Campus Beats Sites

Total Page:16

File Type:pdf, Size:1020Kb

Campus Beats Sites - ampus October 27, 2010 “Everyone in this world should sleep without fear, at least for eats one night. There should be at C least one day when there is no violence. Everyone should eat to their fill at least for one Published By Amrita School Of Communication, Amrita Vishwa Vidyapeetham day. This is my dream” - Amma Crosscut Road speaks out Cops control with the heavy traffic with a loudspeaker in a booth near Sree Lakshmi Complex Renu Unnikrishnan said, “It is not easy to control tions,” G.K.Ranganath, a tax on them .“In weekends, all of Kanaka Sundar, a school stu- both the vehicles and the consultant, said. us are in a hurry to reach dent of Bharathi ‘Stop there, wait for the pedestrians at the same time Arumughavadivel of Kamala home, especially hostellers. Matriculation, said. vehicles to move’ by one person,” he said, Stores echoed similar senti- So, it is not possible to con- But Selvakumar is unde- ‘Don’t cross the road now’ adding that there were now centrate on the announce- terred by the debate. He has ‘Hey school students! separate men to control the “It is very difficult to ment, but the policeman a job to do ….… Please be careful’ two. always shouts at us for not ‘‘Stop there…let the vehi- control the pedestri- Armed with a loudspeaker, The traffic police say that obeying his commands,” cles go…” ans with a signal R.Selvakumar bellows the system, which was intro- orders to the pedestrians duced five years ago, had system as some near the Sreelakshmi com- helped reduce the number of people don’t follow plex in Gandhipuram from a road accidents in the area. the signals and booth. They said it was most helpful Selvakumar and his col- during weekends and festival some others don’t leagues in the traffic police days. even look,” have been at it at Crosscut Some pedestrians and says Selvakumar road in Gandhipuram for the nearby shop owners say that past five years to ensure the the loud announcements are ments. “The announcements pedestrians’ safety. “It is more of a nuisance than have not helped to reduce very difficult to control the help. “Sometimes we are not accidents as many of the pedestrians’ with a signal able to hear him because of pedestrians ignore it. So, it is system as some people don’t the vehicles’ sound. I think it better to have the signal sys- follow the signals and some is better to change this sys- tem,” he said. others don’t even look,” tem and introduce traffic sig- Some school students say Crosscut road on a busy day Photo: Google Images Selvakumar, a traffic police nal, like at many other junc- that the policemen are hard Music and dance Master of all trades- Prof.K.Gangadharan clubs induct new time? Prof. K. Gangadharan is the I had a philatelic collection that I later students Chairman of the Department of passed on to my son. Due to my interest Information Technology at Amrita towards photography, I initiated the Renu Unnikrishnan School of Engineering, Coimbatore. A Photographer’s Club here at Amrita. man with varied experience, he had Right from my student and army days I atyasudha and served as an officer in the Indian was into fitness regime which I still con- Ragasudha, the Army for 23 years, and was also an tinue to do. Ndance club and music Advisor to the Union Public Service club of Amrita Vishwa Commission (UPSC). The amiable pro- You are active on social networking Vidyapeetham, conducted the fessor as spoken to Campus Beats sites. Is that a way of connecting with induction programme for the about his teaching career, life at the young generation especially your freshers at the Amriteshwari Amrita, his interests and much more. students? hall. The third and the fourth Photo: Special Arrangement Excerpts from the interview: During my college days, the only way to year students organised Prof. K Gangadharan keep in touch with classmates and Thandav and Aalap and gave A giant leap from the Indian Army to friends during holidays was by writing a music and dance recitals teaching; what was the reason behind INTERVIEW letter. Now, it is a good way to catch up which was performed with this huge transition in career? with old friends through Facebook, zing and zeal. Well, you can’t call it a direct leap from and setting question papers and syllabi Linkedin and Orkut. Today, I have around Members of Natyasudha defense to teaching. After serving the for various UPSC examinations. 