Building a Pure Land Lineage: a Study of Zhida’S Play Guiyuan Jing and a Translation of Its Three Paratexts
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Bridging Worlds: Buddhist Women's Voices Across Generations
BRIDGING WORLDS Buddhist Women’s Voices Across Generations EDITED BY Karma Lekshe Tsomo First Edition: Yuan Chuan Press 2004 Second Edition: Sakyadhita 2018 Copyright © 2018 Karma Lekshe Tsomo All rights reserved No part of this book may not be reproduced or utilized in any form or by any means, electronic or mechanical, or by any information storage or retreival system, without the prior written permission from the publisher, except in the case of brief quotations. Cover Illustration, "Woman on Bridge" © 1982 Shig Hiu Wan. All rights reserved. "Buddha" calligraphy ©1978 Il Ta Sunim. All rights reserved. Chapter Illustrations © 2012 Dr. Helen H. Hu. All rights reserved. Book design and layout by Lillian Barnes Bridging Worlds Buddhist Women’s Voices Across Generations EDITED BY Karma Lekshe Tsomo 7th Sakyadhita International Conference on Buddhist Women With a Message from His Holiness the XIVth Dalai Lama SAKYADHITA | HONOLULU, HAWAI‘I iv | Bridging Worlds Contents | v CONTENTS MESSAGE His Holiness the XIVth Dalai Lama xi ACKNOWLEDGMENTS xiii INTRODUCTION 1 Karma Lekshe Tsomo UNDERSTANDING BUDDHIST WOMEN AROUND THE WORLD Thus Have I Heard: The Emerging Female Voice in Buddhism Tenzin Palmo 21 Sakyadhita: Empowering the Daughters of the Buddha Thea Mohr 27 Buddhist Women of Bhutan Tenzin Dadon (Sonam Wangmo) 43 Buddhist Laywomen of Nepal Nivedita Kumari Mishra 45 Himalayan Buddhist Nuns Pacha Lobzang Chhodon 59 Great Women Practitioners of Buddhadharma: Inspiration in Modern Times Sherab Sangmo 63 Buddhist Nuns of Vietnam Thich Nu Dien Van Hue 67 A Survey of the Bhikkhunī Saṅgha in Vietnam Thich Nu Dong Anh (Nguyen Thi Kim Loan) 71 Nuns of the Mendicant Tradition in Vietnam Thich Nu Tri Lien (Nguyen Thi Tuyet) 77 vi | Bridging Worlds UNDERSTANDING BUDDHIST WOMEN OF TAIWAN Buddhist Women in Taiwan Chuandao Shih 85 A Perspective on Buddhist Women in Taiwan Yikong Shi 91 The Inspiration ofVen. -
Central Asia in Xuanzang's Great Tang Dynasty Record of the Western
Recording the West: Central Asia in Xuanzang’s Great Tang Dynasty Record of the Western Regions Master’s Thesis Presented in Partial Fulfilment of the Requirements for the Degree of Master Arts in the Graduate School of the Ohio State University By Laura Pearce Graduate Program in East Asian Studies Ohio State University 2018 Committee: Morgan Liu (Advisor), Ying Zhang, and Mark Bender Copyrighted by Laura Elizabeth Pearce 2018 Abstract In 626 C.E., the Buddhist monk Xuanzang left the Tang Empire for India in a quest to deepen his religious understanding. In order to reach India, and in order to return, Xuanzang journeyed through areas in what is now called Central Asia. After he came home to China in 645 C.E., his work included writing an account of the countries he had visited: The Great Tang Dynasty Record of the Western Regions (Da Tang Xi You Ji 大唐西域記). The book is not a narrative travelogue, but rather presented as a collection of facts about the various countries he visited. Nevertheless, the Record is full of moral judgments, both stated and implied. Xuanzang’s judgment was frequently connected both to his Buddhist beliefs and a conviction that China represented the pinnacle of culture and good governance. Xuanzang’s portrayal of Central Asia at a crucial time when the Tang Empire was expanding westward is both inclusive and marginalizing, shaped by the overall framing of Central Asia in the Record and by the selection of local legends from individual nations. The tension in the Record between Buddhist concerns and secular political ones, and between an inclusive worldview and one centered on certain locations, creates an approach to Central Asia unlike that of many similar sources. -
Catazacke 20200425 Bd.Pdf
