Liberian Studies Journal
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Music of Ghana and Tanzania
MUSIC OF GHANA AND TANZANIA: A BRIEF COMPARISON AND DESCRIPTION OF VARIOUS AFRICAN MUSIC SCHOOLS Heather Bergseth A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTERDecember OF 2011MUSIC Committee: David Harnish, Advisor Kara Attrep © 2011 Heather Bergseth All Rights Reserved iii ABSTRACT David Harnish, Advisor This thesis is based on my engagement and observations of various music schools in Ghana, West Africa, and Tanzania, East Africa. I spent the last three summers learning traditional dance- drumming in Ghana, West Africa. I focus primarily on two schools that I have significant recent experience with: the Dagbe Arts Centre in Kopeyia and the Dagara Music and Arts Center in Medie. While at Dagbe, I studied the music and dance of the Anlo-Ewe ethnic group, a people who live primarily in the Volta region of South-eastern Ghana, but who also inhabit neighboring countries as far as Togo and Benin. I took classes and lessons with the staff as well as with the director of Dagbe, Emmanuel Agbeli, a teacher and performer of Ewe dance-drumming. His father, Godwin Agbeli, founded the Dagbe Arts Centre in order to teach others, including foreigners, the musical styles, dances, and diverse artistic cultures of the Ewe people. The Dagara Music and Arts Center was founded by Bernard Woma, a master drummer and gyil (xylophone) player. The DMC or Dagara Music Center is situated in the town of Medie just outside of Accra. Mr. Woma hosts primarily international students at his compound, focusing on various musical styles, including his own culture, the Dagara, in addition music and dance of the Dagbamba, Ewe, and Ga ethnic groups. -
The Case of the U.S.-Based Liberian Diaspora Osman
THE PROMISE AND PERILS OF DIASPORA PARTNERSHIPS FOR PEACE: THE CASE OF THE U.S-BASED LIBERIAN DIASPORA OSMAN ANTWI-BOATENG, PH.D. United Arab Emirates University Department of Political Science Al Ain, UAE ABSTRACT In seeking to contribute towards peace-building in Liberia, the U.S-based Liberian Diaspora is building international partnerships with its liberal minded host country, liberal institutions such as the United Nations and Non-Governmental Organizations and private and corporate entities in the host land. There is a convergence of interests between moderate diaspora groups interested in post- conflict peace-building and liberal minded countries and international institutions seeking to promote the liberal peace. The convergence of such multiple actors offers better prospects for effective building in the homeland because collectively, they serve as counter-weights to the parochial foreign policy impulses of each peace-building stakeholder that might be inimical to peace-building. While there are opportunities for the U.S-based Liberian diaspora to forge international partnerships for peace-building, there are challenges that can undermine well intentioned collaborations. These include: logistical challenges in executing transnational projects; self-seeking Diaspora members, divided leadership and poor coordination, and lack of sustainability of international partnerships. KEYWORDS: Liberia, Diaspora, peace-building, Civil War, Africa, Conflict. _______ INTRODUCTION The dominant discourse about the link between Diasporas and conflict has been overwhelmingly negative and this is not without foundation. A seminal work by Collier et al. (1999) at the World Bank made two conclusions. First, the external resources provided by the Diaspora can generate conflict. Second, the Diaspora poses a greater risk for renewed conflict even when conflict has abated. -
Development at the Border - Appendix a [Not for Publication]
