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Final Dissertation Document
Abstract Title of Dissertation: INFLUENCES AND TRANSFORMATIONS: 19TH- CENTURY SOLO AND COLLABORATIVE PIANO REPERTOIRE Miori Sugiyama, Doctor of Musical Arts, 2012 Dissertation Directed by: Professor Rita Sloan School of Music, Piano Division This dissertation is an exploration of the inter-relationships of genres in the collaborative piano repertoire, particularly in music of the 19th century, an especially important period for collaborative piano repertoire. During this time, much of the repertoire gave equal importance to the piano in duo and ensemble repertoire. Starting with Schubert, and becoming more apparent with the development of the German lied, the piano became a more integral part of any composition, the piano part being no longer simplistic but rather a collaborative partner with its own voice. Mendelssohn transformed the genre of lieder by writing them, without their words, for solo piano. In addition to creating some of the greatest and most representative lieder in the Romantic period, composers such as Schumann, Brahms, and Strauss continued the evolution of the sonata by writing works that were more technically demanding on the performer, musically innovative, and structurally still evolving. In the case of Chopin who wrote mostly piano works, a major influence came from the world of opera, particularly the Bel Canto style. In exploring two specific genres, vocal and instrumental piano works by these composers; it is fascinating to see how one genre translates to another genre. This was especially true in the vocal and instrumental works by Schubert, Schumann, Brahms, Chopin, and Strauss. All of these composers, with the exception of Chopin, contributed equally to both the song and sonata genres. -
Audition Repertoire, Please Contact the Music Department at 812.941.2655 Or by E-Mail at AUDITION REQUIREMENTS for VARIOUS DEGREE CONCENTRATIONS
1 AUDITION GUIDE AND SUGGESTED REPERTOIRE 1 2 TABLE OF CONTENTS AUDITION REQUIREMENTS AND GUIDE . 3 SUGGESTED REPERTOIRE Piano/Keyboard . 5 STRINGS Violin . 6 Viola . 7 Cello . 8 String Bass . 10 WOODWINDS Flute . 12 Oboe . 13 Bassoon . 14 Clarinet . 15 Alto Saxophone . 16 Tenor Saxophone . 17 BRASS Trumpet/Cornet . 18 Horn . 19 Trombone . 20 Euphonium/Baritone . 21 Tuba/Sousaphone . 21 PERCUSSION Drum Set . 23 Xylophone-Marimba-Vibraphone . 23 Snare Drum . 24 Timpani . 26 Multiple Percussion . 26 Multi-Tenor . 27 VOICE Female Voice . 28 Male Voice . 30 Guitar . 33 2 3 The repertoire lists which follow should be used as a guide when choosing audition selections. There are no required selections. However, the following lists illustrate Students wishing to pursue the Instrumental or Vocal Performancethe genres, styles, degrees and difficulty are strongly levels encouraged of music that to adhereis typically closely expected to the of repertoire a student suggestionspursuing a music in this degree. list. Students pursuing the Sound Engineering, Music Business and Music Composition degrees may select repertoire that is slightly less demanding, but should select compositions that are similar to the selections on this list. If you have [email protected] questions about. this list or whether or not a specific piece is acceptable audition repertoire, please contact the Music Department at 812.941.2655 or by e-mail at AUDITION REQUIREMENTS FOR VARIOUS DEGREE CONCENTRATIONS All students applying for admission to the Music Department must complete a performance audition regardless of the student’s intended degree concentration. However, the performance standards and appropriaterequirements audition do vary repertoire.depending on which concentration the student intends to pursue. -
