St Mark's Parish News

Total Page:16

File Type:pdf, Size:1020Kb

St Mark's Parish News St Mark’s Parish News Candlemas 2 February 2020 Church Services Thank you 2 February - Candlemas The flowers in church this week 8.30am Holy Communion are in memory of our dear friend 9.30am Morning Worship Margaret Standley. Preacher - The Reverend Dr Sam Cappleman Leadership - Mrs Janet Warren Intercessions - Young People Organist - Mr Bill Fudge Lectionary Readings Malachi 3:1-5 Hebrews 2:14-18 Luke 2:22-40 Prayer for Sunday and the Week Ahead 9 February - Candlemas 8.30am Holy Communion Lord God on this day we 9.30am Morning Worship celebrate the Light of Christ. Preacher - The Reverend Canon Charles Royden He is your light which gives Leadership - The Reverend Alan Kirk light to the whole world. Intercessions - Mr Richard Ledger Organist - Mr Paul Edwards May we to be lights of your Lectionary Readings presence here on earth. Isaiah 58:1-9a 1 Corinthians 2:1-12 Matt 5:13-20 Midweek Services In our actions and in our Wednesday Communion 10.00am in the Chapel words, help us by your Holy Spirit to reflect the Light of Please join us for a service followed by coffee First Monday of every month. Holy Communion Christ’s love and salvation. at 10.00am at Sir William Harpur House Parish News is available online at www.stmarkschurch.com You can also sign up online to receive each edition by email St Mark’s Contact Information The Reverend Dr. Sam Cappleman St. Mark’s Church Centre Assistant Rural Dean of Bedford www.stmarkschurch.com 107 Dover Crescent, Bedford MK41 Tel: 266952 [email protected] Open Monday - Friday 9am - 5.00pm Tel/fax: 342613 [email protected] The Reverend Canon Charles Royden Centre Manager: Miss Wendy Rider 342613 The Vicarage, Calder Rise. MK41 7UY Church Wardens Mr Mike Cooper & Mr Jim Williams 309175 Mobile 07973 113861 Treasurer: Mr Ian Farthing 210892 [email protected] [email protected] Gift Aid Administrator: Mr Jim Williams 360605 Reader: Mrs Wendy Waters Churchyard Administrator: Mrs Avril Williams 342613 Pastoral Support Team Co-Ordinator [email protected] 342613 [email protected] Music Copyright CCL1501 Charity No 1164416 Church Leadership Team Mr Mike Cooper, Mr Jim Williams, Mrs Laura Farthing, Mrs Liz Jackson, Mrs Janet Warren, The Reverend Alan Kirk Please inform us if you know of anyone who is ill, bereaved, housebound, requires a visit, home communion or counselling services. Please also ask us if you would like a home visit for any reason. Regular Weekly Activities - St Mark’s Church Monday 6.00pm Brownies Mrs. C Warden 219731 7.30am-6.00pm Pre-school Mon-Fri St Mark’s 7.00pm Bunyan Bridge Dale Squire 07713626541 Manager Mrs. Helen Harpin 312634 (See website) for 8.00pm Tudor Reeds Folk Dance Club more details www.thisispreschool.com) (1st,3rd and 5th Wednesday of the month. Except August). 10.00am Bakers Barn Art Group. Rosemary Stanbridge Everyone welcome. All dances called. Call Rosemary 822847 405594 or Graham 406359 for more details. £2 including 10.00am U3A Play reading Chris Fordham 07940 072202 refreshments. Next meeting 29 January 9.45am - 10.45am &11.00am-12noon Pilates 8.00pm Bedford Wine and Social Club Liz Mason 07816522200 (1st week in the month) Jill Cooper 357960 2-3.15pm U3A Recorder Group Chris Fordham 07940 072202 Thursday 6.00pm Brownies Mrs C Mathew 826190 9.30-11.25am Chat & Play. A term time group for Parents, 7.00 to 10.00 p.m. Whist Drive third Monday each month Carers & toddlers 0-5. Church office or Janine 297481 or fifth if there are five. Judith Stanton 01234 823313. 