Provenances Museum Deaccessions The National Museum of the Philippines The Herbert F. Johnson Museum of Art, Cornell University New York, USA The Monterey Museum of Art, USA The Abrons Arts Center, New York, USA Private Estate and Collection Provenances Justus Blank, Dutch East India Company Georg Weifert (1850-1937), Federal Bank of the Kingdom of Serbia, Croatia and Slovenia Sir William Roy Hodgson (1892-1958), Lieutenant Colonel, CMG, OBE Jerrold Schecter, The Wall Street Journal Anne Marie Wood (1931-2019), Warwickshire, United Kingdom Brian Lister (19262014), Widdington, United Kingdom Léonce Filatriau (*1875), France S. X. Constantinidi, London, United Kingdom James Henry Taylor, Royal Navy Sub-Lieutenant, HM Naval Base Tamar, Hong Kong Alexandre Iolas (19071987), Greece Anthony du Boulay, Honorary Adviser on Ceramics to the National Trust, United Kingdom, Chairman of the French Porcelain Society Robert Bob Mayer and Beatrice Buddy Cummings Mayer, The Museum of Contemporary Art (MCA), Chicago Leslie Gifford Kilborn (18951972), The University of Hong Kong Traudi and Peter Plesch, United Kingdom Reinhold Hofstätter, Vienna, Austria Sir Thomas Jackson (1841-1915), 1st Baronet, United Kingdom Richard Nathanson (d. 2018), United Kingdom Dr. W. D. Franz (1915-2005), North Rhine-Westphalia, Germany Josette and Théo Schulmann, Paris, France Neil Cole, Toronto, Canada Gustav Heinrich Ralph von Koenigswald (19021982) Arthur Huc (1854-1932), La Dépêche du Midi, Toulouse, France Dame Eva Turner (18921990), DBE Sir Jeremy Lever KCMG, University -
Zen Masters at Play and on Play: a Take on Koans and Koan Practice
ZEN MASTERS AT PLAY AND ON PLAY: A TAKE ON KOANS AND KOAN PRACTICE A thesis submitted to Kent State University in partial fulfillment of the requirements for the degree of Master of Arts by Brian Peshek August, 2009 Thesis written by Brian Peshek B.Music, University of Cincinnati, 1994 M.A., Kent State University, 2009 Approved by Jeffrey Wattles, Advisor David Odell-Scott, Chair, Department of Philosophy John R.D. Stalvey, Dean, College of Arts and Sciences ii TABLE OF CONTENTS Acknowledgements iv Chapter 1. Introduction and the Question “What is Play?” 1 Chapter 2. The Koan Tradition and Koan Training 14 Chapter 3. Zen Masters At Play in the Koan Tradition 21 Chapter 4. Zen Doctrine 36 Chapter 5. Zen Masters On Play 45 Note on the Layout of Appendixes 79 APPENDIX 1. Seventy-fourth Koan of the Blue Cliff Record: 80 “Jinniu’s Rice Pail” APPENDIX 2. Ninty-third Koan of the Blue Cliff Record: 85 “Daguang Does a Dance” BIBLIOGRAPHY 89 iii ACKNOWLEDGEMENTS There are times in one’s life when it is appropriate to make one’s gratitude explicit. Sometimes this task is made difficult not by lack of gratitude nor lack of reason for it. Rather, we are occasionally fortunate enough to have more gratitude than words can contain. Such is the case when I consider the contributions of my advisor, Jeffrey Wattles, who went far beyond his obligations in the preparation of this document. From the beginning, his nurturing presence has fueled the process of exploration, allowing me to follow my truth, rather than persuading me to support his. -
Linking Khotan and Dūnhuáng: Buddhist Narratives in Text and Image
5 (2018) Article 6: 250–311 Linking Khotan and Dūnhuáng: Buddhist Narratives in Text and Image CHRISTOPH ANDERL Department of Languages and Cultures, Ghent University, Belgium This contribution to Entangled Religions is published under the Creative Commons Attribution 4.0 International Public License (CC BY 4.0 International). The license can be accessed at https://creativecommons.org/licenses/by/4.0/legalcode. © 2018 Christoph Anderl Entangled Religions 5 (2018) http://dx.doi.org./10.13154/er.v5.2018.250–311 Christoph Anderl Linking Khotan and Dūnhuáng: Buddhist Narratives in Text and Image1 CHRISTOPH ANDERL Ghent University ABSTRACT In the propagation and spread of Buddhism throughout Asia, jātaka and avadāna narratives played a decisive role, both in the form of texts and iconographical representations. In this paper I will focus on another set of narratives which enjoyed great popularity in the Dūnhuáng area during the later Tang and Five Dynasties period, dealing with historical projections concerning the origin and transmission of Buddhism. In this stories, “Auspicious Statues” (ruìxiàng 瑞像) play a key role. These “living” statues were thought to have moved from Indian monasteries to Khotan and other regions, serving as agents of the transmission of the Dharma in these areas. Besides reflecting religious key concern during that period, the historical narratives on the spread of Buddhism also give witness to the close diplomatic and family relations between Dunhuang and the Kingdom of Khotan during that period. KEY WORDS Mogao caves; Auspicious Statues; 瑞像; Khotan; Dunhuang; Buddhist narratives; transmission of Buddhism; localization of Buddhism; Oxhead Mountain; 牛頭山 1 This paper was presented at the workshop “Ancient Central Asian Networks. -
