Sri Andal's Thiruppavai.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Sovereignty and Social Change in the Wake of India's Recent Sodomy Cases
Alabama Law Scholarly Commons Articles Faculty Scholarship 2017 Sovereignty and Social Change in the Wake of India's Recent Sodomy Cases Deepa Das Acevedo University of Alabama - School of Law, [email protected] Follow this and additional works at: https://scholarship.law.ua.edu/fac_articles Recommended Citation Deepa Das Acevedo, Sovereignty and Social Change in the Wake of India's Recent Sodomy Cases, 40 B. C. Int'l & Comp. L. Rev. 1 (2017). Available at: https://scholarship.law.ua.edu/fac_articles/450 This Article is brought to you for free and open access by the Faculty Scholarship at Alabama Law Scholarly Commons. It has been accepted for inclusion in Articles by an authorized administrator of Alabama Law Scholarly Commons. SOVEREIGNTY AND SOCIAL CHANGE IN THE WAKE OF INDIA'S RECENT SODOMY CASES DEEPA DAS ACEVEDO* Abstract: American constitutional law scholars have long questioned whether courts can truly drive social reform, and this uncertainty remains even in the wake of recent landmark decisions affecting the LGBT community. In contrast, court watchers in India-spurred by developments in a special type of legal ac- tion developed in the late 1970s known as public interest litigation (PIL)-have only recently begun to question the judiciary's ability to promote progressive social change. Indian scholarship on this point has veered between despair that PIL cases no longer reliably produce good outcomes for India's most disadvan- taged and optimism that public interest litigation can be returned to its glory days of heroic judicial intervention. Perhaps no pair of cases so nicely captures this dichotomy as the 2009 decision in Naz Foundation v. -
Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films. -
Spectacle Spaces: Production of Caste in Recent Tamil Films
South Asian Popular Culture ISSN: 1474-6689 (Print) 1474-6697 (Online) Journal homepage: http://www.tandfonline.com/loi/rsap20 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard To cite this article: Dickens Leonard (2015) Spectacle spaces: Production of caste in recent Tamil films, South Asian Popular Culture, 13:2, 155-173, DOI: 10.1080/14746689.2015.1088499 To link to this article: http://dx.doi.org/10.1080/14746689.2015.1088499 Published online: 23 Oct 2015. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rsap20 Download by: [University of Hyderabad] Date: 25 October 2015, At: 01:16 South Asian Popular Culture, 2015 Vol. 13, No. 2, 155–173, http://dx.doi.org/10.1080/14746689.2015.1088499 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard* Centre for Comparative Literature, University of Hyderabad, Hyderabad, India This paper analyses contemporary, popular Tamil films set in Madurai with respect to space and caste. These films actualize region as a cinematic imaginary through its authenticity markers – caste/ist practices explicitly, which earlier films constructed as a ‘trope’. The paper uses the concept of Heterotopias to analyse the recurrence of spectacle spaces in the construction of Madurai, and the production of caste in contemporary films. In this pursuit, it interrogates the implications of such spatial discourses. Spectacle spaces: Production of caste in recent Tamil films To foreground the study of caste in Tamil films and to link it with the rise of ‘caste- gestapo’ networks that execute honour killings and murders as a reaction to ‘inter-caste love dramas’ in Tamil Nadu,1 let me narrate a political incident that occurred in Tamil Nadu – that of the formation of a socio-political movement against Dalit assertion in December 2012. -
Boys Tamil Movie Full
