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Eine Welt Allein Ist Nicht Genug“ Großbritannien, Hannover Und Göttingen 1714 – 1837
1 Göttinger Bibliotheksschriften 31 2 3 „Eine Welt allein ist nicht genug“ Großbritannien, Hannover und Göttingen 1714 – 1837 Herausgegeben von Elmar Mittler Katalogredaktion: Silke Glitsch und Ivonne Rohmann Göttingen 2005 4 Ausstellung in der Paulinerkirche Göttingen 20. März–20. Mai 2005 Unterstützt von: © Niedersächsische Staats- und Universitätsbibliothek Göttingen 2005 Redaktionelle Assistenz: Meike Holodiuk • Anica Rose Umschlag: Ronald Schmidt • Satz: Michael Kakuschke • Jürgen Kader Digital Imaging: Martin Liebetruth • Einband: Burghard Teuteberg ISBN 3-930457-75-X ISSN 0943-951X 5 Zum Geleit Elmar Mittler .............................................................................................. 9 Von der Manufakturstadt zum „Leine-Athen“. Göttingen, 1714–1837 Hermann Wellenreuther ........................................................................... 11 Exponate A .............................................................................................. 29 Personalunion mit England und Mitglied im Reich: Von Kurhannover zum Königreich Hannover, 1690–1837 Hermann Wellenreuther ........................................................................... 32 Exponate B .............................................................................................. 49 Britische Bilder und Vorstellungen von Deutschland im 18. Jahrhundert Frauke Geyken ......................................................................................... 52 Exponate C ............................................................................................. -
U K Á Z K a K N I H Y Z I N T E R N E T O V É
U k á z k a k n i h y z i n t e r n e t o v é h o k n i h k u p e c t v í w w w . k o s m a s . c z , U I D : K O S 2 2 3 5 3 1 Ukázka knihy z internetového knihkupectví www.kosmas.cz ADMIRED AS WELL AS OVERLOOKED BEAUTY Contributions to Architecture of Historicism, Art Nouveau, Early Modernism and Traditionalism Jan Galeta – Zuzana Ragulová (eds.) Barrister & Principal Masarykova univerzita Brno 2015 U k á z k a k n i h y z i n t e r n e t o v é h o k n i h k u p e c t v í w w w . k o s m a s . c z , U I D : K O S 2 2 3 5 3 1 Ve věci autorských práv ilustrací je každý autor odpovědný za publikované ilustrace. Obecně se ale tato publikace řídí ust. § 31 zákona č. 121/2000 Sb. (autorský zákon), kde je v odst. 1, písm. c) výslovně řečeno: „Do práva autorského nezasahuje ten, kdo užije dílo při vyučování pro ilustrační účel nebo při vědeckém výzkumu, jejichž účelem není dosažení přímého nebo nepřímého hospodářského nebo obchodního prospěchu, a nepřesáhne rozsah odpovídající sledovanému účelu; vždy je však nutno uvést, je-li to možné, jméno autora, nejde-li o dílo anonymní, nebo jméno osoby, pod jejímž jménem se dílo uvádí na veřejnost, a dále název díla a pramen.“ In the matter of copyright, every author is responsible for the illustrations published. -
Die Wiener Votivkirche Als Gedächtnisort
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES DIPLOMARBEIT Titel der Diplomarbeit Die Wiener Votivkirche als Gedächtnisort Verfasserin Doris Fahrngruber Angestrebter akademischer Grad Magistra der Philosophie (Mag. phil.) Wien, 2012 Studienkennzahl lt. Studienblatt: A 312 Studienrichtung lt. Studienblatt: Diplomstudium Geschichte Betreuer: ao. Univ.