WWI Student Competition Country Focus Retrospective
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Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films. -
Download the List of History Films and Videos (PDF)
Video List in Alphabetical Order Department of History # Title of Video Description Producer/Dir Year 532 1984 Who controls the past controls the future Istanb ul Int. 1984 Film 540 12 Years a Slave In 1841, Northup an accomplished, free citizen of New Dolby 2013 York, is kidnapped and sold into slavery. Stripped of his identity and deprived of dignity, Northup is ultimately purchased by ruthless plantation owner Edwin Epps and must find the strength to survive. Approx. 134 mins., color. 460 4 Months, 3 Weeks and Two college roommates have 24 hours to make the IFC Films 2 Days 235 500 Nations Story of America’s original inhabitants; filmed at actual TIG 2004 locations from jungles of Central American to the Productions Canadian Artic. Color; 372 mins. 166 Abraham Lincoln (2 This intimate portrait of Lincoln, using authentic stills of Simitar 1994 tapes) the time, will help in understanding the complexities of our Entertainment 16th President of the United States. (94 min.) 402 Abe Lincoln in Illinois “Handsome, dignified, human and moving. WB 2009 (DVD) 430 Afghan Star This timely and moving film follows the dramatic stories Zeitgest video 2009 of your young finalists—two men and two very brave women—as they hazard everything to become the nation’s favorite performer. By observing the Afghani people’s relationship to their pop culture. Afghan Star is the perfect window into a country’s tenuous, ongoing struggle for modernity. What Americans consider frivolous entertainment is downright revolutionary in this embattled part of the world. Approx. 88 min. Color with English subtitles 369 Africa 4 DVDs This epic series presents Africa through the eyes of its National 2001 Episode 1 Episode people, conveying the diversity and beauty of the land and Geographic 5 the compelling personal stories of the people who shape Episode 2 Episode its future. -
Main Screen: 1100 Seats (To Run Only 35Mm Film Prints)
Location: Chandan Cinema, Juhu Main Screen: 1100 Seats (to run only 35mm film prints) Show Time 1st Show 2nd Show 3rd Show 4th Show 5th Show Date/Day 10.00 am 12.30 Noon 3.30 pm 5.30 pm 8.00 pm 21-10-.2010 No shows No shows No shows At: 7.00 p.m. Opening Function followed by the Inaugural Film Thursday THE SOCIAL NETWORK Dir.: David Fincher (USA / 2010 /35mm / Col. / 120’) 22-10-2010 10:30 am Inauguration of To start show by 1:30 p.m. POETRY ON THE PATH (NA PUTU) UNITED RED ARMY Friday Japanese Cinema followed by SUBMARINO Dir.: Lee Chang-dong Dir.: Jasmila Zbanic (Bosnia and Dir.: Kôji Wakamatsu ABOUT HER BROTHER (OTÔTO) Dir.: Thomas Vinterberg (South Korea / 2010 / 35mm / Col. / 139’) Herzegovina-Austria-Germany- (Japan / 2007 / 35mm / Col. / 190') Dir.: Yôji Yamada (Denmark-Sweden / 2010 / 35mm / Col. / Croatia / 2010 / 100’) (Japan / 2010 / 35mm / 35mm / 105') 126’) WC WC WC CJC CJC 23-10-2010 HOLD ME TIGHT (HOLD OM UNDERTOW (CONTRACORRIENTE) HONEY (BAL) R SANDCASTLE Saturday MIG) Dir.: Javier Fuentes-León Dir.: Semih Kaplanoglu Dir.: Michael Noer & Tobias Lindholm Dir.: Boo Junfeng Dir.: Kaspar Munk (Peru-Colombia/ 2009 / 35mm / Col. / (Turkey-Germany / 2010 / 35mm / Col. / 103') (Denmark / 2010 / 35mm / Col. / 90’) (Singapore / 2010 / 35mm / Col. / 92') (Denmark / 2010 / 35mm / Col. / 80') 100’) ATC WC WC IC-Presentation IC-Presentation 24-10-2010 ON TOUR (TOURNÉE) BUNRAKU MUNDANE HISTORY OUTRAGE CATERPILLAR Sunday Dir.: Mathieu Amalric Dir.: Guy Moshe Dir.: Anocha Suwichakornpong Dir.: Takeshi Kitano Dir.: Kôji Wakamatsu (France / 2010 / 35mm / Col. -
Karan Johar Shahrukh Khan Choti Bahu R. Madhavan Priyanka
