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Summerhill 11-01-11.Pmd
The Middle Class in India: An Overview RITA KOTHARI Sai Paranjapeís acclaimed film Katha (1983) shows the Indians. Hailing from small towns (Bunty aur Babli, 2005), protagonist Rajaram Pushottam Joshi living in a chawl or ëoldí middle-class families in Bombay (Rangeela, 1995) in Bombay in India of the 1980s. Dressed in a half-sleeved and Delhi (Oye Lucky! Lucky Oye!, 2008) and (Khosla Ka shirt and slightly shapeless trousers, he missed his first Ghosla, 2006). Raring to redefine themselves, they bus to work almost every single day. The city transport represent the expanding middle class. Shedding what bus required a passenger to muscle his way on board, they do not want (clerical jobs, restrictive circumstances) brutally elbowing aside anyone who got in the way. But and eagerly embracing all that India after liberalisation Rajaram was constrained by his own norms of civility had to offer (money, the English language, brand names, and fairness. So he got left behind at the bus stop, along career opportunities) they stand out by their desire to with an old toothless woman ó two timorous souls who do well.1 would not, or could not summon up the aggression and The class they represent is ëthe darling of the official ruthlessness demanded by metropolitan life. discourse and policy makersíand one that ësets the terms The visual imagery returns to the spectator as Rajaram of reference of Indian societyí (Jaffrelot and Van der Veer, goes through several comic-tragic travails; the mockery 2008 : 19). In the city of Ahmedabad where I live, this he evokes by putting up a Hindi (not English) name-plate class is the addressee for whom the new flyovers are on his door, his ineptness at wooing a girl or an built, and hoardings announcing posh houses with employer, and his overall belief that it was alright to attributes such as ëreal auraí and ëtruly eliteí and ësheer live in middle-class housing. -
Sovereignty and Social Change in the Wake of India's Recent Sodomy Cases
Alabama Law Scholarly Commons Articles Faculty Scholarship 2017 Sovereignty and Social Change in the Wake of India's Recent Sodomy Cases Deepa Das Acevedo University of Alabama - School of Law, [email protected] Follow this and additional works at: https://scholarship.law.ua.edu/fac_articles Recommended Citation Deepa Das Acevedo, Sovereignty and Social Change in the Wake of India's Recent Sodomy Cases, 40 B. C. Int'l & Comp. L. Rev. 1 (2017). Available at: https://scholarship.law.ua.edu/fac_articles/450 This Article is brought to you for free and open access by the Faculty Scholarship at Alabama Law Scholarly Commons. It has been accepted for inclusion in Articles by an authorized administrator of Alabama Law Scholarly Commons. SOVEREIGNTY AND SOCIAL CHANGE IN THE WAKE OF INDIA'S RECENT SODOMY CASES DEEPA DAS ACEVEDO* Abstract: American constitutional law scholars have long questioned whether courts can truly drive social reform, and this uncertainty remains even in the wake of recent landmark decisions affecting the LGBT community. In contrast, court watchers in India-spurred by developments in a special type of legal ac- tion developed in the late 1970s known as public interest litigation (PIL)-have only recently begun to question the judiciary's ability to promote progressive social change. Indian scholarship on this point has veered between despair that PIL cases no longer reliably produce good outcomes for India's most disadvan- taged and optimism that public interest litigation can be returned to its glory days of heroic judicial intervention. Perhaps no pair of cases so nicely captures this dichotomy as the 2009 decision in Naz Foundation v. -
Dil Se / from the Heart (1998, Mani Ratnam, India)