Development at the border - Appendix A [Not for publication] The alignment of boundaries in colonial times This appendix illustrates the hazards that presided to the alignment of boundaries during colonial times. When referring to pre-colonial political entities, it is worth recalling that even structured kingdoms drew no maps1, and that ethnic groups are historical objects that were at least influenced, if not constructed in some instances, by colonial and post-colonial politics.2 Some kingdoms were com- posed of groups speaking di®erent languages, on a federal basis, like for instance the Gyaman kingdom lying across the present-day Cote d'Ivoire-Ghana border.3 A.1. The border of Cote d'Ivoire with Ghana The border area between Cote d'Ivoire and Ghana stretches from the lagoon regions bordering the Atlantic Ocean to the savannah in the North. We exclude the most northern part of this border where only few survey clusters are close enough to the border, i.e. the Bouna district in Cote d'Ivoire and the northern region in Ghana. On the Cote d'Ivoire side, the southern border area is made up of ¯ve contemporary districts: the "d¶epartements" of Bondoukou, Tanda, Agnibilekrou, Abengourou and Aboisso. This administrative de¯nition of the border region selects survey clusters that are pretty close to the border: they range from 1 to 118 km from the border, with a mean distance of 30 km. On the side of Ghana, the available regional subdivisions provide less details: we are left with two regions, Western and Brong-Ahafo; this latter region extends far from the Cote d'Ivoire border, so that 25% of survey clusters are more than 100 km away from the border, 1Herbst, J.I., 2000. -
A Selective Study of Negro Worksongs in the United States Margaret E
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1976 A Selective Study of Negro Worksongs in the United States Margaret E. Hilton Eastern Illinois University This research is a product of the graduate program in Music at Eastern Illinois University. Find out more about the program. Recommended Citation Hilton, Margaret E., "A Selective Study of Negro Worksongs in the United States" (1976). Masters Theses. 3429. https://thekeep.eiu.edu/theses/3429 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. A SELECTIVE STUDY OF NEGRO WORKSONGS IN THE UNITED STATES (TITLE) BY MARGARET E. HILTON THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENlS FOR THE DEGREE OF MASTER OF ARTS IN THE GRADUATE SCHOOL, EASTERN ILLINOIS UNIVERSITY CHARLESTON, ILLINOIS 1976 YEAR I HEREBY RECOMMEND THIS THESIS BE ACCEPTED AS FULFILLING THIS PART OF THE GRADUATE DEGREE CITED ABOVE 5'/t.. g�,.i� 1 ADVISER �t9/t '"(' •err 8'4r: DEPARTMENT HEAD I PAPER CERTIFICATE #2 TO: Graduate Degree Candidates who have written formal theses. SUBJECT: Permission to reproduce theses. ' The University Library is receiving a number of requests from other institutions asking permission to reproduce dissertations for inclusion in their library holding s . Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. Please sign one of the following statements: Booth Library of Eastern Illinois University has my permission to lend my thesis to a. -
Here You Were Born and We Will Talk a Little About Your Family
The Association for Diplomatic Studies and Training Foreign Affairs Oral History Project AMBASSADOR WILLIAM B. MILAM Interviewed by: Charles Stuart Kennedy Initial interview date: January 29, 2004 Copyright 2018 ADST TABLE OF CONTENTS Background Born in Bisbee, Arizona, July 24, 1936 BA in History, Stanford University 1956-1959 MA in Economics, University of Michigan 1969-1970 Entered the Foreign Service 1962 Martinique, France—Consular Officer 1962-1964 Charles de Gaulle’s Visit Hurricane of 1963 The Murder of Composer Marc Blitzstein Monrovia, Liberia—Economic Officer 1965-1967 Attempting to Compile Trade Statistics Adventure to Timbuktu Washington, DC—Desk Officer 1967-1969 African North West Country Directorate Working on Mali and the Military Coup Studied at the University of Michigan Washington, DC—Desk Officer 1970-1973 The Office of Monetary Affairs Studying Floating Rates London, United Kingdom—Economic Officer 1973-1975 Inflation under the Labor Party The Yom Kippur War Washington, DC—Economic Officer 1975-1977 Fuels and Energy Office The 1970s Energy Crisis The Carter Administration 1 Washington, DC—Deputy Director/Director 1977-1983 Office of Monetary Affairs The Paris Club Problems between Governments and Banks Working with Brazil and the Paris Club Yaoundé, Cameroon—Deputy Chief of Mission 1983-1985 The Oil Fields of Cameroon Army Mutiny and Fighting Around Yaoundé Washington, DC—Deputy Assistant Secretary 1985-1990 International Finance and Development Fighting the Department of Defense on Microchip Manufacturing Dhaka, -
