DOCSLIB.ORG

The Classical Station, WCPE 1 Start Runs Composer Title Performerslib # Label Cat

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Classical Station, WCPE 1 Start Runs Composer Title Performerslib # Label Cat Sun, Jul 18, 2021 - 00 The Classical Station, WCPE 1 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 00:01:30 11:00 Schumann Fantasy Pieces, Op. 73 Segev/Pohjonen 13643 Avie 2389 822252238921 00:13:4518:34 Beethoven Choral Fantasy in C minor, Op. Bezuidenhout/Freiburg DownloadHarmonia 902431.3 n/a 80 Baroque Mundi 2 Orchestra/Zurich Zing-Akademie/Heras- Casado 00:33:34 26:06 Mendelssohn String Symphony No. 08 in D Metamorphosen 05480 Archetype 60107 701556010726 Chamber Records Orchestra/Yoo 01:01:1009:19 Dvorak Carnival Overture, Op. 92 Cleveland 05021 Sony 63151 n/a Orchestra/Szell 01:11:2927:48 Brahms Cello Sonata No. 2 in F, Op. 99 Diaz/Sanders 02520 Dorian 90165 053479016522 01:40:47 19:24 Haydn Piano Trio No. 43 in C Kalichstein-Laredo-Ro 02473 Dorian 90164 053479016423 binson Trio 02:01:4129:45 Rameau The Birth of Osiris (Suite for Ensemble 06541 Naxos 8.553388 730099438827 Orchestra) Savaria/Terey-Smith 02:32:26 10:43 Fucik Danube Legends Czech 01781 Teldec 8.42337 N/A Philharmonic/Neuman 02:44:0915:48 Mozart Violin Sonata in E minor, K. Uchida/Steinberg 04768 Philips B000411 028947565628 304 5 03:01:27 35:31 Dopper Symphony No. 7 Netherlands Radio 03512 NM 92060 871330992060 Symphony/Bakels Classics 4 03:38:2810:28 Debussy Prelude to the Afternoon of a BRT 07909 Naxos 8.570011- 074731300117 Faun Philharmonic/Rahbari 12 0 03:49:56 09:43 Grieg Homage March from Sigurd Eastman Rochester 05011 Mercury 434 394 028943439428 Jorsalfar, Op. 56 Pops/Fennell 04:01:0912:36 Bach Italian Concerto in F, BWV 971 Angela Hewitt 03592 Hyperion 67306 D 138602 04:14:4530:55 Diamond Symphony No. 3 Seattle 07131 Delos 3103 n/a Symphony/Schwarz 04:47:1012:27 Paine Romanza and Humoreske for Jules and Virginia 00631 Northeaste 219 n/a Cello and Piano, Op. 30 Eskin rn 05:01:0707:14 Britten Sentimental Saraband from Academy of St. 08694 Collins 12342 501210612342 Simple Symphony, Op. 4 Martin-in-the-Fields/Sill 7 ito 05:09:21 17:59 Beethoven Choral Fantasy in C minor, Op. Pressler/Gewandhaus/ 09988 Philips 438 005 028943800525 80 Masur Digital Classics 05:28:2010:48 Tchaikovsky Voyevode, Symphonic Ballad Royal Liverpool 07872 Naxos 8.570568 747313056873 Op. 78 Philharmonic/Petrenko 05:40:0808:45 Weber Overture to Euryanthe Philharmonia/Sawallisc 01642 EMI 69572 077776957227 h 05:49:48 09:37 Fill Music: announcer selects 06:01:1502:50 Handel Ombra mai fu from Serse Domingo/Vienna 00441 RCA 3835 07863538352 (Xerxes) Symphony/Froschauer 06:05:20 12:04 Field Piano Sonata in E flat, Op. 1 John O’Conor 02507 Telarc 80290 089408029028 No. 1 06:18:3906:30 Pachelbel Canon in D English Chamber 04566 Sony 62640 074646264027 Orchestra/Leppard 06:26:59 33:24 Brahms String Quartet No. 3 in B flat, Tokyo String Quartet 11858 Brilliant 94381/1 502842194381 Op. 67 Classics 7 07:02:1307:08 Barber Agnus Dei Handel & Haydn 06104 Avie 0039 822252003925 Chorus/Llewellyn 07:10:36 12:41 Bach, C.P.E. String Symphony in A Freiburg Baroque 02117 DHM 77187 054727718724 