3,000 names in my friends’ list, of which performed various dance Indian Army for 23 years, I went on to majority are my students. forms The singers performed lead an IT company in Kerala. But I How was your experience in setting a mixture of genres, from founded it to be taxing. Neither did I have question papers and syllabi for UPSC What are your future plans? classical music to melodies time for myself nor did I spend quality exams? How much of clearing the It is not easy to get a job in the technical and fast numbers. time with my sons. As I wanted to work in exam is luck? field today. I have no plans of quitting Gokul Eknath, final BA Mass a relaxed atmosphere I joined Amrita in Setting up of question papers for the Amrita as I like the atmosphere here and Communication student and 2000. exam was not really challenging but the I also have enough time to spend with my member of Ragasudha club interview part was tough as a clear family. said “Both the clubs will be What was your role as an advisor at understanding of the candidate is need- organizing mega events in the UPSC? ed. On the whole it was a very responsi- What is your message to Amrita stu- this academic year called I was one of the advisors in a panel of ble job. Also clearing the exam is quite dents? Nrithya and Raga. These two three to four and I basically dealt with tough and the process is highly complex! Do not lose focus of your goal in life. events will be open to all stu- academia and industries. My work at the Enjoy the maximum with friends as these dents of Amrita, though partic- UPSC mainly revolved around conduct- What are your hobbies and interests? college days are very precious. Study ipation will be based on audi- ing interviews, verifying job applications What do you usually do in your leisure hard, have fun and pursue hobbies. tions”. Campus Beats Page 2 October 27,2010 Rapturous welcome to Rajini’s Fetters of delights ‘Endhiran’in the city Tete-a-tete with the lady behind That’s Why Food Anitha Ramachandran Produced by Kalanidhi sion of the scientist in a clas- Maran, it is said to be Asia’s sic love-triangle.Bookings for ant to feast from the third year he city was awash most expensive film to-date. the film started 3-4 days yourself with onwards, people started with huge, colourful The film’s background score before and the tickets were W yummy kebabs liking the food and from Tposters and giant and soundtrack were com- sold out immediately, accord- a n d t i k k a s o r mouthwa- then on, there was no look- cut-outs of Rajinikant point- posed by A. R. Rahman and ing to Mr. Senthil Kumar, tering desserts? Then ing back! Today, I have ing a gun, as a robot or with was released as an album in CEO, Central Theatre, That’s Why Foods at three different branches- the beautiful Aishwarya July. Cinematography was by “People started flooding our R.S.Puram is the place to On the Go at Race Course, Rai, as crowds thronged R. Rathnavelu.The film fea- theatre early in the morning be. Coimbatore, That’s Why the cinema halls when tures Rajinikanth in dual and stuck posters and ban- The place is tastefully Foods at Pondicherry and Shankar’s ‘Endhiran’ was roles, as a science professor ners all around.The film has done up and there is a a small café in Delhi. released on October 1. The touch of class to the interi- iconic superstar’s fans or decoration. The menu Whats with the name poured into the cinemas meets a gourmet’s expec- That’s Why Foods? and greeted the movie with tations - mock tails, soups, We always wanted to lusty cheers. Members of starters, gravies, platters, name something out of the the fan club poured milk rices, breads and, not to box and different. I was over his poster in temple- forget, That’s Why Food’s quite inspired by a pub in style Abishekam at K.N.M most popular lip-smack- Singapore called That’s Complex as others braved ing,finger-licking desserts. Why. the hot sun and stood in long The rates are moderate queues to buy tickets. considering the taste and Any plans of testing “I am always a first-day, quantity that is served and waters with other first-show audience for will not burn a hole in one’s cuisines too? Rajini’s movies. Expectations wallet. We don’t want to because were very high over this The interior has been we do not have expertise in movie and it has rightly been designed by a Bombay it. We are hardcore North satisfied in this movie. firm. The service is good, Indians ourselves and it’s Endhiran is worth watching!” though you need patience highly important to know Arun Kumar, a college stu- before the food arrives at what we are selling.Plus,if dent, said.
