Group Sales 21/22SEASON
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Final Dissertation Document
Abstract Title of Dissertation: INFLUENCES AND TRANSFORMATIONS: 19TH- CENTURY SOLO AND COLLABORATIVE PIANO REPERTOIRE Miori Sugiyama, Doctor of Musical Arts, 2012 Dissertation Directed by: Professor Rita Sloan School of Music, Piano Division This dissertation is an exploration of the inter-relationships of genres in the collaborative piano repertoire, particularly in music of the 19th century, an especially important period for collaborative piano repertoire. During this time, much of the repertoire gave equal importance to the piano in duo and ensemble repertoire. Starting with Schubert, and becoming more apparent with the development of the German lied, the piano became a more integral part of any composition, the piano part being no longer simplistic but rather a collaborative partner with its own voice. Mendelssohn transformed the genre of lieder by writing them, without their words, for solo piano. In addition to creating some of the greatest and most representative lieder in the Romantic period, composers such as Schumann, Brahms, and Strauss continued the evolution of the sonata by writing works that were more technically demanding on the performer, musically innovative, and structurally still evolving. In the case of Chopin who wrote mostly piano works, a major influence came from the world of opera, particularly the Bel Canto style. In exploring two specific genres, vocal and instrumental piano works by these composers; it is fascinating to see how one genre translates to another genre. This was especially true in the vocal and instrumental works by Schubert, Schumann, Brahms, Chopin, and Strauss. All of these composers, with the exception of Chopin, contributed equally to both the song and sonata genres. -
Assenet Inlays Cycle Ring Wagner OE
OE Wagner Ring Cycle Booklet 10-8-7:Layout 2 13/8/07 11:07 Page 1 An Introduction to... OPERAEXPLAINED WAGNER The Ring of the Nibelung Written and read by Stephen Johnson 2 CDs 8.558184–85 OE Wagner Ring Cycle Booklet 10-8-7:Layout 2 13/8/07 11:07 Page 2 An Introduction to... WAGNER The Ring of the Nibelung Written and read by Stephen Johnson CD 1 1 Introduction 1:11 2 The Stuff of Legends 6:29 3 Dark Power? 4:38 4 Revolution in Music 2:57 5 A New Kind of Song 6:45 6 The Role of the Orchestra 7:11 7 The Leitmotif 5:12 Das Rheingold 8 Prelude 4:29 9 Scene 1 4:43 10 Scene 2 6:20 11 Scene 3 4:09 12 Scene 4 8:42 2 OE Wagner Ring Cycle Booklet 10-8-7:Layout 2 13/8/07 11:07 Page 3 Die Walküre 13 Background 0:58 14 Act I 10:54 15 Act II 4:48 TT 79:34 CD 2 1 Act II cont. 3:37 2 Act III 3:53 3 The Final Scene: Wotan and Brünnhilde 6:51 Siegfried 4 Act I 9:05 5 Act II 7:25 6 Act III 12:16 Götterdämmerung 7 Background 2:05 8 Prologue 8:04 9 Act I 5:39 10 Act II 4:58 11 Act III 4:27 12 The Final Scene: The End of Everything? 11:09 TT 79:35 3 OE Wagner Ring Cycle Booklet 10-8-7:Layout 2 13/8/07 11:07 Page 4 Music taken from: Das Rheingold – 8.660170–71 Wotan ...............................................................Wolfgang Probst Froh...............................................................Bernhard Schneider Donner ....................................................................Motti Kastón Loge........................................................................Robert Künzli Fricka...............................................................Michaela -