12pm Storybox. For the under 5’s and their carers 7.30pm Sugarcraft Guild (1st week) Heather Gould between 12 noon and 1pm. Sandwich lunch and a Bible 824503 based story and singing. Contact Jaana Swaaby 3422613. 7.00-8.00pm Laughter Club on 2nd week Cheryl Green 2-4pm. U3A Indoor Games. Chris Fordham 07940 072202 07729187399 2.30 - 4.30pm Bedford Art Society 7.15-9.00pm Guides Mrs Gill Lake 07930 826474 Jean Patterson 307210 7-9pm Rangers. Nikki Lake 07584028653 2.30pm - 4.30pm Putnoe Art Group (PAG) Indoor Games. Rod Fewings 07718390188 Contact Bob Wardale 406094 Mob:07914451198 7-8.5pm Happy Body Project Julie Holl 0780873965 6-7pm Supple Strength Yoga 7.30pm Whist Drive Third Monday and fifth if there are five Amanda Alcock 07769747393 Contact Judith Stanton 823313 7-9pm Bedford Community Gospel Choir Weekly meeting . Contact 07554148540 Tuesday 7.00pm U3A Singing for Fun (1st & 3rd week) Chris 9.30am-11.15. Chat & Make A term time group for Fordham 07940 072202 Parents, Carers and toddlers 0– 5. For more details ring 7.00pm Bedford Embroiderers’ Guild Church Office 342613 or Janine 01234 297481 (3rd week in month). Carol Plant 01832710504 9.30am -12.30 & 4-9pm Slimming World 7.00-10.00pm Club 2000 (2nd week in month) Contact 9.30, 11.30, 3.30, 5.30, 7.30. Lorrie Pearson 340473 Lilian Wilson 308965 1.15pm U3A Cinema Group. Chris Fordham 07940 7.00-9.00pm Gospel Choir Lydia Francis 07890291394 072202 7.15 – 9.30pm Magpies Ladies Group St Mark’s (2nd & 4th 1.30pm U3A Choir. Contact Chris Fordham 07940 072202 week in month ). Contact Pam Seymour 345943 2.00pm U3A Book Group 1 (3rd Week in month) Contact 7.15pm - 9.30pm Magpies Ladies Group. Meet on 2nd & Chris Fordham 07940 072202 4 Thursday Contact Pam Seymour 345943 2.00pm U3A Book Group 2 (2nd Week in month) Contact Next meeting is on Thursday 13 February at 7.30.p.m.'The Chris Fordham 07940 072202 Story of Ampthill Park ' by Brian Kerr. 2.00pm U3A Photography Group 3 (1st Week in month) 8.00pm Bedford Writers Circle. (1st week in month). John Contact Chris Fordham 07940 072202 Broadhouse 01525 404014 2.30pm Knit & Natter Group (Fortnightly) Wool and knitting needles provided. Mrs Maureen Watling 262225 Friday 2.00-3.30pm Tuesday Afternoon Housegroup. Fortnightly 10am -12.00 U3A Photography (4th week) Chris Fordham Social and Bible Study Mrs Jean Bank 355698 07940 072202 6-7pm Supple Strength Yoga Amanda Alcock 10.45am - 12 U3A Poetry & Literature 07769747393 Contact Rod Fewings 07718390188 7.30-9pm Faith Community Church Daniel Brown 2.00-4.00 pm U3A Whist (2nd week in month) Contact 07908666242 Chris Fordham 07940 072202 8.00pm Hearts in Beds Committee (4th week) Mrs N 7.45 - 10.45pm Bedford Astrology Club. Aspey 309816 (2nd week in month )Carol Brown 01438 233385 8.20-9.20pm Restoration Pilates 6.30 –7.30pm Pakua Martial Arts John Waugh Johanna Debnam 07753418170 07802755914 7-9pm Mindfulness Meditation Bhante Samitha Wednesday 07983466105 10.00-2pm Open House For those with learning disabilities, friends, family, carers etc 342613 Saturday 10.00am U3A Gardening Group 3 9.00am Faith Church (1st in month) Ruth Russell Chris Fordham 07940 072202 10.00am-1pm Theatretrain Dancing acting, singing. Kate 10.00am Holy Communion. St. Mark’s Chapel. Half hour Howard 782414 07748764920 service followed by coffee 10am-1pm Sugarcraft Guild Cygnets (2nd week in 11.00am Bereavement Support Group in Chapel - First month) Margaret Baldry 07919404906 Wednesday - Tea, coffee, and chat 10am U3A Card Making. Chris Fordham 07940 072202 Sunday 10-4pm Sewing Group 4th week Contact Sue Sewell 9.30 - 10.30 Church and Sunday School 07979797747 with crèche for under 3’s 1.15 Social Bridge Club. Mr Barnes 261811 10 - 11am Hatha Yoga Contact Tracy Langford 2 4pm. U3A Craft 1st week Contact Chris Fordham 07940 07473033750 072202 10 - 5.30pm Bedford Stamp Fayre at St. Mark’s. 3.45– 5.30pm Messy Church Bible stories, crafts, singing 1st wk Dec/Feb/Apr/Jun/Aug/Oct. Trevor King 015822 and a meal. For children primary school age & carers. 