-Prof. Dr. Karl Vocelka Danksagung Danken möchte ich allen, die zur Entstehung dieser Arbeit beigetragen haben. Allen voran gilt mein Dank Prof. Karl Vocelka für die umsichtige und ermutigende Betreuung. Gedankt sei des Weiteren Pfarrer Dr. Joseph Farrugia für die Ermöglichung, das Archiv der Votivkirchenpfarre zu benutzen sowie den Mitarbeitern der Pfarrkanzlei, die mir bei Fragen und Auskünften immer behilflich waren. Besonders danken möchte ich meiner Familie für die mir entgegengebrachte Geduld und Unterstützung während meines Studiums und bei der Verwirklichung meiner Diplomarbeit. INHALTSVERZEICHNIS 1 EINLEITUNG .................................................................................................... - 7 - 2 DIE BEDEUTUNG VON GEDÄCHTNISORTEN UND IHR STELLENWERT IN DER ÖSTERREICHISCHEN GESCHICHTE ............... - 10 - 2.1 Der Gedächtnisbegriff ........................................................................................................... - 10 - 2.1.1 Kollektives und kulturelles Gedächtnis .............................................................................. - 11 - 2.1.2 Gedächtnis und Geschichte ................................................................................................ -
Main Addresses
Newsletter for 2017 Summer Course in Vienna TABLE OF CONTENTS MAIN ADDRESSES ........................................................................................................................................................ 1 VIENNA AIRPORT ......................................................................................................................................................... 2 VIENNA CITY MAP ........................................................................................................................................................ 2 TRANSPORT IN VIENNA ............................................................................................................................................... 4 STORES (& Phone SIM-cards) ..................................................................................................................................... 5 MISCELLANEOUS TOURIST INFORMATION.............................................................................................................. 6 TABLET APPS ............................................................................................................................................................... 6 MAIN ADDRESSES University of Vienna, School of Law (Rechtswissenschaftliche Fakultät, Universität Wien), Schottenbastei 10-16, A-1010 Vienna (Town-part: 1. Bezirk-Innere Stadt) [32 minutes’ walk from Austrian Nat’l Defense Academy] www.juridicum.at www.univie.ac.at/techlaw This is the location where classes will be held for the first -
Architektur Guide (PDF)
w Architektur Architecture/Architecture/L’architettura/ iennaNo Arquitectura/建築:ユーゲントシュティルから現代まで #V Vom Jugendstil o bis zur Gegenwart ienna.inf From Art Nouveau .v to the Present www Inhalt/Contents Architekturzentrum Wien – Die 1970er und 1980er Architekturführungen The 1970s and 1980s in und um Wien Architecture tours in and around Vienna Aktuelle Bauten seit 1990 Modern architecture since 1990 Klassiker Late 19th and early 20th century Neue Stadtviertel New Quarters Zwischenkriegszeit The interwar years Stadtpläne City Maps Wiederaufbau After World War II www.wienarchitektur.at Informationen für Gäste: wien.info Information for visitors: vienna.info Besuchen Sie uns auch auf: facebook.com/WienTourismus facebook.com/LGBTWien youtube.com/Vienna instagram.com/ViennaTouristBoard #ViennaNow Also visit us on: facebook.com/ViennaTouristBoard facebook.com/LGBTVienna youtube.com/Vienna instagram.com/ViennaTouristBoard #ViennaNow Impressum Herausgeber: WienTourismus, A-1030 Wien Redaktion: Anneke Essl (Az W) & Robert Seydel Design: seite zwei – branding & design Layout: WienTourismus, Christian Eckart Cover: Am Donaukanal ©WienTourismus/Christian Stemper Redaktionsschluss: Oktober 2019 Alle Angaben ohne Gewähr. Änderungen vorbehalten. Printed in Austria by Druckerei Odysseus, Stavros Vrachoritis Ges.m.b.H. Gedruckt nach der Richtlinie „Druckerzeugnisse“ des Österreichischen Umweltzeichens, Druckerei Odysseus Stavros Vrachoritis GmbH, UW-Nr. 830 Printed in accordiance to the Guideline „Low pollutant print products“ of the Austrian ecolabel, -