1 / 4 Boys Tamil Movie Full Title: Boys 2003 Full Tamil Movie with English Subs. Added on: 2013-12-30 22:02:48 Total Views: 14,206. Description: Tamil Cinema Pathikichi (தமிழ் .... Boys is a 2003 Indian movie directed by S. Shankar starring Siddharth Suryanarayan, ... Music for the Movie is composed by A R Rahman. ... Read Full Review.. Tamil Nadu ... transition from the life of a hunter gatherer to that of a consumer. ... Nov 15, 2019 · Milap Zaveris Marjaavaan full movie gets leaked online on the ... collection of modern and unique Indian Tamil baby names for boys and girls.. Boys Preview - Read Tamil movie Boys synopsis, Boys story details, Boys movie first look, Boys preview and more well in advance in the online movie database .... No information is available for this page.. XNXX.COM 'boys tamil movie' Search, free sex videos.. Boys - 2003 Tamil Full Movie || Siddharth || Genelia || Shankar || A.R Rahman || Cinema NXT || HD. (2:50:14 min). Boys (2020) New Released Hindi Dubbed .... Watch Tenet (2020) Online Full Movie Streaming Free 123Movies ... When the bullets fly, Sofia's very good boys lend a valuable assist, and Stahelski has to open things up in order to frame the dogs ... Tenet (2020) full movie tamil download. We were 9 boys and around 25 girls. We were being ... white colour dress). The Tamil movie Ven Nira Adai is the first film of Jayalalitha which got released .... Chords for Ale Ale Song Lyrics - Boys Tamil Movie | Siddharth | AR Rahman | Chitra | Karthik.: Bbm, Ab, Db, Gb. Play along with guitar, ukulele, or piano with .. -
Adiyongal Thirumadal ISSUE 29 a SYDNEY ANDAL GROUP NEWSLETTER OCT 2017
Adiyongal Thirumadal ISSUE 29 A SYDNEY ANDAL GROUP NEWSLETTER OCT 2017 Welcome to the TWENTY NINTH issue of Adiyongal Thirumadal ! Various Sydney Andal baagavathas actively participated in the Sri Venkateswara Perumal’s Brahmotsavam held in Helensburgh. As part of day 7 celebrations, Sydney Andal Group sponsored anna daanam to devotees who attended the Brahmotsavam. Sri U. Ve. Aravindhalochanan Swami is visiting Sydney from 3rd Nov to 6th Nov and will be performing upanyasams in mornings and evenings (details on the last page). Regular monthly chanting of Thiruvoimozhi to celebrate Nammalvar Thirunakshatram, Visakam is taking place at bhaagavatha’s thirumaaligai. If any devotee is interested to host at their place, please send us an email to Note the dates in Oct 17 [email protected] 01 Swami Desikan 15 Ekadasi Please send us your feedback or comments to the above email. 18 Deepavali 28 Poigai Aazhvar / Please visit our website www.sriandalsydney.org for latest updates. Pillai Lokachariar 29 Paey Aazhvar 30 Boodath Aazhvar Thiruppavai - Smt Vasumathi Harish Introduction We covered the seventeenth pasuram in the last session. Let us continue with the eighteenth pasuram. Andal’s thirty songs contain the cardinal principles of Vaishnava dharma. These songs are sung to bring peace, prosperity and Divine Grace. Andal appears intent upon performing a religious vow to marry the Lord, thereby obtain His everlasting company, and inviting all her friends to join her. Overview In the first pasuram of Tiruppavai, Andal focussed on the “Ashtakshara” mantram and celebrated it. In the second pasuram, she shifts her attention to the Dwaya mantram (Mantra Rathnam) and points out who qualifies for such anushtanams (observance) and the code of life after Saranagati. -
A Study on Visual Story Telling Techniques of Maniratnam Movies: Cinematography and Mise En Scene Analysis of Selected Movies