Orchestra/Hengelbrock 07:24:3205:26 Muffat, Georg Toccata No. 3 in A minor Rene Saorgin 00171 HMA 1901227 n/a Sun, Jul 18, 2021 - 08 The Classical Station, WCPE 2 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 07:30:28 28:30 SING FOR JOY www.stolaf.edu 08:01:5802:08 Stanford Psalm 150, Laudate Dominum Carter/Choir of Clare 13622 Harmonia 902270 314902022702 College, Mundi 2 Cambridge/Ross 08:04:0602:57 Webster O God, our help in ages past Whittemore/Advent 13719 Advent n/a n/a Press Choir/Webster Press 08:07:03 06:02 Gabrieli, G. Exaudi me Domine Huelgas Ensemble/van 03486 Sony 66261 074646626122 Nevel 08:15:3502:57 Cornysh Ave Maria, mater dei Binchois PV1390 Hyperion 38333 034571283333 Consort/Kirkman 08:18:32 03:09 Vaughan Antiphon from Five Mystical Corydon 06368 Hyperion 66420 034571164205 Williams Songs Singers/English Chamber Orch/Best 08:21:4104:42 Gibbons If ye be risen again with Christ Lane/Saint Thomas 06825 Pro 7209 n/a Choir/Scott Organo 08:28:53 03:15 GSM Commentary: David David Chalmers GSMC5 Chalmers 08:32:0808:28 Sowerby Great is the Lord Gloriae Dei Cantores 13771 Paraclete 131 709887013112 Recordings 6 08:43:0606:11 Mouton Adjutorium nostrum Capilla Flamenca/La 05430 Naxos 8.556712 730099671224 Caccia 08:49:1701:50 Rutter A Gaelic Blessing Cambridge 01363 Collegium 100 n/a Singers/City of London Sinfonia/Rutter 08:51:1706:50 Vierne Carillon de Westminster, Op. John Longhurst 00207 Philips 412 217 028941221728 54 No. 6 (from Pieces de fantaisie) 09:01:1718:10 Bach Cantata 107, "Was willst du Holland Boys' 12050 Brilliant 94050 502842194050 dich betruben" Choir/Netherlands Classics 2 Bach Collegium/Leusink 09:21:5723:06 Vivaldi Dixit Dominus, RV 595 King's Consort and 04569 Hyperion 66789 034571167893 Choir/King 09:47:3310:40 Mendelssohn Sonata in A, Op. 65 No. 3 Andrew Scanlon 11278 Raven 947 034069694726 10:01:1338:05 Biber Requiem a 15 in A De Nederlandse 03883 DHM 77344 054727734427 Bachvereniging/Leonh ardt 10:41:4816:13 Salas Requiem Mass Exaudi Choir of 04590 Jade 35808 731383580826 Cuba/Benedictine Monks of Santo Domingo De Silos/Perez 10:59:5136:38 Bruckner Mass No. 2 in E minor for choir Saarbrucken Chamber 13713 Carus 83.414 400935083414 and winds Choir/Mannheim 9 Chamber Philharmonic/Grun 11:37:5909:13 Palestrina Stabat Mater Tallis Scholars/Phillips 02766 Gimell 994 755138199422 11:48:4207:18 Raison Offerte du Cinquieme Ton, "Le Pierre Bardon 01012 Disques 784011 n/a vive-le-roy des Parisiens" Pierre Verany 11:57:15 02:10 Fill Music: announcer selects 14:25 Sun, Jul 18, 2021 - 12 The Classical Station, WCPE 3 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 12:01:15 10:18 Brahms Academic Festival Overture, Royal Concertgebouw 01897 Philips 438 320 717794777222 Op.80 Orchestra/Haitink 12:12:4832:42 Schubert String Quartet in A minor, Guarneri String 04540 Arabesque Z6687 026724668722 D.804 "Rosamunde" Quartet 12:47:20 12:47 Mozart Divertimento in D, K. 136 Ensemble Vienna 02295 Sony 47672 07464476722 13:01:5732:32 Beethoven Symphony No. 5 in C minor, Minnesota 08197 Bis 1825/26 731859182526 Op. 67 Orchestra/Vanska 5 13:36:1912:15 Dvorak Slavonic Rhapsody in A flat, Scottish National 01451 Chandos 8589 