857343 Meeting dates 19 Feb, 18 March Wendy Waters 401834 Candlemas Opening Sentence Psalm 24 Who shall ascend the hill of the Lord? And who shall stand in his holy place? Those who have clean hands and pure hearts, who do not lift up their souls to what is false, and do not swear deceitfully. Collect Prayer for the Day Before we read we pray Almighty and ever-living God, clothed in majesty, whose beloved Son was this day presented in the Temple, in substance of our flesh: grant that we may be presented to you with pure and clean hearts, by your Son Jesus Christ our Lord, who is alive and reigns with you, in the unity of the Holy Spirit, one God, now and for ever. CW First Reading Malachi Chapter 3:1-5 Thus says the Lord God: See, I am sending my messenger to prepare the way before me, and the Lord whom you seek will suddenly come to his temple. The messenger of the covenant in whom you delight – indeed, he is coming, says the LORD of hosts. But who can endure the day of his coming, and who can stand when he appears? For he is like a refiner’s fire and like fullers’ soap; he will sit as a refiner and purifier of silver, and he will purify the descendants of Levi and refine them like gold and silver, until they present offerings to the LORD in righteousness. Then the offering of Judah and Jerusalem will be pleasing to the LORD as in the days of old and as in former years. Then I will draw near to you for judgement; I will be swift to bear witness against the sorcerers, against the adulterers, against those who swear falsely, against those who oppress the hired workers in their wages, the widow, and the orphan, against those who thrust aside the alien, and do not fear me, says the LORD of hosts.
Recommended publications
  • Bn 2017 4.Pdf
    impulse & informationen inhalt 4/2017 Aktuelle Buchtipps ...........................................................................................................................595 Thema Sprechende Gesichter... von Reinhard Ehgartner..................................................................601 Ins Gesicht geschrieben ... von Nicole Malina Urbanz .......................................................................603 #CoverUP!! ... von Reinhard Ehgartner ... ..........................................................................................607 Von der Kunst, Gesichter zu fangen... von Roman Huditsch .............................................................610 Ganz ohne Hintergrund... von Fritz Popp ...........................................................................................613 Der Begriff „Gesicht“ in der Bibel ... von Hanns Sauter ......................................................................616 biblio-Filmschnitt: in Kooperation mit „Filmdienst“ - „The Double“ ......................................................620 Lesebilder : Bilderlesen - Marianne Stokes ... von Doris Schrötter ....................................................622 Buchstart Österreich : die neue Homepage .......................................................................................624 MINT : der Auftakt ...............................................................................................................................626 Allgemeine Weisheiten über Stechmücken : Gerda Gelse ... von Veronika Mayer-Miedl
    [Show full text]
  • Ladies First!