In One Lifetime: Pure Land Buddhism
In One Lifetime: Pure Land Buddhism % In One Lifetime: Pure Land Buddhism Shi Wuling Amitabha Publications Chicago Venerable Wuling is an American Buddhist nun of the Pure Land school of Mahayana Buddhism. Amitabha Publications, Chicago © 2006 by Amitabha Publications Some rights reserved. No part of this book may not be altered without permission from the publisher. Reprinting is allowed for non-profit use. For the latest edition, contact [email protected] “The Ten-Recitation Method” is a translation based on a talk by Venerable Master Chin Kung Chapters 1, 3, and 4 contain excerpts from Awaken to the Buddha Within by Venerable Wuling 10 09 08 07 06 1 2 3 4 5 ISBN: 978-1-59975-357-7 Library of Congress Control Number: 2006927171 Printed by: The Pure Land Learning College Association, Inc. 57 West St., Toowoomba, QLD 4350, Australia Tel: 61-7-4637-8765 Fax: 61-7-4637-8764 www.amtb-aus.org For more teachings and gifts of the Dharma, please visit us at www.amitabha-publications.org Contents Pure Land Buddhism 1 Chanting 6 Cultivation 8 The Five Guidelines 27 Dharma Materials 41 Visiting a Buddhist Center 42 Chanting Session 44 Thoughts from Master Yin Guang 48 Closing Thoughts 50 Ways to Reach Us 52 Pure Land Buddhism Once, the Buddha was asked if he was a god. The Buddha replied that no, he was not a god. Then was he an angel? No. A spirit? No. Then what was he? The Buddha replied that he was awakened. Since the Buddha, by his own assertion, is not a god, we do not worship him. -
The Pure Land Thought of Chan Master Jixing Chewu (1741-1810)
Journal of the International Association of Buddhist Studies Volume 23 • Number 1 • 2000 n JIKIDO TAKASAKI In memoriam Prof. Hajime Nakamura 1 DANIEL BOUCHER On Hu and Fan Again: the Transmission of "Barbarian" Manuscripts to China 7 ANN HEIRMAN What Happened to the Nun Maitreyl? 29 CHARLES B. JONES Mentally Constructing What Already Exists: The Pure Land Thought of Chan Master Jixing Chewu (1741-1810) 43 JAN NATTIER The Realm of Aksobhya: A Missing Piece in the History of Pure Land Buddhism 71 REIKO OHNUMA The Story of RupavatI: A Female Past Birth of the Buddha 103 BHIKKHU PASADIKA A Hermeneutical Problem in SN 42, 12 (SN IV, 333) and AN X, 91 (AN V, 178) 147 OSKAR VON HINUBER Report on the Xllth Conference of the IABS 155 Accounts of the Xllth IABS Conference 161 CHARLES B, JONES Mentally Constructing What Already Exists: The Pure Land Thought of Chan Master Jixing Chewu fflmWfig (1741-1810) L INTRODUCTION One aspect of Chinese Pure Land history that has begun receiving atten tion during the past twenty years is the existence of a widely-recognized series of "patriarchs" (zu whose number stands at thirteen (although one list I have seen contains fourteen names).1 These are figures whom Pure Land devotees acknowledge as shapers, defenders, and revivers of the tradition. Twelfth in this series is the mid-Qing dynasty figure of Jixing Chewu |£|IfS(ti§, a Chan monk in the Linji line who, in mid-life, abandoned the practice of Chan and devoted himself exclusively to the Pure Land path. After this change of direction, he put his energy into building up his home temple, the Zifu Temple |f^§# on Hongluo Mountain HiiULl in Hebei, into a center for Pure Land practice, and his talks and essays focused on issues related to Pure Land practice, philoso phy, and apologetics. -
Reclaiming Buddhist Sites in Modern India: Pilgrimage and Tourism in Sarnath and Bodhgaya