WAGNER Die Walküre
660172-74 bk Walküre US 17/7/06 10:28 Page 16 3 CDs Recorded at the Staatsoper Stuttgart, Germany, WAGNER on 29th September 2002 and 2nd January 2003. General Director: Prof. Klaus Zehelein Die Walküre Executive Producers: Dr Reinhard Ermen (SWR Radio), Gambill • Jun • Rootering • Denoke • Behle • Vaughn Dr Dietrich Mack (SWR TV) and Paul Smaczny (EuroArts) Staatsoper Stuttgart • Staatsorchester Stuttgart Producer: Thomas Angelkorte Editor: Irmgard Bauer Lothar Zagrosek Engineers: Brigitte Hermann and Karl-Heinz Runde This performance of Die Walküre is the second part of Wagner’s Ring cycle recorded live during Stuttgart Opera’s 2002/2003 season. For the first time in the history of the Ring cycle each of the four operas was staged with separate producers and casts. A production of EuroArts Music International GmbH and Südwestrundfunk in co-operation with ARTE Gefördert von der Medien- und Filmgesellschaft Baden-Württemberg 8.660172-74 16 660172-74 bk Walküre US 17/7/06 10:28 Page 2 Die Walküre Stuttgart Staatsorchester (The Valkyrie) Established in 1589 as the Court Orchestra of Württemberg, the Württemberg Stuttgart State Orchestra has a history The First Day of over four hundred years. Over the generations there have been collaborations with musicians of distinction, among them Leonhard Lechner, the Frobergers, Niccolò Jommelli, Johann Rudolf Zumsteeg, Konradin Kreutzer, of Johann Nepomuk Hummel and Carl Maria von Weber. Berlioz praised the orchestra, when he appeared with it as Der Ring des Nibelungen conductor, and in the 1880s Stuttgart was one of the first to stage the complete Ring cycle, conducted by the then (The Ring of the Nibelung) General Music Director Herman Zumpe, who had assisted Wagner at the first Bayreuth Festival. -
Orpheus Opernreisen Gmbh, München Mailand
Orpheus FESTSPIELE / SAISONAUSKLANG 2015 INTERNATIONALE OPERN- UND KONZERTREISEN Deiner hab’ ich um alles bedurft! Sehnsucht & Lust - Reisen in die Welt der Oper Faust Charles Gounod Sascha Weidner Sascha 19. [Premiere], 24., 27., 30. Juni; 2., 5. Juli 2015 Musikalische Leitung: Marco Armiliato Inszenierung: Philipp Stölzl Mit Teodor Ilincăi, Ildebrando D’ Arcangelo, Krassimira Stoyanova u. a. Stan Hema; Foto © Karten: +49 [30]-343 84 343; www.deutscheoperberlin.de Wikipedia Inhalt Kalender . 4 Verona . 57 Ansprechpartner . 6 Wien . 60 Aix-en-Provence . 7 Reiseanmeldung . 65 Baden-Baden . 10 Geschäftsbedingungen . 66 Berlin . 12 Dresden . 16 Gruppenreise Drottningholm & Dalhalla . 20 Glyndebourne . 22 Grafenegg . 26 Luzern . 28 Herausgeber: Orpheus Opernreisen GmbH, München Mailand . 32 Betreuung & Grafik: Qolmamit, Marseille Druck: Kastner & Callwey Medien GmbH, Forstinning Mailand & Venedig . 36 Titel: Ariadne auf Naxos © Suzanne Schwiertz, Opernhaus Zürich München . 38 Änderungen & Druckfehler vorbehalten. Pesaro . 44 Alle Preise sind in Euro berechnet. Rom . 46 Nicht im Katalog aufgeführte Arrangement-Nummern finden Salzburg . 48 Sie auf: www.Orpheus-Opernreisen.de Flüge ab allen großen deutschen Flughäfen. Venedig . 54 Premierenabend & Premiere Wiederaufnahme. 3 Amsterdam, Bayreuth, Bregenz, London, New York… Sie vermissen Ihre Wunschdestination? Sprechen Sie uns gerne an. 23. bis 26. Pfingsten 18. bis 21. Glyndebourne 2 ....... 22 APRIL Seite Rom 11 .............. 46 Verona 1 ............. 57 30. bis 3. Mai Maifeiertag Salzburg 10 ........... 48 Wien 111 ............. 63 Berlin 52 ............. 12 27. bis 1. Juni Mailand & Venedig 8 ... 36 19. bis 22. Dresden 43 ........... 18 28. bis 1. Juni Dresden 40 ........... 17 München 57 .......... 39 MAI Wien 104 ............. 61 Wien 112 ............. 63 28. bis 31. Baden-Baden 21 ....... 10 25. bis 28. -