    Diese Publikation erscheint anlässlich der Ausstellung Ladies First! Ladies First! Künstlerinnen in und aus der Steiermark Künstlerinnen in und aus 1850–1950 Neue Galerie Graz Universalmuseum der Steiermark 1850–1950 Joanneum 25. September 2020 – 21. Februar 2021 Kuratiert von Women Artists in and from Gudrun Danzer und Günther Holler- Styria 1850–1950 Schuster Herausgegeben von Gudrun Danzer This book is published on occasion of the exhibition Ladies First! Women Artists in and from Styria 1850–1950 Neue Galerie Graz Universalmuseum Joanneum September 25th, 2020 – February 21st, 2021 Curated by Gudrun Danzer and Günther Holler- Schuster Edited by Gudrun Danzer Neue Galerie Graz Joanneumsviertel Universalmuseum Joanneum 2 — 3 4 Vorwort 178 Emmy Paungarten (1874–1947) Inhalt 5 Foreword 182 Susi Sartori-Sing (1874 – unbekannt) Contents Peter Peer 184 Elisabeth Jordis-Attems (1875–1944) 188 Hedwig Krönig (1875–1953) 6 Ladies First! 194 Stephanie Glax (1876–1952) 10 Ladies First! 198 Dora Hauser (1877–1946) Gudrun Danzer 202 Margarethe Donnersberg (1878–1966) 206 Rosa Guttenberg (1878–1959) 14 Das Leben der Frauen in der Steiermark 1850 bis 1950 – 212 Marta Elisabet Fossel (1880–1965) Zeiten der Umbrüche 218 Rita Passini (1882–1976) 24 The Life of Women in Styria 1850 to 1950 – 222 Elfriede Coltelli (1883–1971) Times of Upheaval 228 Maria Peter-Reininghaus (1883–1934) Karin Scaria-Braunstein 230 Assunta Arbesser (1884–1971) 234 Emmy Hießleitner-Singer (1884–1980) 34 Künstlerinnen in Wien und ihr Beitrag zur Moderne 240 Marianne Fieglhuber-Gutscher
    [Show full text]
  • SUSTAINABILITY REPORT Third Quarter 2020
    SUSTAINABILITY REPORT Third Quarter 2020 SUSTAINABILITY REPORT | Q3 2020 1 SKAGEN FUNDS SUSTAINABILITY REPORT | Q3 2020 CONTENTS sustainability criteria CONTENTS PAGE 03 CEO leader: A tale of fire and ice PAGE 05 Third quarter engagement report PAGE 06 Voting activities PAGE 07 The tortoise and the hare PAGE 09 Corporate sustainability news PAGE 10 New climate policy PAGE 11 SKAGEN awarded high PRI scores PAGE 12 ESG risk rating PAGE 14 Exclusion as a last resort IMPORTANT INFORMATION Except otherwise stated, the source of all information is SKAGEN AS’ as at 30 September 2020. SKAGEN AS is a management company authorised by the Norwegian supervisory authority, Finanstilsynet, for the management of UCITS under the Norwegian Act on Securities Funds (Act of 25 November 2011 n.o. 11). SKAGEN AS is part of the Storebrand Group and owned 100% by Storebrand Asset Management AS. Storebrand Asset Management AS is owned 100% by Storebrand ASA. Storebrand Group consists of all companies owned directly or indirectly by Storebrand ASA. Historical returns are no guarantee for future returns. Future returns will depend, inter alia, on market developments, the fund manager’s skills, the fund’s risk profile and subscription and management fees. The return may become negative as a result of negative price developments. SKAGEN AS recommends that anyone wishing to invest in our funds contacts a qualified client adviser. No offer to sell, or solicitation to buy, will be made in any jurisdiction in which such offer or solicitation would be unlawful. SKAGEN AS seeks to the best of its ability to ensure that all information given in this report is correct, however, makes reservations regarding possible errors and omissions.
    [Show full text]
  • Årsberetning 2018
    ÅRSBERETNING 2018 1 2 Indholdsfortegnelse 6 Forord 8 Ledelse og organisation 14 Michael Ancher og kvinderne fra Skagen 16 Svigermor 17 Viggo Johansens akvareller 18 So long – fra kælder til nye samlinger 22 Ændringer i samlingen i 2018 28 Registrering og bevaring 32 Fredede bygninger og historiske haver 34 Formidling og skolekontakt 36 Digitale museumsoplevelser 38 Forskning 42 Sponsorer, erhvervsklub og Skagens Museums Venner 44 Flere højdepunkter i årets løb 52 Butik og café 54 Økonomi og statistik 3 4 5 6 7 FORORD Oplevelser; viden; inspiration; dialog; æstetik; værdi; trivsel. Det er syv nøgleord, som in- deholder essensen af, hvad Skagens Kunstmuseer står for. Derfor er det også de ord, vi har brugt som overskrift for museets mission og vision. Formuleringen er et resultat af det stra- tegi-arbejde, der har fundet sted igennem 2018, i et sammenspil mellem bestyrelsen, den daglige ledelse og alle medarbejdere på tværs af afdelinger. Det har været en både fin og sjov proces, og den fortsætter i 2019. En række interne arbejdsgrupper har fået til opgave at komme med forslag og ideer til Skagens Kunstmuseers fremtidige udvikling, til gavn og glæde for alle dem, der interesserer sig for skagensmalerne. Det glæder jeg mig til at berette om, efterhånden som ideerne føres ud i livet. Denne årsberetning fortæller om mange af de begivenheder, der gjorde 2018 til endnu et af de år, vi mindes med glæde og stolthed. Tre store særudstillinger i Skifersalen og tre mere intime i Grafiksalen skabte den variation, som gør det attraktivt at besøge Skagens Museum flere gange om året.