RECLAIMING BUDDHIST SITES IN MODERN INDIA: PILGRIMAGE AND TOURISM IN SARNATH AND BODHGAYA RUTIKA GANDHI Bachelor of Arts, University of Lethbridge, 2014 A Thesis Submitted to the School of Graduate Studies of the University of Lethbridge in Partial Fulfilment of the Requirements for the Degree MASTER OF ARTS Department of Religious Studies University of Lethbridge LETHBRIDGE, ALBERTA, CANADA ©Rutika Gandhi, 2018 RECLAIMING BUDDHIST SITES IN MODERN INDIA: PILGRIMAGE AND TOURISM IN SARNATH AND BODHGAYA RUTIKA GANDHI Date of Defence: August 23, 2018 Dr. John Harding Associate Professor Ph.D. Supervisor Dr. Hillary Rodrigues Professor Ph.D. Thesis Examination Committee Member Dr. James MacKenzie Associate Professor Ph.D. Thesis Examination Committee Member Dr. James Linville Associate Professor Ph.D. Chair, Thesis Examination Committee Dedication This thesis is dedicated to my beloved mummy and papa, I am grateful to my parents for being so understanding and supportive throughout this journey. iii Abstract The promotion of Buddhist pilgrimage sites by the Government of India and the Ministry of Tourism has accelerated since the launch of the Incredible India Campaign in 2002. This thesis focuses on two sites, Sarnath and Bodhgaya, which have been subject to contestations that precede the nation-state’s efforts at gaining economic revenue. The Hindu-Buddhist dispute over the Buddha’s image, the Saivite occupation of the Mahabodhi Temple in Bodhgaya, and Anagarika Dharmapala’s attempts at reclaiming several Buddhist sites in India have led to conflicting views, motivations, and interpretations. For the purpose of this thesis, I identify the primary national and transnational stakeholders who have contributed to differing views about the sacred geography of Buddhism in India. -
Taming the Monkey Mind
TTamingaming thethe MonkeyMonkey MindMind A Guide to Pure Land Practice by the Buddhist Scholar Cheng Wei-an Translation with Commentary by Dharma Master Suddhisukha HAN DD ET U 'S B B O RY eOK LIBRA E-mail: [email protected] Web site: www.buddhanet.net Buddha Dharma Education Association Inc. Taming The Monkey Mind A Guide to Pure Land Practice by the Buddhist scholar Cheng Wei-an Translation with Commentary by Dharma Master Suddhisukha Sutra Translation Committee of the U. S. and Canada New York – San Francisco – Niagara Falls – Toronto May 2000 2 The Chinese original of this translation, Nien-fo ssu-shih-pa fa by the Buddhist scholar Cheng Wei-an, is reprinted (together with Elder Master Yin Kuang’s work Ching-yeh Chin- liang) in: Ch’en Hsi-yuan, ed., Ching-t’u Ch’ieh-yao [Essentials of Pure Land], Taiwan, 1968. Cheng Wei-an’s text has been translated into Vietnamese twice, under the title 48 Phap Niem Phat by Trinh Vi-Am. The better known version was published in 1963 with a commentary by Dharma Master Thich Tinh Lac (Skt: Suddhisukha). 3 Contents List of Contents Note to the English Edition x5 Acknowledgements x6 Pure Land in a Nutshell x7 Preface 10 Text: 48 Aspects of Buddha Recitation 12 Appendices: The Bodhi Mind x75 Introduction to Pure Land Buddhism 113 Notes 135 Index 147 Dedication of Merit 150 4 Note to the English Edition The present treatise, a Pure Land classic, is part of a multilingual series on Pure Land Buddhism published by the Sutra Translation Committee of the United States and Canada. -
From Esoteric to Pure Land and Huayan Buddhism: Uṣṇīṣavijayā Dhāraṇī Mandala in Liao Buddhism
美術史學硏究 第307號 2020. 9 pp. 153-184 http://dx.doi.org/10.31065/kjah.307.202009.005 From Esoteric to Pure Land and Huayan Buddhism: Uṣṇīṣavijayā Dhāraṇī Mandala in Liao Buddhism Youn-mi Kim Ⅰ. Introduction Ⅱ. Text and Image: Early Liao Mandala and Tang Scriptures Ⅲ. Three-dimensional Mandala Ⅳ. Textual Mandala: Modification and Expansion Ⅴ. Conclusion Ⅰ. Introduction The Uṣṇīṣavijayā dhāraṇī (Foding zunsheng tuoluoni 佛頂尊勝陀羅尼), known for its efficacy in removing bad karma and prolonging one’s lifespan, was one of the key Buddhist incantations in premodern China.1 Once the incantation became widespread in the Tang dynasty (618-907), it began 1 The textual source of the uṣṇīṣavijayā dhāraṇī is the Sutra of the Uṣṇīṣavijayā dhāraṇī (Foding zunsheng tuoluoni jing 佛頂尊勝陀羅尼經). The sutra was so popular that it was translated five times in China, once each by Buddhapālita (T. 19, no. 967), Du Xingyi (T. 19, no. 968), and Yijing (T. 19, no. 971), and twice by Divākara (T. 19, no. 969, and T. 19, no. 970). They have similar but slightly different contents. Among these, the translation by Buddhapālita was most widely used. For the political characteristics of the preface of Buddhapālita’s