501468285892 Op. 45 No. 3 Orchestra/Jarvi 2 13:49:4910:18 Chopin Scherzo No. 2 in B flat minor, Jean-Yves Thibaudet 00244 PCM 7050 n/a Op. 31 14:01:5747:04 Handel Water Music - Complete King's Consort/King 04817 Hyperion 66967 034571169675 14:50:51 08:34 Fill Music: announcer selects 15:01:1512:36 Smetana The Moldau from Ma Vlast (My Vienna 00318 DG 415 509 028941550927 Fatherland) Philharmonic/Karajan 15:15:0630:08 Hummel Clarinet Quartet in E flat Meloni/Pecolo/Ranieri/ 05163 Naxos 8.554280 N/A Finotti 15:47:0412:21 Wagner Overture to Rienzi Cleveland 03734 Sony 62403 074646240328 Orchestra/Szell 16:01:1533:37 Saint-Saëns Symphony No. 3 in C minor, Biggs/Philadelphia 09101 Sony 87277 696998727724 Op. 78 "Organ" Orchestra/Ormandy 16:36:0710:32 Bach French Suite No. 6 in E, BWV Glenn Gould 01100 Sony 42267 07464422672 817 16:47:54 11:31 Fill Music: announcer selects 17:01:15 59:50 Renaissance Fare George Douglas 18:02:5509:34 Liszt Berceuse (Lullaby) Benjamin Grosvenor PV1381 Decca 485 1450 028948514502 Classics 18:13:4409:09 Beethoven 3rd mvt (Presto) from Rotterdam PV1371 Warner 01902951 190295177683 Symphony No. 7 in A, Op. 92 Philharmonic/Shani Classics 77683 18:24:0835:28 Rachmaninoff Symphonic Dances, Op. 45 Philadelphia PV1376 Deutsche 289 483 028948398393 Orchestra/Nezet-Segui Grammaph 9839 n on 19:01:26 05:00 The Classical Station’s Rob Kennedy speaks with cellist Matt Haimovitz. 19:07:4122:23 Poulenc Cello Sonata Haimovitz/Kodama PV1350 PentaTone 5186 816 827949081668 19:31:19 04:16 Paganini Capriccio in B minor, Op. 1 No. Alina Ibragimova DownloadHyperion 2 19:36:5022:51 Mozart Serenade No. 11 in E flat (for Akademie fur Alte DownloadHarmonia 902627 n/a winds), K. 375 Musik Berlin Mundi 20:01:31 11:58 Visée Suite in D minor Dunford/Rondeau DownloadErato 01902952 019029526993 69937 7 20:14:4416:50 Bruckner Andante from Symphony No. 2 Leipzig Gewandhaus DownloadDeutsche 00333170 n/a in C minor Orchestra/Nelsons Grammaph 2 on 20:32:4926:36 Brahms Cello Sonata No. 2 in F, Op. 99 Crawford/Asuncion PV1401 Orchid 100166 506018956166 Classics 7 21:01:1507:09 Esenvalds Earth Teach Me Quiet The Crossing/Nally PV1402 New Focus 281 690277900211 Recordings 21:09:3920:57 Tower Strike Zones Glennie/Albany DownloadNaxos 8.559902 636943990223 Symphony/Miller 21:32:0626:13 Jalbert Violin Concerto Batjer/Los Angeles PV1252 BIS 2309 731859992309 Chamber 3 Orchestra/Kahane Sun, Jul 18, 2021 - 22 The Classical Station, WCPE 4 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 22:00:09 04:08 Dowland Pavane: Lachrymae antique Fretwork 08494 EMI 57503 509994575032 8 22:05:3228:34 Britten Nocturne for tenor, seven Padmore/Britten 10791 HM 807552 n/a obbligato instruments & strings, Sinfonia/Shave Op. 31 22:35:3617:16 Barber String Quartet in B minor, Op. Cypress String Quartet 11161 Avie 2304 822252230420 11 22:54:0706:07 Dove Seek him that maketh the Baylor A Cappella PV1112 Acis 55284 192914255284 seven stars Choir/Raines 23:02:0430:03 Blackford Choral Anthems Robinson/BBC 12932 Nimbus 6205 071035762052 Singers/Hill Records 2 23:33:3714:23 Soler Versos para "Te Deum" Nicholas Jackson 09281 Priory 423 502861220423 9 23:49:15 10:10 Fill Music: announcer selects.