THIS MONTH ON Vol 1, Issue 1, August 2011 Karan Johar Director of the Month Shahrukh Khan Actor of the Month Priyanka Chopra Actress of the Month Choti Bahu Serial of the Month R. Madhavan Host of the Month Movie of the Month HAUNTED 3D + What’s hot Kids section Gadget Review Music Masti VAS (Value Added Services) THIS MONTH ON CONTENTS Publisher and Editor-in-Chief: Anurag Batra Editorial Director: Amit Agnihotri Editor: Vinod Behl Directors: Nawal Ahuja, Ritesh Vohra, Kapil Mohan Dhingra Advisory Board Anuj Puri, (Chairman & Country Head, Jones Lang LaSalle India) Laxmi Goel, (Director, Zee News & Chairman, Suncity Projects) Ajoy Kapoor (CEO, Saffron Real Estate Management) Dr P.S. Rana, Ex-C( MD, HUDCO) Col. Prithvi Nath, (EVP, NAREDCO & Sr Advisor, DLF Group) Praveen Nigam, (CEO, Amplus Consulting) Dr. Amit Kapoor, (Professor in Strategy and nd I ustrial Economics, MDI, Gurgoan) Editorial Editorial Coordinating Editor : Vishal Duggal Assistant Editor : Swarnendu Biswas da con parunt, ommod earum sit eaqui ipsunt abo. Am et dias molup- Principal Correspondent : Vishnu Rageev R tur mo beressit rerum simpore mporit explique reribusam quidella Senior Correspondent : Priyanka Kapoor U Correspondents : Sujeet Kumar Jha, Rahul Verma cus, ommossi dicte eatur? Em ra quid ut qui tem. Saecest, qui sandiorero tem ipic tem que Design Art Director : Jasper Levi nonseque apeleni entustiori que consequ atiumqui re cus ulpa dolla Sr. Graphic Designers : Sunil Kumar preius mintia sint dicimi, que corumquia volorerum eatiature ius iniam res Photographe r : Suresh Gola cusapeles nieniste veristo dolore lis utemquidi ra quidell uptatiore seque Advertisment & Sales nesseditiusa volupta speris verunt volene ni ame necupta consequas incta Kapil Mohan Dhingra, [email protected], Ph: 98110 20077 sumque et quam, vellab ist, sequiam, amusapicia quiandition reprecus pos 3 Priya Patra, [email protected], Ph: 99997 68737, New Delhi Sneha Walke, [email protected], Ph: 98455 41143, Bangalore ute et, coressequod millaut eaque dis ariatquis as eariam fuga. -
I~I"" "Foi CONTINUING S!Lvic!"
I~I"" ~. "fOI CONTINUING S!lVIC!" PLAY BALLI Old Mnn Turn 'r op 'nlnl\ A Y Club 100 I,>ngue piny buc'k In 1949 SPRING I-E VER - Sec 81ue NagaHakl'H Htory on currt'O[ standings In the Club 100 l eague, and Editorial 3 0 0 YE .AR S 0 F MER CHAN DIS IN'G MIKIMOTO PEARLS The most selective collection of Mikimoto Pearls in Hawaii! Shop for other quality Japanese imports at.. Exquisite necklaces (single · II • to 4 strands) / matching ear- r!ngs / pendant:; ! brooches ~ SI. , .....,. ~ "It...,.... ..... tie tacks / crucifixes OF TOKYO IN HONOLULU ALA r>lOANA CENTER TELEPHONE 90·506 Also one of the I~rgest collections of Japanese Arts & Crafts in Hawaii. I(ukui Mortuary Ltd. HONOLULU CREMATORY MORTUARY " Constant Help in lime of Need" CREMATORY 247 N. Kukui St. Puuhale & Democrat Call 51·548 Call 86·458 24·HOUR SERVICE SAME OWNERSHIP TAKE A TIP FROM THE MANY FAMILIES WHO SAVE AT INTERNATIONAL SAVINGS •.. where your savings earn 4%% dividend and your savings are insured up to $10,000 by F. S. L.1. C., an instrumentality of the Federal Government. Corner King and Bethel Streets . • Phone 511·311 WAIPAHU BRANCH: 94 ·801 Farrington Highway, near INTERNATIONAL SAVINGS ~ Depot Road AND LOAN ASSOCIATION, LTD. HILa 6riANCH : 32 Kalakaua Street Vol. 15, No.4 April 1962 Editor Ben H. Tamashiro Production and Distribution: Bob Sato, Bea Imada, Frances Okazaki Chapter News Able 3 Blue Nagasaki Baker 5 Dick Oguro Board 13 James K. Miyano Charlie 16 Kazuto Shimizu Dog 8 Bob Taira Headquarter s 7 Rinky Nakagawa Maui 4 Stanley Masumoto Rural 10 Hakaru Taoka Separate Activities Baseball 6 Blue Nagasaki Bowling 18 Dick Oguro Fishing 3 Blue Nagasaki Green Thumbs 13 Richard Yamamoto Features For the Elders 26 Bob Sato Puka Square 1 Editor Editorial 14 Editor Photographs Kenneth Iha Dick Oguro Other Staff Members: Sat Nakamura (Calif.), Walter Kadota (Haw.), Kent Nakamura (Medics), Mako Takiguchi . -