The Classical Station, WCPE 1 Start Runs Composer Title Performerslib # Label Cat
Sun, Jul 18, 2021 - 00 The Classical Station, WCPE 1 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 00:01:30 11:00 Schumann Fantasy Pieces, Op. 73 Segev/Pohjonen 13643 Avie 2389 822252238921 00:13:4518:34 Beethoven Choral Fantasy in C minor, Op. Bezuidenhout/Freiburg DownloadHarmonia 902431.3 n/a 80 Baroque Mundi 2 Orchestra/Zurich Zing-Akademie/Heras- Casado 00:33:34 26:06 Mendelssohn String Symphony No. 08 in D Metamorphosen 05480 Archetype 60107 701556010726 Chamber Records Orchestra/Yoo 01:01:1009:19 Dvorak Carnival Overture, Op. 92 Cleveland 05021 Sony 63151 n/a Orchestra/Szell 01:11:2927:48 Brahms Cello Sonata No. 2 in F, Op. 99 Diaz/Sanders 02520 Dorian 90165 053479016522 01:40:47 19:24 Haydn Piano Trio No. 43 in C Kalichstein-Laredo-Ro 02473 Dorian 90164 053479016423 binson Trio 02:01:4129:45 Rameau The Birth of Osiris (Suite for Ensemble 06541 Naxos 8.553388 730099438827 Orchestra) Savaria/Terey-Smith 02:32:26 10:43 Fucik Danube Legends Czech 01781 Teldec 8.42337 N/A Philharmonic/Neuman 02:44:0915:48 Mozart Violin Sonata in E minor, K. Uchida/Steinberg 04768 Philips B000411 028947565628 304 5 03:01:27 35:31 Dopper Symphony No. 7 Netherlands Radio 03512 NM 92060 871330992060 Symphony/Bakels Classics 4 03:38:2810:28 Debussy Prelude to the Afternoon of a BRT 07909 Naxos 8.570011- 074731300117 Faun Philharmonic/Rahbari 12 0 03:49:56 09:43 Grieg Homage March from Sigurd Eastman Rochester 05011 Mercury 434 394 028943439428 Jorsalfar, Op. 56 Pops/Fennell 04:01:0912:36 Bach Italian Concerto in F, BWV 971 Angela Hewitt 03592 Hyperion 67306 D 138602 04:14:4530:55 Diamond Symphony No. -
View Repertoire List
Repertoire List Victor Lim Solo J.S. Bach Prelude and Fugue in F sharp major Book 1 BWV 858 Prelude and Fugue in B flat major Book 1 BWV 866 Prelude and Fugue in F major Book 2 BWV 880 Bach/F,Busoni Chorale Prelude ‘Wachet Auf, Ruft Uns Die Stimme’ Bach/Cohen Chorale Prelude ‘Ertödt' uns durch dein' Güte’ Bach/Siloti Prelude in B minor J. Rameau La Dauphine D. Scarlatti Sonata in C K159 L.v. Beethoven Piano Sonata No.10 Op.14 No.2 Piano Sonata No.21 Op.53 'Waldstein' Piano Sonata No.26 Op.81a 'Les Adieux' Piano Sonata No.25 Op.57 ‘Appassionata’ Piano Sonata No.29 Op.106 ‘Hammerklavier’ J. Haydn Piano Sonata in F major Hob.XVI.23 Piano Sonata in B minor Hob.XVI:32 Piano Sonata in E minor Hob.XVI:34 Piano Sonata in C major Hob.XVI:50 W.A. Mozart Piano Sonata in B flat major K.570 Piano Sonata in A minor K.310 F. Schubert Piano Sonata No.13 in A major D.664 Allegreto in C minor D.915 J. Brahms 6 Klavierstücke Op.118 F. Bridge Three sketches F. Chopin Etudes Op.10 No.1,2,3,5,10,12 Fantaisie Op.49 Ballade No.4 Op.52 Barcarolle Op.60 Preludes Op.28 Mazurkas Op.59 Nocturne Op.9 No.2, Op.32 No.1&2 P. Grainger Ramble on the last duet in Richard Strauss’s Opera ‘Der Rosenkavalier’ E. Grieg Lyric Pieces Op.12 No.1, ‘Arietta’, Op.47 No.3 ‘Melodie’, Op.54 No.4 ‘Nocturne F. -
September 2016 – July 2017