A Level Film Studies - Focus Film Factsheet Dil Se / From the Heart (1998, Mani Ratnam, India) Component 2: Global Filmmaking • Sumptuous colour cinematography by Perspectives (AL) Santosh Sivan covers the different regions of the Indian sub-continent evoking the Core Study Areas contrasting geographic and ethnic features. Key Elements of Film Form • After the interval the story moves to New Meaning & Response Delhi with consequent tighter framing. The Contexts of Film • In Dil Se the songs (apart from E Ajnabi) are fantasies bookended by realities. The Rationale for study cinematography signals the change between these two modes. During the dance sequences Dil Se demonstrates the key characteristics frequent use of camera zoom, moving of a mainstream Bollywood film: a two-part camera, change of camera angles echo the structure, big stars, spectacular song and dance rhythmic pattern of the song. At the ending sequences, themes of Indian identity and the of the film the cinematography is much more struggle between love and duty. However, it tied to the conventions of realism. goes against the usual Bollywood narrative in its mixing of a romantic obsessive love story with a Mise-en-Scène serious and thought provoking political thriller. • Lavish mise-en-scène in terms of the costumes as well as the scenery. During the song and dance sequences both change constantly STARTING POINTS - Useful which is one of the features of the Bollywood Sequences and timings/links film. In Satrangi Re Meghna starts off in black, then white, orange, yellow, green, red, Satrangi Re – a song and dance sequence inspired blue, white, purple then white again. -
Spectacle Spaces: Production of Caste in Recent Tamil Films
South Asian Popular Culture ISSN: 1474-6689 (Print) 1474-6697 (Online) Journal homepage: http://www.tandfonline.com/loi/rsap20 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard To cite this article: Dickens Leonard (2015) Spectacle spaces: Production of caste in recent Tamil films, South Asian Popular Culture, 13:2, 155-173, DOI: 10.1080/14746689.2015.1088499 To link to this article: http://dx.doi.org/10.1080/14746689.2015.1088499 Published online: 23 Oct 2015. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rsap20 Download by: [University of Hyderabad] Date: 25 October 2015, At: 01:16 South Asian Popular Culture, 2015 Vol. 13, No. 2, 155–173, http://dx.doi.org/10.1080/14746689.2015.1088499 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard* Centre for Comparative Literature, University of Hyderabad, Hyderabad, India This paper analyses contemporary, popular Tamil films set in Madurai with respect to space and caste. These films actualize region as a cinematic imaginary through its authenticity markers – caste/ist practices explicitly, which earlier films constructed as a ‘trope’. The paper uses the concept of Heterotopias to analyse the recurrence of spectacle spaces in the construction of Madurai, and the production of caste in contemporary films. In this pursuit, it interrogates the implications of such spatial discourses. Spectacle spaces: Production of caste in recent Tamil films To foreground the study of caste in Tamil films and to link it with the rise of ‘caste- gestapo’ networks that execute honour killings and murders as a reaction to ‘inter-caste love dramas’ in Tamil Nadu,1 let me narrate a political incident that occurred in Tamil Nadu – that of the formation of a socio-political movement against Dalit assertion in December 2012. -
List of Organisations/Individuals Who Sent Representations to the Commission
1. A.J.K.K.S. Polytechnic, Thoomanaick-empalayam, Erode LIST OF ORGANISATIONS/INDIVIDUALS WHO SENT REPRESENTATIONS TO THE COMMISSION A. ORGANISATIONS (Alphabetical Order) L 2. Aazadi Bachao Andolan, Rajkot 3. Abhiyan – Rural Development Society, Samastipur, Bihar 4. Adarsh Chetna Samiti, Patna 5. Adhivakta Parishad, Prayag, Uttar Pradesh 6. Adhivakta Sangh, Aligarh, U.P. 7. Adhunik Manav Jan Chetna Path Darshak, New Delhi 8. Adibasi Mahasabha, Midnapore 9. Adi-Dravidar Peravai, Tamil Nadu 10. Adirampattinam Rural Development Association, Thanjavur 11. Adivasi Gowari Samaj Sangatak Committee Maharashtra, Nagpur 12. Ajay Memorial Charitable Trust, Bhopal 13. Akanksha Jankalyan Parishad, Navi Mumbai 14. Akhand Bharat Sabha (Hind), Lucknow 15. Akhil Bharat Hindu Mahasabha, New Delhi 16. Akhil Bharatiya Adivasi Vikas Parishad, New Delhi 17. Akhil Bharatiya Baba Saheb Dr. Ambedkar Samaj Sudhar Samiti, Basti, Uttar Pradesh 18. Akhil Bharatiya Baba Saheb Dr. Ambedkar Samaj Sudhar Samiti, Mirzapur 19. Akhil Bharatiya Bhil Samaj, Ratlam District, Madhya Pradesh 20. Akhil Bharatiya Bhrastachar Unmulan Avam Samaj Sewak Sangh, Unna, Himachal Pradesh 21. Akhil Bharatiya Dhan Utpadak Kisan Mazdoor Nagrik Bachao Samiti, Godia, Maharashtra 22. Akhil Bharatiya Gwal Sewa Sansthan, Allahabad. 