Fourth Floor, 1940-1970
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Mews Dealers
Bernard Villersbq. Didier hb%ieu. For sukrscrlption (2 issues a >.ear) for French-English edition in November and May, 120 FF for Europe and 160 FF outside the MEWS European Union. Send to the above address in Saint- Urieix-la-Perche, France. Eric Gilt Conference $i Exhibitions, to be heEd in Sokember 2000, at the Gni\ersits of Notre Dame ~ith The Cotnambia College Chicago Ceates for Bwk & ,a conference on Eric Gill and the Guild of St. Pager Arts has moved to 1104 So. Wabash, Znd flr., Dominic. There uall also be: esltaibi~onsat the Sniae Chicago, EL 60605. Phone: (3 12)3446630, fax: L",.~seua?.,of Art and the Sfesbazrgh Libra3 Specid (3 i2(343-8082, e-snail: Coilections. Call for Papers due in Msch 2000, and BookdPir~er2~u~mail.coltlm.edu and website: ihe fo11ouing web site: Iktt~:/h~~w,coham.edu/cenPemh~ii I:t!p:i ?t\~$%i.,nd ed-LLJ-jsinem~anlgiiiJ Ann 3foore has been named director of the Center for Library and Archi~talExhibitierras are now on the Web Book Am in New Uork City. She formerly was at the at &ttg:lIwwu.siP.si.cduiSliLP~tbEicaQiunsi~n1inc- Alien Memorial Apt Museum Ga31ery of OberIin EsAibitions/onlia~c-exhibitions-titIeehtis the site %iiai"i Coiiege in Oberlin, Ohio. 3SO-c links, DEALERS Reparation da: Poesie Artist Book #I 1. Send 100 Paul-Uon Bisson-Millet has a new list, available Ifom originzl pages or multiple. a ~sualart. rnaiiB art. \ isud Saarserassc 62, D-=69 I5 f. Ncckargemund, Germany. poetq, postcards, computer art, cop) apt. -
Diplomarbeit
DIPLOMARBEIT Titel der Diplomarbeit „Buchskulpturen – Zerstörung als produktives Schaffensmoment“ Verfasserin Constanze Anna Sabine Stahr angestrebter akademischer Grad Magistra der Philosophie (Mag. phil.) Wien, 2013 Studienkennzahl lt. Studienblatt: A 315 Studienrichtung lt. Studienblatt: Kunstgeschichte Betreuer: Dr. Sebastian Egenhofer „Ein Buch muss die Axt sein für das gefrorene Meer in uns.“ Franz Kafka Eidesstattliche Erklärung Ich erkläre hiermit an Eides Statt, dass ich die vorliegende Diplomarbeit selbstständig und ohne Benutzung anderer als der angegebenen Hilfsmittel angefertigt habe. Die aus fremden Quellen direkt oder indirekt übernommenen Gedanken sind als solche kenntlich gemacht. Die Arbeit wurde bisher in gleicher oder ähnlicher Form keiner anderen Prüfungsbehörde vorgelegt und auch noch nicht veröffentlicht. Wien, am 9.01.2013 Danksagung Ich möchte an dieser Stelle einigen Personen meinen Dank aussprechen, ohne deren Unterstützung die Erstellung dieser Diplomarbeit nur schwerlich möglich gewesen wäre. Auf fachlicher Seite danke ich vor allem Frau Prof. Dr. Julia Gelshorn und Herrn Dr. Sebastian Egenhofer für die Betreuung und maßgebliche Hilfe bei der Themenfindung. Für die Unterstützung in persönlicher und moralischer Art und Weise danke ich meiner Familie, besonders meinen Eltern, Dr. Ernst-Heinrich Stahr und Sabine Stahr, die mir das Studium erst ermöglichten und mir das Interesse für Kunst in die Wiege gelegt haben, sowie meiner Großmutter Josefa Henning und meinem Onkel Thomas Henning. Außerdem danke ich meinen -