SEPTEMBER 2016 –JULY 2017 Director’s Introduction Frances Marshall Photography One of Britain’s foremost singers, Sarah Connolly, opens the Hall’s new season with regular duo partner Malcolm Martineau, leading listeners through a programme rich in emotional contrasts, poetic reflections and glorious melodies. The recital includes Mahler’s sublime Rückert Lieder, the impassioned lyricism of Berlioz’s Les nuits d’été, the exotic subtle narrative impressions of Debussy’s three Chansons de Bilitis, and a selection of Schumann songs. Mark Padmore’s vocal artistry and ability to extract every drop of emotion from poetic texts have secured his place among today’s finest recitalists. Morgan Szymanski, described by Classical Guitar magazine as ‘a player destined for future glories’ joins him on 12 September. Critical acclaim for Angela Hewitt’s Bach interpretations bears witness to the pianist’s extraordinary ability to connect physically and emotionally as well as intellectually with the dance rhythms and expressive gestures of the composer’s keyboard works. The Bach Odyssey will highlight all of this over the next four years. Canadian soprano Barbara Hannigan performs like a force of nature, captivating audiences with her artistry’s presence and expressive vitality. She joins the Calder Quartet, winner of the 2014 Avery Fisher Career Grant, for the world première of The sirens cycle by Peter Eötvös. Beethoven’s piano sonatas occupied forty years of his life. They offer insights into his development as artist and individual, and stand among the greatest of all his works. Igor Levit, now in his late 20s, drew critical superlatives to his debut recording of Beethoven’s late sonatas and has since established his reputation as a visionary interpreter of the composer’s music. -
The Classical Station, WCPE 1 Start Runs Composer Title Performerslib # Label Cat
Tue, Dec 15, 2020 - The Classical Station, WCPE 1 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 00:01:30 10:11 Beethoven Piano Sonata No. 24 in F Alfred Brendel 00559D Philips 412 577 N/A - Comp. sharp, Op. 78 "For Therese" Beeth. Sonatas 00:12:4106:49 Torelli Christmas Concerto in G minor, I Solisti Italiani X0339 Musical 513986 717794398625 Op. 8 No. 6 Heritage Society 00:20:3040:02 Magnard Symphony No. 2 in E Orchestra of the 01807 EMI 49080 077774908023 Toulouse Capitole/Plasson 01:02:02 35:36 Schütz The Christmas Story Kirkby/Taverner X0349 EMI 47633 077774763325 Consort/Parrott 01:38:3820:40 Saint-Saëns Cello Concerto No. 1 in A Rolston/Calgary 03597 CBC 5153 059582515327 minor, Op. 33 Philharmonic/Bernardi Records 02:00:48 05:13 Berlioz Shepherds' farewell from Choir of Trinity X0142 Conifer 5907 74321159072 L'Enfance du Christ, Op. 25 College, Cambridge/Marlow 02:07:0108:31 Beethoven Coriolan Overture, Op. 62 Berlin 00469 DG 415 507 028941550729 Philharmonic/Karajan 02:16:3243:31 Brahms Symphony No. 1 in C minor, Cleveland 02212 Sony 46534 07464465342 Op. 68 Orchestra/Szell 03:01:3331:21 Mozart Divertimento No. 10 in F, K. Academy Chamber 00613 Philips 416 362 028941636225 247 Ensemble 03:33:5424:51 Beethoven Symphony No. 8 in F, Op. 93 Hanover 04422 Nimbus 5130 083603513023 Band/Goodman 04:00:1513:08 Corelli Concerto Grosso in G minor, Violins of the X0113 Dorian 90180 053479018021 Op. 6 No. 8 "Christmas King/Labadie Concerto" 04:14:2331:38 Chausson Symphony in B flat, Op. -
SUPER STRING SUNDAY Sunday 12 May 2019, 11Am Amaryllis Fleming Concert Hall