JAN to APRIL.Xlsx
List of feature films certified from 01 Jan 2021 to 30 April 2021 Certified Type Of Film Application Production Certificate Sr. No. Title Language Certificate No. Certificate Date Duration/Le (Video/Digita Producer Name Date House Type ngth l/Celluloid) Assamese ASSAMESE WITH R.C. FILMS 1 COMMANDO 23-02-2021 DIL/1/3/2021-GUW 02 March 2021 87.18 Digital Rekha Chamuah U PARTLY HINDI PRODUCTION 2 DEUTA 27-04-2021 Assamese DIL/1/8/2021-GUW 29 April 2021 82.54 Digital Dishan Dholua - U AWADHI GOLDMINES ULKA MANISH 1 SAKTHI 23-12-2020 AWADHI VIL/2/2/2021-DEL 13 January 2021 138.15 Video TELEFILMS PVT UA SHAH LTD GOLDMINES ULKA MANISH 2 REBEL 22-01-2021 AWADHI VIL/2/6/2021-DEL 04 February 2021 143.57 Video TELEFILMS PVT UA SHAH LTD UPPALAPATI VENKATA 3 MIRCHI 01-02-2021 AWADHI VIL/2/7/2021-DEL 12 February 2021 137.51 Video U V CREATIONS UA SATYANARAYA NARAJU GOLDMINES ULKA MANISH 4 POWER 18-02-2021 Awadhi VIL/2/10/2021-DEL 26 February 2021 126.46 Video TELEFILMS PVT UA SHAH LTD NALLAMALUPU LAKSHMI POWER RETURNS ( 5 13-03-2021 AWADHI VIL/2/11/2021-DEL 19 March 2021 143.21 Video SRINIVASREDD NARASIMHA UA RACE GURRAM ) Y PRODUCTIONS Sumeet Kishen 6 AMBARISHA 16-03-2021 AWADHI VIL/2/81/2021-MUM 26 March 2021 135.44 Video SUMEET ARTS UA Saigal GOLDMINES ULKA MANISH 7 VETTAIKAARAN 25-03-2021 Awadhi VIL/2/18/2021-CUT 07 April 2021 150.33 Video TELEFILMS PVT UA SHAH LTD GOLDMINES ULKA MANISH 8 DHRUVA 03-04-2021 Awadhi VIL/2/97/2021-MUM 09 April 2021 150.5 Video TELEFILMS PVT UA SHAH LTD Bengali WELCOME INDIA TO Prantosh 1 12-12-2020 Bengali DIL/1/1/2021-KOL -
Ancient Greek Myth and Drama in Greek Cinema (1930–2012): an Overall Approach
Konstantinos KyriaKos ANCIENT GREEK MYTH AND DRAMA IN GREEK CINEMA (1930–2012): AN OVERALL APPROACH Ι. Introduction he purpose of the present article is to outline the relationship between TGreek cinema and themes from Ancient Greek mythology, in a period stretching from 1930 to 2012. This discourse is initiated by examining mov- ies dated before WW II (Prometheus Bound, 1930, Dimitris Meravidis)1 till recent important ones such as Strella. A Woman’s Way (2009, Panos Ch. Koutras).2 Moreover, movies involving ancient drama adaptations are co-ex- amined with the ones referring to ancient mythology in general. This is due to a particularity of the perception of ancient drama by script writers and di- rectors of Greek cinema: in ancient tragedy and comedy film adaptations,3 ancient drama was typically employed as a source for myth. * I wish to express my gratitude to S. Tsitsiridis, A. Marinis and G. Sakallieros for their succinct remarks upon this article. 1. The ideologically interesting endeavours — expressed through filming the Delphic Cel- ebrations Prometheus Bound by Eva Palmer-Sikelianos and Angelos Sikelianos (1930, Dimitris Meravidis) and the Longus romance in Daphnis and Chloë (1931, Orestis Laskos) — belong to the origins of Greek cinema. What the viewers behold, in the first fiction film of the Greek Cinema (The Adventures of Villar, 1924, Joseph Hepp), is a wedding reception at the hill of Acropolis. Then, during the interwar period, film pro- duction comprises of documentaries depicting the “Celebrations of the Third Greek Civilisation”, romances from late antiquity (where the beauty of the lovers refers to An- cient Greek statues), and, finally, the first filmings of a theatrical performance, Del- phic Celebrations. -
Port of Flowers Hanasaku Minato