DIE KÜNSTLER DES Di DANIEL SPOERRI
FONDAZIONE »HIC TERMINUS HAERET« Il Giardino di Daniel Spoerri ONLUS Loc. Il Giardino I - 58038 Seggiano GR L I E fon 0039 0564 950 026 W www.danielspoerri.org T T [email protected] O R T S DIE KÜNSTLER DES N U K M U R O F m i GIARDINO « i r r e o p S l di DANIEL SPOERRI e i n a D GLI ARTISTI DEL GIARDINO DI DANIEL SPOERRI i d o n i d r a i G s e d r e l t s n ̈ u K e i D » g n u l l e t s s u A r e d h c i l s s ä l n a t n i e h c s r e t f e H s e s e i D LOC. IL GIARDINO | I - 58038 SEGGIANO (GR) www.danielspoerri.org Impressum FORUM KUNST ROTTWEIL Dieses Heft erscheint anlässlich de r Ausstellung Friedrichsplatz Die Künsetrl des Giardino di Daniel Spoerri D - 78628 Rottweil im FORUM KUNST ROTTWEIL fon 0049 (0)741 494 320 Herausgeber fax 0049 (0)741 942 22 92 Jürgen Knubben www.forumkunstrottweil.de Forum Kunst Rottweil [email protected] Kuratoren Jürgen Knubben ÖFFNUNGSZEITEN / ORARIO Barbara Räderscheidt Dienstag, Mittwoch, Freitag / martedi, mercoledi, venerdi Daniel Spoerri 14:00 – 17:00 Susanne Neumann Donnerstag / giovedi Texte 17:00 – 20:00 Leda Cempellin Samstag und Sonntag / sabato e domenica Jürgen Knubben 10:00 – 13:00 Anna Mazzanti (A.M.) 14:00 – 17:00 Barbara Räderscheidt (B.R.) Daniel Spoerri IL GIARDINO DI DANIEL SPOERRI Übersetzungen »HIC TERMINUS HAERET« NTL, Florenz Il Giardino di Daniel Spoerri ONLUS Katalog & Fotos Loc. -
September 2007 Caa News
NEWSLETTER OF THE COLLEGE ART ASSOCIATION VOLUME 32 NUMBER 5 SEPTEMBER 2007 CAA NEWS Cultural Heritage in Iraq SEPTEMBER 2007 CAA NEWS 2 CONTENTS FEATURES 3 Donny George Is Dallas–Fort Worth Convocation Speaker FEATURES 4 Cultural Heritage in Iraq: A Conversation with Donny George 7 Exhibitions in Dallas and Fort Worth: Kimbell Art Museum 8 Assessment in Art History 13 Art-History Survey and Art- Appreciation Courses 13 Lucy Oakley Appointed caa.reviews Editor-in-Chief 17 The Bookshelf NEW IN THE NEWS 18 Closing of CAA Department Christopher Howard 19 National Career-Development Workshops for Artists FROM THE CAA NEWS EDITOR 19 MFA and PhD Fellowships Christopher Howard is editor of CAA News. 21 Mentors Needed for Career Fair 22 Participating in Mentoring Sessions With this issue, CAA begins the not-so-long road to the next 22 Projectionists and Room Monitors Needed Annual Conference, held February 20–23, 2008, in Dallas and 24 Exhibit Your Work at the Dallas–Fort Fort Worth, Texas. The annual Conference Registration and Worth Conference Information booklet, to be mailed to you later this month, 24 Annual Conference Update contains full registration details, information on special tours, workshops, and events at area museums, Career Fair instruc- CURRENTS tions, and much more. This publication, as well as additional 26 Publications updates, will be posted to http://conference.collegeart.org/ 27 Advocacy Update 2008 in early October. Be sure to bookmark that webpage! 27 Capwiz E-Advocacy This and forthcoming issues of CAA News will also con- tain crucial conference information. On the next page, we 28 CAA News announce Donny George as our Convocation speaker. -
PRESS RELEASE Art Into Life!