23. Akhil Bharatiya Kayasth Mahasabha, Amroh, U.P. 24. Akhil Bharatiya Ladhi Lohana Sindhi Panchayat, Mandsaur, Madhya Pradesh 25. Akhil Bharatiya Meena Sangh, Jaipur 26. Akhil Bharatiya Pracharya Mahasabha, Baghpat,U.P. 27. Akhil Bharatiya Prajapati (Kumbhkar) Sangh, New Delhi 28. Akhil Bharatiya Rashtrawadi Hindu Manch, Patna 29. Akhil Bharatiya Rashtriya Brahmin Mahasangh, Unnao 30. Akhil Bharatiya Rashtriya Congress Alap Sankyak Prakosht, Lakheri, Rajasthan 31. Akhil Bharatiya Safai Mazdoor Congress, Jhunjhunu, Rajasthan 32. Akhil Bharatiya Safai Mazdoor Congress, Mumbai 33. -
Satya 13 Ram Gopal Varma, 1998
THE CINEMA OF INDIA EDITED BY LALITHA GOPALAN • WALLFLOWER PRESS LO NOON. NEW YORK First published in Great Britain in 2009 by WallflowerPress 6 Market Place, London WlW 8AF Copyright © Lalitha Gopalan 2009 The moral right of Lalitha Gopalan to be identified as the editor of this work has been asserted in accordance with the Copyright, Designs and Patents Act of 1988 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transported in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of both the copyright owners and the above publisher of this book A catalogue record for this book is available from the British Library ISBN 978-1-905674-92-3 (paperback) ISBN 978-1-905674-93-0 (hardback) Printed in India by Imprint Digital the other �ide of 1 TRUTH l Hl:SE\TS IU\ffi(W.\tYEHl\"S 1 11,i:1111111,1:11'1111;1111111 11111111:U 1\ 11.IZII.IH 11.1\lli I 111 ,11 I ISll.lll. n1,11, UH.Iii 236 24 FRAMES SATYA 13 RAM GOPAL VARMA, 1998 On 3 July, 1998, a previously untold story in the form of an unusual film came like a bolt from the blue. Ram Gopal Varma'sSatya was released all across India. A low-budget filmthat boasted no major stars, Satya continues to live in the popular imagination as one of the most powerful gangster filmsever made in India. Trained as a civil engineer and formerly the owner of a video store, Varma made his entry into the filmindustry with Shiva in 1989. -
Boys Tamil Movie Full
1 / 4 Boys Tamil Movie Full Title: Boys 2003 Full Tamil Movie with English Subs. Added on: 2013-12-30 22:02:48 Total Views: 14,206. Description: Tamil Cinema Pathikichi (தமிழ் .... Boys is a 2003 Indian movie directed by S. Shankar starring Siddharth Suryanarayan, ... Music for the Movie is composed by A R Rahman. ... Read Full Review.. Tamil Nadu ... transition from the life of a hunter gatherer to that of a consumer. ... Nov 15, 2019 · Milap Zaveris Marjaavaan full movie gets leaked online on the ... collection of modern and unique Indian Tamil baby names for boys and girls.. Boys Preview - Read Tamil movie Boys synopsis, Boys story details, Boys movie first look, Boys preview and more well in advance in the online movie database .... No information is available for this page.. XNXX.COM 'boys tamil movie' Search, free sex videos.. Boys - 2003 Tamil Full Movie || Siddharth || Genelia || Shankar || A.R Rahman || Cinema NXT || HD. (2:50:14 min). Boys (2020) New Released Hindi Dubbed .... Watch Tenet (2020) Online Full Movie Streaming Free 123Movies ... When the bullets fly, Sofia's very good boys lend a valuable assist, and Stahelski has to open things up in order to frame the dogs ... Tenet (2020) full movie tamil download. We were 9 boys and around 25 girls. We were being ... white colour dress). The Tamil movie Ven Nira Adai is the first film of Jayalalitha which got released .... Chords for Ale Ale Song Lyrics - Boys Tamil Movie | Siddharth | AR Rahman | Chitra | Karthik.: Bbm, Ab, Db, Gb. Play along with guitar, ukulele, or piano with .. -