Simon O'neill ONZM
Simon O’Neill ONZM Tenor “Simon O'Neill made a tremendous debut in the title-role, giving notice that he is the best heroic tenor to emerge over the last decade.” Rupert Christiansen, The Telegraph, UK. A native of New Zealand, Simon O’Neill is one of the finest helden-tenors on the international stage. He has frequently performed with the Metropolitan Opera, the Royal Opera House, Covent Garden, Berlin, Hamburg and Bayerische Staatsopern, Teatro alla Scala and the Bayreuth, Salzburg, Edinburgh and BBC Proms Festivals, appearing with a number of illustrious conductors including Daniel Barenboim, Sir Simon Rattle, James Levine, Riccardo Muti, Valery Gergiev, Sir Antonio Pappano, Pietari Inkinen, Pierre Boulez, Sir Mark Elder, Sir Colin Davis, Simone Young, Edo de Waart, Fabio Luisi, Donald Runnicles, Sir Simon Rattle, Jaap Van Zweden and Christian Thielemann. Simon’s performances as Siegmund in Die Walküre at the Royal Opera House, Covent Garden with Pappano, Teatro alla Scala and Berlin Staatsoper with Barenboim, at the Metropolitan Opera with Runnicles in the celebrated Otto Schenk production returning with Luisi in the Lepage Ring Cycle and in the Götz Friedrich production at Deutsche Oper Berlin with Rattle were performed to wide critical acclaim. He was described in the international press as "an exemplary Siegmund, terrific of voice", "THE Wagnerian tenor of his generation" and "a turbo-charged tenor". During this season’s engagements Simon makes his debut at: Tanglewood with the Boston Symphony and Andris Nelsons and the Toronto Symphony with Sir Andrew Davis and Orquestra de la Comunitat Valenciana with Henrik Nánási as Siegmund in concert performances of Die Walküre. -
Grand Finals Concert
NATIONAL COUNCIL AUDITIONS grand finals concert conductor Metropolitan Opera Carlo Rizzi National Council Auditions host Grand Finals Concert Anthony Roth Costanzo Sunday, March 31, 2019 3:00 PM guest artist Christian Van Horn Metropolitan Opera Orchestra The Metropolitan Opera National Council is grateful to the Charles H. Dyson Endowment Fund for underwriting the Council’s Auditions Program. general manager Peter Gelb jeanette lerman-neubauer music director Yannick Nézet-Séguin 2018–19 SEASON NATIONAL COUNCIL AUDITIONS grand finals concert conductor Carlo Rizzi host Anthony Roth Costanzo guest artist Christian Van Horn “Dich, teure Halle” from Tannhäuser (Wagner) Meghan Kasanders, Soprano “Fra poco a me ricovero … Tu che a Dio spiegasti l’ali” from Lucia di Lammermoor (Donizetti) Dashuai Chen, Tenor “Oh! quante volte, oh! quante” from I Capuleti e i Montecchi (Bellini) Elena Villalón, Soprano “Kuda, kuda, kuda vy udalilis” (Lenski’s Aria) from Today’s concert is Eugene Onegin (Tchaikovsky) being recorded for Miles Mykkanen, Tenor future broadcast “Addio, addio, o miei sospiri” from Orfeo ed Euridice (Gluck) over many public Michaela Wolz, Mezzo-Soprano radio stations. Please check “Seul sur la terre” from Dom Sébastien (Donizetti) local listings. Piotr Buszewski, Tenor Sunday, March 31, 2019, 3:00PM “Captain Ahab? I must speak with you” from Moby Dick (Jake Heggie) Thomas Glass, Baritone “Don Ottavio, son morta! ... Or sai chi l’onore” from Don Giovanni (Mozart) Alaysha Fox, Soprano “Sorge infausta una procella” from Orlando (Handel) -