The Great Lobi Statuary L a G R a N D E S T a T U a I R E L O B I Uaire Lobi T Uaire a Rande St Rande G La La Uary T Uary a T Lobi S Lobi T the Grea The
L ES BOIS QUI MURMURENT THE GREAT LOBI STATUARY L A GRANDE STATUAIRE L OBI UAIRE LOBI UAIRE T A st RANDE RANDE G LA LA UARY UARY T A T LOBI S LOBI T THE GREA THE L ES BOIS QUI MURMURENT WHISPERING WOODS LA GRANDE STATUAIRE LOBI DE LA COLLECTION FRANÇOIS & MARIE CHRISTIAENS THE GREAT LOBI STATUARY FROM THE FRANÇOIS & MARIE CHRISTIAENS COLLECTION Texte / Text LES SUPPORTS SCULPTÉS DE LA PENSÉE LOBI THE scULPTED SUPPORts OF LOBI THOUGHT par / by Viviane Baeke UNE EXPOSITION / AN EXHIBITION BRUNEAF COMMISSAIRE ET ÉDITEUR / CURATOR AND PUBLISHER PRÉSENTATION ............................................................................................................................................................................9 Serge Schoffel ITINÉRAIRE DE COLLECTIONNEURS .................................................................................................................................... 15 François et Marie Christiaens LES SUppORTS SCULPTÉS DE LA PENSÉE LOBI .............................................................................................23 Viviane Baeke Avant-propos ................................................................................................................................................................................23 INTRODUCTION..........................................................................................................................................................................27 Un peu d’histoire ............................................................................................................................................................................27 -
Culture and Economic Growth of Cities; Evidence from Liberia
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Munich RePEc Personal Archive MPRA Munich Personal RePEc Archive Culture and Economic Growth of Cities; Evidence from Liberia Ejaz Gul School of Business and Public Administration , University of Liberia, 10 Capitol Hill, Monrovia, Liberia 19. October 2009 Online at http://mpra.ub.uni-muenchen.de/48541/ MPRA Paper No. 48541, posted 23. July 2013 08:07 UTC 1 Culture and Economic Growth of Cities; Evidence from Liberia Ejaz Gul School of Business and Public Administration University of Liberia, 10 Capitol Hill, Monrovia, Liberia Email: [email protected] Abstract Culture can now be used as an instrument for sustainable economic growth and developmental instrument of cities. By reorganizing the socio-economic fiber of cities and using cultural activities for economic growth, we can drive these cities towards sustainable development. This was successfully demonstrated in case of Monrovia, the capital of Liberia, which remained in crises for 10 years. This paper examines the role of culture in overall economic growth sighting evidences from Liberia. Data was collected from few selected cultural spots and analyzed statistically. It was concluded from study that cultural economy is now playing an enhanced role in the sustainable economic development of Liberia. Because of the ongoing cultural activities at the selected cultural spots, Monrovia is in better economic position as compare to cities lacking cultural activities. This study forms a useful contribution on the role of culture in sustainable economic growth of cities. Key words: Cities, culture, data, development, economic, growth, statistics, sustainable. -
“Indépendance Cha Cha”: African Pop Music Since the Independence Era, In: Africa Spectrum, 45, 3, 131-146
Africa Spectrum Dorsch, Hauke (2010), “Indépendance Cha Cha”: African Pop Music since the Independence Era, in: Africa Spectrum, 45, 3, 131-146. ISSN: 1868-6869 (online), ISSN: 0002-0397 (print) The online version of this and the other articles can be found at: <www.africa-spectrum.org> Published by GIGA German Institute of Global and Area Studies, Institute of African Affairs in co-operation with the Dag Hammarskjöld Foundation Uppsala and Hamburg University Press. Africa Spectrum is an Open Access publication. It may be read, copied and distributed free of charge according to the conditions of the Creative Commons Attribution-No Derivative Works 3.0 License. To