Happy Birthday Sanju Wishes
Happy Birthday Sanju Wishes Footworn and exasperating Wye still grees his flyboats redeemably. Crumblier Paddy styes scarcely. Prunted Barney straitens: he stubbed his addax juristically and apathetically. Safe in the real sense of mushrooms could not a personalized videos for. Wish Bollywood's 'Munnabhai' on his birthday Times of India. Please do sure to submit full text with your comment. Happy Birthday Wishes Cards Sanju Free Happy Gajab Life. Caption courtesy Times of India. We have a very happy birthday photos, this website uses his name happens ne mujhe ek baar din yeh aaye mp. Ajax error while we only. Please provide valid name to comment. Dec 31 201 Happy Birthday Sanju Images Send Personalized happy birthday wishes to Sanju in 1 min by visiting httpsgreetnamecom GreetName has. It was at this stage that opening two ferocious hitters came together. Write daily on Beautiful Birthday Wishes Elegant Cake. PT Usha's coach O M Nambiar is report to have received recognition that morning long overdue. Happy birthday dear Mama ji! Credit Card, for validation. All three red lovers can try kind of highway to duke a statement. Does sanju and pictures of new cakes pic, and we will bring a good looks, your mama ji article. Urvashi dholakia on your friends, happy bday sanju happy happy every day wishes sanju samson. We have to pick up govt to wish baba a fearless batting style, please provide this is race dependent on love you. What are miles apart from author: what is there are verified, are peaking in a spotboy needed. -
Bombay Novels
Bombay Novels: Some Insights in Spatial Criticism Bombay Novels: Some Insights in Spatial Criticism By Mamta Mantri With a Foreword by Amrit Gangar Bombay Novels: Some Insights in Spatial Criticism By Mamta Mantri This book first published 2019 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2019 by Mamta Mantri All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-2390-X ISBN (13): 978-1-5275-2390-6 For Vinay and Rajesh TABLE OFCONTENTS Acknowledgements ......................................................................... ix Foreword ......................................................................................... xi Introduction ................................................................................. xxvi Chapter One ...................................................................................... 1 The Contours of a City What is a City? The City in Western Philosophy and Polity The City in Western Literature The City in India Chapter Two ................................................................................... 30 Locating the City in Spatial Criticism The History of Spatial Criticism Space and Time Space, -
A Study on Visual Story Telling Techniques of Maniratnam Movies: Cinematography and Mise En Scene Analysis of Selected Movies
Annals of R.S.C.B., ISSN:1583-6258, Vol. 25, Issue 6, 2021, Pages. 9599 - 9606 Received 25 April 2021; Accepted 08 May 2021. A Study on Visual Story Telling Techniques of Maniratnam Movies: Cinematography and Mise en scene Analysis of Selected Movies 1 2 Mena M, Varun Prabha T 1Post Graduate Student, MA JMC,Dept.of Visual Media and Communication,Amrita School of Arts and Sciences,Amrita VishwaVidyapeetham, Kochi, India 2Assistant Professor, Dept.of Visual Media and Communication,Amrita School of Arts and Sciences,Amrita VishwaVidyapeetham, Kochi, India Abstract Visually representing a story is an art. Mastering that art and capturing human minds into the soul of the characters of the film and mirroring the very own society was part of Mani Ratnam’s life for the past three decades. This research paper points towards some of the techniques employed and experiments conducted in visual storytellingin his various projects by using Miseen scene elements and cinematography in beautiful ways. In Roja what he Sasnthosh Sivan and Mani Ratnam experimented was painting the