Recommended publications
  • Summerhill 11-01-11.Pmd
    The Middle Class in India: An Overview RITA KOTHARI Sai Paranjapeís acclaimed film Katha (1983) shows the Indians. Hailing from small towns (Bunty aur Babli, 2005), protagonist Rajaram Pushottam Joshi living in a chawl or ëoldí middle-class families in Bombay (Rangeela, 1995) in Bombay in India of the 1980s. Dressed in a half-sleeved and Delhi (Oye Lucky! Lucky Oye!, 2008) and (Khosla Ka shirt and slightly shapeless trousers, he missed his first Ghosla, 2006). Raring to redefine themselves, they bus to work almost every single day. The city transport represent the expanding middle class. Shedding what bus required a passenger to muscle his way on board, they do not want (clerical jobs, restrictive circumstances) brutally elbowing aside anyone who got in the way. But and eagerly embracing all that India after liberalisation Rajaram was constrained by his own norms of civility had to offer (money, the English language, brand names, and fairness. So he got left behind at the bus stop, along career opportunities) they stand out by their desire to with an old toothless woman ó two timorous souls who do well.1 would not, or could not summon up the aggression and The class they represent is ëthe darling of the official ruthlessness demanded by metropolitan life. discourse and policy makersíand one that ësets the terms The visual imagery returns to the spectator as Rajaram of reference of Indian societyí (Jaffrelot and Van der Veer, goes through several comic-tragic travails; the mockery 2008 : 19). In the city of Ahmedabad where I live, this he evokes by putting up a Hindi (not English) name-plate class is the addressee for whom the new flyovers are on his door, his ineptness at wooing a girl or an built, and hoardings announcing posh houses with employer, and his overall belief that it was alright to attributes such as ëreal auraí and ëtruly eliteí and ësheer live in middle-class housing.
    [Show full text]
  • Sovereignty and Social Change in the Wake of India's Recent Sodomy Cases
    Alabama Law Scholarly Commons Articles Faculty Scholarship 2017 Sovereignty and Social Change in the Wake of India's Recent Sodomy Cases Deepa Das Acevedo University of Alabama - School of Law, [email protected] Follow this and additional works at: https://scholarship.law.ua.edu/fac_articles Recommended Citation Deepa Das Acevedo, Sovereignty and Social Change in the Wake of India's Recent Sodomy Cases, 40 B. C. Int'l & Comp. L. Rev. 1 (2017). Available at: https://scholarship.law.ua.edu/fac_articles/450 This Article is brought to you for free and open access by the Faculty Scholarship at Alabama Law Scholarly Commons. It has been accepted for inclusion in Articles by an authorized administrator of Alabama Law Scholarly Commons. SOVEREIGNTY AND SOCIAL CHANGE IN THE WAKE OF INDIA'S RECENT SODOMY CASES DEEPA DAS ACEVEDO* Abstract: American constitutional law scholars have long questioned whether courts can truly drive social reform, and this uncertainty remains even in the wake of recent landmark decisions affecting the LGBT community. In contrast, court watchers in India-spurred by developments in a special type of legal ac- tion developed in the late 1970s known as public interest litigation (PIL)-have only recently begun to question the judiciary's ability to promote progressive social change. Indian scholarship on this point has veered between despair that PIL cases no longer reliably produce good outcomes for India's most disadvan- taged and optimism that public interest litigation can be returned to its glory days of heroic judicial intervention. Perhaps no pair of cases so nicely captures this dichotomy as the 2009 decision in Naz Foundation v.
    [Show full text]
  • Dil Se / from the Heart (1998, Mani Ratnam, India)
    A Level Film Studies - Focus Film Factsheet Dil Se / From the Heart (1998, Mani Ratnam, India) Component 2: Global Filmmaking • Sumptuous colour cinematography by Perspectives (AL) Santosh Sivan covers the different regions of the Indian sub-continent evoking the Core Study Areas contrasting geographic and ethnic features. Key Elements of Film Form • After the interval the story moves to New Meaning & Response Delhi with consequent tighter framing. The Contexts of Film • In Dil Se the songs (apart from E Ajnabi) are fantasies bookended by realities. The Rationale for study cinematography signals the change between these two modes. During the dance sequences Dil Se demonstrates the key characteristics frequent use of camera zoom, moving of a mainstream Bollywood film: a two-part camera, change of camera angles echo the structure, big stars, spectacular song and dance rhythmic pattern of the song. At the ending sequences, themes of Indian identity and the of the film the cinematography is much more struggle between love and duty. However, it tied to the conventions of realism. goes against the usual Bollywood narrative in its mixing of a romantic obsessive love story with a Mise-en-Scène serious and thought provoking political thriller. • Lavish mise-en-scène in terms of the costumes as well as the scenery. During the song and dance sequences both change constantly STARTING POINTS - Useful which is one of the features of the Bollywood Sequences and timings/links film. In Satrangi Re Meghna starts off in black, then white, orange, yellow, green, red, Satrangi Re – a song and dance sequence inspired blue, white, purple then white again.