    [Show full text]
  • A & C Black Book Collection
    http://oac.cdlib.org/findaid/ark:/13030/c8c53q0g No online items A & C Black Book Collection: Finding Aid Finding aid prepared by Dorothy Auyong, Shelley Kresan, and Diann Benti. The Huntington Library, Art Collections, and Botanical Gardens. Rare Books Department The Huntington Library 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org © 2014 The Huntington Library. All rights reserved. A & C Black Book Collection: 499150 1 Finding Aid Overview of the Collection Title: A & C Black Book Collection Dates (inclusive): 1864-1959 Bulk dates: 1901-1936 Collection Number: 499150 Creator: Adam and Charles Black (Firm), publisher. Extent: 598 items Repository: The Huntington Library, Art Collections, and Botanical Gardens. Rare Books Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org Abstract: This collection contains nearly 600 monographs published by British publishing firm A & C Black from the late 1800s through the 1950s (bulk 1901-1936). The volumes cover a variety of subjects including travel in Great Britain and abroad, antiquities, art, history of various civilizations, social life and customs of various cultures, natural history, literary classics and other literature (especially juvenile), gardening, military art and science, recreation, and transportation. Language: English. Note: Finding aid last updated on November 7, 2014. Access Open to qualified researchers by prior application through the Reader Services Department. For more information, contact Reader Services. Publication Rights The Huntington Library does not require that researchers request permission to quote from or publish images of this material, nor does it charge fees for such activities.
    [Show full text]
  • HERMANN BAHR KRITISCHE SCHRIFTEN IV HERMANN BAHR KRITISCHE SCHRIFTEN in EINZELAUSGABEN Herausgegeben Von Claus Pias HERMANN BAHR
    HERMANN BAHR KRITISCHE SCHRIFTEN IV HERMANN BAHR KRITISCHE SCHRIFTEN IN EINZELAUSGABEN Herausgegeben von Claus Pias HERMANN BAHR STUDIEN ZUR KRITIK DER MODERNE Herausgegeben von Claus Pias www.univie.ac.at/bahr 2. Auflage, durchgesehen und ergänzt von Gottfried Schnödl Erstellt mit Mitteln des Österreichischen Wissenschaftsfonds (FWF): P 21186. © VDG Weimar 2013. Alle Rechte, sowohl der Übersetzung, des Nachdrucks und auszugsweisen Abdrucks sowie der fotomechanischen Wiedergabe vorbe- halten. Satz mithilfe einer LATEX-Klasse von Herbert Voss Bibliografische Information der Deutschen Bibliothek: Die Deutsche Bibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über <http://dnb.ddb.de> abrufbar. ISBN 978-3-89739-795-8 Das Digitalisat dieses Titels finden Sie unter: http://dx.doi.org/10.1466/20130711.04 INHALT I. Kritisches 1 1. Kritik 1 2. Die Zukunft der Litteratur 8 3. Die Décadence 14 4. Symbolisten 20 5. Satanismus 25 II. Litteratur 35 1. Das jüngste Deutschland 35 2. Das junge Oesterreich 58 3. Vom jüngsten Frankreich 78 4. Vom jüngsten Spanien 81 5. Ferdinand von Saar. 85 6. Adalbert von Goldschmidt 89 7. Loris 98 8. G. Macasy 104 9. Anatole France 116 10. Edouard Rod 124 11. Henri Lavedan 130 12. Maurice Barrès 135 13. Ferdinand Brunetière 147 14. José-Maria de Heredia 150 15. Don Juan Valera 153 16. Don Pedro de Alarcon 156 III. Malerei 159 1. Malerisch 159 2. Bildende Kunst in Oesterreich 163 3. Franz Stuck 194 4. Neue Zeichen 195 5. Die dritte Wiener Internationale 199 IV. Theater 203 1. Die Duse 203 2. Mounet Sully 207 3.