SUPER STRING SUNDAY Sunday 12 May 2019, 11am Amaryllis Fleming Concert Hall SUPER STRING SUNDAY Sunday 12 May, 11am Amaryllis Fleming Concert Hall Welcome to the Royal College of Music’s ever-popular annual Super String Sunday; an opportunity to see some of the world’s brightest emerging string stars in action. Taking in more than 200 years of musical history, this year’s string marathon contrasts baroque concertos, to pinnacle classical works to solo works by living composers Roxanna Panufnik and Fazil Say. You will have a great time today if you stay all day, but feel free to come and go; the doors are always open. Please turn off phones and try to enter and leave as quietly as possible, and between movements only. Fantastical diversions Bartók Divertimento for string orchestra Sz 113 BB 118 25’ (1881–1945) i Allegro non troppo ii Molto adagio iii Allegro assai Sacconi Quartet Ben Hancox violin | Hannah Dawson violin | Robin Ashwell viola | Cara Berridge cello Haim Choi, Gabriella Jones, Anais Boyadjieva, Ismael Jarmouni Gomez, Elif Cansever first violin | Inês Delgado, Iona Allan, Ezgi Sarikcioglu second violin | Katarzyna Ziminska, Nazli Erdogan, Otoha Tabata viola | Shizuku Tatsuno, Jobine Siekman, Robbie Stanley-Smith cello Lucia Polo Moreno, Daniel Tancredi double bass Mozart Divertimento in D major K 136 15’ (1756–1791) i 1. Allegro ii2. Andante iii3. Presto Sacconi Quartet Haim Choi, Gabriella Jones, Anais Boyadjieva, Ismael Jarmouni Gomez, Elif Cansever first violin | Inês Delgado, Iona Allan, Ezgi Sarikcioglu second violin | Katarzyna Ziminska, Nazli Erdogan, Otoha Tabata viola | Shizuku Tatsuno, Jobine Siekman, Robbie Stanley-Smith cello Lucia Polo Moreno double bass Ones, Twos and Threes Saint-Saëns Fantaisie for Violin and Harp in A major op 124 15’ (1835–1921) Katherine Yoon violin | Bethan Griffiths harp Ysaӱe Sonata for violin solo no 3 in D minor 10’ (1858–1931) Ming Chak Chan violin Weiniawski Polonaise in D major op 4 5’ (1835–1880) Elif Ece Cansever violin | Kumi Matsuo piano Myaskovsky Cello Sonata no 1 op 12 7’ (1881–1950) i 1. -
6 X 10.Long.P65
Cambridge University Press 978-0-521-02774-8 - Richard Strauss: Man, Musician, Enigma Michael Kennedy Index More information index Aagard-Oestvig, Karl, 196, 212 Annunzio, Gabriele d’, 175, 187 Abendroth, Walther, 290–1 Arnim, Achim von, 103, 202 Adam, Adolphe, 105 Artôt de Padilla, Lola, 193 Adler, Guido, 295 Aschenbrenner, Carl, 19, 27 Adler, Hans, 374 Asow, Dr Erich Müller von, 18, 347 Adolph, Dr Paul, 262, 285, 298, 299 Astruc, Gabriel, 144 Adorno, Theodor, on R.S., 224 Auber, Daniel, 16–17, 32, 48, 130, 316, 366 Ahlgrimm, Isolde, 353 Audibert, Comte d’, 368 Ahna, Major General Adolf de (father-in- law), 58, 81–3 Bach, Johann Sebastian, 4, 128, 395; Well- Ahna, Mädi de (sister-in-law), 81–2 Tempered Clavier, 15 Ahna, Maria de (mother-in-law), 58 Baden-Baden, 28 Ahna, Pauline de. See Strauss, Pauline Bahr, Hermann, 96, 199, 231, 341; works Aibl, Joseph, 34, 109 on R.S. libretto, 196 Albert, Eugen d’, 32, 56 Bakst, Léon, 186 Albert, Hermann, 328 Bantock, Sir Granville, 284 Allen, Sir Hugh, 312 Bärmann, Carl, 20 Allgemeiner Deutscher Musikverein, 73, Barrymore, Lionel, invites R.S. to 108, 153, 306 Hollywood, 372–3 Allgemeine Musikzeitung, 33, 62, 290 Basile, Armando, 381 Altenberg, Peter (Richard Englander), 148 Bayreuth, 8, 26, 47, 54, 55, 57, 60, 61, 68, Alvary, Max, 68 83, 85, 86, 143, 281, 287; R.S. first Alwin, Carl, 94, 212, 222, 224, 238, 255, conducts at, 78; R.S. conducts Parsifal 256, 329 at, 276–7; Pauline sings at, 66, 78 Ampico (piano rolls, Chicago 1921), 406 Beardsley, Aubrey, 148 Amsterdam. -
31 July 2021