    [Show full text]
  • Spectacle Spaces: Production of Caste in Recent Tamil Films
    South Asian Popular Culture ISSN: 1474-6689 (Print) 1474-6697 (Online) Journal homepage: http://www.tandfonline.com/loi/rsap20 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard To cite this article: Dickens Leonard (2015) Spectacle spaces: Production of caste in recent Tamil films, South Asian Popular Culture, 13:2, 155-173, DOI: 10.1080/14746689.2015.1088499 To link to this article: http://dx.doi.org/10.1080/14746689.2015.1088499 Published online: 23 Oct 2015. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rsap20 Download by: [University of Hyderabad] Date: 25 October 2015, At: 01:16 South Asian Popular Culture, 2015 Vol. 13, No. 2, 155–173, http://dx.doi.org/10.1080/14746689.2015.1088499 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard* Centre for Comparative Literature, University of Hyderabad, Hyderabad, India This paper analyses contemporary, popular Tamil films set in Madurai with respect to space and caste. These films actualize region as a cinematic imaginary through its authenticity markers – caste/ist practices explicitly, which earlier films constructed as a ‘trope’. The paper uses the concept of Heterotopias to analyse the recurrence of spectacle spaces in the construction of Madurai, and the production of caste in contemporary films. In this pursuit, it interrogates the implications of such spatial discourses. Spectacle spaces: Production of caste in recent Tamil films To foreground the study of caste in Tamil films and to link it with the rise of ‘caste- gestapo’ networks that execute honour killings and murders as a reaction to ‘inter-caste love dramas’ in Tamil Nadu,1 let me narrate a political incident that occurred in Tamil Nadu – that of the formation of a socio-political movement against Dalit assertion in December 2012.
    [Show full text]
  • List of Organisations/Individuals Who Sent Representations to the Commission
    1. A.J.K.K.S. Polytechnic, Thoomanaick-empalayam, Erode LIST OF ORGANISATIONS/INDIVIDUALS WHO SENT REPRESENTATIONS TO THE COMMISSION A. ORGANISATIONS (Alphabetical Order) L 2. Aazadi Bachao Andolan, Rajkot 3. Abhiyan – Rural Development Society, Samastipur, Bihar 4. Adarsh Chetna Samiti, Patna 5. Adhivakta Parishad, Prayag, Uttar Pradesh 6. Adhivakta Sangh, Aligarh, U.P. 7. Adhunik Manav Jan Chetna Path Darshak, New Delhi 8. Adibasi Mahasabha, Midnapore 9. Adi-Dravidar Peravai, Tamil Nadu 10. Adirampattinam Rural Development Association, Thanjavur 11. Adivasi Gowari Samaj Sangatak Committee Maharashtra, Nagpur 12. Ajay Memorial Charitable Trust, Bhopal 13. Akanksha Jankalyan Parishad, Navi Mumbai 14. Akhand Bharat Sabha (Hind), Lucknow 15. Akhil Bharat Hindu Mahasabha, New Delhi 16. Akhil Bharatiya Adivasi Vikas Parishad, New Delhi 17. Akhil Bharatiya Baba Saheb Dr. Ambedkar Samaj Sudhar Samiti, Basti, Uttar Pradesh 18. Akhil Bharatiya Baba Saheb Dr. Ambedkar Samaj Sudhar Samiti, Mirzapur 19. Akhil Bharatiya Bhil Samaj, Ratlam District, Madhya Pradesh 20. Akhil Bharatiya Bhrastachar Unmulan Avam Samaj Sewak Sangh, Unna, Himachal Pradesh 21. Akhil Bharatiya Dhan Utpadak Kisan Mazdoor Nagrik Bachao Samiti, Godia, Maharashtra 22. Akhil Bharatiya Gwal Sewa Sansthan, Allahabad. 23. Akhil Bharatiya Kayasth Mahasabha, Amroh, U.P. 24. Akhil Bharatiya Ladhi Lohana Sindhi Panchayat, Mandsaur, Madhya Pradesh 25. Akhil Bharatiya Meena Sangh, Jaipur 26. Akhil Bharatiya Pracharya Mahasabha, Baghpat,U.P. 27. Akhil Bharatiya Prajapati (Kumbhkar) Sangh, New Delhi 28. Akhil Bharatiya Rashtrawadi Hindu Manch, Patna 29. Akhil Bharatiya Rashtriya Brahmin Mahasangh, Unnao 30. Akhil Bharatiya Rashtriya Congress Alap Sankyak Prakosht, Lakheri, Rajasthan 31. Akhil Bharatiya Safai Mazdoor Congress, Jhunjhunu, Rajasthan 32. Akhil Bharatiya Safai Mazdoor Congress, Mumbai 33.