    [Show full text]
  • Studien Zur Kritik Der Moderne Hermann Bahr
    HERMANN BAHR KRITISCHE SCHRIFTEN IV HERMANN BAHR KRITISCHE SCHRIFTEN IN EINZELAUSGABEN herausgegeben von Claus Pias HERMANN BAHR STUDIEN ZUR KRITIK DER MODERNE • VDG Weimar 2006. Alle Rechte, sowohl der Übersetzung, des Nachdrucks und auszugsweisen Abdrucks sowie der fotomechanischen Wiedergabe vorbehalten. INHALT I. Kritisches. 1. Kritik 11 2. Die Zukunft der Litteratur 18 3. Die Décadence 24 4. Symbolisten 31 5. Satanismus 37 II. Litteratur. 1. Das jüngste Deutschland 47 1) Die Anfänge der Bewegung. S. 47; 2) Die socialistische und die naturalistische Episode. S. 55; 3) Neue Zeichen. S. 64 2. Das junge Oesterreich 70 3. Vom jüngsten Frankreich 90 4. Vom jüngsten Spanien 94 5. Ferdinand von Saar 98 6. Adalbert von Goldschmidt 102 7. Loris 112 8. G. Macasy 119 9. Anatole France 130 10. Edouard Rod 138 11. Henri Lavedan 144 12. Maurice Barrès 149 13. Ferdinand Brunetière 161 14. Josè-Maria de Heredia 165 15. Don Juan Valera 168 16. Don Pedro de Alarcon 172 III. Malerei. 1. Malerisch 177 2. Bildende Kunst in Oesterreich 182 1) Die Kunst und der Staat. S. 182; 2) Die Kunst und die Akademie. S. 187; 3) Die Kunst und die Künstler. S. 191; 4) Die Kunst und die Kritik. S. 195; 5) Meister Tilgner. S. 201; 6) Alexander D. Goltz. S. 206 3. Franz Stuck 212 4. Neue Zeichen 214 5. Die dritte Wiener Internationale 219 IV. Theater. 1. Die Duse 225 2. Mounet Sully 230 3. Gabillon 234 4. Der neue Stil 238 1) Josef Lewinsky. S. 240; 2) Hugo Thimig. S. 243; 3) Adele Sandrock. S. 247; 4) Fritz Krastel.
    [Show full text]
  • Adrian Scott Stokes
    Adrian Scott Stokes Born in Southport in 1854, he was educated at Liverpool Institute before going into the Royal Academy. His family was listed at 28 Huskisson Street in the 1861 census. From 1876, travelling to Fontainebleau and Barbizon, he came under the influence of French plein air landscape painters including Jules Bastien-Lepage. He also painted genre works and portraits influenced by Frederic Leighton, John Everett Millais and Parisians such as Pascal Dagnan-Bouveret. In 1884, he married Austrian artist Marianne Preindlesberger (1855–1927). She became a well-known artist under her married name of Marianne Stokes. The couple spent the summers of 1885 and 1886 at Skagen in the far north of Denmark where there was an artists' colony which became known as the Skagen Painters. There they struck up a close friendship with Michael and Anna Ancher. After an extended stay in France, the couple returned to Britain where they settled in Cornwall at Carbis Bay and joining the artists' colony at St Ives in 1886. The couple travelled frequently to Tyrol and in 1905 to Slovakia. In 1905, the couple made their first visit to Hungary, returning in 1907 and 1908. Adrian Stokes was a landscape painter, concerned most with atmospheric effects, and later with decorative landscapes. He was the author of Landscape Painting (1925). He became ARA in 1909 and RA in 1919, won medals at the Paris Exhibition and Chicago World Fair (1889), became first President of the St Ives Society of Arts (1890) and became Vice President of the Royal Watercolour Society (1932).