Retrospectiva de Keisuke Kinoshita Port of Flowers Hanasaku minato B&W / Standard / 1943 / 82 min / Shochiku Cast: Director: Kinoshita Keisuke Shuzo: Ozawa Eitaro Script: Tsuji Yoshihiro Tomekichi: Uehara Ken Based on a play by: Kikuta Kazuo Okano: HiGashiyama Chieko CinematoGraphy: Kusuda Hiroshi Nobatama: Ryu Chishu Art Director: Motoki Isamu Hayashida: Tono Eijiro Music: Abe Sakari Okuda, villaGe chief: Sakamoto Takeshi Ryoji, his assistant: Hanzawa Yosuke Producer: Endo ShinGo Oharu, Ryoji’s sister: Mito Mitsuko Setsuyo: Maki Fusako Yuki: Murase Sachiko SettinG: A small island in Kyushu in 1941 Synopsis: A patriotic comedy about two con men arrivinG suddenly to work a scam on the inhabitants of a small Japanese island just as the nation beGins its entrance into World War II. The men claim to be the orphan sons of Watase Kenzo, who had come to the island and initiated a project to construct a shipyard 15 years prior. He left with the project half-completed but is remembered with Great fondness by the mayor and the Group of people who hold the most influence on the island, includinG Nobatama who runs the horse and carriaGe shop; Hayashida, the boss of the fishermen; and Okano, the owner of the inn. Okano had once chased Watase all the way to PenanG, still to find her love unrequited. Because of this history, she takes care of the two con men she has just met as if they were her own sons. The more experienced of the two, Shuzo, takes the name Kensuke (Watase), GivinG his partner Tomekichi the name Kenji. They announce their desire to revive the shipyard project, a proposal met with enthusiastic support from all but Hayashida, who is forever concerned with money. -
Masaki Kobayashi: HARAKIRI (1962, 133M) the Version of This Goldenrod Handout Sent out in Our Monday Mailing, and the One Online, Has Hot Links
October 8, 2019 (XXXIX: 7) Masaki Kobayashi: HARAKIRI (1962, 133m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. DIRECTOR Masaki Kobayashi WRITING Shinobu Hashimoto wrote the screenplay from a novel by Yasuhiko Takiguchi. PRODUCER Tatsuo Hosoya MUSIC Tôru Takemitsu CINEMATOGRAPHY Yoshio Miyajima EDITING Hisashi Sagara The film was the winter of the Jury Special Prize and nominated for the Palm d’Or at the 1963 Cannes Film Festival. CAST Tatsuya Nakadai...Tsugumo Hanshirō (1979), Tokyo Trial* (Documentary) (1983), and Rentarō Mikuni...Saitō Kageyu Shokutaku no nai ie* (1985). He also wrote the screenplays Akira Ishihama...Chijiiwa Motome for A Broken Drum (1949) and The Yotsuda Phantom Shima Iwashita...Tsugumo Miho (1949). Tetsurō Tamba...Omodaka Hikokuro *Also wrote Ichiro Nakatani...Yazaki Hayato Masao Mishima...Inaba Tango SHINOBU HASHIMOTO (b. April 18, 1918 in Hyogo Kei Satō...Fukushima Masakatsu Prefecture, Japan—d. July 19, 2018 (age 100) in Tokyo, Yoshio Inaba...Chijiiwa Jinai Japan) was a Japanese screenwriter (71 credits). A frequent Yoshiro Aoki...Kawabe Umenosuke collaborator of Akira Kurosawa, he wrote the scripts for such internationally acclaimed films as Rashomon (1950) MASAKI KOBAYASHI (b. February 14, 1916 in and Seven Samurai (1954). These are some of the other Hokkaido, Japan—d. October 4, 1996 (age 80) in Tokyo, films he wrote for: Ikiru (1952), -
A Study on Visual Story Telling Techniques of Maniratnam Movies: Cinematography and Mise En Scene Analysis of Selected Movies
Annals of R.S.C.B., ISSN:1583-6258, Vol. 25, Issue 6, 2021, Pages. 9599 - 9606 Received 25 April 2021; Accepted 08 May 2021. A Study on Visual Story Telling Techniques of Maniratnam Movies: Cinematography and Mise en scene Analysis of Selected Movies 1 2 Mena M, Varun Prabha T 1Post Graduate Student, MA JMC,Dept.of Visual Media and Communication,Amrita School of Arts and Sciences,Amrita VishwaVidyapeetham, Kochi, India 2Assistant Professor, Dept.of Visual Media and Communication,Amrita School of Arts and Sciences,Amrita VishwaVidyapeetham, Kochi, India Abstract Visually representing a story is an art. Mastering that art and capturing human minds into the soul of the characters of the film and mirroring the very own society was part of Mani Ratnam’s life for the past three decades. This research paper points towards some of the techniques employed and experiments conducted in visual storytellingin his various