Load more

Recommended publications
  • Final Dissertation Document
    Abstract Title of Dissertation: INFLUENCES AND TRANSFORMATIONS: 19TH- CENTURY SOLO AND COLLABORATIVE PIANO REPERTOIRE Miori Sugiyama, Doctor of Musical Arts, 2012 Dissertation Directed by: Professor Rita Sloan School of Music, Piano Division This dissertation is an exploration of the inter-relationships of genres in the collaborative piano repertoire, particularly in music of the 19th century, an especially important period for collaborative piano repertoire. During this time, much of the repertoire gave equal importance to the piano in duo and ensemble repertoire. Starting with Schubert, and becoming more apparent with the development of the German lied, the piano became a more integral part of any composition, the piano part being no longer simplistic but rather a collaborative partner with its own voice. Mendelssohn transformed the genre of lieder by writing them, without their words, for solo piano. In addition to creating some of the greatest and most representative lieder in the Romantic period, composers such as Schumann, Brahms, and Strauss continued the evolution of the sonata by writing works that were more technically demanding on the performer, musically innovative, and structurally still evolving. In the case of Chopin who wrote mostly piano works, a major influence came from the world of opera, particularly the Bel Canto style. In exploring two specific genres, vocal and instrumental piano works by these composers; it is fascinating to see how one genre translates to another genre. This was especially true in the vocal and instrumental works by Schubert, Schumann, Brahms, Chopin, and Strauss. All of these composers, with the exception of Chopin, contributed equally to both the song and sonata genres.
    [Show full text]
  • The Classical Station, WCPE 1 Start Runs Composer Title Performerslib # Label Cat
    Tue, Jan 26, 2021 - The Classical Station, WCPE 1 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 00:01:30 10:39 Mozart Adagio in B minor, K. 540 Mitsuko Uchida 00264 Philips 412 616 028941261625 00:13:3945:17 Dvorak Cello Concerto in B minor, Op. du Pre/Swedish Radio 07040 Teldec 85340 685738534029 104 Symphony/Celibidache 01:00:2631:11 Beethoven String Quartet No. 9 in C, Op. Tokyo String Quartet 04508 Harmonia 807424 093046742362 59 No. 3 Mundi 01:32:3708:09 Mozart Adagio & Fugue in C minor for Berlin 06660 DG 0005830 028947759546 Strings K. 546 Philharmonic/Karajan 01:42:1618:09 Telemann Paris Quartet No. 11 Kuijken 04867 Sony 63115 074646311523 Bros/Leonhardt 02:01:5529:22 Mozart Sinfonia Concertante in E flat, Frang/Rysanov/Arcang 12341 Warner 08256462 825646276776 K. 364 elo/Cohen Classics 76776 02:32:1726:39 Brahms Clarinet Trio in A minor, Op. Stoltzman/Ax/Ma 02937 Sony 57499 074645749921 114 Classical 03:00:2611:52 Liszt Mephisto Waltz No. 1 Evgeny Kissin 06623 RCA 58420 828765842020 03:13:1834:42 Strauss, R. Symphony in D minor Hong Kong 03667 Marco Polo 8.220323 73009923232 Philharmonic/Scherme rhorn 03:49:0009:52 Schubert Overture to Rosamunde, D. Leipzig Gewandhaus 00217 Philips 412 432 028941243225 797 Orchestra/Masur 04:00:2215:04 Haydn Piano Sonata No. 50 in D Julia Cload 02053 Meridian 84083 N/A 04:16:2628:32 Mozart Symphony No. 29 in A, K. 201 Prague Chamber 05596 Telarc 80300 089408030024 Orch/Mackerras 04:45:58 12:20 Webern In the Summer Wind Philadelphia 10424 Sony 88725417 887254172024 Orchestra/Ormandy 202 04:59:4806:23 Lehar Merry Widow Waltz Richard Hayman 08261 Naxos 8.578041- 747313804177 Symphony 42 05:07:11 21:52 Rachmaninoff Rhapsody on a Theme of Entremont/Philadelphia 04207 Sony 46541 07464465412 Paganini, Op.