Jahreskatalog 2019/2020
Maritim Musikreisen Jahreskatalog 2019/2020 Beethoven-Kunstinstallation „Unser Ludwig“ auf dem Bonner Münsterplatz Opern- und Festivalübersicht 2019/2020 Oktober November Dezember Januar Februar März April Mai Juni Juli Berlin Kátja Kabanová Tosca Hänsel und Gretel Jenufa Der Rosenkavalier Antikrist Schwanda, der Fidelio Nabucco Die Hochzeit des Figaro (ab Seite 6) Eine Frau, die weiß Die Fledermaus (Operette) Don Giovanni Dudelsackpfeifer Der Liebestrank Chowanschtschina was sie will (Operette) Turandot Aida Der Zauberer von Oz Der fliegende Holländer Semele Thaïs Jephtha Frühlingsstürme (Operette) The Bassarids The Rake’s Progress Schwanda, der Dudelsackpfeifer Bonn Fidelio Cavalleria Rusticana / (ab Seite 20) Der Bajazzo (Pagliacci) Bremen Der Rosenkavalier (ab Seite 22) Darmstadt Fidelio Frau Luna (Operette) (ab Seite 24) Die Reise nach Reims Le Grand Macabre Hoffmanns Erzählungen Tosca Die Großherzogin von Platée Madama Butterfly Rigoletto Eugen Onegin Dresden Der Freischütz Gerolstein (Operette) (ab Seite 26) Die Fledermaus Frankfurt Drei Kurzopern Lady Macbeth Radamisto Die Macht des Schicksals (ab Seite 36) von Mzensk Frankenstein Frankenstein Die Sache Markopulos Frankenstein Die Sache Markopulos Jesus Christ Superstar Krabat Gelsenkirchen Jesus Christ Superstar Jesus Christ Superstar Jesus Christ Superstar (ab Seite 38) Die Sache Markopulos Heringsdorf/ La Bohème Die Fischbrötchenoper Fidelio Die lustige Witwe Elektra Usedom (Operette) (ab Seite 40) Fidelio München Wiener Blut (Operette) Wozzek Die Zauberflöte Aida (ab Seite -
A Mystical Journey Into the Jungle... and Beyond
A mystical journey into the jungle... and beyond NOVEMBER 9, 12, 15, 17, 2019 BENEDUM CENTER 2019-20 SEASON SINCE 1893 WHEN OUR CUSTOMERS FACED THE UNEXPECTED WE WERE THERE For over 125 years Henderson Brothers has gone to heroic lengths to provide our customers with peace of mind. Because you can’t expect what tomorrow may bring. That’s why you have us. Commercial Insurance | Personal Insurance | Employee Benefits hendersonbrothers.com LETTER FROM OUR BOARD LEADERSHIP LETTER FROM OUR GENERAL DIRECTOR DEAR FRIENDS, DEAR FRIENDS, Welcome to Pittsburgh Opera’s production of Florencia I am delighted to welcome you to Florencia en en el Amazonas. We are happy to be able to join you in el Amazonas, the first Spanish-language opera in this mystical, magical journey down the Amazon. Pittsburgh Opera’s 81-year history. Like a proud parent, I can’t restrain myself from Our production of this contemporary opera by boasting about this fantastic cast. After a stunning role Mexican composer Daniel Catán illustrates the rich debut as Princess Turandot with us in 2017, our very diversity of the operatic tradition and Pittsburgh own Alexandra Loutsion returns to the Benedum today Opera’s commitment to it. For the first time, Pittsburgh in the title role of diva Florencia Grimaldi. Those of you © Daniel V. Klein Photography © Daniel V. audiences will enjoy an opera in Spanish with a libretto who were here last month for Don Giovanni will no based upon literature in the Latin American genre of doubt recognize Craig Verm (who sang the role of Don Giovanni) as deck-hand/ Magical Realism. -
Digital Concert Hall