Annals of R.S.C.B., ISSN:1583-6258, Vol. 25, Issue 6, 2021, Pages. 9599 - 9606 Received 25 April 2021; Accepted 08 May 2021. A Study on Visual Story Telling Techniques of Maniratnam Movies: Cinematography and Mise en scene Analysis of Selected Movies 1 2 Mena M, Varun Prabha T 1Post Graduate Student, MA JMC,Dept.of Visual Media and Communication,Amrita School of Arts and Sciences,Amrita VishwaVidyapeetham, Kochi, India 2Assistant Professor, Dept.of Visual Media and Communication,Amrita School of Arts and Sciences,Amrita VishwaVidyapeetham, Kochi, India Abstract Visually representing a story is an art. Mastering that art and capturing human minds into the soul of the characters of the film and mirroring the very own society was part of Mani Ratnam’s life for the past three decades. This research paper points towards some of the techniques employed and experiments conducted in visual storytellingin his various projects by using Miseen scene elements and cinematography in beautiful ways. In Roja what he Sasnthosh Sivan and Mani Ratnam experimented was painting the reflectors green, to look the grass greener than it actually is. In Thapalathy, Mani ratnam projected a yellowish light, like an aura into the protagonist which symbolizes his history and background. In Bombay, he throughout kept a blue tone in order to gives an element of mystery in the film. In Raavanan, he played with shades and light and that too in two different ways at the beginning and at the end of the films. In Alaipayuthe he presented the story more through the movements of camera and through micro expressions and symbolizations.Theglobalization and evolution of Indian Cinematography can be traced out through the works of Mani Ratnam. -
23. Ranganatha Mahimai V1
Our Sincere Thanks to the following for their contributions to this ebook: Images contribution: ♦ Sriman Murali Bhattar Swami, www.srirangapankajam.com ♦ Sri B.Senthil Kumar, www.thiruvilliputtur.blogspot.com ♦ Ramanuja Dasargal, www.pbase.com/svami Source Document Compilation: Sri Anil, Smt.Krishnapriya sadagopan.org sadagopan.org sadagopan.org Sanskrit & Tamil Paasurams text: Mannargudi Sri. Srinivasan Narayanan eBook assembly: Smt.Gayathri Sridhar, Smt.Jayashree Muralidharan C O N T E N T S Section 1 Sri Ranganatha Mahimai and History 1 Section 2 Revathi - Namperumaan’s thirunakshathiram 37 Section 3 Sri Ranganatha Goda ThirukkalyaNam 45 Section 4 Naama Kusumas of Sri Rnaganatha 87 sadagopan.org sadagopan.org sadagopan.org sadagopan.org sadagopan.org sadagopan.org PraNavAkAra Vimanam - Sri Rangam 1 sadagopan.org NamperumAL 2 . ïI>. INTRODUCTION DHYAANA SLOKAM OF SRI RANGANATHA muoe mNdhas< noe cNÔÉas< kre caé c³< suresaipvN*< , Éuj¼e zyn< Éje r¼nawm! hrerNydEv< n mNye n mNye. MukhE mandahAsam nakhE chandrabhAsam karE chAru chakram surEsApivandyam | bhujangE SayAnam bhajE RanganAtham Hareranyadaivam na manyE na manyE || sadagopan.org sadagopan.org sadagopan.org AZHWAR ARULICCHEYALGAL adiyEn will focus here on the 245 paasurams on Sri RanganAthA by the eleven AzhwArs. The individual AzhwAr’s paasurams are as follows: Poygai Mudal ThiruvandhAthi 1 BhUtham Second ThiruvandhAthi 4 PEy Third ThiruvandhAthi 1 Thirumazhisai Naanmukan ThiruvandhAthi 4 Thirucchanda Viruttham 10 NammAzhwAr Thiruviruttham 1 3 Thiruvaimozhi 11 PeriyAzhwAr Periya Thirumozhi 35 ANdAL NaacchiyAr Thirumozhi 10 ThiruppANar AmalanAdhi pirAn 10 Kulasekarar PerumAL Thirumozhi 31 Tondardipodi ThirumAlai 45 ThirupaLLIyezucchi 10 Thirumangai Periya Thirumozhi 58 ThirunedumthAndakam 8 ThirukkurumthAndakam 4 Siriya Thirumadal 1 sadagopan.org sadagopan.org sadagopan.org Periya Thirumadal 1 Thirumangai leads in the count of Pasurams with 72 to his credit followed by the Ranganatha Pathivrathai (Thondaradipodi) with 55 paasurams. -
RAJ TELEVISION NETWORK LIMITED Leading Television Network in South India