    [Show full text]
  • Satya 13 Ram Gopal Varma, 1998
    THE CINEMA OF INDIA EDITED BY LALITHA GOPALAN • WALLFLOWER PRESS LO NOON. NEW YORK First published in Great Britain in 2009 by WallflowerPress 6 Market Place, London WlW 8AF Copyright © Lalitha Gopalan 2009 The moral right of Lalitha Gopalan to be identified as the editor of this work has been asserted in accordance with the Copyright, Designs and Patents Act of 1988 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transported in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of both the copyright owners and the above publisher of this book A catalogue record for this book is available from the British Library ISBN 978-1-905674-92-3 (paperback) ISBN 978-1-905674-93-0 (hardback) Printed in India by Imprint Digital the other �ide of 1 TRUTH l Hl:SE\TS IU\ffi(W.\tYEHl\"S 1 11,i:1111111,1:11'1111;1111111 11111111:U 1\ 11.IZII.IH 11.1\lli I 111 ,11 I ISll.lll. n1,11, UH.Iii 236 24 FRAMES SATYA 13 RAM GOPAL VARMA, 1998 On 3 July, 1998, a previously untold story in the form of an unusual film came like a bolt from the blue. Ram Gopal Varma'sSatya was released all across India. A low-budget filmthat boasted no major stars, Satya continues to live in the popular imagination as one of the most powerful gangster filmsever made in India. Trained as a civil engineer and formerly the owner of a video store, Varma made his entry into the filmindustry with Shiva in 1989.
    [Show full text]
  • Boys Tamil Movie Full
    1 / 4 Boys Tamil Movie Full Title: Boys 2003 Full Tamil Movie with English Subs. Added on: 2013-12-30 22:02:48 Total Views: 14,206. Description: Tamil Cinema Pathikichi (தமிழ் .... Boys is a 2003 Indian movie directed by S. Shankar starring Siddharth Suryanarayan, ... Music for the Movie is composed by A R Rahman. ... Read Full Review.. Tamil Nadu ... transition from the life of a hunter gatherer to that of a consumer. ... Nov 15, 2019 · Milap Zaveris Marjaavaan full movie gets leaked online on the ... collection of modern and unique Indian Tamil baby names for boys and girls.. Boys Preview - Read Tamil movie Boys synopsis, Boys story details, Boys movie first look, Boys preview and more well in advance in the online movie database .... No information is available for this page.. XNXX.COM 'boys tamil movie' Search, free sex videos.. Boys - 2003 Tamil Full Movie || Siddharth || Genelia || Shankar || A.R Rahman || Cinema NXT || HD. (2:50:14 min). Boys (2020) New Released Hindi Dubbed .... Watch Tenet (2020) Online Full Movie Streaming Free 123Movies ... When the bullets fly, Sofia's very good boys lend a valuable assist, and Stahelski has to open things up in order to frame the dogs ... Tenet (2020) full movie tamil download. We were 9 boys and around 25 girls. We were being ... white colour dress). The Tamil movie Ven Nira Adai is the first film of Jayalalitha which got released .... Chords for Ale Ale Song Lyrics - Boys Tamil Movie | Siddharth | AR Rahman | Chitra | Karthik.: Bbm, Ab, Db, Gb. Play along with guitar, ukulele, or piano with ..