KOLOMAN MOSER Ø KOLOMAN DESIGNING MODERN VIENNA Ø MOSER 1897–1907 Edited by Christian Witt-Dörring
5294-NG_MOSER_jacket_offset 19.03.13 13:47 Seite 1 MOSER KOLOMAN KOLOMAN MOSER ø KOLOMAN DESIGNING MODERN VIENNA ø MOSER 1897–1907 Edited by Christian Witt-Dörring With preface by Ronald S. Lauder, foreword by Renée Price, and contributions by Rainald Franz, Ernst Ploil, Elisabeth Schmuttermeier, Janis Staggs, Angela Völker, and Christian Witt-Dörring FRONT COVER: This catalogue accompanies an (TOP ROW) Armchair, ca. 1903, Neue Galerie DESIGNING New York; Easter egg, 1905, A.P. Collection, MODERN VIENNA exhibition at the Neue Galerie London; (MIDDLE ROW) Vase, 1905, New York and the Museum of A.P. Collection, London; Jewelry box, 1907, 1897–1907 Fine Arts, Houston, devoted to Private Collection; (BOTTOM ROW) Vase, 1903, Ernst Ploil, Vienna; Bread basket, 1910, Austrian artist and designer Asenbaum, London Koloman Moser (1868–1918). It BACK COVER: is the first museum retrospec- (TOP ROW) Centerpiece with handle, 1904, tive in the United States focused Private Collection; Coffer given by Gustav on Moser’s decorative arts. The Mahler to Alma Mahler, 1902, Private Collection; (MIDDLE ROW) Two napkin rings, exhibition is organized by Dr. 1904, Private Collection; Table, 1904, Private Christian Witt-Dörring, the Neue Collection; (BOTTOM ROW) Mustard pot, 1905, Private Collection; Display case for the Galerie Curator of Decorative Arts. Schwestern Flöge (Flöge Sisters) fashion salon, 1904, Private Collection The exhibition and catalogue survey the entirety of Moser’s decorative arts career. They ex- amine his early work as a graphic designer and his involvement with the Vienna Secession, with spe- cial focus given to his role as an PRESTEL PRESTEL artist for the journal Ver Sacrum (Sacred Spring). -
Vienna Guide
April 22—24, 2015, Vienna, Austria Hotel Park Royal Palace Vienna Guide SIGHTSEEING Vienna is old, Vienna is new… and the sights are so varied: from the magnificent Baroque buildings to “golden” Art Nouveau to the latest architecture. And over 100 museums beckon… ALBERTINA The Albertina has the largest and most valuable graphical collection in the world, including works such as Dürer’s “Hare” and Klimt‘s studies of women. Its latest exhibition presents masterpieces of the Modern era, spanning from Monet to Picasso and Baselitz. As the largest Hapsburg residential palace, the Albertina dominates the southern tip of the Imperial Palace on one of the last remaining fortress walls in Vienna. ANKER CLOCK This clock (built 1911–14) was created by the painter and sculptor Franz von Matsch and is a typical Art Nouveau design. It forms a bridge between the two parts of the Anker Insurance Company building. In the course of 12 hours, 12 historical figures (or pairs of figures) move across the bridge. Every day at noon, the figures parade, each accompanied by music from its era. AUGARTEN PORCELAIN MANUFacTORY Founded in 1718, the Vienna Porcelain Manufactory is the second-oldest in Europe. Now as then, porcelain continues to be made and painted by hand. Each piece is thus unique. A tour of the manufactory in the former imperial pleasure palace at Augarten gives visitors an idea of how much love for detail goes into the making of each individual piece. The designs of Augarten have been created in cooperation with notable artists since the manufactory was established. -
Gfk Releases 2019 Purchasing Power for Austria and Switzerland