    [Show full text]
  • Barber Piano Sonata in E-Flat Minor, Opus 26
    Barber Piano Sonata In E-flat Minor, Opus 26 Comparative Survey: 29 performances evaluated, September 2014 Samuel Barber (1910 - 1981) is most famous for his Adagio for Strings which achieved iconic status when it was played at F.D.R’s funeral procession and at subsequent solemn occasions of state. But he also wrote many wonderful songs, a symphony, a dramatic Sonata for Cello and Piano, and much more. He also contributed one of the most important 20th Century works written for the piano: The Piano Sonata, Op. 26. Written between 1947 and 1949, Barber’s Sonata vies, in terms of popularity, with Copland’s Piano Variations as one of the most frequently programmed and recorded works by an American composer. Despite snide remarks from Barber’s terminally insular academic contemporaries, the Sonata has been well received by audiences ever since its first flamboyant premier by Vladimir Horowitz. Barber’s unique brand of mid-20th Century post-romantic modernism is in full creative flower here with four well-contrasted movements that offer a full range of textures and techniques. Each of the strongly characterized movements offers a corresponding range of moods from jagged defiance, wistful nostalgia and dark despondency, to self-generating optimism, all of which is generously wrapped with Barber’s own soaring lyricism. The first movement, Allegro energico, is tough and angular, the most ‘modern’ of the movements in terms of aggressive dissonance. Yet it is not unremittingly pugilistic, for Barber provides the listener with alternating sections of dreamy introspection and moments of expansive optimism. The opening theme is stern and severe with jagged and dotted rhythms that give a sense of propelling physicality of gesture and a mood of angry defiance.
    [Show full text]
  • Audition Repertoire, Please Contact the Music Department at 812.941.2655 Or by E-Mail at AUDITION REQUIREMENTS for VARIOUS DEGREE CONCENTRATIONS
    1 AUDITION GUIDE AND SUGGESTED REPERTOIRE 1 2 TABLE OF CONTENTS AUDITION REQUIREMENTS AND GUIDE . 3 SUGGESTED REPERTOIRE Piano/Keyboard . 5 STRINGS Violin . 6 Viola . 7 Cello . 8 String Bass . 10 WOODWINDS Flute . 12 Oboe . 13 Bassoon . 14 Clarinet . 15 Alto Saxophone . 16 Tenor Saxophone . 17 BRASS Trumpet/Cornet . 18 Horn . 19 Trombone . 20 Euphonium/Baritone . 21 Tuba/Sousaphone . 21 PERCUSSION Drum Set . 23 Xylophone-Marimba-Vibraphone . 23 Snare Drum . 24 Timpani . 26 Multiple Percussion . 26 Multi-Tenor . 27 VOICE Female Voice . 28 Male Voice . 30 Guitar . 33 2 3 The repertoire lists which follow should be used as a guide when choosing audition selections. There are no required selections. However, the following lists illustrate Students wishing to pursue the Instrumental or Vocal Performancethe genres, styles, degrees and difficulty are strongly levels encouraged of music that to adhereis typically closely expected to the of repertoire a student suggestionspursuing a music in this degree. list. Students pursuing the Sound Engineering, Music Business and Music Composition degrees may select repertoire that is slightly less demanding, but should select compositions that are similar to the selections on this list. If you have [email protected] questions about. this list or whether or not a specific piece is acceptable audition repertoire, please contact the Music Department at 812.941.2655 or by e-mail at AUDITION REQUIREMENTS FOR VARIOUS DEGREE CONCENTRATIONS All students applying for admission to the Music Department must complete a performance audition regardless of the student’s intended degree concentration. However, the performance standards and appropriaterequirements audition do vary repertoire.depending on which concentration the student intends to pursue.