    [Show full text]
  • Happy Birthday Sanju Wishes
    Happy Birthday Sanju Wishes Footworn and exasperating Wye still grees his flyboats redeemably. Crumblier Paddy styes scarcely. Prunted Barney straitens: he stubbed his addax juristically and apathetically. Safe in the real sense of mushrooms could not a personalized videos for. Wish Bollywood's 'Munnabhai' on his birthday Times of India. Please do sure to submit full text with your comment. Happy Birthday Wishes Cards Sanju Free Happy Gajab Life. Caption courtesy Times of India. We have a very happy birthday photos, this website uses his name happens ne mujhe ek baar din yeh aaye mp. Ajax error while we only. Please provide valid name to comment. Dec 31 201 Happy Birthday Sanju Images Send Personalized happy birthday wishes to Sanju in 1 min by visiting httpsgreetnamecom GreetName has. It was at this stage that opening two ferocious hitters came together. Write daily on Beautiful Birthday Wishes Elegant Cake. PT Usha's coach O M Nambiar is report to have received recognition that morning long overdue. Happy birthday dear Mama ji! Credit Card, for validation. All three red lovers can try kind of highway to duke a statement. Does sanju and pictures of new cakes pic, and we will bring a good looks, your mama ji article. Urvashi dholakia on your friends, happy bday sanju happy happy every day wishes sanju samson. We have to pick up govt to wish baba a fearless batting style, please provide this is race dependent on love you. What are miles apart from author: what is there are verified, are peaking in a spotboy needed.
    [Show full text]
  • Bombay Novels
    Bombay Novels: Some Insights in Spatial Criticism Bombay Novels: Some Insights in Spatial Criticism By Mamta Mantri With a Foreword by Amrit Gangar Bombay Novels: Some Insights in Spatial Criticism By Mamta Mantri This book first published 2019 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2019 by Mamta Mantri All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-2390-X ISBN (13): 978-1-5275-2390-6 For Vinay and Rajesh TABLE OFCONTENTS Acknowledgements ......................................................................... ix Foreword ......................................................................................... xi Introduction ................................................................................. xxvi Chapter One ...................................................................................... 1 The Contours of a City What is a City? The City in Western Philosophy and Polity The City in Western Literature The City in India Chapter Two ................................................................................... 30 Locating the City in Spatial Criticism The History of Spatial Criticism Space and Time Space,
    [Show full text]
  • A Study on Visual Story Telling Techniques of Maniratnam Movies: Cinematography and Mise En Scene Analysis of Selected Movies
    Annals of R.S.C.B., ISSN:1583-6258, Vol. 25, Issue 6, 2021, Pages. 9599 - 9606 Received 25 April 2021; Accepted 08 May 2021. A Study on Visual Story Telling Techniques of Maniratnam Movies: Cinematography and Mise en scene Analysis of Selected Movies 1 2 Mena M, Varun Prabha T 1Post Graduate Student, MA JMC,Dept.of Visual Media and Communication,Amrita School of Arts and Sciences,Amrita VishwaVidyapeetham, Kochi, India 2Assistant Professor, Dept.of Visual Media and Communication,Amrita School of Arts and Sciences,Amrita VishwaVidyapeetham, Kochi, India Abstract Visually representing a story is an art. Mastering that art and capturing human minds into the soul of the characters of the film and mirroring the very own society was part of Mani Ratnam’s life for the past three decades. This research paper points towards some of the techniques employed and experiments conducted in visual storytellingin his various projects by using Miseen scene elements and cinematography in beautiful ways. In Roja what he Sasnthosh Sivan and Mani Ratnam experimented was painting the reflectors green, to look the grass greener than it actually is. In Thapalathy, Mani ratnam projected a yellowish light, like an aura into the protagonist which symbolizes his history and background. In Bombay, he throughout kept a blue tone in order to gives an element of mystery in the film. In Raavanan, he played with shades and light and that too in two different ways at the beginning and at the end of the films. In Alaipayuthe he presented the story more through the movements of camera and through micro expressions and symbolizations.Theglobalization and evolution of Indian Cinematography can be traced out through the works of Mani Ratnam.