subscribe to the print edition: <[email protected]> For an e-mail alert please register at: <www.africa-spectrum.org> Africa Spectrum is part of the GIGA Journal Family which includes: Africa Spectrum • Journal of Current Chinese Affairs • Journal of Current Southeast Asian Affairs • Journal of Politics in Latin America • <www.giga-journal-family.org> Africa Spectrum 3/2010: 131-146 “Indépendance Cha Cha”: African Pop Music since the Independence Era Hauke Dorsch Abstract: Investigating why Latin American music came to be the sound- track of the independence era, this contribution offers an overview of musi- cal developments and cultural politics in certain sub-Saharan African coun- tries since the 1960s. Focusing first on how the governments of newly inde- pendent African states used musical styles and musicians to support their nation-building projects, the article then looks at musicians’ more recent perspectives on the independence era. Manuscript received 17 November 2010; 21 February 2011 Keywords: Africa, music, socio-cultural change Hauke Dorsch teaches cultural anthropology at Johannes Gutenberg Uni- versity in Mainz, Germany, where he also serves as the director of the Afri- can Music Archive. -
Interconnected Diasporas, Performance, and the Shaping of Liberian Immigrant Identity Yolanda Covington-Ward
Transforming Communities, Recreating Selves: Interconnected Diasporas, Performance, and the Shaping of Liberian Immigrant Identity Yolanda Covington-Ward Africa Today, Volume 60, Number 1, Fall 2013, pp. 28-53 (Article) Published by Indiana University Press For additional information about this article http://muse.jhu.edu/journals/at/summary/v060/60.1.covington-ward.html Access provided by University of Pittsburgh (20 Oct 2013 23:16 GMT) What is most important is not the “true” origins of the grand march, but the meaning that Liberians col- lectively give to its practice and import in their every- day lives—which explains how a European dance came to define an African immigrant identity. Transforming Communities, Recreating Selves: Interconnected Diasporas, Performance, and the Shaping of Liberian Immigrant Identity Yolanda Covington-Ward This paper examines the role of European ballroom dances such as the grand march in the shaping of group identity, both in Liberia and for Liberians in the United States. I use participant-observation, interviews, and historical docu- mentation to trace transformations in the grand march from the performance of an exclusive, educated Americo-Liberian elite in the nineteenth century to a more inclusive practice, open to Liberians of all backgrounds who immigrated to the United States in the twentieth century. In both cases of these interconnected diasporas, collective performance is used reflexively, to perform group identity for others, and transformatively, to redefine the group itself. This study sug- gests the need for further attention to performance in studies of ethnic group identity formation. Writing in October 1849 to her former master, John McDonogh, in New Orleans, Henrietta Fuller McDonogh’s letter from St. -
Politics and Popular Culture: the Renaissance in Liberian Music, 1970-89
POLITICS AND POPULAR CULTURE: THE RENAISSANCE IN LIBERIAN MUSIC, 1970-89 By TIMOTHY D. NEVIN A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FUFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2010 1 © 2010 Timothy Nevin 2 To all the Liberian musicians who died during the war-- (Tecumsey Roberts, Robert Toe, Morris Dorley and many others) Rest in Peace 3 ACKNOWLEDGMENTS I would like to thank my parents and my uncle Frank for encouraging me to pursue graduate studies. My father’s dedication to intellectual pursuits and his life-long love of teaching have been constant inspirations to me. I would like to thank my Liberian wife, Debra Doeway for her patience in attempting to answer my thousand and one questions about Liberian social life and the time period “before the war.” I would like to thank Dr. Luise White, my dissertation advisor, for her guidance and intellectual rigor as well as Dr. Sue O’Brien for reading my manuscript and offering helpful suggestions. I would like to thank others who also read portions of my rough draft including Marissa Moorman. I would like to thank University of Florida’s Africana librarians Dan Reboussin and Peter Malanchuk for their kind assistance and instruction during my first semester of graduate school. I would like to acknowledge the many university libraries and public archives that welcomed me during my cross-country research adventure during the summer of 2007. These include, but are not limited to; Verlon Stone and the Liberian Collections Project at Indiana University, John Collins and the University of Ghana at East Legon, Northwestern University, Emory University, Brown University, New York University, the National Archives of Liberia, Dr. -