    [Show full text]
  • The Classical Station, WCPE 1 Start Runs Composer Title Performerslib # Label Cat
    Sun, Jun 28, 2020 - The Classical Station, WCPE 1 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 00:01:30 30:17 Hummel Piano Trio No. 5 in E, Op. 83 Gajan Trio 02772 Opus 9351 N/A 2255 00:32:4707:31 Verdi Overture to Joan of Arc La Scala 03534 Sony 68468 074646846827 Philharmonic/Muti 00:41:48 17:58 Rimsky-Korsak Piano Concerto in C sharp Campbell/Royal 04500 Telarc 80454 089408045424 ov minor, Op. 30 Philharmonic/Gilbert Levine 01:01:1604:39 Chopin Nocturne in E flat, Op. 9 No. 2 Fazil Say 13305 Warner 01902958 190295821814 Classics 21814 01:06:5503:34 Strauss, R. Morgen! from Vier Lieder, Op. Hampson/Rieger 11991 DG 479 2943 028947929437 27 01:11:5947:42 Tchaikovsky Symphony No. 5 in E minor, Philharmonia/Muti 04055 Brilliant 99792/5 502842197925 Op. 64 Classics 02 02:01:1113:27 Bach, J.C.F. Cello Sonata in A Camerata of Cologne 07350 CPO 777 087 761203708727 02:15:38 18:12 Sibelius Tapiola, Op. 112 Philharmonia/Ashkena 02843 Decca 473 590 028947359029 zy 02:35:2024:21 Thalberg Piano Concerto in F minor, Op. Ponti/Westphalian 01040 MMG 7151 04716371519 5 Symphony/Kapp 03:01:11 28:13 Spohr Notturno for Winds, Op. 34 Consortium 01761 Orfeo 155 871 N/A Classicum/Klocker 03:30:5412:22 Dvorak Slavonic Rhapsody in D, Op. Slovak 01117 Marco Polo 8.223129 N/A 45 No. 1 Philharmonic/Kosler 03:44:16 15:06 Schumann Papillons, Op. 2 Vladimir Ashkenazy 01129 London 414 474 028941447425 04:00:5210:06 Vivaldi Cello Concerto in B minor, RV Pleeth/English 01136 Musical 11085Z N/A 424 Concert/Pinnock Heritage Society 04:11:5810:25 Suk Adagio from Serenade for Capella 11036 Naxos 8.578009 747313800971 Strings in E flat, Op.
    [Show full text]
  • Defining Musical Americanism: a Reductive Style Study of the Piano Sonatas of Samuel Barber, Elliott Carter, Aaron Copland, and Charles Ives
    Defining Musical Americanism: A Reductive Style Study of the Piano Sonatas of Samuel Barber, Elliott Carter, Aaron Copland, and Charles Ives A document submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS in the Keyboard Studies Division of the College-Conservatory of Music by Brendan Jacklin BM, Brandon University, 2011 MM, Bowling Green State University, 2013 Committee Chair: bruce d. mcclung, PhD Abstract This document includes a reductive style study of four American piano sonatas premiered between 1939 and 1949: Piano Sonata No. 2 “Concord” by Charles Ives, Piano Sonata by Aaron Copland, Piano Sonata by Elliott Carter, and Piano Sonata, Op. 26 by Samuel Barber. Each of these sonatas represents a different musical style and synthesizes traditional compositional techniques with native elements. A reductive analysis ascertains those musical features with identifiable European origins, such as sonata-allegro principle and fugue, and in doing so will reveal which musical features and influences contribute to make each sonata stylistically American. While such American style elements, such as jazz-inspired rhythms and harmonies, are not unique to the works of American composers, I demonstrate how the combination of these elements, along with the extent each composer’s aesthetic intent in creating an American work, contributed to the creation of an American piano style. i Copyright © 2017 by Brendan Jacklin. All rights reserved. ii Acknowledgments I would first like to offer my wholehearted thanks to my advisor, Dr. bruce mcclung, whose keen suggestions and criticisms have been essential at every stage of this document.
    [Show full text]
  • View Repertoire List
    Repertoire List Victor Lim Solo J.S. Bach Prelude and Fugue in F sharp major Book 1 BWV 858 Prelude and Fugue in B flat major Book 1 BWV 866 Prelude and Fugue in F major Book 2 BWV 880 Bach/F,Busoni Chorale Prelude ‘Wachet Auf, Ruft Uns Die Stimme’ Bach/Cohen Chorale Prelude ‘Ertödt' uns durch dein' Güte’ Bach/Siloti Prelude in B minor J. Rameau La Dauphine D. Scarlatti Sonata in C K159 L.v. Beethoven Piano Sonata No.10 Op.14 No.2 Piano Sonata No.21 Op.53 'Waldstein' Piano Sonata No.26 Op.81a 'Les Adieux' Piano Sonata No.25 Op.57 ‘Appassionata’ Piano Sonata No.29 Op.106 ‘Hammerklavier’ J. Haydn Piano Sonata in F major Hob.XVI.23 Piano Sonata in B minor Hob.XVI:32 Piano Sonata in E minor Hob.XVI:34 Piano Sonata in C major Hob.XVI:50 W.A. Mozart Piano Sonata in B flat major K.570 Piano Sonata in A minor K.310 F. Schubert Piano Sonata No.13 in A major D.664 Allegreto in C minor D.915 J. Brahms 6 Klavierstücke Op.118 F. Bridge Three sketches F. Chopin Etudes Op.10 No.1,2,3,5,10,12 Fantaisie Op.49 Ballade No.4 Op.52 Barcarolle Op.60 Preludes Op.28 Mazurkas Op.59 Nocturne Op.9 No.2, Op.32 No.1&2 P. Grainger Ramble on the last duet in Richard Strauss’s Opera ‘Der Rosenkavalier’ E. Grieg Lyric Pieces Op.12 No.1, ‘Arietta’, Op.47 No.3 ‘Melodie’, Op.54 No.4 ‘Nocturne F.