Geomarketing News GfK releases 2019 purchasing power for Austria May 8, 2019 and Switzerland Thomas Muranyi Public Relations T +49 7251 9295 280 Regionalized GfK purchasing power data for Austria, Germany [email protected] and Switzerland Bruchsal, Germany, May 8, 2019 – According to GfK’s latest study, the Swiss have a 2019 per capita purchasing power of €42,067, signifi- cantly outpacing the Austrians (€24,067) and Germans (€23,779). But there are substantial regional differences within and between these countries with respect to available net income. According to GfK’s prognosis, Switzerland’s almost 8.5 million inhabitants have a total purchasing power of €356.9 billion in 2019 (excludes Liechten- stein). Austria’s approximately 8.8 million inhabitants have around €212.3 billion at their disposal in 2019, while Germany’s approximately 82.8 million inhabitants have €1,968.7 billion. Purchasing power is a measure of the nominal net income available to the population, including government subsidies such as unemployment assis- tance, child benefit and pension contributions. The population uses these funds for consumer purchases as well as expenditures related to accom- modation, recreation and savings. GfK’s study reveals the regional distribu- GfK GeoMarketing GmbH www.gfk.com/geomarketing tion of purchasing power both within and between the countries under re- [email protected] view. Bruchsal headquarters: Werner-von-Siemens-Str. 9 Building 6508 Switzerland 76646 Bruchsal, Germany T +49 7251 9295 100 F +49 7251 9295 290 With a per capita purchasing power of €60,935, Zug leads the way among Hamburg branch: Switzerland’s cantons. -
Acta Historiae Artis Slovenica 25|2• 2020
XXXXXXXXXXXXXXXXXX Umetnostnozgodovinski inštitut Franceta Steleta ZRC SAZU France Stele Institute of Art History ZRC SAZU ACTA HISTORIAE ARTIS SLOVENICA 25|2• 2020 Likovna umetnost v habsburških deželah med cenzuro in propagando Visual Arts in the Habsburg Lands between Censorship and Propaganda LJUBLJANA 2020 XXXXXXX XXXXXXXXXX Acta historiae artis Slovenica, 25/2, 2020 Likovna umetnost v habsburških deželah med cenzuro in propagando Visual Arts in the Habsburg Lands between Censorship and Propaganda Znanstvena revija za umetnostno zgodovino / Scholarly Journal for Art History ISSN 1408-0419 (tiskana izdaja / print edition) ISSN 2536-4200 (spletna izdaja / web edition) ISBN: 978-961-05-0495-5 Izdajatelj / Issued by ZRC SAZU, Umetnostnozgodovinski inštitut Franceta Steleta / ZRC SAZU, France Stele Institute of Art History Založnik / Publisher Založba ZRC Glavna urednica / Editor-in-chief Tina Košak Urednika številke / Edited by Franci Lazarini, Tina Košak Uredniški odbor / Editorial board Renata Komić Marn, Tina Košak, Katarina Mohar, Mija Oter Gorenčič, Blaž Resman, Helena Seražin Mednarodni svetovalni odbor / International advisory board Günter Brucher (Salzburg), Ana María Fernández García (Oviedo), Hellmut Lorenz (Wien), Milan Pelc (Zagreb), Sergio Tavano (Gorizia-Trieste), Barbara Wisch (New York) Lektoriranje / Language editing Maria Bentz, Kirsten Hempkin, Amy Anne Kennedy, Andrea Leskovec, Tjaša Plut Prevodi / Translations Andrea Leskovec, Borut Praper, Nika Vaupotič Celosten strokovni in jezikovni pregled / Expert and language -
The Funerals of the Habsburg Emperors in the Eighteenth Century
The Funerals of the Habsburg Emperors In the Eighteenth Century MARK HENGERER 1. Introduction The dassic interpretation of the eighteenth century as aperiod of transition-from sacred kingship to secular state, from a divine-right monarchy to enlightened absolutism, from religion to reason-neglects, so the editor of this volume suggests, aspects of the continuing impact of religion on European royal culture during this period, and ignores the fact that secularization does not necessarily mean desacralization. If we take this point of view, the complex relationship between monarchy and religion, such as appears in funerals, needs to be revisited. We still lack a comparative and detailed study of Habsburg funerals throughout the entire eighteenth century. Although the funerals of the emperors in general have been the subject of a great deal of research, most historians have concentrated either on funerals of individual ruIers before 1700, or on shorter periods within the eighteenth