RAJ TELEVISION NETWORK LIMITED Leading Television Network in South India. The People’s Channel 20th ANNUAL REPORT 2013 - 2014 RAJ TELEVISION NETWORK LTD., 32,Poes Road, 2nd Street,Teynampet, Chennai - 600 018. Tel: 24334149/50/51, 24351898/2926 Fax:91-44-24341260. Web: www.rajtvnet.in PDF processed with CutePDF evaluation edition www.CutePDF.com CORPORATE OVERVIEW PERFORMANCE SUMMARY STATUTORY REPORTS CORPORATE DETAILS 2 9-10 LEADING PROGRAMMES 17 CHAIRMAN’S MESSAGE RAJ TV 3 11-12 LEADING SERIALS 18-30 NOTICE RAJ NETWORK 4 13 CORPORATE SOCIAL RESPONSIBILITY ACTIVITIES 31-36 DIRECTORS’ REPORT 5 RAJ TV JOURNEY SO FAR... 14-15 MEGA EVENTS 37-46 CORPORATE GOVERNANCE REPORT 6-8 5 YEAR FINANCIAL SUMMARY 16 RAJ CHANNELS 47-49 AUDITORS’ REPORT FINANCIAL STATEMENTS (FS) 50 BALANCE SHEET 61-66 NOTES FORMING PART OF FS 51 PROFIT AND LOSS ACCOUNT 69-70 PROXY FORM & ATTENDANCE SLIP 52 CASH FLOW STATEMENT. 53-60 SCHEDULES TO FS In this Annual Report, we have disclosed forward looking information to enable investors to comprehend our prospects and take investment decisions. This report and other statements - written and oral - that we periodically make contain forward looking statements that set out anticipated results based on the management’s plans and assumptions. We have tried, wherever possible, to identify such statements by using words such as ‘anticipate’, ‘estimate’, ‘expects’, ‘projects’, ‘intends’, ‘plans’, ‘believes’, and words of similar substance in connection with any discussion of future performance. We cannot guarantee that these forward looking statements will be realised, although we believe we have been prudent in our assumptions. -
Iruvar Tamil Full Movie Download
1 / 2 Iruvar Tamil Full Movie Download Tamil Movies Online, Tamil HD Movies, Tamil Dubbed Movies Online, Tamil Movies Download, Tamil HD Movies Online 2016, HD Tamil Dubbed Movies, 2016 .... Iruvar (english: the duo) is a 1997 indian tamil political drama film co-written, directed and produced by mani ratnam. the ensemble cast, film, loosely based on .... Vishwaroopam II 2017 Tamil Hindi Movie Full HD Download DVDRip ... Naam Iruvar Namaku Iruvar is a Tamil family drama on Star Vijay. we .... Actor Dhanush is currently shooting for his Hollywood film 'The Gray Man', ... it is known that she made her debut in south with Tamil film 'Iruvar' .... Naam Iruvar Namakku Iruvar Tamil Movie: Check out the latest news about Prabhu Deva's Naam Iruvar Namakku Iruvar movie, story, cast & crew, release date, .... Naam iruvar nammaku iruvar 2. ... Rachitha Mahalakshmi Naam Iruvar Namakku Iruvar Season 2 Cast - Bigg boss tamil season 4. ... deva and meena played the leading roles, whilst the film featured an extensive cast, along with ... #ntr #biggbossteluguseason1 download yoyo tv app for latest news and updates, download.. Iruvar Movie Info. is a 1997 Indian Tamil-language epic political drama film co-written, produced and directed by Mani Ratnam. The film, which .... Naam Iruvar Namakku Iruvar fame Rachitha Mahalaxmi took to ... Rachitha predominantly works in Tamil, Telugu, and Kannada Television. Iruvar Ullam Songs, Iruvar Ullam Songs Download, Iruvar Ullam Tamil Movie ... Tamil Movie Songs Download, Download Iruvar Ullam Mp3, Iruvar Ullam Full .... Iruvar Tamil Movie Full HD Video Download. iruvar tamil movie torrent download. The film also saw the movie debut of Aishwarya Rai, then merely a model and ... -
7. Narasimha Avatharam
By Oppiliappan KOil Sri VaradAchAri SaThakOpan sadagopan.org CONTENTS 1 Introduction 1 2 Taniyan 2 3 AachArya Paramparais 3 4 SwAmi Desikan and AachArya Parampara 8 5 HH The 45th Jeeyar of AhObila MaTam 10 6 Salutations to Sri Aadhi VaNN SaThakOpa 12 7 Divya DEsan of AhObilam 17 8 Thirumangai Azhwar's PAsurams on Ahobilam 18-31 sadagopan.org 9 Divya MangaLa Vigrahams of AhObila MaTam 32-62 10 The Beauty of Lord NrusimhAvathAram 63-68 11 Sri Lakshmi Nrusimhan and Thirumangai Azhwar 69-76 12 ThirunAngoor Divya DEsams 77-96 MaalOlan Paadukai SrI MaTam—Pathuka Aaradhanam by Srimath Azhagiya Singar sadagopan.org . ïI>. ïImte ramanujay nm> ïImte ingmNt mhadEizkay nm> REFLECTIONS ON NARASIMHAVATHARAM sadagopan.org HH The 45th Jeeyar of Sri AhObila MaTam INTRODUCTION: Sri Lakshmi Nrusimha Divya PaadhukhA Sevaka SrivaNN SatakOpa Sri NaarAyaNa Yatheendhra MahA DEsikan is the 45th and current Jeeyar of Ahobila Matam. He completed on November 21, 1996 his Seventieth