    [Show full text]
  • UNIVERSITÉ PARIS-SORBONNE Marianne Preindlsberger Stokes Les
    UNIVERSITÉ PARIS-SORBONNE ÉCOLE DOCTORALE VI UMR 8150 T H È S E pour obtenir le grade de DOCTEUR DE L’UNIVERSITÉ PARIS-SORBONNE Discipline: histoire de l’art Présentée et soutenue par : Estelle VOISIN FONTENEAU le 10 décembre 2012 Marianne Preindlsberger Stokes les années de formation. Sous la direction de : M. Bruno FOUCART Professeur émérite , Université de Paris Sorbonne – Paris IV JURY: M. Barthelemy JOBERT Professeur, Université de Sorbonne- Paris IV Président du jury Mme. Chang Ming PENG Professeur, Université de Lille III M. Bradley FRATELLO Associate Proffesor, St. Louis Community College POSITION DE THESE Combien d’artistes ont-il été négligés, voire oubliés par l’histoire de l’art, ou ont-ils tout simplement été étudiés en dehors de tout contexte ? Un des objectifs de l’historien de l’art n’est-il pas de partir à la recherche de ces inconnus ? Connaît-on et surtout comprend-on vraiment un artiste dont on ne saisit pas le contexte historique, culturel et social ? Peut-on envisager l’œuvre d’un peintre en ne considérant que ses tableaux, ses croquis, ses dessins ? Ne faut-il pas le libérer des carcans dans lesquels on veut bien l’enfermer pour enfin l’apprécier ? Marianne Preindlsberger Stokes fait partie de ces méconnus, non qu’elle fût complètement ignorée – certaines publications citent son nom ici ou là - mais elle est méconnue dans le sens où peu d’études, peu de livres ont été consacrés à cette artiste. Née en Autriche en 1855, elle a parcouru l’Europe et le monde à la recherche de son art.
    [Show full text]
  • Michael Ancher Og KVINDERNE FRA SKAGEN Udstillingsprojektet Er Støttet Af
    Michael Ancher og KVINDERNE FRA SKAGEN Udstillingsprojektet er støttet af 15. Juni Fonden Aage og Johanne Louis-Hansens Fond Augustinus Fonden Beckett-Fonden Dansk Tennis Fond Frimodt-Heineke Fonden Gangstedfonden Knud Højgaards Fond Krogagerfonden Ny Carlsbergfondet Overretssagfører L. Zeuthens Mindelegat Oticon Fonden Spar Nord Fonden Toyota-Fonden Udstillingen er blevet til i nært samarbejde med Skagens Kunstmuseer og Ribe Kunstmuseum. Tekster af Anna Schram Vejlby og Camilla Klitgaard Laursen, museumsinspektører ved Den Hirschsprungske Samling og Josephine Nielsen-Bergqvist, museumsinspektør ved Ribe Kunstmuseum Redaktion: Skagens Kunstmuseer · Grafisk design: Carl-H.K. Zakrisson Michael Ancher og KVINDERNE FRA SKAGEN 8. september 2018 – 13. januar 2019 Familien Brøndum 5 Skagenspigen 23 Anchers blik på Anna 33 Fiskerkoner og fine fruer 41 Juledag 1900 59 Tidslinje 66 Tekster af Anna Schram Vejlby og Camilla Klitgaard Laursen, museumsinspektører ved Den Hirschsprungske Samling og Josephine Nielsen-Bergqvist, museumsinspektør ved Ribe Kunstmuseum Redaktion: Skagens Kunstmuseer · Grafisk design: Carl-H.K. Zakrisson Michael Anchers navn forbindes ofte med monumentale og dra- matiske værker af Skagens fiskere. Mændenes liv stod dog ikke alene, og med denne udstilling sætter vi nu fokus på en ofte overset del af Michael Anchers motivverden – hans mange kvindeskildringer. Med denne folder kan du læse om udvalgte værker og dermed stifte nærmere bekendtskab med Anchers motiver af fiskerkoner, blide skagens - piger, fine fruer på promenade og portrætter af hans elskede hustru, Anna Ancher og familien Brøndum. FAMILIEN BRØNDUM 1. En Barnedaab · 1883-1888 · Ribe Kunstmuseum Michael Ancher havde fra starten besluttet sig for at male et stort knæstykke. Værket skulle være et moderne maleri og skulle forene samtidens nye kærlighed til private motiver, med højtideligheden fra ceremonielle begivenheder.