reflectors green, to look the grass greener than it actually is. In Thapalathy, Mani ratnam projected a yellowish light, like an aura into the protagonist which symbolizes his history and background. In Bombay, he throughout kept a blue tone in order to gives an element of mystery in the film. In Raavanan, he played with shades and light and that too in two different ways at the beginning and at the end of the films. In Alaipayuthe he presented the story more through the movements of camera and through micro expressions and symbolizations.Theglobalization and evolution of Indian Cinematography can be traced out through the works of Mani Ratnam. -
RAJ TELEVISION NETWORK LIMITED Leading Television Network in South India
RAJ TELEVISION NETWORK LIMITED Leading Television Network in South India. The People’s Channel 20th ANNUAL REPORT 2013 - 2014 RAJ TELEVISION NETWORK LTD., 32,Poes Road, 2nd Street,Teynampet, Chennai - 600 018. Tel: 24334149/50/51, 24351898/2926 Fax:91-44-24341260. Web: www.rajtvnet.in PDF processed with CutePDF evaluation edition www.CutePDF.com CORPORATE OVERVIEW PERFORMANCE SUMMARY STATUTORY REPORTS CORPORATE DETAILS 2 9-10 LEADING PROGRAMMES 17 CHAIRMAN’S MESSAGE RAJ TV 3 11-12 LEADING SERIALS 18-30 NOTICE RAJ NETWORK 4 13 CORPORATE SOCIAL RESPONSIBILITY ACTIVITIES 31-36 DIRECTORS’ REPORT 5 RAJ TV JOURNEY SO FAR... 14-15 MEGA EVENTS 37-46 CORPORATE GOVERNANCE REPORT 6-8 5 YEAR FINANCIAL SUMMARY 16 RAJ CHANNELS 47-49 AUDITORS’ REPORT FINANCIAL STATEMENTS (FS) 50 BALANCE SHEET 61-66 NOTES FORMING PART OF FS 51 PROFIT AND LOSS ACCOUNT 69-70 PROXY FORM & ATTENDANCE SLIP 52 CASH FLOW STATEMENT. 53-60 SCHEDULES TO FS In this Annual Report, we have disclosed forward looking information to enable investors to comprehend our prospects and take investment decisions. This report and other statements - written and oral - that we periodically make contain forward looking statements that set out anticipated results based on the management’s plans and assumptions. We have tried, wherever possible, to identify such statements by using words such as ‘anticipate’, ‘estimate’, ‘expects’, ‘projects’, ‘intends’, ‘plans’, ‘believes’, and words of similar substance in connection with any discussion of future performance. We cannot guarantee that these forward looking statements will be realised, although we believe we have been prudent in our assumptions. -
Your Guide to Over 2500 Channels of Entertainment
YOUR GUIDE TO OVER 2500 CHANNELS OF ENTERTAINMENT Voted World’s Best Infl ight Entertainment Digital Widescreen February 2017 for the 12th consecutive year! PLANET Explore the wonders ofEARTH II and more incredible entertainment NEW MOVIES | DOCUMENTARIES | SPORT | ARABIC MOVIES | COMEDY TV | KIDS | BOLLYWOOD | DRAMA | NEW MUSIC | BOX SETS | AND MORE ENTERTAINMENT An extraordinary experience... Wherever you’re going, whatever your mood, you’ll find over 2500 channels of the world’s best inflight entertainment to explore on today’s flight. 496 movies Information… Communication… Entertainment… THE LATEST MOVIES Track the progress of your Stay connected with in-seat* phone, Experience Emirates’ award- flight, keep up with news SMS and email, plus Wi-Fi and mobile winning selection of movies, you can’t miss and other useful features. roaming on select flights. TV, music and games. from page 16 STAY CONNECTED ...AT YOUR FINGERTIPS Connect to the OnAir Wi-Fi 4 103 network on all A380s and most Boeing 777s Move around 1 Choose a channel using the games Go straight to your chosen controller pad programme by typing the on your handset channel number into your and select using 2 3 handset, or use the onscreen the green game channel entry pad button 4 1 3 Swipe left and right like Search for movies, a tablet. Tap the arrows TV shows, music and ĒĬĩĦĦĭ onscreen to scroll system features ÊÉÏ 2 4 Create and access Tap Settings to Português, Español, Deutsch, 日本語, Français, ̷͚͑͘͘͏͐, Polski, 中文, your own playlist adjust volume and using Favourites brightness Many movies are available in up to eight languages.