Contact: Anne Niermann / Sonja Hempel Press and Public Relations Heinrich-Böll-Platz 50667 Cologne Tel + 49 221 221 23491 [email protected] [email protected] PRESS RELEASE Art into Life! Collector Wolfgang Hahn and the 60s June 24 – September 24, 2017 Press conference: Thursday, June 22, 11 a.m., preview starts at 10 a.m. Opening: Friday, June 23, 7 p.m. In the 1960s, the Rhineland was already an important center for a revolutionary occurrence in art: a new generation of artists with international networks rebelled against traditional art. They used everyday life as their source of inspiration and everyday objects as their material. They went out into their urban surroundings, challenging the limits of the art disciplines and collaborating with musicians, writers, filmmakers, and dancers. In touch with the latest trends of this exciting period, the Cologne painting restorer Wolfgang Hahn (1924–1987) began acquiring this new art and created a multifaceted collection of works of Nouveau Réalisme, Fluxus, Happening, Pop Art, and Conceptual Art. Wolfgang Hahn was head of the conservation department at the Wallraf Richartz Museum and the Museum Ludwig. This perspective influenced his view of contemporary art. He realized that the new art from around 1960 was quintessentially processual and performative, and from the very beginning he visited the events of new music, Fluxus events, and Happenings. He initiated works such as Daniel Spoerri’s Hahns Abendmahl (Hahn’s Supper) of 1964, implemented Lawrence Weiner’s concept A SQUARE REMOVAL FROM A RUG IN USE of 1969 in his living room, and not only purchased concepts and scores from artists, but also video works and 16mm films. -
Remnant Romance-Weber and Robson Press Release
Aurora Robson Responds to Idelle Weber’s Photorealist Paintings with New Works In Exhibition that Features Both Artists’ Explorations of the Aesthetic and Material Qualities of Trash On View January 14 – February 20, 2021 Hollis Taggart is pleased to announce a two-person exhibition of work by Idelle Weber and Aurora Robson. Remnant Romance, Environmental Works: Idelle Weber and Aurora Robson will feature oil paintings and watercolors by Weber (1932-2020) alongside new multimedia sculptural work by Robson (b. 1972), who studied the late artist’s work while creating new pieces for the exhibition. Remnant Romance will create a dialogue between the artists, who, despite working in different media and being part of distinct generations, both draw inspiration from trash and seek to find beauty in the remnants of other peoples’ lives. Remnant Romance, Environmental Works: Idelle Weber and Aurora Robson will be on view at Hollis Taggart at 521 West 26th Street from January 14 through February 20, 2021. Idelle Weber is perhaps most well known for her contribution to Pop Art and her famous silhouette paintings, in which she depicted anonymous figures doing quotidian activities against nondescript backgrounds. In the late 1960s, continuing to find inspiration in the everyday but shifting in style to photorealism, Weber turned her attention to overlooked common daily sights in New York City such as fruit stands and street litter. The artist’s photorealist paintings were a continuation of the consumerism reflected in her Pop Art works, and were exhibited more widely. Over the past decade, however, Weber’s Pop Art has received more attention, largely due to curator Sid Sach’s inclusion of her silhouette paintings in his Beyond the Surface and Seductive Subversion exhibitions in 2010. -
Autumn 2012 Catalogue:1 20/4/12 10:28 Page 1
Autumn 12 Cat. Cover multiple bags:1 16/4/12 12:19 Page 1 YaleBooks www.yalebooks.co.uk twitter.com/yalebooks yalebooks.wordpress.com Yale facebook.com/yalebooks autumn & winter 2012 Yale autumn & winter 2012 Autumn 2012 Cat. Inside Cover:1 20/4/12 10:23 Page 1 Yale sales representatives and overseas agents Great Britain Central Europe China, Hong Kong Scotland and the North Ewa Ledóchowicz & The Philippines Peter Hodgkiss PO Box 8 Ed Summerson 16 The Gardens 05-520 Konstancin-Jeziorna Asia Publishers Services Ltd Whitley Bay NE25 8BG Poland Units B & D Tel. 0191 281 7838 Tel. (+48) 22 754 17 64 17/F Gee Chang Hong Centre Mobile ’phone 07803 012 461 Fax. (+48) 22 756 45 72 65 Wong Chuk Hang Road e-mail: [email protected] Mobile ’phone (+48) 606 488 122 Aberdeen e-mail: [email protected] Hong Kong North West England, inc. Staffordshire Tel. (+852) 2553 9289/9280 Sally Sharp Australia, New Zealand, Fax. (+852) 2554 2912 53 Southway Fiji & Papua New Guinea e-mail: [email protected] Eldwick, Bingley Inbooks West Yorkshire BD16 3DT Locked Bag 535 Singapore, Thailand, Vietnam, Tel. 01274 511 536 Frenchs Forest Cambodia, Indonesia & Brunei Mobile ’phone 07803 008 218 NSW 2086 APD Singapore Ptd Ltd e-mail: [email protected] Australia 52 Genting Lane #06-05 Tel: (+61) 2 8988 5082 Ruby Land Complex 1 South Wales, South and South West Fax: (+61) 2 8988 5090 Singapore 349560 England, inc. South London e-mail: [email protected] Tel. (+65) 6749 3551 Josh Houston Fax. -