31 July 2021 12:01 AM Ludwig van Beethoven (1770 - 1827) Coriolan - overture Op.62 National Polish Radio Symphony Orchestra, Leonard Slatkin (conductor) PLPR 12:10 AM Wolfgang Amadeus Mozart (1756-1791) Rondo in A minor K.511 for piano Jean Muller (piano) LUERSL 12:21 AM Willem Kersters (1929-1998), Paul van Ostaijen (author) Hulde aan Paul (Op.79) Flemish Radio Choir, Vic Nees (conductor) BEVRT 12:30 AM Jean Barriere (1705-1747) Sonata No 10 in G major for 2 cellos Duo Fouquet (duo) CACBC 12:40 AM Witold Lutoslawski (1913-1994) Dance Preludes, for clarinet and piano Seraphin Maurice Lutz (clarinet), Eugen Burger-Yonov (piano) CZCR 12:50 AM Ermanno Wolf-Ferrari (1876-1948) Two orchestral intermezzi from "Il Gioielli della Madonna", Op 4 KBS Symphony Orchestra, Othmar Maga (conductor) KRKBS 01:00 AM Dmitry Shostakovich (1906-1975) Cello Sonata in D minor, Op 40 Arto Noras (cello), Konstantin Bogino (piano) HRHRT 01:22 AM Joseph Haydn (1732-1809) Sonata in G minor H.16.44 for piano Kristian Bezuidenhout (fortepiano) PLPR 01:33 AM Ludvig Norman (1831-1885) String Sextet in A major (Op.18) (1850) Stockholm String Sextet (sextet) SESR 02:01 AM Richard Strauss (1864-1949) Vier letzte Lieder (Four Last Songs), AV 150 Andrea Rost (soprano), Hungarian Radio Symphony Orchestra, Riccardo Frizza (conductor) HUMTVA 02:22 AM Richard Strauss (1864-1949) Final Scene of 'Der Rosenkavalier, op. 59' Andrea Rost (soprano), Agnes Molnar (soprano), Andrea Szanto (mezzo soprano), Hungarian Radio Symphony Orchestra, Riccardo Frizza (conductor) HUMTVA 02:35 AM Richard Strauss (1864-1949) Eine Alpensinfonie (An Alpine Symphony), op. -
The Cello Sonatas
Johannes Brahms THE CELLO SONATAS Harriet Krijgh Cello Magda Amara Piano Johannes Brahms THE CELLO SONATAS THE CELLO SONATAS „Wunderperlen der Kammermusik“ DIE SONATEN FÜR VIOLONCELLO UND KLAVIER VON JOHANNES BRAHMS „Ich habe zwar selbst auch einmal gegeigt“, erzählte Johannes Brahms einmal seinem Wiener Komponistenkollegen Richard Heuberger, „aber mein Instrument war das Cello. Auf dem habe ich Konzerte gespielt.“ Der dunkel-warme Klang des Cellos inspirierte den Komponisten zu zwei Sonaten, die unter sehr verschiedenen Umständen entstanden. 1862 begann Brahms die Arbeit an seiner ersten Cellosonate. Der noch nicht ganz 30-jährige Hamburger hatte gerade die herbe Enttäuschung erlitten, dass er den erhoff- ten Posten des Leiters der Philharmonischen Konzerte seiner Heimatstadt nicht erhalten hatte. Zudem herrschte Streit in seinem Elternhaus, was ihn sehr bekümmerte. Pendelnd zwischen Hamburg und Wien, wo er als schwachen Trost für die verpasste Anstellung in der Hansestadt zum Leiter der Singakademie ernannt worden war, fand Brahms einzig in der Arbeit Ruhe. In seiner kleinen Hamburger Wohnung brachte er die ersten drei Sätze der e-moll Sonate zu Papier, und zwar neben den erhaltenen ersten beiden Sätzen auch ein Adagio, das er später wieder strich. Die Wiener Verpflichtungen unterbrachen vorerst diese Arbeit. Im Februar 1865 starb Brahms‘ Mutter. Der Komponist litt sehr unter dem Verlust. Es bedurfte einer Flucht in die von Brahms so geliebte Natur, um seine Schaffensgeister wie- der zu erwecken. Schon mehrfach war er in Baden-Baden gewesen, dem Ort, von dem Clara Schumann geschwärmt hatte: „Wie ich von Baden-Baden entzückt war, kann ich Dir gar nicht genug beschreiben. […] Ich liebe so ungeheuer diese düster schweigsamen Tannenwälder. -
July 27 to Aug 2.Txt