    [Show full text]
  • Structure, Network, Discourse Anatomy of an Artists Association
    Structure, Network, Discourse Anatomy of an Artists Association Maximilian Kaiser With its program the Hagenbund helped to shape Vienna’s cultural life for nearly forty years. In that time the artists union averaged between twenty-two and seventy-one regular members (fig. 1) – as compared with the Künstlerhaus and the Secession, a rather manageable number. In its strategic orientation, however, the Hagenbund clearly differed from the other associations, since it placed more importance on its corresponding members who did not live in Vienna. They provided the basis for contacts with other artists and artists groups and thus brought outside stimuli to Vienna. Having the Zedlitzhalle as an exhibition space made it possible for the union to design an indepen- dent program. This is ultimately what lent the Hagenbund its rank and position among the three major Viennese art organizations. Moreover, it also served as the cornerstone for a system of ex- changes with which the group could engage in exhibitions on a national and international level, and many of its guests became corresponding members after participating in its shows. Artists groups invited to Vienna made it possible for the Hagenbund to present itself in their home cities in return. The union essentially supported itself with the entrance fees paid by exhibition visitors, public sub- sidies, donations from private individuals, members’ annual dues, and a percentage of the sale prices of works of art. Its economic survival was ultimately dependent in large part on its program and its variety. Against this background, and because of the complexity of the subject, a study using the network analysis method suggested itself as a way of obtaining an understanding of the mechanisms at work behind this system.1 Art-historical Network Analysis Simply put, a network describes the social relationships between people.
    [Show full text]
  • Andreas Schwab Zeit Der Aussteiger Eine Reise Zu Den Künstlerkolonien Von Barbizon Bis Monte Verità 2021
    Unverkäufliche Leseprobe Andreas Schwab Zeit der Aussteiger Eine Reise zu den Künstlerkolonien von Barbizon bis Monte Verità 2021. 333 S., mit 57 Abbildungen im Text sowie 16 Farbabbildungen im Tafelteil ISBN 978-3-406-77524-6 Weitere Informationen finden Sie hier: https://www.chbeck.de/32395363 © Verlag C.H.Beck oHG, München Diese Leseprobe ist urheberrechtlich geschützt. Sie können gerne darauf verlinken. Andreas Schwab zeit der aussteiger Eine Reise zu den Künstlerkolonien von Barbizon bis Monte Verità C.H.Beck Mit 57 Abbildungen im Text sowie 16 Farbabbildungen im Tafelteil © Verlag C.H.Beck oHG, München 2021 www.chbeck.de Umschlaggestaltung: geviert.com, Nastassja Abel Umschlagabbildungen: Vorne: Peder Severin Krøyer, «Die Frau des Malers im Rosengarten», 1883, Skagens Museum, Dänemark; Foto: © Bridgeman Images Hinten: John Lavery, «Auf der Brücke bei Grez», 1884; © National Gallery of Ireland/Heritage Gift, Lochlann and Brenda Quinn, 2008, Foto: Roy Hewson Satz: Fotosatz Amann, Memmingen Druck und Bindung: Pustet, Regensburg Gedruckt auf säurefreiem und alterungsbeständigem Papier Printed in Germany ISBN 978 3 406 77524 6 klimaneutral produziert www.chbeck.de/nachhaltig Inhalt Einleitung 9 Leben an Traumdestinationen . 9 Moderne Menschen . 12 Ein grenzenloses Europa . 14 Ein Reigen . 15 Spurensuche . 18 Jean-François Millet ↓20 Barbizon 25 Auberge Ganne . 25 Inszenierte Natur . 29 Exotische Landbevölkerung . 31 Bohème auf dem Land . 35 Bethlehem der modernen Malerei . 36 Ikonen, Landschaften und Millets Tochter . 38 Unerfüllte Liebe . 41 ↑ Ida Gerhardi ↓ 43 Pont-Aven 49 Das wilde Armorika . 49 Wassermühlen und Bois d’Amour . 51 Guenn, das wilde Fischermädchen . 54 Lehrjahre und trocknende Wäsche . 57 Kunst ist eine Abstraktion . 59 Bretonische Kultgegenstände .
    [Show full text]