Tracing the Interactive Relationship Between Iceland and Dieter Roth
Exile, Correspondence, Rebellion – Tracing the Interactive Relationship between Iceland and Dieter Roth Anna Jóhannsdóttir Abstract The Swiss-German artist Dieter Roth (1930–1998) lived in Iceland for a long time and maintained a close relationship with the country throughout his life. Much of his early experimental book art was produced in Iceland between 1957 and 1964, at first under the influence of concrete art, until he shifted towards more radical avant-garde ideas and methods linked with the Fluxus movement – ideas he continued to develop through correspondence with important European artists and which he imported into the local art scene, where he was a shaping force in the 1960s and ’70s. It was love that brought Dieter Roth (1930–1998) to Iceland in 1957. Following his wife-to-be, he embarked Gullfoss, a ship named after the majestic Icelandic “golden waterfall”, and sailed from Copenhagen to Reykjavík. The young artist would eventually develop a strong and lasting relationship with the country. In fact, it is tempting to compare his impact in Iceland to a golden waterfall: Dieter, as he is usually referred to in Iceland, certainly was a fascinating flux of creative energy; a goldmine of artistic ideas and improvisational talent. When considering this relationship and exploring its interactivity, two main questions arise: how Roth’s stay in the country may have shaped his artistic work, and how his presence influenced the local art scene, in particu- lar Iceland as an arena of avant-garde cultural activity, a melting pot of experimentation. Without Dieter, contemporary avant-garde activity in the visual arts “would perhaps all have gone by unnoticed”, the artist, stage designer and influential teacher Magnús Pálsson (b. -
Pop Culture and Art
Colorado Teacher-Authored Instructional Unit Sample Visual Arts 6th Grade Unit Title: Pop Culture and Art INSTRUCTIONAL UNIT AUTHORS Pueblo County School District Amie Holmberg Brenna Reedy Colorado State University Patrick Fahey, PhD BASED ON A CURRICULUM OVERVIEW SAMPLE AUTHORED BY Denver School District Capucine Chapman Fountain School District Sean Norman Colorado’s District Sample Curriculum Project This unit was authored by a team of Colorado educators. The template provided one example of unit design that enabled teacher- authors to organize possible learning experiences, resources, differentiation, and assessments. The unit is intended to support teachers, schools, and districts as they make their own local decisions around the best instructional plans and practices for all students. DATE POSTED: MARCH 31, 2014 Colorado Teacher-Authored Sample Instructional Unit Content Area Visual Arts Grade Level 6th Grade Course Name/Course Code Sixth Grade Visual Arts Standard Grade Level Expectations (GLE) GLE Code 1. Observe and Learn to 1. The characteristics and expressive features of art and design are used in unique ways to respond to two- and VA09-GR.6-S.1-GLE.1 Comprehend three-dimensional art 2. Art created across time and cultures can exhibit stylistic differences and commonalities VA09-GR.6-S.1-GLE.2 3. Specific art vocabulary is used to describe, analyze, and interpret works of art VA09-GR.6-S.1-GLE.3 2. Envision and Critique to 1. Visual symbols and metaphors can be used to create visual expression VA09-GR.6-S.2-GLE.1 Reflect 2. Key concepts, issues, and themes connect the visual arts to other disciplines such as the humanities, sciences, VA09-GR.6-S.2-GLE.1 mathematics, social studies, and technology 3. -
Alessandro Ludovico