birthday. This special anniversary (Sapthathi) was celebrated by all aasthikAs, Vaidhikha SreshtAs and AchAryAs at Thirupathi. A commemorative souvenir celebrating the scholarship and Kaimkaryams of this most merciful Aacharya Saarvabhouman was released at that Mahothsavam in Thirupathi. Sri Krishna Kalale met with the Jeeyar and brought back two souvenir issues. H.H. the Jeeyar instructed Sri Krishna Kalale to make some of the extraordinary information assembled in this souvenir on the internet for the benefit of Sri VaishNavAs of the World. Sri Kalale wrote to me and asked me to undertake this Kaimkaryam. The wish of H.H., the Jeeyar is my command and therfore I have notified Sri Kalale that nothing will please me more than fulfilling the wishes of our most revered Jeeyar. -
Language in Andal's Thiruppavai
LANGUAGE IN INDIA Strength for Today and Bright Hope for Tomorrow Volume 11 : 4 April 2011 ISSN 1930-2940 Managing Editor: M. S. Thirumalai, Ph.D. Editors: B. Mallikarjun, Ph.D. Sam Mohanlal, Ph.D. B. A. Sharada, Ph.D. A. R. Fatihi, Ph.D. Lakhan Gusain, Ph.D. Jennifer Marie Bayer, Ph.D. S. M. Ravichandran, Ph.D. G. Baskaran, Ph.D. L. Ramamoorthy, Ph.D. Language in Andal's Thiruppavai Poornima Immanuel, Ph.D. =================================================== The Focus of This Paper Andal (a:NDa:L) is a mystic hymnist of South Indian religious renaissance, in particular, the Vaishnavite tradition. The main motive of the religious mystic is achieving an intimate relationship with God. It is essential to have knowledge of the fundamental principles of the mystic's philosophy and theology to understand the language of a mystic. This paper will attempt first to analyze the philosophical and religious content of Andal's Thiruppavai and then proceed to discuss its poetic richness and lyrical felicity. Consummation of Relationship with Lord Ranganathan Andal, who lived over a thousand years ago, is seen as a mystic due to her recognition of the existence of the soul and its relation to the Divine Soul. Andal is also a great mystic because through her sensuous poetic images she brings out the intimacy between her and Lord Ranganathan, the presiding deity of the Vaishnavite sect, Lord Ranaganathan of Srirangam. She looks for the consummation of this relationship with him as her consort, longing to marry him. Language in India www.languageinindia.com 210 11 : 4 April 2011 Poornima Immanuel, Ph.D. -
16. Daya Satakam
Swamy Desikan’s DayaaSathakam Annotated Commentary in English BY Oppiliappan KOil Sri Varadachari SaThakOpan sadagopan.org CONTENTS Introduction 5 Slokam 1 13 Slokam 2 15 Slokam 3 17 Slokam 4 18 Slokam 5 19 Slokam 6 20 Slokam 7 21 Slokam 8 22 Slokam 9 23 Slokam 10 24 Slokam 11 26 Slokam 12 27 Slokam 13 29 Slokam 14 30 Slokam 15 31 sadagopan.org Slokam 16 32 Slokam 17 33 Slokam 18 35 Slokam 19 37 Slokam 20 38 Slokam 21 40 Slokam 22 42 Slokam 23 43 Slokam 24 45 Slokam 25 47 Slokam 26 48 Slokam 27 49 Slokam 28 50 Slokam 29 51 1 CONTENTS CONTINUED.. Slokam 30 52 Slokam 31 53 Slokam 32 55 Slokam 33 57 Slokam 34 58 Slokam 35 59 Slokam 36 61 Slokam 37 63 Slokam 38 65 Slokam 39 67 Slokam 40 69 Slokam 41 70 Slokam 42 72 Slokam 43 74 Slokam 44 75 Slokam 45 77 Slokam 46 78 sadagopan.org Slokam 47 79 Slokam 48 81 Slokam 49 83 Slokam 50 85 Slokam 51 87 Slokam 52 89 Slokam 53 91 Slokam 54 92 Slokam 55 93 Slokam 56 95 Slokam 57 97 Slokam 58 99 Slokam 59 101 Slokam 60 103 2 CONTENTS CONTINUED.. Slokam 61 105 Slokam 62 107 Slokam 63 109 Slokam 64 111 Slokam 65 113 Slokam 66 115 Slokam 67 116 Slokam 68 118 Slokam 69 120 Slokam 70 122 Slokam 71 124 Slokam 72 126 Slokam 73 128 Slokam 74 130 Slokam 75 132 Slokam 76 134 Slokam 77 136 sadagopan.org Slokam 78 138 Slokam 79 140 Slokam 80 142 Slokam 81 143 Slokam 82 145 Slokam 83 146 Slokam 84 147 Slokam 85 148 Slokam 86 149 Slokam 87 151 Slokam 88 152 Slokam 89 153 Slokam 90 154 3 CONTENTS CONTINUED.