Ethnic Groups and Library of Congress Subject Headings
Ethnic Groups and Library of Congress Subject Headings Jeffre INTRODUCTION tricks for success in doing African studies research3. One of the challenges of studying ethnic Several sections of the article touch on subject head- groups is the abundant and changing terminology as- ings related to African studies. sociated with these groups and their study. This arti- Sanford Berman authored at least two works cle explains the Library of Congress subject headings about Library of Congress subject headings for ethnic (LCSH) that relate to ethnic groups, ethnology, and groups. His contentious 1991 article Things are ethnic diversity and how they are used in libraries. A seldom what they seem: Finding multicultural materi- database that uses a controlled vocabulary, such as als in library catalogs4 describes what he viewed as LCSH, can be invaluable when doing research on LCSH shortcomings at that time that related to ethnic ethnic groups, because it can help searchers conduct groups and to other aspects of multiculturalism. searches that are precise and comprehensive. Interestingly, this article notes an inequity in the use Keyword searching is an ineffective way of of the term God in subject headings. When referring conducting ethnic studies research because so many to the Christian God, there was no qualification by individual ethnic groups are known by so many differ- religion after the term. but for other religions there ent names. Take the Mohawk lndians for example. was. For example the heading God-History of They are also known as the Canienga Indians, the doctrines is a heading for Christian works, and God Caughnawaga Indians, the Kaniakehaka Indians, (Judaism)-History of doctrines for works on Juda- the Mohaqu Indians, the Saint Regis Indians, and ism. -
Dehkontee Artists Theatre Celebrates 40Th Anniversary Gala in Traditional African Jewish Fashion!
Dehkontee Artists Theatre Celebrates 40th Anniversary Gala in Traditional African Jewish Fashion! Motto: Education and Entertainment through Cultural Awareness Venue: African Cultural Center, 5000 Springfield Avenue, Philadelphia, PA 19143 Date: 16 September 2017 Time: 6 P.M. until 2:00 A.M. Sunday, September 17, 2017 All Rights Reserved Copy Right@2017 1 Forty Years of Cultural Enlightenment on the Continent of Africa and in the United States of America through the Legacy of Dr. Joe “Shakespeare” Gbaba Traditional African Jewish Ritual Procession performed by DATI performers in front of the African Cultural Center, 5000 Springfield Avenue, Philadelphia, Pennsylvania, on Saturday, September 16, 2017. Hawa Porte Quaye on left holds the plate containing the white kola nuts, pepper, and salt (the traditional African Jewish Manna) while Brother Bon Adventure on right carries the plate with the white powder as a sign of peace and blessings from Almighty God and the spirits of our African forefathers. In the background are DATI’s Cultural Ambassador Kormassa Bobo and daughter Saigay Sheriff playing the traditional African musical instrument (sasa), as the thespians dance to its melodious tune. Dehkontee Artists Theatre, Inc. (DATI) celebrated its 40th Anniversary in grand style with a mixture of cultural and educational activities. The elite Liberian cultural group now based in the U.S. commemorated forty long years of promoting the history and culture of Africa on the one hand, and the traditional African and colonial history of Liberia, on the other. The Republic of Liberia is Africa’s oldest Independent Democratic Republic on the continent of Africa. It was never colonized by any European or western nation since the creation of the universe.