POSt- DIGITAL PRINT The Mutation of Publishing since 1894 Alessandro Ludovico ONOMATOPEE 77 In this post-digital age, digital technology is no longer a revolutionary phenomenon but a normal part of every- day life. The mutation of music and film into bits and bytes, downloads and streams is now taken for granted. For the world of book and magazine publishing however, this transformation has only just begun. Still, the vision of this transformation is far from new. For more than a century now, avant-garde artists, activists and technologists have been anticipating the development of networked and electronic publishing. Although in hindsight the reports of the death of paper were greatly exaggerated, electronic publishing has now certainly become a reality. How will the analog and the digital coexist in the post-digital age of publishing? How will they transition, mix and cross over? In this book, Alessandro Ludovico re-reads the history of media technology, cultural activism and the avant- garde arts as a prehistory of cutting through the so-called dichotomy between paper and electronics. Ludovico is the editor and publisher of Neural, a magazine for critical digital culture and media arts. For more than twenty years now, he has been working at the cutting edge (and the outer fringes) of both print publishing and politically engaged digital art. ISBN 9789078454878 90000 > 9 789078 454878 POSt- DIGITAL PRINT The Mutation of Publishing since 1894 Alessandro Ludovico ONOMATOPEE 77 1 2 contents Introduction. 7 Chapter 1 – The death of paper (which never happened). 15 1.1 Early threats to the printed medium. -
René Block Curating: Politics and Display René Block Interviewed by Sylvia Ruttimann and Karin Seinsoth
Interview with René Block Curating: politics and display René Block interviewed by Sylvia Ruttimann and Karin Seinsoth I. Gallery and Fair / Art and Capital Lueg and KH Hödicke had just left the academy; KP Brehmer and Sigmar Polke were still students, as Sylvia Ruttimann & Karin Seinsoth: In 1964, were Palermo, Knoebel and Ruthenbeck. All of them at the age of twenty-two, you founded your own started in the mid-sixties from point zero, like gallery in Berlin and went down in the history of the myself. We started together and we grew up together. art world for doing so. What inspired you to take that Wolf Vostell and, naturally, Joseph Beuys represented risk? the older generation, but hardly anyone was taking notice of their work back then. Th is made them René Block: Well, to begin with, it wasn’t a risk equal to the artists of the young generation from the at all but simply a necessity. From the time I was point of commerce. Even though artistically they seventeen, when I was a student at the Werkkunsts- have been more experienced. Th at was the “German chule (school of applied arts) Krefeld, I had the programme”. At the same time, I was also interested opportunity to experience close up how the museum in the boundary-transcending activities of the inter- director Paul Wember realized a unique avant-garde national Fluxus movement. Nam June Paik, George exhibition programme at the Museum Hans Lange, Brecht, Arthur Køpcke, Dick Higgins, Allison and also how he purchased works from those exhibi- Knowles, Emmet Williams, Dieter Roth, Robert tions for his museum. -
Intersections, Boundaries and Passages
Keith Dietrich INTERSECTIONS, BOUNDARIES AND PASSAGES: TRANSGRESSING THE CODEX October 2011 Keith Dietrich was born in Johannesburg in 1950 and studied graphic design at Stellenbosch University, where he graduated with a BA degree in Visual Arts in 1974. Between 1975 and 1977 he studied painting at the National Higher Institute for Fine Arts in Antwerp, Belgium. He obtained his MA in Fine Arts (cum laude) in 1983 and his D Litt et Phil in Art History in 1993, both at the University of South Africa (Unisa). He has lectured at the University of Pretoria and Unisa, and is currently INTRODUCTION Chair of the Department of Visual Arts at Stellenbosch University. He has participated in over thirty community interaction projects in southern Africa and has received a number of awards, in South Africa and abroad, for both his creative and his academic work. He has participated in group exhibitions and biennials in Belgium, Botswana, Chile, Egypt, Germany, Italy, Namibia, the Netherlands, South Africa, Spain, Sweden, Switzerland, the United Kingdom and the USA, and has held 20 solo exhibitions in South Africa. His work is represented in 34 corporate and public collections in South Africa and abroad. 1 Intersections, Boundaries and Passages: Transgressing the Codex Inaugural lecture presented on 4 October 2011 Prof. K.H. Dietrich Department of Visual Arts Faculty of Arts and Social Sciences Editor: SU Language Centre Design: Keith Dietrich Printing: Sunprint ISBN: 978-0-7972-1335-7 2 Given that the convention of an inaugural lecture Artists’ books lie at the intersection of disciplines in excludes art practice, I decided to present an inaugural ex- both the visual arts and literature, and include poetry, prose, hibition.