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Design Department Design Department Recommended Reading List____________ The following list of plays has been compiled for incoming Design Students and will figure in assignments or discussions in Design classes. Aechylus The Oresteia Gorky Lower Depths Albee The Zoo Story Summerfolk Three Tall Women Tiny Alice Gozzi Green Bird Who’s Afraid of Virginia Woolf? Love of Three Oranges Aristophanes Lysistrata Hecht & MacArthur The Birds Front Page Beckett Endgame Ibsen A Dolls House Happy Days Ghost Waiting for Godot Hedda Gabler Peer Gynt Behan The Hostage The Master Builder The Wild Duck Buchner Woyzeck Ionesco The Chairs Brecht Galileo The Lesson Mother Courage The Good Person of Setzuan Jonson The Alchemist The Caucasian Chalk Circle Volpone Brecht & The Rise and Fall of the Kleist The Prince of Homburg Weill City of Mahagonny The Threepenny Opera Koltes. Bernard-Marie The Battle of Black and Dogs Chekhov The Cherry Orchard Roberto Zucco The Sea Gull Three Sisters Kroetz, Franz Xavier Uncle Vanya Through the Leaves Churchill Cloud Nine Lorca Blood Wedding Mad Forest The House of Bernarda Alba The Skriker Yerma Top Girls Miller All My Sons Congreve The Way of the World Death of a Salesman The Crucible Dürrenmatt The Visit of the Old Lady (The Visit) A View From the Bridge Euripides Hecuba Moliere Don Juan Iphigenia at Aulis School for Wives Medea Tartuffe The Bacchae The Imaginary Invalid The Trojan Women The Misanthrope Fugard A Lesson From Aloes Nelson, Richard Principia Scriptoriae Blood Knot The Dead Boesman and Lena Master Harold and the Boys O’Casey Juno and the Paycock Genet The Balcony O’Neill A Touch of the Poet The Maids Long Day’s Journey into Night Moon For the Misbegotten Goetz The Heiress Mourning Becomes Elektra The Hairy Ape Gogol The Inspector General The Iceman Cometh Goldoni The Servant of Two Masters Parks The America Play 1 Venus Shepard Buried Child Top dog/Underdog The Curse of the Starving Class Tooth of Crime Pirandello Henry IV Six Characters in Search of an Author Sheridan The School for Scandal Pinter Betrayal The Birthday Party Sophocles Antigone The Caretaker Electra The Dumb Waiter Oedipus Rex The Homecoming Stoppard Arcadia Racine Phaedra Rosencrantz & Guildenstern are Dead The Real Thing Rodgers/ Carousel Hammerstein Oklahoma Strindberg Dream Play South Pacific Ghost Sonata The King and I The Father Shakespeare A Midsummer Night’s Dream Vogel, Paula Baltimore Waltz Antony and Cleopatra How I Learned To Drive As You Like It Coriolanus Webster The Duchess of Malfi Cymbeline The White Devil Hamlet Henry IV (parts I & II) Wedekind Pandora’s Box Henry V Spring’s Awakening Julius Caesar King John Weiss Marat/Sade King Lear The Physicist Love's Labor's Lost Macbeth Wilde The Importance of Being Earnest Measure for Measure A Woman of No Importance Much Ado About Nothing Othello Wilder Our Town Richard II Skin of Our Teeth Richard III Romeo and Juliet Williams Cat on a Hot Tin Roof The Comedy of Errors A Glass Menagerie The Merchant of Venice A Streetcar Names Desire The Taming of the Shrew The Tempest Wilson Fences The Winter’s Tale Ma Rainey’s Black Bottom Titus Andronicus Piano Lesson Twelfth Night Wycherly The Country Wife Shaw Arms and the Man Caesar and Cleopatra Leosser & Guys & Dolls Candida Burrows Man and Superman Pygmalion Saint Joan Familiarity with the following operas is also important: Beethoven Fidelio Boito Mefistofele Bernstein Candide West Side Story Donizetti Don Pasquale Lucia di Lammermoor Berg Lulu L’Elisir d’amore Wozzek Gilbert & The Mikado Bizet Carmen Sullivan Iolanthe The Pearl Fishers 2 Giordano Andrea Chenier Johann Die Fledermaus Gounod Faust Strauss II Romeo & Juliet Richard Ariadne Auf Naxos Gluck Orfeo ed Euridice Strauss Der Rosenkavalier Electra Lerner & Brigadoon Salome Loewe My Fair Lady Jule Styne/ Gypsy Massenet Manon Sondheim Werther Mozart Cosi Fan Tutti Don Giovanni Le Nozze di Figaro Verdi Aida Magic Flute Don Carlos La Traviata Mussorgsky Boris Godunov Otello Rigoletto Offenbach The Tales of Hoffman Simon Boccanegra Un Ballo in Maschera (The Masked Ball) Puccini Gianni Schichi Wagner Der Fliegende Hollander Girl of the Golden West Lohengrin Il Tabarro The Ring of the Niebelungen La Boheme Tristan und Isolde Madame Butterfly Manon Lescaut Weill Happy End Suor Angelica Lost in the Star Tosca Turandot Weill & Lady in the Dark Gershwin Rossini The Barber of Seville Sondheim Company A Little Night Music Follies Sweeney Todd 3 .