Digital Concert Hall Streaming Partner of the Digital Concert Hall 21/22 season Where we play just for you Welcome to the Digital Concert Hall The Berliner Philharmoniker and chief The coming season also promises reward- conductor Kirill Petrenko welcome you to ing discoveries, including music by unjustly the 2021/22 season! Full of anticipation at forgotten composers from the first third the prospect of intensive musical encoun- of the 20th century. Rued Langgaard and ters with esteemed guests and fascinat- Leone Sinigaglia belong to the “Lost ing discoveries – but especially with you. Generation” that forms a connecting link Austro-German music from the Classi- between late Romanticism and the music cal period to late Romanticism is one facet that followed the Second World War. of Kirill Petrenko’s artistic collaboration In addition to rediscoveries, the with the orchestra. He continues this pro- season offers encounters with the latest grammatic course with works by Mozart, contemporary music. World premieres by Beethoven, Schubert, Mendelssohn, Olga Neuwirth and Erkki-Sven Tüür reflect Brahms and Strauss. Long-time compan- our diverse musical environment. Artist ions like Herbert Blomstedt, Sir John Eliot in Residence Patricia Kopatchinskaja is Gardiner, Janine Jansen and Sir András also one of the most exciting artists of our Schiff also devote themselves to this core time. The violinist has the ability to capti- repertoire. Semyon Bychkov, Zubin Mehta vate her audiences, even in challenging and Gustavo Dudamel will each conduct works, with enthusiastic playing, technical a Mahler symphony, and Philippe Jordan brilliance and insatiable curiosity. returns to the Berliner Philharmoniker Numerous debuts will arouse your after a long absence. -
FOR RELEASE: January 22, 2014
FOR IMMEDIATE RELEASE November 23, 2015 Contact: Katherine E. Johnson (212) 875-5718; [email protected] ALAN GILBERT AND THE NEW YORK PHILHARMONIC The Mary and James G. Wallach Artist-in-Residence ERIC OWENS To Perform Richard STRAUSS Songs and Final Scene from Act III of WAGNER’s Die Walküre With Soprano HEIDI MELTON in Her Philharmonic Debut Program Also To Include WAGNER’s Ride of the Valkyries and SIBELIUS’s En saga Saturday Matinee Concert To Feature Grieg’s String Quartet Performed by Philharmonic Musicians January 7–9 and 12, 2016 Bass-baritone Eric Owens will continue his tenure as The Mary and James G. Wallach Artist-in- Residence with performances, led by Music Director Alan Gilbert, of Richard Strauss songs — “Ruhe, meine Seele,” Op. 27, No. 1; “Cäcilie,” Op. 27, No. 2; “Pilgers Morgenlied,” Op. 33, No. 4 — and the Final Scene from Act III of Die Walküre, alongside soprano Heidi Melton in her Philharmonic debut. The program also includes Wagner’s Ride of the Valkyries and Sibelius’s En saga, one of several programs this season honoring the 150th anniversary of Sibelius’s birth. The performances take place Thursday, January 7, 2016, at 7:30 p.m.; Friday, January 8 at 8:00 p.m.; Saturday, January 9 at 8:00 p.m.; and Tuesday, January 12 at 7:30 p.m. These performances mark Mr. Owens’s first time singing Wotan in New York. He has been widely acclaimed for his mastery of the German Romantic repertoire, including his celebrated performance as Alberich in The Metropolitan Opera’s 2012 production of Wagner’s Ring Cycle. -
Audition Repertoire, Please Contact the Music Department at 812.941.2655 Or by E-Mail at AUDITION REQUIREMENTS for VARIOUS DEGREE CONCENTRATIONS