CLASSIC CHOICES PLAYLIST July 27 - Aug. 2 PLAY DATE: Mon, 07/27/2020 Listen at 9am, Noon and 3pm for Move to Include Monday! 9:05 AM Maurice Ravel Piano Concerto for Left Hand 9:22 AM Franz Krommer Partita 9:42 AM Maurice Ravel Bolero 10:00 AM Wolfgang Amadeus Mozart Church Sonata 10:06 AM Wolfgang Amadeus Mozart Piano Sonata No. 1 10:22 AM Wolfgang Amadeus Mozart String Quartet No. 19 10:49 AM Wolfgang Amadeus Mozart Flute Sonata 11:01 AM Ernest Chausson Symphony 11:34 AM John Robertson Vallarta Suite 12:05 PM Nicolo Paganini Sonata No. 4 for violin and guitar 12:15 PM Michael Kurek The Sea Knows 12:29 PM Eric Coates London Suite 12:45 PM Jean Sibelius Night Ride and Sunrise 1:01 PM Mark O'Connor The American Seasons 1:41 PM Wolfgang Amadeus Mozart Flute Quartet No. 3 2:01 PM John Field Variations on a Russian Folksong 2:07 PM Ludwig Van Beethoven Piano Trio No. 5 2:34 PM Joseph Bodin de Boismortier Trio Sonata 2:47 PM Georges Enesco Roumanian Rhapsody No. 2 3:02 PM Edvard Grieg Lyric Suite 3:19 PM Cesar Franck Prelude, Chorale & Fugue 3:42 PM Antonín Dvorák In Nature's Realm Overture 4:01 PM Franz Liszt Transcendental Etude No. 10 4:08 PM Peter Ilyich Tchaikovsky Symphony No. 3 4:56 PM Peter Ilyich Tchaikovsky Suite No. 1: Marche Miniature 5:01 PM Johannes Brahms Intermezzo 5:08 PM Cesar Franck Prelude, Fugue and Variation 5:20 PM Ferruccio Busoni Eight Character Pieces for Clarinet and 5:47 PM Ludolf Nielsen Lyric Nocturne, "Summer Evening at PLAY DATE: Tue, 07/28/2020 9:05 AM Sergei Prokofiev Piano Concerto No. -
The Fifteenth-Anniversary Season: the Glorious Violin July 14–August 5, 2017 David Finckel and Wu Han, Artistic Directors Experience the Soothing Melody STAY with US
The Fifteenth-Anniversary Season: The Glorious Violin July 14–August 5, 2017 David Finckel and Wu Han, Artistic Directors Experience the soothing melody STAY WITH US Spacious modern comfortable rooms, complimentary Wi-Fi, 24-hour room service, itness room and a large pool. Just two miles from Stanford. BOOK EVENT MEETING SPACE FOR 10 TO 700 GUESTS. CALL TO BOOK YOUR STAY TODAY: 650-857-0787 CABANAPALOALTO.COM DINE IN STYLE 4290 Bistro features creative dishes from our Executive Chef and Culinary Team. Our food is a fusion of Asian Flavors using French techniques while sourcing local ingredients. TRY OUR CHAMPAGNE SUNDAY BRUNCH RESERVATIONS: 650-628-0145 4290 EL CAMINO REAL PALO ALTO CALIFORNIA 94306 Music@Menlo The Glorious Violin the fifteenth-anniversary season July 14–August 5, 2017 DAVID FINCKEL AND WU HAN, ARTISTIC DIRECTORS Contents 2 Season Dedication 3 A Message from the Artistic Directors 4 Welcome from the Executive Director 4 Board, Administration, and Mission Statement 5 The Glorious Violin Program Overview 6 Essay: “Violinists: Old Time vs. Modern” by Henry Roth 10 Encounters I–V 13 Concert Programs I–VII Léon-Ernest Drivier (1878–1951). La joie de vivre, 1937. Trocadero, Paris, France. Photo credit: Archive 41 Carte Blanche Concerts I–V Timothy McCarthy/Art Resource, NY 60 Chamber Music Institute 62 Prelude Performances 69 Koret Young Performers Concerts 72 Master Classes 73 Café Conversations 74 The Visual Arts at Music@Menlo 75 Music@Menlo LIVE 76 2017–2018 Winter Series 78 Artist and Faculty Biographies 90 Internship Program 92 Glossary 96 Join Music@Menlo 98 Acknowledgments 103 Ticket and Performance Information 105 Map and Directions 106 Calendar www.musicatmenlo.org 1 2017 Season Dedication Music@Menlo’s ifteenth season is dedicated to the following individuals and organizations that share the festival’s vision and whose tremendous support continues to make the realization of Music@Menlo’s mission possible.