century.l Consequently, the general view I owe debts of gratitude to MeJana Heinss Marte! and Derek Beales for their romments on an earlier version ofthis essay, and to ThomasJust fi'om the Haus-, Hof und Staatsarchiv, Vienna, for unbureaucratic access to the relevant source material. I Most attention has heen paid to Emperor Maximilian 1. Cf., among olhers, Peter Schmid, 'Sterben-Tod-Leichenbegängnis Kaiser Maximilians 1.', in Lothar Kolmer (ed.), Der Tod des A1iichtigen: Kult und Kultur des Sterbe1l5 spätmittelalterlicher Herrscher (Paderborn, 1997), 185-215; Elisaheth Scheicher, 'Kaiser Maximilian plant sein Denkmal', Jahrbuch des kunsthislmischen Museums Wien, I (1999), 81-117; Gabriele Voss, 'Der Tod des Herrschers: Sterbe- und Beerdigungsbrauchtum beim Übertritt vom Mittelalter in die frühe Neuzeit am Beispiel der Kaiser Friedrich IH., Maximilian L und Kar! V: (unpuhlished Diploma thesis, University ofVienna, 1989). -
Diplomarbeit
DIPLOMARBEIT Titel der Diplomarbeit Kunst hat ihren Preis Ökonomische Aspekte der österreichischen Künstlerlandschaft in der frühen Neuzeit unter Berücksichtigung ihres sozialen Umfeldes Verfasserin Katrin Elisabeth Leisch angestrebter akademischer Grad Magistra der Philosophie (Mag. phil.) Wien, September 2008 Studienkennzahl lt. Studienblatt: A315 Studienrichtung lt. Studienblatt: Kunstgeschichte Betreuer: Ao. Univ.- Prof. Dr. Peter Fidler INHALTSVERZEICHNIS 1. Vorwort................................................................................. 5 2. Einblick in das Österreich der frühen Neuzeit ...................... 7 2.1. Herrscher und Kriege ...........................................................................8 2.1.1. Die Habsburger – das Leben am Hof ...................................................8 2.1.2. Kriege und Unruhen – von den Bauernaufständen, dem Dreißigjährigen Krieg und der Türkenbelagerung Wiens....................12 2.2. Gesellschaftsstruktur – der Adel, das Bürgertum und die Bauern ......16 2.3. Religion – von der Reformation zur Gegenreformation ......................20 3. Wirtschaft, Handel und Geldwert........................................ 23 3.1. Geldwert, Preise und Löhne...............................................................24 3.1.1. Verdienst am Beispiel eines Maurergesellen......................................25 3.1.2. Preise von Lebensmitteln ...................................................................26 4. Vom Handwerker zum (Hof-)Künstler ................................ 28 -
Global Austria Austria’S Place in Europe and the World
Global Austria Austria’s Place in Europe and the World Günter Bischof, Fritz Plasser (Eds.) Anton Pelinka, Alexander Smith, Guest Editors CONTEMPORARY AUSTRIAN STUDIES | Volume 20 innsbruck university press Copyright ©2011 by University of New Orleans Press, New Orleans, Louisiana, USA. All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without prior permission in writing from the publisher. All inquiries should be addressed to UNO Press, University of New Orleans, ED 210, 2000 Lakeshore Drive, New Orleans, LA, 70119, USA. www.unopress.org. Book design: Lindsay Maples Cover cartoon by Ironimus (1992) provided by the archives of Die Presse in Vienna and permission to publish granted by Gustav Peichl. Published in North America by Published in Europe by University of New Orleans Press Innsbruck University Press ISBN 978-1-60801-062-2 ISBN 978-3-9028112-0-2 Contemporary Austrian Studies Sponsored by the University of New Orleans and Universität Innsbruck Editors Günter Bischof, CenterAustria, University of New Orleans Fritz Plasser, Universität Innsbruck Production Editor Copy Editor Bill Lavender Lindsay Maples University of New Orleans University of New Orleans Executive Editors Klaus Frantz, Universität Innsbruck Susan Krantz, University of New Orleans Advisory Board Siegfried Beer Helmut Konrad Universität Graz Universität