    [Show full text]
  • ALBAN Gerhardt ANNE-Marie Mcdermott
    THE KINDLER FOUNDATION TRUST FUND iN tHE LIBRARY oF CONGRESS ALBAN GERHARDT ANNE-MARIE MCDERMOTT Saturday, January 16, 2016 ~ 2 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building In 1983 the KINDLER FOUNDATION TRUST FUND in the Library of Congress was established to honor cellist Hans Kindler, founder and first director of the National Symphony Orchestra, through concert presentations and commissioning of new works. Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. • Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Saturday, January 16, 2016 — 2 pm THE KINDLER FOUNDATION TRUST FUND iN tHE LIBRARY oF CONGRESS ALBAN GERHARDT, CELLO ANNE-MARIE MCDERMOTT, PIANO • Program SAMUEL BARBER (1910-1981) Sonata for cello and piano, op. 6 (1932) Allegro ma non troppo Adagio—Presto—Adagio Allegro appassionato BENJAMIN BRITTEN (1913-1976) Sonata in C major for cello and piano, op. 65 (1960-1961) Dialogo Scherzo-pizzicato Elegia Marcia Moto perpetuo LUKAS FOSS (1922-2009) Capriccio (1946) iNtermission 1 LEONARD BERNSTEIN (1918-1990) Three Meditations from Mass for cello and piano (1971) Meditation no.
    [Show full text]
  • September 2016 – July 2017
    SEPTEMBER 2016 –JULY 2017 Director’s Introduction Frances Marshall Photography One of Britain’s foremost singers, Sarah Connolly, opens the Hall’s new season with regular duo partner Malcolm Martineau, leading listeners through a programme rich in emotional contrasts, poetic reflections and glorious melodies. The recital includes Mahler’s sublime Rückert Lieder, the impassioned lyricism of Berlioz’s Les nuits d’été, the exotic subtle narrative impressions of Debussy’s three Chansons de Bilitis, and a selection of Schumann songs. Mark Padmore’s vocal artistry and ability to extract every drop of emotion from poetic texts have secured his place among today’s finest recitalists. Morgan Szymanski, described by Classical Guitar magazine as ‘a player destined for future glories’ joins him on 12 September. Critical acclaim for Angela Hewitt’s Bach interpretations bears witness to the pianist’s extraordinary ability to connect physically and emotionally as well as intellectually with the dance rhythms and expressive gestures of the composer’s keyboard works. The Bach Odyssey will highlight all of this over the next four years. Canadian soprano Barbara Hannigan performs like a force of nature, captivating audiences with her artistry’s presence and expressive vitality. She joins the Calder Quartet, winner of the 2014 Avery Fisher Career Grant, for the world première of The sirens cycle by Peter Eötvös. Beethoven’s piano sonatas occupied forty years of his life. They offer insights into his development as artist and individual, and stand among the greatest of all his works. Igor Levit, now in his late 20s, drew critical superlatives to his debut recording of Beethoven’s late sonatas and has since established his reputation as a visionary interpreter of the composer’s music.
    [Show full text]
  • Light & Matter
    THE DINA KOSTON AND ROGER SHAPIRO fUND fOR nEW mUSIC LIGHT & MATTER JENNIFER KOH, vIOLIN ANSSI KARTTUNEN, cELLO IEVA JOKUBAVICIUTE, pIANO Friday, May 22, 2015 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building THE DINA KOSTON AND ROGER SHAPIRO FUND FOR NEW MUSIC Endowed by the late composer and pianist Dina Koston (1929-2009) and her husband, prominent Washington psychiatrist Roger L. Shapiro (1927-2002), the DINA KOSTON AND ROGER SHAPIRO FUND FOR NEW MUSIC supports commissions, contemporary music and its performers. Presented in association with the European Month of Culture Part of National Chamber Music Month Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. • Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Friday, May 22, 2015 — 8 pm THE DINA KOSTON AND ROGER SHAPIRO fUND fOR nEW mUSIC LIGHT & MATTER JENNIFER KOH, vIOLIN ANSSI KARTTUNEN, cELLO IEVA JOKUBAVICIUTE, pIANO • Program CLAUDE DEBUSSY (1862–1918) Sonate pour Violoncelle et Piano (1915) Prologue: Lent, Sostenuto e molto risoluto–(Agitato)–au Mouvt (largement déclamé)–Rubato–au Mouvt (poco animando)–Lento Sérénade: Modérément animé–Fuoco–Mouvt–Vivace–Meno mosso poco– Rubato–Presque lent–1er Mouvt–au Mouvt– Finale: Animé, Léger et nerveux–Rubato–1er Mouvt–Con fuoco ed appassionato–Lento.