projects by using Miseen scene elements and cinematography in beautiful ways. In Roja what he Sasnthosh Sivan and Mani Ratnam experimented was painting the reflectors green, to look the grass greener than it actually is. In Thapalathy, Mani ratnam projected a yellowish light, like an aura into the protagonist which symbolizes his history and background. In Bombay, he throughout kept a blue tone in order to gives an element of mystery in the film. In Raavanan, he played with shades and light and that too in two different ways at the beginning and at the end of the films. In Alaipayuthe he presented the story more through the movements of camera and through micro expressions and symbolizations.Theglobalization and evolution of Indian Cinematography can be traced out through the works of Mani Ratnam. -
Iruvar Tamil Full Movie Download
1 / 2 Iruvar Tamil Full Movie Download Tamil Movies Online, Tamil HD Movies, Tamil Dubbed Movies Online, Tamil Movies Download, Tamil HD Movies Online 2016, HD Tamil Dubbed Movies, 2016 .... Iruvar (english: the duo) is a 1997 indian tamil political drama film co-written, directed and produced by mani ratnam. the ensemble cast, film, loosely based on .... Vishwaroopam II 2017 Tamil Hindi Movie Full HD Download DVDRip ... Naam Iruvar Namaku Iruvar is a Tamil family drama on Star Vijay. we .... Actor Dhanush is currently shooting for his Hollywood film 'The Gray Man', ... it is known that she made her debut in south with Tamil film 'Iruvar' .... Naam Iruvar Namakku Iruvar Tamil Movie: Check out the latest news about Prabhu Deva's Naam Iruvar Namakku Iruvar movie, story, cast & crew, release date, .... Naam iruvar nammaku iruvar 2. ... Rachitha Mahalakshmi Naam Iruvar Namakku Iruvar Season 2 Cast - Bigg boss tamil season 4. ... deva and meena played the leading roles, whilst the film featured an extensive cast, along with ... #ntr #biggbossteluguseason1 download yoyo tv app for latest news and updates, download.. Iruvar Movie Info. is a 1997 Indian Tamil-language epic political drama film co-written, produced and directed by Mani Ratnam. The film, which .... Naam Iruvar Namakku Iruvar fame Rachitha Mahalaxmi took to ... Rachitha predominantly works in Tamil, Telugu, and Kannada Television. Iruvar Ullam Songs, Iruvar Ullam Songs Download, Iruvar Ullam Tamil Movie ... Tamil Movie Songs Download, Download Iruvar Ullam Mp3, Iruvar Ullam Full .... Iruvar Tamil Movie Full HD Video Download. iruvar tamil movie torrent download. The film also saw the movie debut of Aishwarya Rai, then merely a model and ... -
South Asia Multidisciplinary Academic Journal , Free-Standing Articles Madurai Formula Films: Caste Pride and Politics in Tamil Cinema 2
Edinburgh Research Explorer Madurai Formula Films Citation for published version: Damodaran, K & Gorringe, H 2017, 'Madurai Formula Films', South Asia Multidisciplinary Academic Journal (SAMAJ), pp. 1-30. <https://samaj.revues.org/4359> Link: Link to publication record in Edinburgh Research Explorer Document Version: Publisher's PDF, also known as Version of record Published In: South Asia Multidisciplinary Academic Journal (SAMAJ) General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 30. Sep. 2021 South Asia Multidisciplinary Academic Journal Free-Standing Articles Madurai Formula Films: Caste Pride and Politics in Tamil Cinema Karthikeyan Damodaran and Hugo Gorringe Publisher Association pour la recherche sur l'Asie du Sud (ARAS) Electronic version URL: http://samaj.revues.org/4359 ISSN: 1960-6060 Electronic reference Karthikeyan Damodaran and Hugo Gorringe, « Madurai Formula Films: Caste Pride and Politics in Tamil Cinema », South Asia Multidisciplinary Academic Journal [Online], Free-Standing Articles, Online since 22 June 2017, connection on 22 June 2017. URL : http://samaj.revues.org/4359 This text was automatically generated on 22 June 2017.