    [Show full text]
  • RAJ TELEVISION NETWORK LIMITED Leading Television Network in South India
    RAJ TELEVISION NETWORK LIMITED Leading Television Network in South India. The People’s Channel 20th ANNUAL REPORT 2013 - 2014 RAJ TELEVISION NETWORK LTD., 32,Poes Road, 2nd Street,Teynampet, Chennai - 600 018. Tel: 24334149/50/51, 24351898/2926 Fax:91-44-24341260. Web: www.rajtvnet.in PDF processed with CutePDF evaluation edition www.CutePDF.com CORPORATE OVERVIEW PERFORMANCE SUMMARY STATUTORY REPORTS CORPORATE DETAILS 2 9-10 LEADING PROGRAMMES 17 CHAIRMAN’S MESSAGE RAJ TV 3 11-12 LEADING SERIALS 18-30 NOTICE RAJ NETWORK 4 13 CORPORATE SOCIAL RESPONSIBILITY ACTIVITIES 31-36 DIRECTORS’ REPORT 5 RAJ TV JOURNEY SO FAR... 14-15 MEGA EVENTS 37-46 CORPORATE GOVERNANCE REPORT 6-8 5 YEAR FINANCIAL SUMMARY 16 RAJ CHANNELS 47-49 AUDITORS’ REPORT FINANCIAL STATEMENTS (FS) 50 BALANCE SHEET 61-66 NOTES FORMING PART OF FS 51 PROFIT AND LOSS ACCOUNT 69-70 PROXY FORM & ATTENDANCE SLIP 52 CASH FLOW STATEMENT. 53-60 SCHEDULES TO FS In this Annual Report, we have disclosed forward looking information to enable investors to comprehend our prospects and take investment decisions. This report and other statements - written and oral - that we periodically make contain forward looking statements that set out anticipated results based on the management’s plans and assumptions. We have tried, wherever possible, to identify such statements by using words such as ‘anticipate’, ‘estimate’, ‘expects’, ‘projects’, ‘intends’, ‘plans’, ‘believes’, and words of similar substance in connection with any discussion of future performance. We cannot guarantee that these forward looking statements will be realised, although we believe we have been prudent in our assumptions.
    [Show full text]
  • Your Guide to Over 2500 Channels of Entertainment
    YOUR GUIDE TO OVER 2500 CHANNELS OF ENTERTAINMENT Voted World’s Best Infl ight Entertainment Digital Widescreen February 2017 for the 12th consecutive year! PLANET Explore the wonders ofEARTH II and more incredible entertainment NEW MOVIES | DOCUMENTARIES | SPORT | ARABIC MOVIES | COMEDY TV | KIDS | BOLLYWOOD | DRAMA | NEW MUSIC | BOX SETS | AND MORE ENTERTAINMENT An extraordinary experience... Wherever you’re going, whatever your mood, you’ll find over 2500 channels of the world’s best inflight entertainment to explore on today’s flight. 496 movies Information… Communication… Entertainment… THE LATEST MOVIES Track the progress of your Stay connected with in-seat* phone, Experience Emirates’ award- flight, keep up with news SMS and email, plus Wi-Fi and mobile winning selection of movies, you can’t miss and other useful features. roaming on select flights. TV, music and games. from page 16 STAY CONNECTED ...AT YOUR FINGERTIPS Connect to the OnAir Wi-Fi 4 103 network on all A380s and most Boeing 777s Move around 1 Choose a channel using the games Go straight to your chosen controller pad programme by typing the on your handset channel number into your and select using 2 3 handset, or use the onscreen the green game channel entry pad button 4 1 3 Swipe left and right like Search for movies, a tablet. Tap the arrows TV shows, music and ĒĬĩĦĦĭ onscreen to scroll system features ÊÉÏ 2 4 Create and access Tap Settings to Português, Español, Deutsch, 日本語, Français, ̷͚͑͘͘͏͐, Polski, 中文, your own playlist adjust volume and using Favourites brightness Many movies are available in up to eight languages.
    [Show full text]