    [Show full text]
  • The Increasing Expressivities in Slow Movements of Beethoven's Piano
    The Increasing Expressivities in Slow Movements of Beethoven’s Piano Sonatas: Op. 2 No. 2, Op. 13, Op. 53, Op. 57, Op. 101 and Op. 110 Li-Cheng Hung A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts University of Washington 2019 Reading Committee: Robin McCabe, Chair Craig Sheppard Carole Terry Program Authorized to Offer Degree: School of Music ©Copyright 2019 Li-Cheng Hung University of Washington Abstract The Increasing Expressivities in Slow Movements of Beethoven’s Piano Sonatas: Op. 2 No. 2, Op. 13, Op. 53, Op. 57, Op. 101 and Op. 110 Li-Cheng Hung Chair of the Supervisory Committee: Dr. Robin McCabe School of Music Ludwig van Beethoven’s influential status is not only seen in the keyboard literature but also in the entire music world. The thirty-two piano sonatas are especially representative of his unique and creative compositional style. Instead of analyzing the structure and the format of each piece, this thesis aims to show the evolution of the increasing expressivity of Beethoven’s music vocabulary in the selected slow movements, including character markings, the arrangements of movements, and the characters of each piece. It will focus mainly on these selected slow movements and relate this evolution to changes in his life to provide an insight into Beethoven himself. The six selected slow movements, Op. 2 No. 2, Op.13 Pathétique, Op. 53 Waldstein, Op. 57 Appassionata, Op. 101 and Op. 110 display Beethoven’s compositional style, ranging from the early period, middle period and late period.
    [Show full text]
  • The Classical Station, WCPE 1 Start Runs Composer Title Performerslib # Label Cat
    Tue, Dec 15, 2020 - The Classical Station, WCPE 1 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 00:01:30 10:11 Beethoven Piano Sonata No. 24 in F Alfred Brendel 00559D Philips 412 577 N/A - Comp. sharp, Op. 78 "For Therese" Beeth. Sonatas 00:12:4106:49 Torelli Christmas Concerto in G minor, I Solisti Italiani X0339 Musical 513986 717794398625 Op. 8 No. 6 Heritage Society 00:20:3040:02 Magnard Symphony No. 2 in E Orchestra of the 01807 EMI 49080 077774908023 Toulouse Capitole/Plasson 01:02:02 35:36 Schütz The Christmas Story Kirkby/Taverner X0349 EMI 47633 077774763325 Consort/Parrott 01:38:3820:40 Saint-Saëns Cello Concerto No. 1 in A Rolston/Calgary 03597 CBC 5153 059582515327 minor, Op. 33 Philharmonic/Bernardi Records 02:00:48 05:13 Berlioz Shepherds' farewell from Choir of Trinity X0142 Conifer 5907 74321159072 L'Enfance du Christ, Op. 25 College, Cambridge/Marlow 02:07:0108:31 Beethoven Coriolan Overture, Op. 62 Berlin 00469 DG 415 507 028941550729 Philharmonic/Karajan 02:16:3243:31 Brahms Symphony No. 1 in C minor, Cleveland 02212 Sony 46534 07464465342 Op. 68 Orchestra/Szell 03:01:3331:21 Mozart Divertimento No. 10 in F, K. Academy Chamber 00613 Philips 416 362 028941636225 247 Ensemble 03:33:5424:51 Beethoven Symphony No. 8 in F, Op. 93 Hanover 04422 Nimbus 5130 083603513023 Band/Goodman 04:00:1513:08 Corelli Concerto Grosso in G minor, Violins of the X0113 Dorian 90180 053479018021 Op. 6 No. 8 "Christmas King/Labadie Concerto" 04:14:2331:38 Chausson Symphony in B flat, Op.
    [Show full text]