translation, see Antonino Forte, “The Preface to the So-called Buddhapālita Chinese Version of the Buddhosṇīṇa Vijaya Dhāraṇī Sūtra” unpublished paper, quoted in Paul F. Copp, “Voice, Dust, 153 to engender new types of material culture. Perhaps the best-known monument linked to this incantation was the jingchuang 經幢, or dhāraṇī pillar, that was erected for engravings of its text during the Tang.2 Such pillars proliferated throughout the Liao dynasty (907-1125).3 During the Liao period, however, another type of ritual object formed a main branch of the material culture pertaining to the Uṣṇīṣavijayā dhāraṇī—the mandala that was used for activating the power of this important incantation. -
'Just Open Your Mouth and Say A': A-Syllable Practice for the Time of Death In
Pacific World Journal Third Series Number 8 Fall 2006 Special Issue: Honoring James H. Sanford Guest Editor: Charles D. Orzech Just Open Your Mouth and Say “A”: A-Syllable Practice for the Time of Death in Early Medieval Japan Jacqueline I. Stone Princeton University JAPANESE BUDDHISTS OF THE EARLY medieval period often sought to die in a ritualized fashion that would encourage right mindfulness in their last moments. One’s thoughts at the time of death were held to exert a particular force over one’s postmortem fate; persons who died with a mind calmly focused on the Buddha were believed thereby to escape the miserable cycle of samsara and achieve “birth in a pure land” (ōjō, 往生), where one’s eventual attainment of buddhahood would be assured. Such exemplary deaths are described in great numbers in ōjōden (“accounts of birth in the Pure Land,” 往生傳) and other Buddhist hagiographical literature of the latter Heian period (794–1185), while texts of instruction for deathbed practice (rinjū gyōgisho, 臨終行儀書) offer recommendations for how practice in one’s last days or hours should be conducted. The most sought-after postmortem destination was the Pure Land of Utmost Bliss (Skt. Sukhāvatī; Jpn. Gokuraku jōdō, 極楽浄土), the realm of the Buddha Amida (Skt. Amitābha, Amitāyus), said to lie billions of worlds away in the western quadrant of the cosmos. The scholar-monk Genshin (源信, 942–1017), whose treatise Ōjō yōshū (Essentials of Birth in the Pure Land) contains the first set of instructions for deathbed practice compiled in Japan, recommended contemplation at life’s end of Amida’s physical marks; his radiant light, embracing the devotee; and his welcoming descent (raigō, 来迎), together with his host of attendant bodhisattvas, to escort the dying person to his pure land. -
The Buddhist Coleridge: Creating Space for the Rime of The
Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 6-27-2013 The uddB hist Coleridge: Creating Space for The Rime of the Ancient Mariner within Buddhist Romantic Studies Katie Pacheco Florida International University, [email protected] DOI: 10.25148/etd.FI13080912 Follow this and additional works at: https://digitalcommons.fiu.edu/etd Part of the Chinese Studies Commons, Christianity Commons, Comparative Methodologies and Theories Commons, Ethics and Political Philosophy Commons, Ethics in Religion Commons, Literature in English, British Isles Commons, Other Arts and Humanities Commons, Other English Language and Literature Commons, Other Languages, Societies, and Cultures Commons, Other Religion Commons, Philosophy of Mind Commons, Practical Theology Commons, and the Religious Thought, Theology and Philosophy of Religion Commons Recommended Citation Pacheco, Katie, "The uddB hist Coleridge: Creating Space for The Rime of the Ancient Mariner within Buddhist Romantic Studies" (2013). FIU Electronic Theses and Dissertations. 937. https://digitalcommons.fiu.edu/etd/937 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida THE BUDDHIST COLERIDGE: CREATING SPACE FOR THE RIME OF THE ANCIENT MARINER WITHIN BUDDHIST ROMANTIC STUDIES A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS in ENGLISH by Katie Pacheco 2013 To: Dean Kenneth Furton College of Arts and Sciences This thesis, written by Katie Pacheco, and entitled The Buddhist Coleridge: Creating Space for The Rime of the Ancient Mariner within Buddhist Romantic Studies, having been approved in respect to style and intellectual contents, is referred to you for your judgment.