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  • The 200 Plays That Every Theatre Major Should Read
    The 200 Plays That Every Theatre Major Should Read Aeschylus The Persians (472 BC) McCullers A Member of the Wedding The Orestia (458 BC) (1946) Prometheus Bound (456 BC) Miller Death of a Salesman (1949) Sophocles Antigone (442 BC) The Crucible (1953) Oedipus Rex (426 BC) A View From the Bridge (1955) Oedipus at Colonus (406 BC) The Price (1968) Euripdes Medea (431 BC) Ionesco The Bald Soprano (1950) Electra (417 BC) Rhinoceros (1960) The Trojan Women (415 BC) Inge Picnic (1953) The Bacchae (408 BC) Bus Stop (1955) Aristophanes The Birds (414 BC) Beckett Waiting for Godot (1953) Lysistrata (412 BC) Endgame (1957) The Frogs (405 BC) Osborne Look Back in Anger (1956) Plautus The Twin Menaechmi (195 BC) Frings Look Homeward Angel (1957) Terence The Brothers (160 BC) Pinter The Birthday Party (1958) Anonymous The Wakefield Creation The Homecoming (1965) (1350-1450) Hansberry A Raisin in the Sun (1959) Anonymous The Second Shepherd’s Play Weiss Marat/Sade (1959) (1350- 1450) Albee Zoo Story (1960 ) Anonymous Everyman (1500) Who’s Afraid of Virginia Woolf Machiavelli The Mandrake (1520) (1962) Udall Ralph Roister Doister Three Tall Women (1994) (1550-1553) Bolt A Man for All Seasons (1960) Stevenson Gammer Gurton’s Needle Orton What the Butler Saw (1969) (1552-1563) Marcus The Killing of Sister George Kyd The Spanish Tragedy (1586) (1965) Shakespeare Entire Collection of Plays Simon The Odd Couple (1965) Marlowe Dr. Faustus (1588) Brighton Beach Memoirs (1984 Jonson Volpone (1606) Biloxi Blues (1985) The Alchemist (1610) Broadway Bound (1986)
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  • “Angels in America”
    Press Contact: For National Theatre: Susie Newbery [email protected] For Broadway: Rick Miramontez / Molly Barnett / Chelsea Nachman / Ryan Ratelle [email protected] / [email protected] / [email protected] / [email protected] 212 695 7400 FOR RELEASE ON THURSDAY, SEPTEMBER 7, 2017 THE GREAT WORK RETURNS NATHAN LANE & ANDREW GARFIELD STAR IN THE NATIONAL THEATRE PRODUCTION OF TONY KUSHNER’S LANDMARK PLAY “ ANGELS IN AMERICA ” ON BROADWAY FEATURING SUSAN BROWN, DENISE GOUGH, AMANDA LAWRENCE, JAMES McARDLE, & NATHAN STEWART-JARRETT DIRECTED BY MARIANNE ELLIOTT PERFORMANCES BEGIN ON FRIDAY, FEBRUARY 23, 2018 AT THE NEIL SIMON THEATRE OPENING NIGHT SET FOR WEDNESDAY, MARCH 21 STRICTLY LIMITED 18-WEEK ENGAGEMENT New York, NY – Producers Tim Levy (Director, NT America) and Jordan Roth (President, Jujamcyn Theaters) announced today that the National Theatre Production of Tony Kushner’s epic and seminal masterwork, Angels in America: A Gay Fantasia on National Themes, will return to Broadway for the first time since its now-legendary original production opened in 1993. This spectacular new staging of Part One of Angels in America, Millennium Approaches, and of Part Two, Perestroika, had its world premiere earlier this year in a sold-out run at the National Theatre, where it became the fastest selling show in the organization’s history. This strictly limited, 18-week engagement will begin performances at The Neil Simon Theatre on Friday, February 23, 2018, with an official opening on Wednesday, March 21. Starring two-time Tony Award® winner Nathan Lane and Academy Award® and Tony Award nominee Andrew Garfield, the cast of Angels in America will feature fellow original National Theatre cast members Susan Brown, Denise Gough, Amanda Lawrence, James McArdle, and Nathan Stewart-Jarrett.
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  • O'neill and Nietzsche: the Making of a Playwright and Thinker
    Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1974 O'Neill and Nietzsche: The Making of a Playwright and Thinker Regina Fehrens Poulard Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the English Language and Literature Commons Recommended Citation Poulard, Regina Fehrens, "O'Neill and Nietzsche: The Making of a Playwright and Thinker" (1974). Dissertations. 1385. https://ecommons.luc.edu/luc_diss/1385 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1974 Regina Fehrens Poulard 0 'NEILL AND NIEI'ZSCHE: THE MAKING OF A PI.A'YWRIG HT AJ.'JD THDl'KER by Regina Foulard A Dissertation Submitted to the Faculty of the Graduate School of Loyola University of Chicago in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy June 1974 ACKNOWLEIGMENTS I wish to thank the director of llzy" dissertation, Dr. Stanley Clayes, and llzy" readers, Dr. Rosemary Hartnett and Dr. Thomas Gorman, for their kind encouragement and generous help. ii PREFACE Almost all the biographers mention Nietzsche's and Strindberg's influence on O'Neill. However, surprisingly little has been done on Nietzsche and O'Neill. Besides a few articles which note but do not deal exhaustively with the importance of the German philosopher1 s ideas in the plays of O'Neill, there are two unpublished dissertations which explore Nietzsche's influence on O'Neill.
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