1 AUDITION GUIDE AND SUGGESTED REPERTOIRE 1 2 TABLE OF CONTENTS AUDITION REQUIREMENTS AND GUIDE . 3 SUGGESTED REPERTOIRE Piano/Keyboard . 5 STRINGS Violin . 6 Viola . 7 Cello . 8 String Bass . 10 WOODWINDS Flute . 12 Oboe . 13 Bassoon . 14 Clarinet . 15 Alto Saxophone . 16 Tenor Saxophone . 17 BRASS Trumpet/Cornet . 18 Horn . 19 Trombone . 20 Euphonium/Baritone . 21 Tuba/Sousaphone . 21 PERCUSSION Drum Set . 23 Xylophone-Marimba-Vibraphone . 23 Snare Drum . 24 Timpani . 26 Multiple Percussion . 26 Multi-Tenor . 27 VOICE Female Voice . 28 Male Voice . 30 Guitar . 33 2 3 The repertoire lists which follow should be used as a guide when choosing audition selections. There are no required selections. However, the following lists illustrate Students wishing to pursue the Instrumental or Vocal Performancethe genres, styles, degrees and difficulty are strongly levels encouraged of music that to adhereis typically closely expected to the of repertoire a student suggestionspursuing a music in this degree. list. Students pursuing the Sound Engineering, Music Business and Music Composition degrees may select repertoire that is slightly less demanding, but should select compositions that are similar to the selections on this list. If you have [email protected] questions about. this list or whether or not a specific piece is acceptable audition repertoire, please contact the Music Department at 812.941.2655 or by e-mail at AUDITION REQUIREMENTS FOR VARIOUS DEGREE CONCENTRATIONS All students applying for admission to the Music Department must complete a performance audition regardless of the student’s intended degree concentration. However, the performance standards and appropriaterequirements audition do vary repertoire.depending on which concentration the student intends to pursue. -
San Francisco Opera 2021-22 Season Announcement Updated 8.13.21.Pdf
SAN FRANCISCO OPERA RETURNS TO THE WAR MEMORIAL OPERA HOUSE STAGE Eun Sun Kim Opens 2021–22 Season and Music Directorship Tenure with Puccini’s Tosca Starring Ailyn Pérez, Michael Fabiano and Alfred Walker Eun Sun Kim (Photos: Marc Olivier Le Blanc; Daniel Delang) Kim Leads Beethoven’s Fidelio in a Bold New Production by Director Matthew Ozawa Featuring Elza van den Heever and Russell Thomas Along with Homecoming Concert, Adler Fellows Concert and Verdi Tribute Company’s Multi-Year Mozart-Da Ponte Trilogy Continues with New Productions of Così fan tutte and Don Giovanni Set in Different Eras of an American House Season Highlights Also Include Bright Sheng and David Henry Hwang’s Dream of the Red Chamber, Livestreaming, Free Opera at the Ballpark Simulcast Tickets Now on Sale – Visit sfopera.com or call (415) 864-3330 Puccini’s Tosca; Beethoven’s Fidelio set rendering by Alexander V. Nichols; Sheng’s Dream of the Red Chamber (Photos: Cory Weaver) 1 San Francisco, CA (June 22, 2021; updated August 13, 2021) — San Francisco Opera announced today repertory, casting and reopening plans for its 99th season. Commencing with a performance of Giacomo Puccini’s Tosca on Saturday, August 21, the 2021–22 Season marks the inauguration of Eun Sun Kim’s tenure as Caroline H. Hume Music Director and a reemergence of opera at the War Memorial Opera House, which reopens with newly installed custom seats and accessibility enhancements. For this transitional year, the Company unveils three new productions: Ludwig van Beethoven’s Fidelio and, continuing the Company’s Mozart-Da Ponte Trilogy, Così fan tutte and Don Giovanni.