND HOLDING FLOOR CORPN OF 224 MITTAL NARIMAN 000041 UNIT TRUST OF INDIA 2176.00 2176 INDIA LTD. COURT POINT BOMBAY 400021 IFCI VENTURE CAPITAL E 216 3RD EAST OF 000042 FUNDS LIMITED (IVCF) 128.00 128 FLOOR KAILSH NEW DELHI 110065 D17/31 BHUTESHWAR DASHASWAM 000045 ANJANA NATH 128.00 128 LANE EDH VARANASI 221001 DEVI NILAYAM HARNATH 000116 RAMA DEVI 128.00 128 IIND LINE PURAM NELLORE AP 524001 B/H GAYATRI AT&PO TEMPLE INNANI TAHSIL 000127 RAMVALLABH RATHI 128.00 128 GIN KARANJA DT WASHIM 444105 228 MAQUSOOD 000153 OM PRAKASH GUPTA 100.00 100 PURA ETAWAH UP 206001 P-96 BANDIPUR PO PURBA 000238 APARNA SAHA 128.00 128 ROAD PUTIARY CALCUTTA 700093 P-96 BANDIPUR PO PURBA 000239 MRINAL KANTI SAHA 128.00 128 ROAD PUTIARY CALCUTTA 700093 C-18 GOVT NIRALA 000418 RACHNA PAL 128.00 128 COLONY NAGAR LUCKNOW 226020 SITAPUR MS-2/5 SECTOR ROAD 000420 ANUPAMA THAKUR 128.00 128 A YOJANA LUCKNOW 226020 SITAPUR MS-2/5 ROAD 000421 ABHINANDAN SINGH 128.00 128 SECTOR A YOJANA LUCKNOW 226020 NET_AMO ADD PINCOD FOLIO_NO NAME SHARES ADD1 ADD2 ADD3 ADD4 UNT 5 E RAJKUMAR GANDHI SHIVPURI M 000444 RAMESH THAKUR 128.00 128 KARANRAM CHOWK P 473551 RAWAT PLY KA RASTA WOOD NAHER